Relevant bibliographies by topics / Altazor

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Altazor'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Altazor"

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Bay, Tatiana Aguilar-Alvarez. "Altazor." Tópicos, Revista de Filosofía 13, no. 1 (November 28, 2013): 15. http://dx.doi.org/10.21555/top.v13i1.421.

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El artículo comienza con un análisis interno y externo de la modernidad y la vanguardia artística, anotando importantes reflexiones desde las dimensiones plástica, estética, histórica y crítica. El estudio del poema Altazor del chileno Vicente Huidobro, junto con el movimiento del Creacionismo -de su autoría, donde el arte deja de imitar a la naturaleza para imitar su poder creativo- constituye el eje central de este artículo. De entre las múltiples reflexiones dedicadas a los rasgos principales de cada canto del poema, surgen las preguntas por la conciliación de los diversos movimientos poéticos y la verdadera intención de la poesía que, finalmente, pudiera no ser otra que la que el mismo Huidobro propone.
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Yurkievich, Saúl. "Altazor, infinauta del infimento." America 6, no. 1 (1989): 27–33. http://dx.doi.org/10.3406/ameri.1989.945.

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Lillig, Mathias. "Los fracasos de "Altazor"." Chasqui 21, no. 2 (1992): 35. http://dx.doi.org/10.2307/29740483.

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López-Adorno, Pedro. "La lectura ideológica-estética de "Altazor"." Revista de Crítica Literaria Latinoamericana 13, no. 25 (1987): 51. http://dx.doi.org/10.2307/4530306.

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Pinto, Magdalena García, and Pedro López-Adorno. "Vías teóricas de Altazor de Vicente Huidobro." Chasqui 19, no. 1 (1990): 115. http://dx.doi.org/10.2307/29740245.

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Zamora Varela, María Juliana. "El poema Altazor como deconstrucción del lenguaje." Revista Stultifera 2, no. 1 (2019): 63–89. http://dx.doi.org/10.4206/rev.stultifera.2019.v2n1-05.

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Rogelio Salmona, Arquitecto. "Casa Altazor. Vereda de la Torca. Bogotá. Colombia." EN BLANCO. Revista de Arquitectura 5, no. 12 (September 20, 2013): 112. http://dx.doi.org/10.4995/eb.2013.6612.

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<p>Esta casa está ubicada en una urbanización campestre en la afueras de Bogotá, en un maravilloso lugar a 3.000 m sobre el nivel del mar, sobre un terreno fuertemente inclinado. Fue concebida para ser construida en su totalidad en concreto ocre, lo que exigía un diseño cuidadoso de las formaletas, los empates y la producción de nuevas piezas en concreto para poder dar solución a requerimientos técnicos, como jambas, alfajías, alfardas, etc. que serían necesarias para la buena ejecución de la obra. Una gran rampa recibe al visitante en la parte mas baja y lo invita a acceder en compañía de atarjeas con agua viva hasta llegar al recinto.</p>
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Gallardo, Fransiles. "Medina, Bethoven. Chelita encantadora. Lima: Ediciones Altazor, 2013." In Crescendo 5, no. 1 (June 6, 2014): 151. http://dx.doi.org/10.21895/incres.2014.v5n1.18.

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Fürstenberger, Nathalie. "Métaphore du temps ou temps métaphorique dans Altazor." America 6, no. 1 (1989): 73–79. http://dx.doi.org/10.3406/ameri.1989.949.

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de Sart, Amaury. "D’« Altazor » à Larva : le courant transformationniste en traduction." Meta 63, no. 2 (December 18, 2018): 286–305. http://dx.doi.org/10.7202/1055140ar.

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Le présent article porte sur les tendances traductives du courant transformationniste lié à la revue Change (1968-1983) à travers l’exemple d’un extrait du roman Larva de Julián Ríos traduit par Gérard de Cortanze. Cette traduction témoigne de nombreuses prises de liberté narratives et poétiques, conformément aux principes transformationnistes qui visent au détournement de la poéticité du texte original. Pour comprendre la position traductive de de Cortanze, sa traduction du poème « Altazor » de Vicente Huidobro et la préface qui l’accompagne, parues quelques années avant la traduction de Larva, ont servi de référence. L’une des particularités du projet de traduction de Larva réside dans le fait qu’il a été guidé par la traduction de poésie avant-gardiste. À partir de la perspective sociocritique d’Annie Brisset dans ses travaux sur la traduction d’« Altazor » (2006 ; 2011), cet article considère la traduction d’un extrait de Larva en lien avec le discours critique qui lui est contemporain.
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Dissertations / Theses on the topic "Altazor"

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Costa, Ronald Ferreira da. "Altazor por Zaratustra : uma perspectiva dionisíaca." Universidade Estadual de Londrina. Centro de Letras e Ciências Humanas. Programa de Pós-Graduação em Letras, 2012. http://www.bibliotecadigital.uel.br/document/?code=vtls000171856.

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O presente trabalho de dissertação apresenta uma proposta comparatista de leitura entre os objetos Altazor, de Vicente Huidobro, e Assim falou Zaratustra, de Nietzsche. Numa tentativa de organização cronológica, inicialmente, o texto presta-se à análise dos antecedentes daqueles objetos. Então, analisa-os na sua perspectiva teórica: por um lado o criacionismo de Huidobro, e, por outro, os quatro conceitos filosóficos orientadores de Zaratustra. Em seguida, os personagens são apresentados em perspectiva conceitual e estrutural, para, finalmente, concretizar-se a proposta de leitura comparatista, que se faz a partir dos pressupostos filosóficos de Zaratustra, buscando a perspectiva dionisíaca da afirmação no decurso de Altazor. Nesse sentido, a decomposição gradativa da língua, que se nota em Altazor, pode não representar uma renúncia à poesia, mas, a exemplo da peregrinação de Zaratustra, com o sentido afirmativo de Dioniso, aquela decomposição se torna, em Altazor, uma superação da língua e do cânone poético.
This thesis presents a proposal comparatist reading between the objects: Huidobro"s Altazor, and Nietzsche's Thus Spoke Zarathustra. In an attempt to chronological organization, initially, the text lends itself to analysis of the antecedents of those objects. Then analyzes them in their theoretical perspective: on one hand the Huidobro's creationism, and secondly, the four guiding philosophical concepts of Zarathustra. Then the characters are presented in conceptual and structural perspective, to finally materialize the proposal comparatist reading, which is made from the philosophical assumptions of Zarathustra, seeking affirmation of the Dionysian perspective during Altazor. In this sense, the gradual decay of language, which is noted in Altazor may not represent a waiver of poetry, but, like the pilgrimage of Zarathustra, with the affirmative sense of Dionysus, that decomposition becomes, in Altazor, an overcoming of language and poetic canon.
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Silva, Jeane Maria Guimarães da. "Altazor: uma viagem pela poética de Vicente Huidobro." Universidade Federal de Pernambuco, 2005. https://repositorio.ufpe.br/handle/123456789/7987.

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Este estudo propõe uma análise do poema Altazor (obraprima do vanguardismo em língua espanhola) do poeta chileno Vicente Huidobro, evidenciando seus aspectos temáticos, estruturais e metalingüísticos. O poema Altazor o el viaje en paracaídas expõe a teoria criacionista de Huidobro, 'expressando por meio do lúdico exercício imagístico, toda uma desolada visão do mundo, centrada na solidão, na incomunicação e no vazio'. O mito do poeta como pequeno Deus e a realização do poema criado representam o ideal perseguido por Altazor- Huidobro em sua trajetória poética na qual "a Poesia é a linguagem da Criação". No poema Altazor, o motivo da viagem difere do sentido tradicional do livro de relatos. A leitura de Altazor se faz como percurso poético no espaço da página do poema, revelando a ousadia criadora do poeta através do jogo com a linguagem, das metáforas e de seus efeitos visuais e sonoros
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McTague, Margaret Lees. "Writing in scale Huidobro’s Altazor and Beckett’s Imagination Dead Imagine." Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/25465.

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In this thesis Vicente Huidobro's French "Fragment d'Altazor" (1930) and Spanish Altazor (1931) are compared with Samuel Beckett's English Imagination Dead Imagine (19B5) and French "Imagination morte imaginez" (1967) in terms of the concepts of musical and architectural scale which are common to all of these texts. While the Huidobro works maintain a primarily musical notion of scale, the Beckett texts employ a chiefly architectural one. In Huidobro, the vestigial presence of the diatonic scale in the seven Canto divisions of Altazor together with the chromatic structuring of Canto IV with its dodecaphonic repetition of "No hay tiempo que perder," foreshadow the fully realized tonic scale of the nightingale passage's (IV 193-9) emblematic acrosticism. In Beckett, scale involves measurement with respect to a radix or basic, conventional unit and is used in the precise description of the rotunda, the two figures within, and the flux of light and heat. The Beckettian scale is undercut, however, by the replacement of radices with retrograde and inverted variants. A semiotic approach has been used in the discussion of these texts since it not only foregrounds the importance of pattern as meaningful in itself, but also allows for comparison of two works according to the functioning of their meaning-systems, while permitting analysis at the local, medial, and global levels of the texts. However, in contrast to the theory of a semiotician like Michael Riffaterre, the view taken in this- thesis is that form is an extension of content. Thus the figure/ ground relationship is discussed both in terms of the scales studied and of its value as a theoretical device. Imagination Dead Imaoine/"Imaoination morte imaginez" subverts rational cross-reference by injecting multiple instabilities into the figure/ground relation. By creating a figure, the rotunda, against the backdrop of "anywhere" ("ailleurs") and then removing the figure, the Beckett text effects a realization of "Nulle part." Huidobro's texts, in contrast, employ alternation (e.g., in the tonic-chromatic-tonic scales) to arrive at a non-referential purity of language ("La pura palabra y nada mcis" --III 145). As different as these two texts are in terms of, for instance, genre, length, and diegetical features, they are similar in their refusal, commonly articulated in their use of the multidimensional patterns of scale, to delimit any one particular meaning.
Arts, Faculty of
English, Department of
Graduate
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Ribeiro, Daniel Glaydson. "Condições e forjaduras da linguagem para a poesia épica moderna em Altazor de Vicente Huidobro." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8145/tde-24102011-132520/.

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Esta dissertação realiza uma leitura do poema Altazor (1931) de Vicente Huidobro assumindo as postulações do gênero épico e suas condições de desenvolvimento na modernidade. Nesse período, sobretudo desde o séc. XIX até as Vanguardas ou até hoje, se encontram importantes obras que põem em circulação tal gênero, mesmo contra as formulações metafísicas que o consideravam como um espaço discursivo impossível na modernidade. Nesse movimento, Altazor se insere como uma autoconsciência da problemática da linguagem e suas capacidades objetivas; trata-se dos modos possíveis de enunciação de um grande poeta, Altazor, esvaziado da serenidade de outrora e em busca de uma língua que vá mais além da língua materna, já que ele não aceita sua origem. Sua revolução política se opera na linguagem, o dispositivo que diz a história.
Esta disertación realiza una lectura del poema Altazor (1931) de Vicente Huidobro asumiendo las postulaciones del género épico y sus condiciones de desarrollo en la modernidad. En ese período, sobretodo desde el siglo XIX hasta las Vanguardias o hasta hoy, se encuentran importantes obras que ponen en circulación el género épico, mismo en contra de las formulaciones metafísicas que lo planteaban como un espacio discursivo imposible en la modernidad. En ese movimiento, Altazor se inserta como una autoconciencia de la problemática del lenguaje y sus capacidades objetivas; se trata de los modos posibles de enunciación de un gran poeta, Altazor, vaciado de la serenidad de antaño y en busca de una lengua que vaya más allá de la lengua materna, puesto que no acepta su origen. Su revolución política se opera en el lenguaje, el dispositivo que dice la historia.
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Tolentino, Sifuentes Luis Antonio. "Entre lo simbólico y lo real: Una lectura lacaniana de Altazor de Vicente Huidobro." Master's thesis, Pontificia Universidad Católica del Perú, 2020. http://hdl.handle.net/20.500.12404/18698.

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Esta investigación propone una relectura de Altazor (1931) a partir de los postulados del psicoanálisis lacaniano tanto en el plano del enunciado como en el de la enunciación. Los conceptos analíticos como lo simbólico y lo imaginario, el goce, el objeto a y el fantasma permiten entrelazar la compleja subjetividad del protagonista en el plano del enunciado: contestatario, nihilista y deicida, y de repente, molido por los sentimientos de angustia, impotencia y terror, sentimientos que -desde el análisis de la enunciación discursiva revelan la estratagema formal del poema como una respuesta creativa ante una verdad inquietante e insoportable: la ausencia fundamental de los principios estéticos y ontológicos sobre la cual se ha erigido la civilización humana
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Dumont, Stéphanie. "Du graphématique dans l'œuvre de Vicente Huidobro : autour d' "Altazor" et du mythe personnel, figures et fondations." Paris 8, 2009. http://www.theses.fr/2009PA083123.

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"Partie d'une hypothèse sur le graphème comme inscription porteuse d'un sens, hypothèse envisageant le recueil principal de Vicente Huidobro, "Altazor", comme lieu central et mythique d'une problématique rêvée de l'identité, la thèse interroge le texte et sa signifiance, l'œuvre comme système unique, langage actif diégétisant et dramatisant le "mythe personnel" du poète. L'enjeu de la thèse est double: d'une part, approcher au plus près l'autre histoire véhiculée par la lettre et son sémantisme propre ne valant que dans une œuvre et pour un auteur donnés ; et d'autre part, étudier le processus complexe d'élaboration de la "figure-texte" en tant qu'identité, condition et définition d'un moi textuel, dans la fiction duquel se projette à tous moments le moi auctorial: là donc où se joue la démarche auto-fondatrice du poète dans et par son œuvre. Penser le moi poétique comme rénovation et reconstruction en mouvement permanent, c'est aussi s'ouvrir à une dialectique de l'identité où l'équilibre et l'appartenance, paramètres essentiels à toute fondation, surgissent dans le même acte simultané de la fracture et de l'échec-déstructuration. Logique-dialectique susceptible de donner à l'œuvre et à l'histoire personnelle du poète qui s'y trouve "mise en intrigue", leur forme-sens spécifique. "
Proceeding from the concept of the grapheme as an inscription which in itself bears meaning, the thesis envisages Vicente Huidobro's principal collection, "Altazor", as the focus of a problematic of identity. The thesis questions the text and its meaning, and the work as a specific system where language dramatizes and narrativizes the poet's "personal myth". The thesis has a dual objective. On the one hand, to look closely at the alternate story, so to speak, expressed by the grapheme as such, and its own semantics within a individual work by a individual author ; and on the other hand, to study the complex process of development of the 'text-figure' as the identity, condition and definition of a textual self in fiction, in which the author's self is present at all times. The arena in which the poet establishes himself in and by his work. Elaborating a poetic self as a perpetual movement of renovation and reconstruction, is also to open oneself to a dialectic of identity where balance and belonging, essential parametres in establishing such presence, arise in the same act of simultaneous fracture and fragmentation-failure. A dialectic-logic capable of lending a specific form-meaning to the work, and to the author's personal experience which is woven into it
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Schramm, Uwe. "Altair SimSolid™ – schnelle konstruktionsnahe Berechnung ohne Vernetzung." Technische Universität Chemnitz, 2019. https://monarch.qucosa.de/id/qucosa%3A34095.

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Schon seit längerer Zeit wird versucht, Konstruktion und Berechnung zu verschmelzen. Ein Hindernis ist dabei oft, dass Berechnungsexpertise erforderlich ist, um aussagefähige Modelle zu erstellen. Da meistens die Finite Elemente Analyse verwendet wird, sind Geometrievereinfachungen und Vernetzung erforderlich. Beides braucht Expertise und vor allem Zeit. Obwohl es schon Software gibt, die diese Prozesse automatisiert, gibt es immer wieder Limitationen. Mit SimSolid gibt es nun eine Software, die keine Geometrievereinfachung und -vernetzung erfordert und damit einige Hindernisse für die konstruktionsnahe Berechnung aus dem Weg schafft. In SimSolid ist eine vernetzungsfreie Finite Elemente Methode implementiert. Sie basiert auf der Anwendung der Ritz-Galerkin Methode. Der Vortrag gibt eine kurze Übersicht über die mathematischen Grundlagen. Die Vorteile liegen auf der Hand: Die Software kann CAD-Geometrie direkt und ohne Vereinfachung verarbeiten. Bauteilgruppen und Produkte können als Ganzes geladen und simuliert werden. Die gegenwärtige Implementation erlaubt lineare und nichtlineare Statik, stationäre thermische, Eigenfrequenz- sowie modale dynamische Berechnungen. Weiterhin verwendet der Lösungsalgorithmus adaptive Verfeinerungen der Formfunktionen. Dies geschieht automatisch in mehreren Lösungsschritten. Lokale Anreicherungen des Funktionsraumes sind auch möglich, um zum Beispiel genauere Spannungsaussagen zu bekommen. Kontakt und nichtlineare Materialien sind verfügbar. Altair SimSolid wird die konstruktionsnahe Berechnung verändern. Es können nun neben einfacher linearer Statik auch komplexere Phänomene im Konstruktionsstadium schnell analysiert werden. Natürlich muss der Konstrukteur beim Aufsetzen der Berechnungen über geeignete Material- und Lastdaten verfügen, wobei sich aber durch die Betrachtung von ganzen Baugruppen die Definition von Rand- und Lagerbedingungen dramatisch vereinfacht. Insgesamt wird SimSolid auch durch seine einfache Handhabung bald als Konstruktionswerkzeug nicht mehr wegzudenken sein.
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Volkman, Lucas P. "Altar erected against altar the impact of religious schisms in Missouri on the eve of the Civil War /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2006. http://hdl.handle.net/10355/4618.

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Thesis (M.A.)--University of Missouri-Columbia, 2006.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on April 17, 2009) Includes bibliographical references.
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Altaher, Hamid [Verfasser], Joachim [Akademischer Betreuer] Ulrich, and Sigrid [Akademischer Betreuer] Schuldei. "Zur Wachstums- und Auflösungskinetik von anorganischen Kristallen / Hamid Altaher ; Joachim Ulrich, Sigrid Schuldei." Halle, 2016. http://d-nb.info/1116952548/34.

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Boric, Sasa. "The portal, the altar, the codex, Basilica Canadiana." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape4/PQDD_0016/MQ55180.pdf.

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Books on the topic "Altazor"

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Huidobro, Vicente. Altazor. [Santiago de Chile]: Editorial Universitaria, 1991.

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Huidobro, Vicente. Altazor. [Santiago de Chile]: Editorial Universitaria, 1991.

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Huidobro, Vicente. Altazor ; Temblor de cielo. México, D.F: Red Editorial Iberoamericana México, 1987.

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1893-1948, Huidobro Vicente, and Costa René de, eds. Altazor: Temblor de cielo. 9th ed. Madrid: Cátedra, 1998.

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Huidobro, Vicente. Altazor ; Temblor de cielo. 6th ed. Madrid: Cátedra, 1992.

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Huidobro, Vicente. Altazor: Temblor de cielo. 4th ed. Madrid: Ediciones Cátedra, 1988.

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Altazor: Alquimia y revelación. México, D.F: Editorial Fontamara, 2014.

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Ortega, Norma Angélica. Vicente Huidobro Altazor y las vanguardias. México: Universidad Nacional Autónoma de México, Coordinación de Humanidades, Programa Editorial, 2000.

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Huidobro, Vicente. Altazor, O, El viaje en paracaídas. Caracas, Venezuela: Monte Avila Editores Lationamericana, 1994.

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Altazor: 10 años de cultura en Chile. Santiago de Chile: Catalonia, 2009.

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Book chapters on the topic "Altazor"

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Pérez Ribera, Francisco. "Huidobro, Vicente: Altazor o el viaje en paracaídas." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_3988-1.

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Read, Justin. "Verse Reverse Verse: Fake Autobiographies, Lost Translations, and New Originals of Vicente Huidobro’s Altazor." In Modern Poetics and Hemispheric American Cultural Studies, 103–55. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230623347_3.

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Auffarth, Christoph, Jutta Bernard, Hubert Mohr, Agnes Imhof, and Silvia Kurre. "Altar." In Metzler Lexikon Religion, 49. Stuttgart: J.B. Metzler, 2005. http://dx.doi.org/10.1007/978-3-476-00091-0_12.

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Maisel, Eric. "Altar." In 60 Innovative Cognitive Strategies for the Bright, the Sensitive, and the Creative, 132–33. New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781351203753-42.

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Kerff, Franz. ",Altar' und ,Person'." In Dialektik und Rhetorik im frühen und hohen Mittelalter, edited by Johannes Fried, 269–96. Berlin, Boston: Oldenbourg Wissenschaftsverlag, 1997. http://dx.doi.org/10.1524/9783486594249-012.

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Skagen, Annabella. "Oehlenschläger’s Freyas Altar." In Relevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860, 206–26. Abingdon, Oxon ; New York : Routledge, 2021. |: Routledge, 2020. http://dx.doi.org/10.4324/9781003032090-11.

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"Altazor-Äquinoktium." In Theaterstücke des lateinamerikanischen Exils, 93–112. Vervuert Verlagsgesellschaft, 2002. http://dx.doi.org/10.31819/9783964564108-005.

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"Altar." In Asylum, 57. University of Pittsburgh Press, 2019. http://dx.doi.org/10.2307/j.ctvhn0drm.34.

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"altar." In Sir Banister Fletcher Glossary. © the Royal Institute of British Architects (RIBA) and the University of London, 2018. http://dx.doi.org/10.5040/9781350122741.1000061.

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"ALTAR." In Bellas ficciones, 45–46. Pontificia Universidad Javeriana, 2019. http://dx.doi.org/10.2307/j.ctvkwnq64.20.

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Conference papers on the topic "Altazor"

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Dunn, Jennifer, Jean-Pierre Veran, Glen Herriot, and Malcolm Smith. "Altair interactions." In SPIE Astronomical Telescopes + Instrumentation. SPIE, 2004. http://dx.doi.org/10.1117/12.552276.

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Chupa, Anna Maria. "Altar." In ACM SIGGRAPH 96 Visual Proceedings: The art and interdisciplinary programs of SIGGRAPH '96. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/253607.253630.

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Streeb, L. P., and F. G. Brown. "MEOR-Altamon/Bluebell Field Project." In SPE Rocky Mountain Regional Meeting. Society of Petroleum Engineers, 1992. http://dx.doi.org/10.2118/24334-ms.

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Davis, Juliet. "Altar-ations." In ACM SIGGRAPH 2006 Art gallery. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1178977.1179007.

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Lai, Olivier, Jean-Pierre Véran, Glen Herriot, John White, Jesse Ball, and Chad Trujillo. "Altair performance and upgrades." In SPIE Astronomical Telescopes + Instrumentation, edited by Enrico Marchetti, Laird M. Close, and Jean-Pierre Véran. SPIE, 2014. http://dx.doi.org/10.1117/12.2056948.

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Polsgrove, Tara, Robert Button, and Diane Linne. "Altair Lunar Lander Consumables Management." In AIAA SPACE 2009 Conference & Exposition. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2009. http://dx.doi.org/10.2514/6.2009-6589.

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Bense, D. "Passenger information - the ALTAIR system." In International Conference on Public Transport Electronic Systems. IEE, 1996. http://dx.doi.org/10.1049/cp:19960445.

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Richardson, Eric H., J. Murray Fletcher, Christopher L. Morbey, Jacobus M. Oschmann, and John S. Pazder. "Optical design of Gemini Altair." In Astronomical Telescopes & Instrumentation, edited by Domenico Bonaccini and Robert K. Tyson. SPIE, 1998. http://dx.doi.org/10.1117/12.321718.

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Freeburg, T. A. "Altair-true wireless in-building networking." In IEEE Antennas and Propagation Society International Symposium 1992 Digest. IEEE, 1992. http://dx.doi.org/10.1109/aps.1992.221648.

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Smith, Malcolm J., and Jean-Pierre Veran. "Implementation of the Altair optimization processes." In Astronomical Telescopes and Instrumentation, edited by Peter L. Wizinowich and Domenico Bonaccini. SPIE, 2003. http://dx.doi.org/10.1117/12.459229.

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Reports on the topic "Altazor"

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Mariella, R. Sensor systems for the Altair Lunar Lander:. Office of Scientific and Technical Information (OSTI), December 2009. http://dx.doi.org/10.2172/1020340.

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Gómez Muñiz, Fernando, Carmen Angulo Galán, Santiago Navarro Comet, and Purificación Vega Guerra. Asistencia médica a bordo de los buques en altamar basada en la telemedicina. Buenos Aires: siicsalud.com, May 2017. http://dx.doi.org/10.21840/siic/153247.

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