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Books on the topic 'Alte performance'

Author: Grafiati

Published: 9 March 2023

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1

Bernd, Heyder, ed. 10 Jahre Forum Alte Musik Köln: Eine Dokumentation. Köln: Concerto, 2008.

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2

Bernd, Heyder, ed. 10 Jahre Forum Alte Musik Köln: Eine Dokumentation. Köln: Concerto, 2008.

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3

Thomas, Synofzik, Schwendowius Barbara, Lorber Richard, Stöhr Tilla, and Wolff Christoph, eds. 50 Jahre Alte Musik im WDR, 1954-2004. Köln: Concerto, 2005.

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4

Boisits, Barbara. Alte Musik in Österreich: Forschung und Praxis seit 1800 : Symposion Graz, 22.-24. März 2007 : Bericht. Wien: Mille Tre Verlag Robert Schächter, 2009.

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5

Laukvik, Jon. Orgelschule zur historischen Aufführungspraxis: Eine Einführung in die "alte Spielweise" anhand ausgewählter Orgelwerke des 16. bis 18. Jahrhunderts. Stuttgart: Carus, 1990.

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6

Joachim, Fontaine. Zwischen Kult und Experiment: Stationen historischer Musikpraxis in der deutsch-französischen Grenzregion : Bericht zum Kolloquium "Historie und Wiedererstehen" vom 1. Oktober 2010, veranstaltet von der Akademie für Alte Musik im Saarland e.V. Saarbrücken: PFAU, 2013.

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7

The practice of medieval music: Studies in chant and performance. Farnham, Surrey, England: Ashgate Pub., 2010.

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8

Gröninger, Eduard. Texte zur Alten Musik. Köln: Dohr, 1991.

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9

Peláez, Javier. Javier Peláez: Alto rendimiento = high performance. CDMX: Saenger Editores, 2020.

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10

Zur Lehre von der Geschäftsgrundlage nach altem und neuem Recht. Frankfurt a.M: P. Lang, 2009.

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11

Família de alta performance: Conceitos contemporâneos na educação. 6th ed. São Paulo (SP): Integrare, 2009.

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12

Neil, Charness, ed. Aging and human performance. Chichester: Wiley, 1985.

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13

Gutknecht, Dieter. Studien zur Geschichte der Aufführungspraxis alter Musik: Ein Überblick vom Beginn des 19. Jahrhunderts bis zum Zweiten Weltkrieg. Köln: Concerto Verlag, 1993.

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14

New Gallery (Calgary, Alta.). Media blitz: A festival of performance, film and video. Calgary: The Gallery, 1988.

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15

Huang, Zhe. Zur Lehre von der Geschäftsgrundlage nach altem und neuem Recht. Frankfurt a.M: P. Lang, 2009.

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16

Bruce, Dickey, and Moths Angelika, eds. Bläserartikulation in der Alten Musik: Eine kommentierte Quellensammlung = Articulation in early wind music : a source book with commentary. Winterthur: Amadeus, 2007.

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17

Altre x-roads: Modi dell'espressività afroamericana : jazz, cinema, letteratura, storytelling, performance. Imola: Bacchilega, 2009.

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18

Barrington, Gail Vallance. Project ABC: advancement based on competency: Summative evaluation, December 1987. Edmonton]: Alberta Education, 1987.

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19

Pionier der Alten Musik: Hans Eberhard Hoesch und die Kabeler Kammermusik. Kassel: Bärenreiter, 2012.

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20

1959-, Doan William, ed. Twice used songs: Performance criticism of the songs of ancient Israel. Peabody, Mass: Hendrickson Publishers, 2008.

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21

Senay, Özge. Can endogenous changes in price flexibility alter the relative welfare performance of exchange rate regimes? Cambridge, MA: National Bureau of Economic Research, 2005.

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22

Senay, Özge. Can endogenous changes in price flexibility alter the relative welfare performance of exchange rate regimes? Cambridge, Mass: National Bureau of Economic Research, 2005.

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23

Vorführen und Verführen: Vom antiken Theater zum Internetportal : Orientierungsangebote in alten und neuen Medien. Bielefeld: Transcript, 2011.

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24

ACM Special Interest Group on Programming Languages., ACM Java Grande Conference (6th : 2001 : Palo Alto, Calif.), and ISCOPE (Conference) (4th : 2001 : Palo Alto, Calif.), eds. Proceedings of the ACM 2001 Java Grande/ISCOPE Conference: Palo Alto, Calif., June 2-4, 2001. New York, N.Y: ACM, 2001.

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25

L, Howe Mark, Stones M. J, and Brainerd Charles J, eds. Cognitive and behavioral performance factors in atypical aging. New York: Springer-Verlag, 1990.

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26

Harris, Craig, 1953 Mar. 8-, ed. Art and innovation: The Xerox PARC artist-in-residence program. Cambridge, Mass: MIT Press, 1999.

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27

Cabigiosu, Anna, and Anna Moretti. Osservatorio Nazionale sulle reti d’impresa 2020. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-484-4.

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L’anno 2020 ha visto svilupparsi una crisi senza precedenti a causa della pandemia. A fronte di questa situazione, l’edizione 2020 dell’Osservatorio vuole proporre una riflessione su come le reti d’imprese possano rappresentare uno strumento di resilienza delle imprese, guardando alle relazioni inter-organizzative come strumento di flessibilità, cambiamento e adattamento. L’edizione 2020 dell’Osservatorio sviluppa un approfondimento sulla relazione tra il funzionamento della rete e la performance delle imprese in rete ed è arricchito da alcuni approfondimenti settoriali. I risultati presentati aiuteranno i manager a massimizzare le opportunità offerte dalla rete ed i policy maker ad orientare in modo ancora più efficace l’utilizzo dei contratti di rete come strumento di resilienza.

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28

Ltd, ICON Group, and ICON Group International Inc. ALTE SA: International Competitive Benchmarks and Financial Gap Analysis (Financial Performance Series). 2nd ed. Icon Group International, 2000.

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29

Premier Performance - Alto Saxophone Book 2 (Premier Performance). Ed Sueta Music, 2002.

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30

CAVICHINI, Alexis. Guia da Produtividade - Alta Performance. Cop Editora, 2017. http://dx.doi.org/10.29327/book/9788585590468.

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31

JCJ, Robson. Alta Performance: Código Do Sucesso. Independently Published, 2019.

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32

Soares, Elton. Engenharia de Alta Performance: Wwwwww. Independently Published, 2022.

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33

Festival Performance Solos: Alto Saxophone, Vol. 2. Carl Fischer Music, 2002.

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34

Gestão Estratégica: Revelando Alta Performance às Empresas. Saraiva, 2005.

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35

Faro, Eric. DNA Da Liderança de Alta Performance Workbook. Independently Published, 2019.

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36

Ziglar, Zig. El Ejecutivo De Alto Rendimiento/ Top Performance. Selector, 2001.

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37

Trabajo en alta performance: Pragmática y problem solving en la senda de la Escuela de Palo Alto. Tirant Humanidades, 2016.

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38

Bruce Pearson & Barrie Gott. Standard of Excellence: First Performance Plus Eb Alto Clarinet (Eb Alto Clarinet). 5th ed. Neil A Kjos Music Company, 2007.

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39

Bruce Pearson & Barrie Gott. Standard of Excellence: First Performance Plus Eb Alto Saxophone (Eb Alto Saxophone). 5th ed. Neil A Kjos Music Company, 2007.

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40

Modenessi, Alfredo Michel. ‘Victim of Improvisation’ in Latin America. Edited by James C. Bulman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199687169.013.27.

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The history of Shakespeare in Latin America spans roughly the same two hundred years as the region’s independent life. Throughout, his works have been the object of performance, translation, and adaptation more than of academic study and discussion. This essay offers a comprehensive framework for application to future work on the subject of Shakespeare performance in Latin America. The chief theoretical tools undepinning the essay are Haroldo de Campos and Silviano Santiago’s elaborations on ‘transcreation’, ‘cultural anthropophagy’, and ‘in-betweenness’. To outline significant common factors among Shakespeare performances in Latin America’s twenty Spanish-speaking nations, the chapter discusses two examples in depth: the first, a simple but powerful Mexican adaptation called Mendoza (2011); the second, an Italian documentary of a Cuban performance called Shakespeare in Avana: Altri Romeo, Altre Giuliette (2010). These analyses suggest the strengths of other Latin American acts of performance based on the complex phenomenon called Shakespeare.

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41

Faro, Eric. DNA Da Liderança de Alta Performance Action Plan. Independently Published, 2019.

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42

Faro, Eric. O DNA Da Liderança de Alta Performance Workbook. Independently Published, 2019.

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43

Fritz Neumeyer: Wege zur alten Musik : Stationen und Dokumente. St. Ingbert: Röhrig Universitätsverlag, 1996.

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44

Psicologia do Esporte: Clínica, Alta Performance e Atividade Física. Annablume, 2004.

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45

Erickson, Frank, John Kinyon, and John O'Reilly. Yamaha Performance Folio for Alto Clarinet (Yamaha Band Method). Alfred Publishing Company, 1994.

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46

Luz, Alfredo de Aguiar. Frases Motivadoras para Profissionais de Alta Performance Em Vendas. Independently Published, 2018.

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47

Yamaha Performance Folio for Alto Saxophone (Yamaha Band Method). Alfred Publishing Company, 1994.

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48

Faro, Eric. O DNA Da Liderança de Alta Performance Action Plan. Independently Published, 2019.

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49

Soares, Elton. Manual Do Engenheiro de Alta Performance: 10 Dicas Essenciais. Independently Published, 2018.

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50

Moten, Fred. Jurisgenerative grammar (for alto). Edited by George E. Lewis and Benjamin Piekut. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195370935.013.017.

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“Jurisgenerative Grammar” is concerned with the interplay of legality and criminality in the generation of language and music. It examines how a kind of fugitive poetics is enacted in the fall into what Martin Heidegger refers to as thecommercium, a social space marked by the propensity for song, chatter, and idle talk. This essay argues that thecommerciumis, in fact, a place for thought and thoughtful creation. Its aesthetic sociality animates the compositional and improvisational practices in which Anthony Braxton is engaged in the making of his “language musics,” even when such music is given in solo performance.

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