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Dissertations / Theses on the topic 'Alter ego'
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Gustavsson, Rhodin Hillevi. "Alter ego : Ett föränderligt bord." Thesis, Linnéuniversitetet, Institutionen för design, DE, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-6024.
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Projektet har gått ut på att göra ett flexibelt bord som ska kunna gå att förändra mellan högt och lågt och mellan olika storlekar på bordsskivan. Detta som en funktionell aspekt av föränderlighet men jag ville även införliva en emotionell föränderlighet. Jag vill att användaren, på ett handgripligt sätt, ska kunna uttrycka sig själv i bordet. Min intention är att man, genom att göra sitt eget unika bord, skapar ett starkare band mellan artefakt och dess användare. Detta som ett led i en hållbar utveckling så att produkterna vi äger kan brukas längre och motverka den ohållbara så kallade slit-och-slängkulturen.The aim of the project has been to make a flexible table with the ability to change between high and low, and various table tops. This is a functional aspect of variability, but also an emotional element is contained. I want it to be simple for users to express themself in their table. My intention is that when users can make their own unique table there will be a stronger bond between the artifact and its user. This as a means of sustainability so that the products we own can be used for a longer time, and in this way oppose the unsustainable consumerism culture.The aim of the project has been to make a flexible table with the ability to change between high and low, and various table tops. This is a functional aspect of variability, but also an emotional element is contained. I want it to be simple for users to express themself in their table. My intention is that when users can make their own unique table there will be a stronger bond between the artifact and its user. This as a means of sustainability so that the products we own can be used for a longer time, and in this way oppose the unsustainable consumerism culture.
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Covich, Anna-Maria Ruth. "Alter/Ego: Superhero Comic Book Readers, Gender and Identities." Thesis, University of Canterbury. Social and Political Sciences, 2012. http://hdl.handle.net/10092/7262.
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The academic study of comic books - especially superhero comic books - has predominantly focused on the analysis of these books as texts, as teaching and learning resources, or on children as comic book readers. Very little has been written about adult superhero comic fans and their responses to superhero comics. This thesis explores how adult comic book readers in New Zealand engage with superhero comics. Individual interviews and group conversations, both online and face-to-face, provide insights into their responses to the comics and the characters as well as the relationships among fans. Analysis of fans’ talk about superhero comics includes their reflections on how masculinities are represented in these comics and the complex ways in which they identify with superheroes, including their alter egos.
The thesis examines how superhero comic book readers present themselves in their interactions with other readers. Comics ‘geekdom’, fans’ interactions with one another and their negotiation of gendered norms of masculinity are discussed. The contrast between the fan body and the superhero body is an important theme. Readers’ discursive constitution and management of superheroes’ bodies, and their engagement with representations of superheroes are related to analyses of multiplicity in individual identities and current theories of audience reception and identification.
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Borman, Martha M. "Die alter ego in die romans van Etienne Leroux." Doctoral thesis, University of Cape Town, 1990. http://hdl.handle.net/11427/8367.
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Bibliography: leaves 391-406.Die konfrontasie tussen die mens en sy alter ego (die "antler" in die psige) is nie 'n onbekende verskynsel nie. Sedert die vroegste tye het filosowe en skrywers na die alter ego verwys en korter gelede het 'n aantal psigiaters, sielkundiges, antropoloe en literatore die dubbelganger/alter ego as studieterrein gekies. Onder andere word die feit beklemtoon dat die fenomeen van die dubbelganger of alter ego nie net 'n versinsel van filosowe of skrywers is nie, maar 'n patologiese realiteit wat met intrapsigiese konflik verband hou. Voorts word aangedui dat die frekwensie van die verskyning van die alter ego in die literatuur die eienaardigheid van die lewe en die kompleksiteit van die menslike psige beklemtoon. In die eerste hoofstuk van hierdie studie is daar 'n uiteensetting van die verkenning verskillende vakgeleerdes.
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Hellwig, Hannah. "Esters rester, ett alter ego : En undersökning av självframställning i tecknade serier." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-194008.
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Denna studie undersöker hur serietecknare gestaltar sig själva visuellt i sina verk. Där undersökningen utgår ifrån konstnären och serietecknaren Ester Erikssons seriebok Jag Esters rester (2017). Fokuset för analysen är huvudkaraktären Ester och hur Ester är en visuell representation av Erikssons självbild. Jag utgår ifrån att karaktären Ester är Erikssons alter ego och med denna studie undersöker jag hur användandet av ett alter ego kan fungera som utgångspunkt för ett konstnärskap. Den självbiografiska serien präglas av autenticitet och subjektivitet där betraktaren förväntar sig att det som skildras är verkligt och sant, men att detta inte nödvändigtvis är fallet då det som framställs är serietecknarens subjektiva uppfattning av sig själv och den upplevda händelsen som presenteras. Det är Erikssons subjektiva uppfattning av jaget som Ester representerar, där Eriksson valt ut vilka egenskaper som hon vill lyfta fram, förstärka eller inte visa alls. Att se på självframställningen som ett alter egot skapar en distans mellan konstnären och det tecknade jaget. Det är distanseringen mellan det upplevda jaget och det konstruerade jaget som sker när ens jag blir till ett alter ego som gör det möjligt att få tillgång till andra sidor av sig själv. Denna distansering sker när serietecknaren tecknar sig själv som en seriefigur.
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Quaife, Magnus. "The Alter Nobis : the collective artist as a Heterotopia." Thesis, Manchester Metropolitan University, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.592023.
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Loback, Jamie. "Contour prolongation in Steven Gellman's Concerto for Viola and Orchestra (2004): Tracing the narrative of the ego and alter-ego." Thesis, University of Ottawa (Canada), 2009. http://hdl.handle.net/10393/28279.
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This thesis illustrates a narrative paradigm consisting of the ego and alter-ego, manifested within the thematic content of Gellman's Concerto for Viola and Orchestra. I invoke contour theory as my primary analytical tool, which I combine with Schenkerian techniques to highlight the possibilities for contour prolongation at the foreground, middleground, and background levels. I support my analysis based on various types and combinations of accent, harmony, and voice leading. Chapter one contains Gellman's biographical information, while chapter 2 provides the methodology of my analytical approach based on the contour models devised by Marvin, Laprade, and Morris. Regarding accent and prolongation, I reference the work of Roeder and Straus, respectively. In chapters three and four, I analyse the first two movements providing a contour/prolongational analysis of the primary thematic material. Chapter five summarises these relationships and investigates the implications for research in the third movement of the Gellman's composition.
Keywords: Steven Gellman, Concerto for Viola and Orchestra, Contour, Theme, Contour Relations, Prolongation, Contour Prolongation, Narrative, Ego, Alter-ego, Elizabeth West Marvin, Paul A. Laprade, Robert D. Morris, Joseph Straus, John Roeder, Heinrich Schenker
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Nordbeck, Sebastian. "Vem vill inte vara sig själv En essä om alter egon av Sebastian Nordbeck." Thesis, Kungl. Konsthögskolan, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kkh:diva-209.
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Vem vill inte vara sig själv [Who Doesn't to be Himself] opens a discussion on the meaning and function of the alter ego in contemporary culture. In the essay the writer goes back and forth between describing and analyzing the examples he presents, mainly subcultural and media influenced facts and phenomena, and here and there he connects them to personal experiences, among other things the part the alter ego played in his first meeting with art.
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Young, Carlos. "Tras la máscara de mi alter ego: Del Racismo a la anamorfosis en el Perú." Anthropía, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/78182.
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Špakauskas, Jaunius. "Realybė ir hiperrealybė antrojoje modernybėje: Jungtiniai Arabų Emyratai – šalis, kurios nebuvo." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110609_090432-28901.
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Šis tarpdisciplininis magistro darbas yra konceptuali galios ir realybės (tam tikra prasme ir autentiškumo) studija. Viena nuo kitos sunkiai atsiejamos pastarosios sąvokos yra analizuojamos per tris plačius teorinius pjūvius – hiperrealybę, orientalizmą bei šiuos procesus katalizuojančią ir iš dalies logistinę funkciją atliekančią antrąją modernybę.
Galios ir realybės santykis darbe analizuojamas ne tiek per fizinį silpnesniojo pavergimą, kiek mėginimus modifikuoti tikrovę bei vaizdinių pagalba kurti hiperrealybę, subordinuotą galios subjekto interesams. Atvejo studijai pasirinkta galios implikuota Jungtinių Arabų Emyratų (JAE) hiperrealybė bei sąlygas jos atsiradimui paklojusi antroji modernybė.
Atlikta empirinė ir teorinė analizė atskleidžia, jog įspūdingi Emyratų kultūros objektai, iliustruojami leksinėmis hiperbolėmis ir kvapą gniaužiančiais vaizdais, tėra simuliakras, neatspindintis tikrovės ar vietos kultūros, bet siekiantis pačią tikrovę pakeisti. Be to, JAE yra naujos rūšies simuliakras, kurio esminiu požymiu galima laikyti vertybiškai svetimos kultūros perėmimą bei pavertimą „sava“, siekiant simbolinio pripažinimo.
Šio Emyratų, kaip globalaus pasaulio galios centro, pripažinimo, kuris yra ir šalies modernizacijos katalizatorius, ir nedemokratinio valdančiojo režimo legitimacijos įrankis, siekiama drastiškai aukojant autentiškumą bei kuriant „faraoniškus“ kultūros projektus, kurie šiame darbe laikomi kultūros utopija. Be to, autentiškumo ignoravimas ir Oriento (JAE)... [toliau žr. visą tekstą]This interdisciplinary Master thesis is a conceptual investigation of power and reality (in a sense of authenticity as well). The following concepts which are hardly distinguishable from each other are analyzed via three theoretical layers – hyperreality, orientalism and the late modernity which works both as a catalyst for these processes and as a logistical tool. The relation between power and reality is revealed not through physical subjugation of the weaker but rather through the attempts to modify reality and with the help of images to create hyperreality that is subordinated to self-interests of the mighty. As the case study the power implicated hyperreality of United Arab Emirates (UAE) and the second modernity that conditioned it has been chosen. Empirical and theoretical analysis reveals that spectacular Emirati cultural objects, illustrated by lexical hyperboles and breath-taking images merely is a simulacra that does not reflect reality or local culture but seeks to alter that reality. Furthermore UAE is a new kind of simulacra characterized by accepting and transforming into “their own” the foreign culture that is alien to the one found within local cultural context in order to obtain symbolic recognition. The symbolic recognition of Emirati as one of the hubs of global power is both the catalyst of Emirati modernization and the instrument of legitimacy of the ruling elite. This recognition is pursued by ‘pharaonic’ cultural objects (cultural utopia) and... [to full text]
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Wagner, Guillaume. "Phénoménologie et communauté : du monde de la vie aux formes de vie." Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAC016/document.
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Cette thèse porte sur la question de la communauté dans la phénoménologie husserlienne et posthusserlienne, en se concentrant autour du concept de « monde de la vie » (Lebenswelt) – notamment dans La crise des sciences européennes. A la croisée des étapes majeures du parcours husserlien dont nous dégageons les implications, nous interrogeons le monde de la vie à travers l'analyse phénoménologique des processus d'incorporation et d'incarnation. Nous démontrons que Husserl a d'emblée surmonté les impasses de ses successeurs en refusant l'opposition exclusive entre les champs d'immanence et de transcendance pour au contraire penser leurs entrelacements. A partir de la reprise de la critique radicale de l'objectivisme naturaliste, l'enjeu est d'approfondir les formes d'intrication entre sphère égologique et horizon-de-nous. Dès lors, nous désignons la praxis intersubjective comme la base des dynamiques de formation communautaire, que nous comprenons en tant que formes de vieThis thesis engages the question of community in husserlian and post-husserlian phenomenology, concentrating on the concept of the “lifeworld” (Lebenswelt), especially in The Crisis of European Sciences and Transcendental Phenomenology. At the crossroads between two major stages of Husserl’s development, of which we will reveal the implications, we question the lifeworld through the phenomenological analysis of the processes of incorporation and incarnation. We demonstrate that Husserl straightaway surmounted the impasses met by his successors, by refusing an exclusive opposition between the fields of immanence and transcendence in order to, on the contrary, propose their interlacing. Starting with resumption of the radical critique of naturalist objectivism, the stakes are to deepen the forms of intricacy between the ecological sphere and world-horizon. From there, we designate intersubjective praxis as the basis of the dynamics of community formation, which we understand in terms of forms of life
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Barker, Georgina Frances. "Russia's classical alter ego, 1963-2016 : classical reception in the poetry of Elena Shvarts, Il’ia Kutik, and Polina Barskova." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/22965.
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Classical reception, suppressed under Stalin, returned to Soviet poetry during the Thaw (c. 1953-63), and through the many political upheavals of the late twentieth century it has remained a prominent trend in contemporary Russian poetry. This thesis explores classical reception in the oeuvres of Elena Shvarts, Il’ia Kutik, and Polina Barskova, whose poetry spans from 1963 to the present. They form part of – and serve as case studies for – the wider trend of late- and post-Soviet poetic engagement with classical antiquity. This phenomenon has been studied in the cases of Thaw poets Iosif Brodskii and, to a lesser extent, Aleksandr Kushner, but investigations have not extended beyond these figures to the succeeding Stagnation and post-Soviet poets. Shvarts, Kutik, and Barskova come from different generations and different poetic schools, and have very different poetic styles. They share a sustained and playful engagement with the literature and history of Ancient Greece and Rome, which is often in dialogue with earlier Russian receptions of classical antiquity. Their classical reception is frequently intended to ‘estrange’ Soviet/Russian contexts, thus making antiquity an ‘alter ego’ of Russia. This objective is facilitated – and inspired – by the Russian literary tradition. Since its inception Russian literature has set classical antiquity before itself as a model, imitating its literary forms and emulating its characters. This long-standing analogy between Russia and the classical world underpins Shvarts, Kutik, and Barskova’s evocations of classical antiquity as Russia’s alter ego. The utility of the classical alter ego lies precisely in its alterity: as well as a vehicle for veiled dissidence, as with Aesopian speech, it can be a more extreme, or fun, or ideal reality. Inherent in Shvarts, Kutik, and Barskova’s recourse to classical reception as alter ego is a desire to connect with Europe, from which Russians were palpably divided for much of the twentieth century – the Mandel’shtamian ‘yearning for world culture’. It stems also from their desire to connect with pre-Soviet (classically receptive) Russian literature. The thesis begins with a history of classical reception in Russian literature from Russia’s first contact with the classical world up to the present. Such a history is crucial to understanding contemporary poets’ classical reception, as so many of their references to classical antiquity are refracted through Russian intertexts. The chapters on Shvarts, Kutik, and Barskova examine the entire oeuvre (to date) of each poet, selecting key poems and themes for close analysis. This is conducted alongside the intertexts (quotations from classical texts are given in English only, except where the original language has demonstrably informed reception). As well as literary contexts, historical and personal contexts are considered. Interviews conducted by the author with both living poets (Kutik and Barskova) inform the analysis. This thesis contends that the pervasive classical reception evident in Russian poetry from 1953 to the present responds to the series of ontological crises Russia was precipitated into by the upheavals of the twentieth century. With the loosening of Socialist Realism’s control over literature after Stalin, Russian poets resume Russia’s poetic tradition of using classical antiquity as an alter ego, both to heighten portrayals of Russia, and to imagine another, alternate, Russia.
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Kirkland, Shauna. "Birds of Prey." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3019.
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As a child growing up, I was always in love with the ritual of “dress up”. Whether it was my dolls, various reluctant pets, or myself, it was always an activity I loved. It is not surprising then that adornment has become the medium through which I express myself and bring my fantasy world to life. Jewelry and accessory have the potential to lead many lives. One particular piece can change entirely by putting it on one body as opposed to another, or by removing it to see it as an object. In fashion, the body is the canvas and the runway becomes the moment of performance. My work uses the body in much the same way where the wearer becomes performer. Through this act, we construct personal forms of armor, or “power suits”, to face the battlefield of the outside world. In harnessing this act of adorning and what it encompasses, I am consistently challenged as both designer and maker. Creating alter egos, whether subtly flirtatious or overtly sexual, demure or flamboyant, are some of the many ways in which these “power suits” can be concocted. The stories we project about ourselves daily, through how we adorn our naked bodies, become empowering. Myths versus reality, ascetic versus sensual, and beautiful versus ugly are some of the concepts from which I draw inspiration. These dualities are conceptually expressed in my work through physical combinations of opposing materials. Mixing mediums, through methods such as collaging, beading, needlepointing, knitting, and sewing, are integral in my designs. With alternative materials, such as feathers, textiles, and yarns, I add softness and new scintillating sensations when juxtaposed with the hard, cold qualities of metal. Through combining such materials, I construct pieces that not only challenge one’s notion of what “pretty” is, but also inspire the way one thinks about body adornment. The objects I create become vessels that actualize the dualities I strive to express. In producing hybrids of materials, my need to explore these dichotomies is satisfied.
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Praßer, Judith [Verfasser], and Günter [Akademischer Betreuer] Saße. "Der literarische Held und sein mediales alter ego : die Wechselwirkung von Medien und personaler Identität in deutschsprachigen Romanen der Jahrtausendwende." Freiburg : Universität, 2014. http://d-nb.info/1115861328/34.
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Karlsson, Lucero Ivette. "Tres nudos existenciales en La mujer loca de Juan José Millás : un pacto ambiguo de lectura sobre la identidad, la muerte y el lenguaje." Thesis, Umeå universitet, Institutionen för språkstudier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-136864.
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La mujer loca, eller Den galna kvinnan [min översättning] är en roman publicerad 2014 av den spanske författare och journalisten Juan José Millás. I denna studie visar jag att denna roman är en autofiktion eftersom författaren, berättaren och karaktären har samma efternamn. Den autofiktivaromanen skapar en tvetydig pakt, vilket innebär att författaren lämnar tolkningsföreträde angående berättelsens sannolikhet åt läsaren. Genom mitt analysarbete drar jag slutsatsen att i romanen La mujer loca handlar den tvetydiga pakten om att ta ställning eller, åtminstone reflektera, över tre existentiella frågor som skildras tydligt i denna roman och som samtidigt är återkommande i Millás verk, dessa är: identiteten, språket och döden.
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Folz, Rachel [Verfasser]. "Deutschland, Schweden und der Wandel der Sicherheitspolitik in Europa von 1945 bis 2010 : Eine vergleichende rollentheoretische Untersuchung von Ego und (signifikantem) Alter / Rachel Folz." Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2013. http://d-nb.info/1110057881/34.
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Seedall, Ryan B. "Conjoint Marital Therapy: Proxy Voice Intervention and Softening in the Context of Couple Enactments." BYU ScholarsArchive, 2004. https://scholarsarchive.byu.edu/etd/638.
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This study evaluated the effectiveness of proxy voice intervention, embedded within couple enactments, on client-perceived softening. During enactments, direct couple interaction is the focus while the therapist coaches from the periphery. In the context of an enactment, the therapist may use proxy voice when partners appear to be distressed and expressing themselves in terms of secondary emotions by modeling appropriate attachment and self-concept expression. The primary research question was whether therapist use of proxy voice in an enactment would be more likely to bring about softening effects, or whether use of proxy voice was counter-intuitive to enactment conceptualization and would bring about effects related to struggle (e.g. withdrawal or negativity). The review of literature sets forth (1) enactments as common factors; (2) enactments conceptually and operationally; (3) proxy voice in the context of enactments; and (4) the effects of proxy voice on softening versus withdrawal or negativity. Proxy voice occurred 42 times in nine research sessions where proxy voice was delivered repeatedly in a 20-30 minute enactment episode. Results indicated that proxy voice was significantly (both statistically and clinically) associated to softening while dissimilarly linked with withdrawal or negativity. Results also suggested that proxy voice may be used to dampen volatility and foster couple softening during enactment in the following ways: (1) proxy voice temporarily increases the structure of the couple interaction, thereby allowing the therapist to dampen reactivity and model healthy expression before returning to direct couple interaction; (2) proxy voice is a hypothesis of softer emotions that fits the clients' experiences, helps them to feel validated, and encourages them to consider something in a newer, softer way; and (3) proxy voice taps into foundational relationship dynamics surrounding self-concept and attachment experiences that "propel" interaction processes but remain outside conscious awareness or explicit expression for the couple. These preliminary findings suggest that proxy voice intervention embedded within a fluid, carefully delineated, and discriminating model of enactments effectively facilitates essential elements of couple interaction (expression of primary affect, and self-concept and attachment threats) while promoting self-reliant couple interaction and increased couple softening.
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Alvarez, Neminuschiy Antonio. "Rosa Montero y la memoria colectiva de España : Importancia de la memoria colectiva en “La loca de la casa”." Thesis, Stockholm University, Department of Spanish, Portuguese and Latin American Studies, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-40103.
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En este trabajo nos proponemos analizar tres diferentes versiones de una misma historia que le sucede al alter ego de la escritora y periodista española Rosa Montero a mediados de los años setenta. La historia, en sus tres versiones, es contada por este alter ego en la novela La loca de la casa (2003). Nuestro objetivo es demostrar la importancia que la memoria colectiva de España ha tenido para la memoria individual del narrador personaje. Los hechos que le suceden a este alter ego de Montero no habrían tenido lugar si en la España de los años setenta del pasado siglo no hubiesen ocurrido ciertos acontecimientos que los españoles de la generación de la escritora recuerdan muy bien, y que hoy forman parte de la memoria colectiva de la nación. Con la ayuda de este estudio veremos cómo la autora juega con la historia de su vida, mostrándonos que las cosas no siempre son lo que aparentan en el mundo de la literatura. También vamos a analizar el papel de algunos de los personajes secundarios del libro, de gran importancia para el análisis. Hay que subrayar que hemos optado por centrarnos en las partes más autobiográficas de la novela, ya que estas son las que más tienen que ver con la memoria y la imaginación. En este análisis penetramos el mundo de la memoria y la literatura y, al mismo tiempo, el del olvido.
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Prevost, Aurelie. "L’amitié aux XVIe et XVIIe siècles en France : normes, réalités et représentations." Thesis, Lyon 2, 2011. http://www.theses.fr/2011LYO20110/document.
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La thèse s’intéresse au duo amical entre hommes en France aux XVIe et XVIIe siècles. Le corpus, aux sources très diverses, écarte à la fois les femmes, les clercs et les intellectuels. Il s’agit d’étudier la réception des idées philosophiques, le regard porté sur la norme et la pratique de l’amitié. Après avoir retracé l’apport antique, patristique et médiéval, le cadre social est défini, notamment en ce qui concerne la place de la famille. Puis, les dictionnaires offrent un bon aperçu des différentes connotations des termes « amitié » et « ami ». Enfin, le travail s’attache à suivre le cours d’une amitié, de sa genèse à sa mort. L’importance du choix de l’ami et sa vertu transcendent le discours des XVIe et XVIIe siècles. Les gestes de l’amitié sont recherchés et presque codés. La peur de l’abandon ou de la trahison est très présente. On s’interroge beaucoup sur la possibilité, voire l’obligation, de la transgression des règles sociales. Les contemporains recherchent un équilibre, toujours difficile à obtenir et à garder. Concorde et Charité sont les deux notions non pas tant concurrentes que connexes à l’amitié. L’amitié-duo se vit en effet dans une société où l’amitié est omniprésente. Enfin, la mort ne scelle pas, en théorie, la fin d’une amitié. Le second tome de ce travail présente la méthodologie suivie pour l’élaboration du corpus ainsi que les raisons de la mise à l’écart des femmes. Les sources et la bibliographie sont également présentées dans ce dernier volumeThe purpose of this dissertation is to study the influences of the norm on the representations of friendship and its practice in France during the 16th and the 17th centuries. The corpus draws aside both intellectuals and women to focus on the non-enclosed people. How two individuals are able to make friends with each other in the 16th and 17th centuries within a society itself thought in terms of friendship? This dissertation divides in two volumes. The first one is devoted to the study itself. The philosophical inheritance is presented, along with considerations on bonds linking the friend, the society, the couple and the family during the Modern Times. Questions of linguistics are also raised. The evolution of a friendship between two men is followed step by step from birth to death, as if it were a genuine living organism. Gestures and tokens of friendship are the bases of friendship. The latter is always endangered by the fragile balance between the social demands and the requirements of friendship. In the second volume are presented the methodology used to gather the documentary corpus, as well as our historical sources and bibliography. Reasons why women were excluded from our research work make the core of a specific chapter
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Stafford, Rowan Bell. "A legal-comparative study of the interpretation and application of the doctrines of the sham and the alter-ego in the context of South African trust law: the dangers of translocating company law principles into trust law." Thesis, Rhodes University, 2011. http://hdl.handle.net/10962/d1003210.
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This thesis analyses the doctrines of the sham and the alter-ego and their application to the law of trusts in South Africa. Following an initial examination of the historical development of the law of trusts in English law and the principles of equity law, the study focuses on the current legal status of the trust inter vivos in South Africa and the similarities to its English forerunner. The work traces the sham doctrine back to its origins in English law, where the term “sham” was first used in the context of fraud and dishonesty in cases involving matters arising from hire-purchase agreements, and explains how it gradually began to find its place in the law of trusts. During the exploration, the work highlights the cornerstone of the sham doctrine’s development, the Snook test, which in effect became the internationally accepted guideline for any sham trust enquiry. In terms of the alter-ego doctrine, the work highlights the birth of the principle in Australian law and the doctrine’s immediate reception into other common law jurisdictions and its resultant development. The growth, maturity and popularity of the doctrines are key to the thesis and, in the course of the investigation, the study provides a legal-comparative analysis of the treatment of the doctrines in the context of trusts against that in other common law countries. The study then shifts its focus to South Africa’s interpretation and application of these doctrines in trust law, and reveals the erroneous judicial development in which the courts have in some instances mistakenly replaced the sham doctrine with the company law doctrine of piercing the corporate veil or, in other instances, have erroneously conflated the two trust doctrines. The results highlight a breach of a fundamental rule observed overseas – the “no half way house” rule, which specifically cautions against South Africa’s chosen direction when allowing the lifting of a trust’s veil. The study closes with suggestions as to how the country could reconcile the problems underlined in the thesis by means of law reform, as well as offering practical advice for settlors, trustees and beneficiaries, the core of which is given in the handbook that accompanies this thesis.
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Praia, Mariangela Ferreira Andrade. "“Nas curvas de uma emoção” : Stephen Dedalus e a escritura." reponame:Repositório Institucional da UnB, 2014. http://repositorio.unb.br/handle/10482/17587.
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Dissertação (mestrado)—Universidade de Brasília, Departamento de Teoria Literária e Literaturas, Programa de Pós-Graduação em Literatura, 2014.Submitted by Albânia Cézar de Melo (albania@bce.unb.br) on 2015-01-28T12:37:01Z No. of bitstreams: 1 2014_MariangelaFerreiraAndradePraia.pdf: 868636 bytes, checksum: c019a22c9043eb53c513c637abf4fbba (MD5)
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Esta dissertação aborda questões em torno da escritura joyceana. Stephen Dedalus, personagem-conceito assume a escrita do texto e brinca de artífice, dando margem para que o texto trabalhe questões como aspectos de sua criação, uma certa característica de hospitalidade, seus desdobramentos e a reflexão acerca do gênero textual. A hospitalidade derridiana é discutida também sob os olhares da tradução, que se revela enquanto abertura infinda. Nesse ponto o trabalho também discute a relação cíclica texto-leitor-texto e suas leis. A discussão acerca do gênero textual envolve Biografia, Autobiografia, Retrato, Confissão, Diário, Ensaio. Os pactos leitorautor-texto, o pacto e o espaço biográfico. Por fim, as questões da criação conversam com Gilles Deleuze e Félix Guattari sobre o plano da imanência, o da composição e o que mais nos importa do personagem-conceitual que é Stephen Dedalus. _______________________________________________________________________ ABSTRACT
This dissertation addresses issues concerning Joyce’s writing. The conceptual persona Stephen Dedalus undertakes the writing of the text and acts as an artificer, letting the text work issues such as aspects of its creation, a certain trait of hospitality, its consequences and reflections on genre. Derrida’s hospitality, which is also discussed from the standpoint of translation, is revealed as a conceptual opening up. At this point the cyclical text-reader-text relationship and the laws governing it are then discussed. The discussion on genre involves Biography, Autobiography, Portrait, Confession, Diary, Essay; all the possible pacts readerauthor- text, and then the biographical pact and biographical space. Finally, the issues of criation converse with Gilles Deleuze and Félix Guattari on the plane of immanence, composition and what matters most importantly, Stephen Dedalus as a conceptual persona.
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DI, MAIO FABRIZIO. "L'opera di Ottiero Ottieri." Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2010. http://hdl.handle.net/2108/1284.
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Il candidato analizza, in questa tesi monografica, il percorso letterario di Ottieri Ottieri dal primo romanzo Memorie dell' incoscienza (1954) all' Irata sensazione di peggioramento (2002), ponendo l' attenzione sulle tre tematiche che emergono dalla poetica dell' autore: l' industria, la clinica e la politica.
Il lavoro è strutturato in sette capitoli, ciascuno dedicato ad un tema ed un periodo specifico della produzione dello scrittore. Nell' introduzione si rilevano i caratteri della letteratura di Ottieri, inclassificabile e originale, il quale ha voluto concretizzare un progetto letterario di ampio respiro, attraverso trenta opere legate tra loro in un perpetuo intreccio di temi, motivi, riprese, rifacimenti che s' intersecano in diverse materie, dalla letteratura italiana ed europea alla storia, dalla psicologia alla filosofia, dalla psichiatria alla sociologia, dalla politica all'arte.
Nel primo capitolo si affronta l' adesione giovanile di Ottieri al fascismo, in seguito definito " incosciente" , ed i ricordi ad esso legati nelle Memorie dell' incoscienza, romanzo autobiografico in cui un alter ego (espediente narrativo che Ottieri utilizzerà in tutta la sua produzione letteraria) analizza sulla propria persona il disfacimento della patria. Nel secondo capitolo si affronta il tema dell' industria nella letteratura con l' analisi di quattro opere (i due romanzi Tempi stretti e Donnarumma all' assalto, il diario La linea gotica e la commedia I venditori di Milano) per le quali Ottieri viene considerato il pioniere della letteratura industriale in Italia. Dal terzo al quinto capitolo, la tematica predominante è la clinica dove le malattie mentali si presentano in molteplici aspetti tra cui la depressione, la schizofrenia, l' alienazione, che diventano, nel corso dei decenni, non solo materia letteraria ma soprattutto essenza vitale della letteratura di Ottieri. Il sesto capitolo affronta il tema politico mediante lo studio di due opere basilari: La storia del PSI ed Il poema osceno dove lo scrittore condensa cinquant' anni della storia dâ Italia dal fascismo adolescenziale all' illusione del socialismo fino alle soglie del Ventunesimo secolo. Il settimo capitolo riguarda gli ultimi romanzi di Ottieri che, cosciente della morte ormai imminente, riassume la sua vita di uomo borderline, di scrittore non di successo, di "caso letterario" rilevante nel panorama della letteratura italiana del secondo Novecento. Nell' appendice è presente un' antologia dell' epistolario giovanile di Ottieri, importante per comprendere le strette correlazioni tra le esperienze di vita dell' autore e le conseguenti elaborazioni letterarie.The subject of this thesis concerns the Ottieriâ s literary work from his first novel Memorie dellâ incoscienza (1954) to Una irata sensazione di peggioramento (2002), analysing three themes which come over his poetry: industry, sanatorium and politics. The thesis is planned on seven chapters. In the introduction, the characteristics of Ottieriâ s novels are developed: original and unclassifiable, Ottieri has organized an extensive literary project through thirty works connected by a continuous plot of themes and leitmotivs which are linked on different subject as Italian and European literature, history, psychiatry, art, politics. In the first chapter, the Ottieriâ s youthful devotion to fascism is analysed in the light of his own memories (Memorie dellâ incoscienza), an autobiographic novel in which an alter ego (Lorenzo Bandini) analyses the dramatic issues of Italy during the Second World War. In the second chapter the emergent theme concerns the industrial world through four works (two novels: Tempi stretti and Donnarumma allâ assalto, the diary La linea gotica and the play I venditori di Milano) which allow him to be the â pioneerâ of Italian industrial literature. From the third to the fifth chapter, the principal theme which comes over is mental illness; depression, schizophrenia, alienation are bound to be the centre of his literary works and not only of his life. The sixth chapter studies two novels, La storia del PSI and Il poema osceno, which are the summary of his political ideas. The seventh chapter is about the last works of Ottieri; aware of his imminent death, the poet describes his life as a borderline individual and as an unsuccessful writer.
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Trepsdorf, Daniel K. W. "Afrikanisches Alter Ego und europäischer Egoismus : eine komparative Studie zur Selbst- und Fremdenperzeption im Wilhelminischen Deutschland und Spätviktorianischen Großbritannien (1884-1914) : ausgewählte Aspekte zur Wahrnehmungskultur des "wilden schwarzen Anderen" sowie deren Konsequenzen für indigene Bevölkerung der britischen und deutschen Kolonien im südlichen Afrika /." Dresden : TUDpress, 2006. http://catalogue.bnf.fr/ark:/12148/cb410892000.
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Trepsdorf, Daniel K. W. "Afrikanisches Alter Ego und europäischer Egoismus eine komparative Studie zur Selbst- und Fremdenperzeption im Wilhelminischen Deutschland und Spätviktorianischen Grossbritannien (1884 - 1914) ; ausgewählte Aspekte zur Wahrnehmungskultur des "wilden schwarzen Anderen" sowie deren Konsequenzen für die indigene Bevölkerung der britischen und deutschen Kolonien im südlichen Afrika." Dresden TUDpress, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2886787&prov=M&dok_var=1&dok_ext=htm.
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Bitel, Anton. "Quis ille? : alter egos in Apuleius' 'Golden Ass'." Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365762.
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Eskins, Stephanie Alane. "The Role of Alter Egos Within "David Copperfield"." W&M ScholarWorks, 1990. https://scholarworks.wm.edu/etd/1539626990.
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Lasmezas, Franck. "Vies et mises en récits (auto) biographiques : la collection "l'un et l'autre" de J.B Pontalis (1988 - 2013)." Thesis, Lyon, 2019. http://www.theses.fr/2019LYSE2091.
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Déclaré moribond avec le XXème siècle finissant, le genre biographique allait renaître sous l’impulsion de figures du monde éditorial dont J.-B. Pontalis fut l’une des principales. La collection L’un et l’autre explore la relation biographique sous les angles de la paternité, de la maternité, du soin. Ces notions ne sont pas littérales, mais littéraires, inscrites non seulement dans le langage, mais dans une langue particulière. La collection fait vivre des parallélismes dont le plus important est celui de la création littéraire de J.-B. Pontalis : la collection a influencé l’œuvre, qui a à son tour rétro-agi sur la collection. C’est ce dont témoignent les motifs humains, animaux et objectaux qui innervent la collection et sont autant d’avatars de l’altérité. L’autre peut s’incarner dans la figure du frère, de la sœur, mais aussi dans un lieu lui-même emblématique d’un temps, notamment celui de la Shoah. Dans la collection L’un et l’autre comme dans l’œuvre de Pontalis, l’écrivain peut trouver son alter ego dans le peintre ou le musicien, les mots se muer en images ou en mélodies. C’est toutefois l’écrivain qui reste le meilleur miroir, parfois narcissique, de cet écrivain particulier qu’est un biographe. La collection de J.-B. Pontalis a de plus en plus évolué de l’hétérographie vers l’autographie, reflétant en cela la pratique littéraire et existentielle tardive de son directeur. Du vivant et après la mort de Pontalis émergea une poétique autographique lisible et scriptible dans d’autres collections et hors-collection ; ses motifs dispersés témoignent d’un retour de la littérature à ce qui la dépasse et qu’elle dépasse : la vieIn France, biography was said to be close to its death at the end of the twentieth century, but J.-B. Pontalis and other editors helped promoting its renewal. Biographical relationship is being explored by L’un et l’autre under the focus of fatherhood, motherhood and care. These topics are less things than words, they belong to literature and language, and to a peculiar language. L’un et l’autre reflects the literary work of J.-B. Pontalis : one had an impact on the other and then the other way round. This is true for the human, animal and objectal topics which are spread throughout L’un et l’autre and may be called variorum of otherness. The other being or the other thing might be brother, sister, place or time, the last one referring especially to the Holocaust. In L’un et l’autre as well as in the work of Pontalis, the writer may find his alter ego in a painter or a musician, words can become pictures or tunes. Nevertheless the best mirror for a writer, and a biographer is a writer indeed, is another writer. More and more, the books edited by J.-B. Pontalis evolved from biography of the other towards biography of the self, following thus the late work of Pontalis as a writer. During the late life and after the death of J.-B. Pontalis, a « autographic » way of writing was born, the widespread topics of which show that french literature performed and still performs a comeback towards its second self : life
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Engels, Andrea. "W. G. Sebalds Nach der Natur. Ein Elementargedicht." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1236033480.
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Komulainen, K. (Kauko). "Ihanteiden Ikaros:Markku Lahtelan Se-romaani ja 1960-luvun representaation kriisi." Doctoral thesis, University of Oulu, 2009. http://urn.fi/urn:isbn:9789514290107.
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Abstract The author Markku Lahtela was a central figure in the 1960’s generation rebellion, called the spirit of the 60’s, that criticised the basic values of the old generation and through which the young artists presented their avant-garde ideas. The study focuses on the early 1960’s. The primary data is provided by Lahtela’s second novel called Se and its manuscript. The novel deals in an original way with issues such as the sexual revolution and sexual morality, which were popular themes in the 1960’s. As a secondary source of data, the study also deals to some extent with the rest of Lahtela’s production. The substantial topic is the problematics of change in the 1960’s that arose as a result of modernisation, which only then gained momentum in Finland. The research approach is contextual in that the discussion is based on the postmodern viewpoint. Context is understood as consisting of elements of cultural dialogicality thematised by the author through individuation, which is to be seen in the dialogue of his books. The study focuses on the extraliterary historical context. Among the contexts of the 1960’s, attention is paid mainly to the crisis of representation caused by the changes, by interpreting its commentary and attempts to solve it in Lahtela’s texts. Despite the focus on the extraliterary historical context, textual dimensions are also taken into account in the interpretations. I also discuss to some extent the conditions through which it is possible in literary research to find intermediate standpoints to overcome the opposition between textuality and reality. In the interpretation of the extra- and intraliterary dialogues in Lahtela’s texts, the tools used include the alter ego, the textual “I” and, in neutral cases, the narrator. The novel Se not only participated in topical cultural and literary dialogue, but also reformed Finnish prose by representing autobiographical materials in a fragmentary and fictitious manner. The discussion also shows that Freudian psychoanalysis has contributed significantly to both Se and Lahtela’s production in general. The same also applies to Friedrich Nietzsche’s philosophy of life; some of his ideas have directed the discussion of moral issues characterised by Lahtela’s books and the search for an alternative (sexual) moralityTiivistelmä Kirjailija Markku Lahtela oli keskeinen hahmo vanhan polven perusarvoja arvostelleessa 1960-luvun sukupolvikapinassa, jota nimitettiin 60-lukulaisuudeksi ja jossa nuoret taiteilijat esittelivät avantgardistisia ideoitaan. Tutkimuksen ajallinen pääkohde on 1960-luvun alkupuoli. Primaariaineistona on Lahtelan toinen romaani Se ja sen käsikirjoitus. Teos käsittelee omaperäisesti muun muassa seksuaalista vallankumousta ja seksuaalimoraalia, jotka olivat 1960-luvun muotiteemoja. Sekundaariaineistona tutkimuksessa käsitellään jonkin verran myös Lahtelan muuta tuotantoa. Substantiaalisena aiheena on 1960-luvun muutosproblematiikka, joka syntyi Suomessa vasta tuolloin voimistuneen modernisaation vaikutuksesta. Tutkimukseni lähestymistapa on kontekstuaalinen siten, että tarkastelut pohjaavat myöhäismodernin näkökulmaan. Kontekstin ymmärrän koostuvan kulttuurisen dialogisuuden elementeistä, joita kirjailija tematisoi teostensa dialogina näkyvässä individuaatiossaan. Tutkimuksessani korostuu ulkokirjallinen historiallinen konteksti. 1960-luvun konteksteista olen päähuomion kiinnittänyt muutosten synnyttämään representaation kriisiin tulkitsemalla Lahtelan teksteistä sen kommentointeja ja ratkaisuyrityksiä. Siitä huolimatta, että tutkimuksessani painottuu ulkokirjallinen historiallinen konteksti, otan tulkinnoissani huomioon myös tekstuaalisia ulottuvuuksia. Lisäksi selvitän jonkin verran niitä ehtoja, joiden vallitessa kirjallisuuden tutkimuksessa voidaan löytää välittäviä kantoja tekstuaalisuus–todellisuus–opposition ylittämiseksi. Tulkitessani Lahtelan tekstien ulko- ja sisäkirjallisia dialogeja ovat apuvälineinäni alter ego, tekstuaalinen minä ja kertoja neutraaleissa tapauksissa. Se-romaani paitsi osallistui ajankohtaiseen kulttuuriseen ja kirjalliseen dialogiin myös uudisti suomalaista proosaa representoimalla katkelmallisesti ja fiktiivisesti autobiografista materiaalia. Tarkastelut osoittavat myös sen, että freudilainen psykoanalyysi on ollut Se-romaanin ja laajemminkin Lahtelan tuotannon synnyn tärkeä innoittaja. Sama koskee Friedrich Nietzschen elämänfilosofiaa, jonka tietyt näkemykset ovat suunnanneet Lahtelan teoksissa keskeistä moraalikysymysten käsittelyä ja vaihtoehtoisen (seksuaali)moraalin etsintää
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Wieland, Anne [Verfasser], Thomas [Gutachter] Fischer, and Egon [Gutachter] Schallmayer. "Die Civitas Mattiacorum. Forschungen zur römerzeitlichen Siedlungsgeschichte / Anne Wieland. Gutachter: Thomas Fischer ; Egon Schallmayer." Köln : Universitäts- und Stadtbibliothek Köln, 2016. http://d-nb.info/1111038732/34.
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Choudhury, Md Maidul Islam. "Does an evolutionary change in the water sowbug Asellus aquaticus L. alter its functional role?" Thesis, Linköpings universitet, Ekologi, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-74766.
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The ecology behind evolutionary diversification is a well studied area of research, whereas the effects of evolution on ecosystems get little attention. In line with ecological theory, evolutionary diversification of a species could influence different ecosystem aspects such as food web composition, energy flow, nutrient cycling etc. The main objective of this study was to investigate whether two diverging ecotypes (reed and chara) of Asellus aquaticus differ regarding their role in two aquatic ecosystem processes: decomposition of terrestrial leaves and grazing of periphyton. Their role in ecosystem process as well as treatment effects on fitness, measured as growth and survival, were investigated in a laboratory experiment with various levels of intra-specific competition and inter-specific interactions with the amphipod Gammarus pulex. The isopods were collected from two Swedish lakes: Lake Tåkern and Lake Fardume. These two lakes represent different history of ecotype divergence. The experimental design consisted of 2-L aquaria, each providing elm leaves (Ulmus glabra), oak leaves (Quercus roburleaves) and periphyton as food sources. Ten treatments with five replicates were applied for each lake and the experiment lasted for four weeks. The study showed that there was no significant difference between chara and reed ecotype in their functional role. However, the rate of ecosystem processes per individual decreased in competitive interactions. In high density, decomposition per dry weight consumer was low and total algae biomass was high at the end of four weeks due to intra-specific competition. Moreover, ecosystem processes were lowest in inter-specific competition between Gammarus pulex and each ecotype. Present study also shows that ecotypes from the different lakes, having different history, had different responses to mortality and growth.
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Cebon, Benjamin Isaiah Martin. "Studies towards the biomimetic total synthesis of dihydrooxepin-containing epipolythiodiketopiperazine natural products." Connect to thesis, 2009. http://repository.unimelb.edu.au/10187/8526.
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SCH-64874 (5) is a fungal metabolite that inhibits the epidermal growth factor receptor (EGFR), a high-profile oncology target, with an IC50 of 1.0µg/mL. It is of particular interest because it is unlikely to inhibit the protein’s intramolecular kinase domain (as typical chemical EGFR inhibitors do), and may act instead by obstructing the receptor’s ligand binding and/or dimerisation processes.In this work, the epipolythiodiketopiperazine family of natural products is reviewed, leading to a discussion of the probable biosynthetic pathways by which these complex molecules are produced in nature. A laboratory synthesis based on this proposed biosynthesis was subsequently proposed and undertaken.
The oxidation of aromatic systems was investigated, which led to the synthesis, for the first time, of complex functionalised arene oxides such as 178. The regioselective epoxidation of 178 was accessed by derivatisation as the Diels-Alder adduct 180. Subsequent epoxidation and manipulation led to the amino alcohol 195b, possessing the exo-epoxide endo-alcohol stereochemistry shown.
This stereochemical assignment was based on detailed NMR analysis of the product, and also on AM1 semi-empirical molecular modelling and Ab initio molecular orbital calculations, which were used to evaluate the relative stabilities of the cyclisation products.
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Simões, Carolina Isabel Gonçalves. "Alter-Ego." Master's thesis, 2015. http://hdl.handle.net/10400.8/1623.
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Como designer pretendo trabalhar essencialmente questões relacionadas com a comunicação nos/com objectos. Interessei-me durante este projecto em pensar o modo como os objectos servem como dispositivos de interacção social e mecanismos de relacionamento simbólico entre as pessoas.
Procurei desenvolver experiências a partir de tipologias resolvidas do ponto de vista funcional. Neste projecto são apresentados uma série de objectos que funcionam como adereços. São peças de vestuário e acessórios, que permitirem a interacção com a realidade através de acções por vezes imprevistas, dotando as pessoas da possibilidade de encarnarem personagens.
Algumas dessas peças só são reveladas nos momentos em que a pessoa pretende assumir o seu alter-ego. Pode ser alguém que queira manter uma aura de mistério á sua volta ou alguém expansivo e extravagante.
Permitem teatralizar o quotidiano. Constroem uma identidade visual, com a capacidade de originar narrativas de interacção com o mundo. São direccionadas para pessoas curiosas e dispostas a aceitar o compromisso que vem com cada objecto.
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Leclerc, Christian. "Intersubjectivité et réalité effective chez Husserl." Thèse, 2006. http://hdl.handle.net/1866/16551.
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Robbertse, Charmaine. "Going beyond the trust veil in insolvency and divorce matters / Charmaine Robbertse." Thesis, 2014. http://hdl.handle.net/10394/15526.
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This mini-dissertation is aimed at analysing the requirements the court takes into
consideration when deciding to pierce a trust veil in either insolvency or divorce matters.
A clear exposition of the legal nature of a trust is provided to determine how a trust
affords the extensive protection to trust assets, the very characteristic that makes it as
popular as it is today. It is due to this protection of trust assets that a trust has become
the object of abuse by founders and trustees, and the court has felt it necessary to
introduce a remedy.
In Badenhorst v Badenhorst the court stated that the company law doctrine of piercing
the veil should be extended to trust law. Some authors criticised this judgement, and
arguments pro(for) the extension is included in the conclusion. The research explored
the circumstances that warrants the piercing of a trust veil and it was found that the
court is likely to pierce a trust veil if the trust form was abused.
The study then shifts its focus to the type of abuse the court seeks to remedy. A trust
can amount to be the alter ego of a person or a court can deem a trust to be a sham.
The research investigates the distinction between the two in depth, and the resultant
finding is that only alter ego trusts will be pierced by a court, since a sham trust means
that no valid trust has in fact been formed and therefore there is no veil to pierce. Often
the courts are confused by the two and the likelyhood of a trust being labelled a sham
by South African courts are slim. To find that a trust was abused, the courts will look at
the essential requirements of forming a trust to determine the validity.
The most important factors that the court considers when deciding to pierce the veil, is
the type of control over the trust assets and the intention with which the trust is created
or kept. An extensive analysis of the Companies Act and the doctrine of piercing the veil
was done to probe their compatability with trust law and to see if the remedy is in fact
effective and correctly applied. Case law to support the court‘s view and application of
the mentioned doctrine is discussed and evaluated.
The study closes with an evaluation of the procedure of piercing the veil and the
consequences following such piercing, as well as the arguments for allowing piercing of
a trust veil to force trust users to obey the basic trust idea of separation of enjoyment
from control.LLM (Estate Law), North-West University, Potchefstroom Campus, 2015
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Lehmann, Joël. "L’autoréflexion de l’énonciation filmique du film Punch-Drunk Love." Thèse, 2012. http://hdl.handle.net/1866/9054.
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Le film Punch-Drunk Love, réalisé en 2002 par Paul Thomas Anderson, présente
une approche formelle hors du commun et expose, de manière flagrante, le travail
énonciatif du film. L’énonciation filmique qui est sienne pousse le spectateur à se distancer
de l’oeuvre et l’incite à se questionner sur la signification des codes mis en place. Ce dernier
est également stimulé à remettre en question ses propres attentes ainsi qu’à s’interroger sur
son plaisir spectatoriel. Nous proposons, dans le cadre de ce mémoire, de faire l’analyse de
l’énonciation filmique du film à travers l’approche abstraite de Christian Metz. Grâce à sa
théorie, qui affiche la préséance du film sur l’auteur en matière de signification des codes,
nous mettrons en évidence l’idée que les constructions énonciatives fortes reprennent à leur
compte l’histoire racontée par le film. L’énonciation réfléchit et redouble le film. Avec une
telle approche, le film expose son rapport fusionnel entre le fond et la forme.
L’énonciation, vue sous cet oeil, devient l’alter ego du film.In Punch-Drunk Love (2002), Paul Thomas Anderson applies a unique creative process that reveals the very inner workings of enunciation in the film. His filmic approach functions to distance the spectator from the film and, to various degrees, challenges the spectator to question the codes that create an aesthetic of illusion. Drawing on Christian Metz’s abstract approach to enunciation, this thesis proposes to analyse the filmic enunciation of Anderson’s film. By means of this theoretical approach, we become aware that the enunciation of the film stimulates the spectator into realizing that the implied meaning of the enunciation is one that can be understood within its own self. The “who” and the “what” are no longer questions that are answered from the “outside”. The “who” is the film and the “what” resides in it. What we are observing is the self–reflexive nature of enunciation.
Pour respecter les droits d’auteur, la version électronique de ce mémoire a été dépouillée de ses documents visuels et audio‐visuels. La version intégrale du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de Montréal.
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Ramos, Isabel Patrícia da Silva Fidalgo Batista. "O eu e o outro : Dr. Jekyll vs Mr. Hyde : David Bowie vs Ziggy Stardust." Master's thesis, 2005. http://hdl.handle.net/10400.2/450.
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Dissertação de Mestrado em Estudos Ingleses apresentada à Universidade AbertaNo início da década de 70 do século passado, David Bowie editou um álbum conceptual, TheRise and Fall of Ziggy Stardust and the Spiders from Mars, sobre um alien que veio à terra trazer a salvação. De modo a tornar os seus concertos mais apelativos do ponto de vista estético e para superar a sua própria timidez quando se apresentava em público, Bowie criou o alter-ego Ziggy Stardust. O caminho traçado pelo cantor nesta fase da sua carreira artística pode ser comparado com o de Dr. Jekyll, personagem principal da obra literária de Robert Louis Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde. O médico e o cantor desenvolveram alter-egos que, numa primeira fase, os auxiliaram a atingir os seus propósitos. Bowie apresentou espectáculos únicos ao apresentar-se de forma irreverente e marcante para a época e Dr. Jekyll deu asas ao seu desejo de quebrar os códigos das convenções morais da época vitoriana. Neste trabalho pretendemos estabelecer o paralelo entre as vivências do cantor e da personagem de Stevenson no que respeita à relação com o alter-ego, o modo como ambos lidaram com este, o consumo de drogas e as consequências que resultaram para as suas personalidades
Résumé: Au xx.e siècle, au début des années 70, David Bowie a édité un album conceptuel, The rise and Fall of Ziggy Stardust and the Spiders from Mars, à propos d’un extraterrestre, descendu sur la Terre pour la sauver. Afin de faire de ses concerts, des spectacles plus attirants du point de vue esthétique et vaincre sa propre timidité devant le public, Bowie a créé son alter ego Ziggy Stardust. Le chemin tracé par le chanteur, à ce moment de son parcours artistique, peut être comparé à celui de Dr. Jekyll, le personnage principal de l’oeuvre littéraire de Robert Louis Stevenson, The Strange Case of Dr. Jekyll and Mr. Hyde. Le médecin et le chanteur ont développé des alter egos qui, au début, les ont aidés à atteindre leurs objectifs. Bowie a créé des spectacles uniques et s’est fait remarquer, grâce à ses exhibitions irrévérentes et marquantes pour l’époque, et Dr. Jekyll a donné carrière à son désir de briser les codes des conventions morales de l’époque victorienne. Au cours de ce travail, on veut établir un parallèle entre les expériences du chanteur et celles du personnage de Stevenson, en ce qui concerne leurs rapports avec leurs alter egos, leurs façons d’agir avec eux, la consommation de drogues et leurs conséquences sur leurs personnalités
Abstract: In the beginning of the last century’s 70’s decade, David Bowie released a conceptual album, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, about an alien who came to earth to bring salvation. To make is concerts more appealing in an esthetic point of view and to overcome his own shyness when he presented himself on stage, Bowie created the alter-ego Ziggy Stardust. The path laid down by the singer in this stage of his artistic career can be compared to the one led by Dr. Jekyll, the main character of the literary work of Robert Louis Stevenson, The Strange Case of Dr Jekyll and Mr. Hyde. The doctor and the singer developed alter-egos which, initially, helped them to achieve their goals. Bowie performed unique shows, presenting himself in a distinctively irreverent way for that time and Dr. Jekyll gave wings to his desire to break the moral convention codes of the Victorian times. By the present dissertation, it is our aim to establish the parallel between the life experiences of the singer and Stevenson’s character, regarding their relation with the alter-ego, the way they both dealt with them, the drug consumption and the consequences to their personalities
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Vlasatá, Adéla. "Specifika výuky francouzštiny jako cizího jazyka u dospívajících a dospělých studentů na úrovni začátečníků A1." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-304052.
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The aim of this thesis is to analyze, from general didactic perspective, specifics of French language teaching of adolescent as well as adult students at the beginner level. More specifically, socalled FLE teaching within informal educational environment of a particular language school in Prague is examined. In order to do so, this thesis is divided into two sections. In the first theoretical section, the compilation method is employed, resulting in detailed analysis of selected didactic themes related to the defined aim of the thesis. The second, supporting section consists of specially compiled survey analysis, which focuses on themes covered at the first theoretical part. It is worth noting that perspectives of students are captured as a result of the survey analysis. The major contribution of this thesis is a comprehensive theoretical and practical view on not yet separately compiled methodology of teaching of French language of beginning, predominantly adult students, in the context of Czech informal educational environment.
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Cristovão, Marina Sofia Pires. "Um olhar psicanalítico sobreo “inferno de alice”: Um estudo de caso de uma perturbação dissociativa de identidade." Master's thesis, 2018. http://hdl.handle.net/10400.12/6769.
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Dissertação de Mestrado apresentada no ISPA - Instituto Universitário para obtenção de grau de Mestre em Psicologia ClínicaO Inferno de Alice relata na primeira pessoa, a história de vida de Alice Jamieson, diagnosticada com Perturbação Dissociativa de Identidade. Trata-se de uma autobiografia, que narra os abusos sexuais que sofreu desde os seis meses até à idade adulta. Com o apoio da perspetiva psicanalítica, pretendemos compreender de que forma estes abusos contribuíram para o desenvolvimento da Perturbação Dissociativa de Identidade. Esta análise assenta num referencial teórico atual sobre o tema, assim como, na pesquisa sobre o conceito de identidade, uma vez que se trata de um conceito indispensável para a compreensão da Perturbação Dissociativa de Identidade. Trata-se de um estudo de caso em que se pretende compreender o sujeito e a sua vivência com a perturbação.
ABSTRACT: Today I'm Alice reports in the first person, the life story of Alice Jamieson, diagnosed with Dissociative Identity Disorder. It is an autobiography, which chronicles the sexual abuse he suffered from six months to adulthood. With the support of the psychoanalytic perspective, we intend to understand how these abuses contributed to the development of Dissociative Identity Disorder. This analysis is based on a current theoretical reference on the subject, as well as on the research on the concept of identity, since it is an indispensable concept for the understanding of Dissociative Identity Disorder. It is a case study in which one intends to understand the subject and her experience with the disturbance.
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Kloudová, Daniela. "Umírání jako příběh (několik řešení)." Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-354601.
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The dissertation aims at showing the differences in dealing with the death issue in characteristic works of art of both Czech and world literature. Above all, it pursues the comparison of two novels Život střídá smrt ("Life Becomes Death") by Petr Prouza and Nebe nemá dno ("Heaven is Bottomless") by Hana Andronikova. Both unique books belong to key Czech novels with the topic of death. Moreover, both of them deal with death from the point of personal experience, which means they are strongly autobiographical. The dissertation concentrates on creative processes and topical aspects, grasps autobiographical elements of both novels and all the identities and differences in the approach to the same topic. Therefore, the dissertation is devoted to listing the works of art dealing with death, further on to the analyses, interpretation and comparison of the novels Život střídá smrt ("Life Becomes Death") and Nebe nemá dno ("Heaven is Bottomless") together with the reflexion of reader's experience.
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Wiggle, Stephanie Michelle. "Maintaining broiler breeder pullets on skip-a-day feeding after photostimulation until 5% egg production is reached alters ovarian development." 2008. http://purl.galileo.usg.edu/uga%5Fetd/wiggle%5Fstephanie%5Fm%5F200808%5Fms.
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Olivier, Raphaëlle. "Les mailles de la fiducie en contexte de dissolution de l'union matrimoniale : de l'application des mécanismes du C.C.Q. au soulèvement du voile fiduciaire en droit québécois." Thèse, 2017. http://hdl.handle.net/1866/20387.
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