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Journal articles on the topic 'Alter ego'

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Published: 4 June 2021
Last updated: 21 February 2023

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1

Долгопят, Елена. "Alter ego." Искусство кино, no. 12 (2008): 27–65.

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2

Stevenson, Jan. "Alter ego…" Veterinary Nursing Journal 21, no. 11 (November 2006): 28–29. http://dx.doi.org/10.1080/17415349.2006.11013529.

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3

Leach, Amy. "Alter Ego." Iowa Review 38, no. 1 (April 2008): 11–12. http://dx.doi.org/10.17077/0021-065x.6385.

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4

Bourdin, Dominique. "Alter ego." International Journal of Psychoanalysis 91, no. 1 (February 2010): 222–30. http://dx.doi.org/10.1111/j.1745-8315.2009.00244_2.x.

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5

Böschenstein, Renate. "John Pizer: Ego – Alter Ego." Jahrbuch der Raabe-Gesellschaft 41, no. 1 (June 23, 2000): 156–66. http://dx.doi.org/10.1515/9783484339002.156.

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6

Szuba, Agata Szuba. "Performatywne alter ego." DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU 26, no. 26 (September 1, 2019): 108–33. http://dx.doi.org/10.5604/01.3001.0012.9857.

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The dynamic development of the Internet and the constant search for new ways of reaching the user bring about the availability of materials that were previously unattainable. Performance art, thanks to its special openness to new methods of expression, reaches the mass media, while showing the individual’s psyche and character of the author’s work. The set of gestures, their sequence and narration are the basis for creating performance art, understood not only as a clear alternative to conventional art, but also characterized by unpredictability, in which the viewer is not prepared for the way messages are received. Undoubtedly, social platforms create an illusion. “The influencer” can reach thousands of viewers and gain fame without leaving home. Without a doubt, social media have created a new entry point to the global art scene, opening way to a wide spectrum of diverse artistic activities. The method of recording, the non-cutaneous nature of the phenomenon makes it possible to own performative actions. The context of a performance is particularly important. It affects what can be universally recognized as art. The question arises (since we distinguish two values of the performative action: in the art gallery and on the street), what frames on the social media allow the audience to interpret it as art, and assuming that it is an art, does it change the perception of a given phenomenon?
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7

Szuba, Agata. "Performative alter ego." DYSKURS. PISMO NAUKOWO-ARTYSTYCZNE ASP WE WROCŁAWIU 26, no. 26 (September 1, 2019): 108–32. http://dx.doi.org/10.5604/01.3001.0012.9880.

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The dynamic development of the Internet and the constant search for new ways of reaching the user bring about the availability of materials that were previously unattainable. Performance art, thanks to its special openness to new methods of expression, reaches the mass media, while showing the individual’s psyche and character of the author’s work. The set of gestures, their sequence and narration are the basis for creating performance art, understood not only as a clear alternative to conventional art, but also characterized by unpredictability, in which the viewer is not prepared for the way messages are received. Undoubtedly, social platforms create an illusion. “The influencer” can reach thousands of viewers and gain fame without leaving home. Without a doubt, social media have created a new entry point to the global art scene, opening way to a wide spectrum of diverse artistic activities. The method of recording, the non-cutaneous nature of the phenomenon makes it possible to own performative actions. The context of a performance is particularly important. It affects what can be universally recognized as art. The question arises (since we distinguish two values of the performative action: in the art gallery and on the street), what frames on the social media allow the audience to interpret it as art, and assuming that it is an art, does it change the perception of a given phenomenon?
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8

Brzostek, Mariusz. "Świnoujście – alter ego of Plato’s ideal state." Zeszyty Naukowe Uniwersytetu Szczecińskiego. Acta Politica 37 (2016): 77–90. http://dx.doi.org/10.18276/ap.2016.37-06.

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9

Herzog, Patricia Snell, and Song Yang. "Social Networks and Charitable Giving: Trusting, Doing, Asking, and Alter Primacy." Nonprofit and Voluntary Sector Quarterly 47, no. 2 (December 11, 2017): 376–94. http://dx.doi.org/10.1177/0899764017746021.

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This study examines social networks and financial giving to charitable or religious causes. Conventional social capital measures of general social trust and size of social network are studied as predictors of charitable giving. To these traditional measures, we add an examination of particular network aspects of giving: ego giving in relation to network alters who give, solicitations to give by network ties, and ego soliciting alters to give. In addition, the study disaggregates alter effects by alter position. Findings indicate that, net of social trust, social network factors significantly predict likelihood of being a giver. In particular, findings are that egos are especially likely to be donors when their primary alter donates. Three configurations of ego–alter giving and solicitations are significant predictors of ego giving, indicating that ego–alter doing matters more than asking. Theoretical contributions for relational and prosocial studies are discussed, as are practical implications for fundraising professionals.
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10

Gustafsson, Nina-Katri, Jens Rydgren, Mikael Rostila, and Alexander Miething. "Social network characteristics and alcohol use by ethnic origin: An ego-based network study on peer similarity, social relationships, and co-existing drinking habits among young Swedes." PLOS ONE 16, no. 4 (April 8, 2021): e0249120. http://dx.doi.org/10.1371/journal.pone.0249120.

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The study explores how social network determinants relate to the prevalence and frequency of alcohol use among peer dyads. It is studied how similar alcohol habits co-exist among persons (egos) and their peers (alters) when socio-demographic similarity (e.g., in ethnic origin), network composition and other socio-cultural aspects were considered. Data was ego-based responses derived from a Swedish national survey with a cohort of 23-year olds. The analytical sample included 7987 ego-alter pairs, which corresponds to 2071 individuals (egos). A so-called dyadic design was applied i.e., all components of the analysis refer to ego-alter pairs (dyads). Multilevel multinomial-models were used to analyse similarity in alcohol habits in relation to ego-alter similarity in ethnic background, religious beliefs, age, sex, risk-taking, educational level, closure in network, duration, and type of relationship, as well as interactions between ethnicity and central network characteristics. Ego-alter similarity in terms of ethnic origin, age and sex was associated with ego-alter similarity in alcohol use. That both ego and alters were non-religious and were members of closed networks also had an impact on similarity in alcohol habits. It was concluded that network similarity might be an explanation for the co-existence of alcohol use among members of peer networks.
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11

Romcevic, Branko. "Normal European alter-ego." Theoria, Beograd 53, no. 2 (2010): 81–102. http://dx.doi.org/10.2298/theo1002081r.

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In this paper I am trying to make explicit the relation between late Husserl's thinking on nature of philosophy and his theory of Other as alter-ego (from Cartesian Meditations and Ideas II). I have found that connections between those topics are enabled by Husserl's more implicit - but undoubtly effective - theory of normality, which, almost silently, directs larger part of his last writings.
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12

BELLER-MCKENNA, D. "BEATLE-JOHN'S 'ALTER EGO'." Music and Letters 80, no. 2 (May 1, 1999): 254–68. http://dx.doi.org/10.1093/ml/80.2.254.

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13

Goussault, Bénédicte. "Entre Alter et Ego." Espaces Temps 37, no. 1 (1988): 44–49. http://dx.doi.org/10.3406/espat.1988.3403.

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14

Peyton, Henry Hall. "Brangäne: Isolde's Alter Ego." Arthuriana 11, no. 1 (2001): 93–107. http://dx.doi.org/10.1353/art.2001.0033.

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15

Tully, R. E. "Russell's Other Alter Ego." Dialogue 27, no. 4 (1988): 701–9. http://dx.doi.org/10.1017/s001221730002031x.

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This is the first volume in the Collected Papers which deals exclusively with Russell's non-technical writings and, chronologically, it is the immediate successor of volume 1. Volumes 2 through 7 cover roughly the same span of years as volume 12 (1902–1914) but are devoted to his technical writings on mathematics, logic and philosophy. Of this group, however, only volume 7 has so far been published. The contents of volume 12 are intended to show two contrasting sides of Russell's highly complex character: the contemplative (but nonacademic) side and the active. The latter is much easier to delineate and much more widely known. During 1904, Russell rose to defend traditional Liberal principles of free trade and to assail the British government's protectionist proposals for tariff reform. His various articles, book reviews, critiques and letters to editors are gathered here. Three years later, he campaigned for election to Parliament from Wimbledon as the Women's Suffrage candidate against a staunch anti-suffragist. The outcome was never in doubt, not even to Russell, since Wimbledon was a safe seat for the Conservatives, and in the end Russell lost by a margin greater than 3-to-l, but his fight had been vigorous and had managed to gain national attention.
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16

Chervet, Bernard. "Alter ego de Michel Neyraut." Revue française de psychanalyse 74, no. 3 (2010): 841. http://dx.doi.org/10.3917/rfp.743.0841.

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17

Raloff, J. "Estrogen's Emerging Manly Alter Ego." Science News 152, no. 23 (December 6, 1997): 356. http://dx.doi.org/10.2307/3980827.

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18

Berta, Mario, and Mario Saiz. "The “alter ego” in psychiatry." Lancet 354 (December 1999): SIV55. http://dx.doi.org/10.1016/s0140-6736(99)90398-7.

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19

Aldhous, Peter. "Dr House's caring alter ego." New Scientist 200, no. 2686 (December 2008): 44–45. http://dx.doi.org/10.1016/s0262-4079(08)63163-2.

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20

Rolls, Alistair. "Vernon Sullivan’s alter ego interpretation." French Cultural Studies 27, no. 4 (October 10, 2016): 335–47. http://dx.doi.org/10.1177/0957155816660681.

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21

Falck, Benjamin. "Spanish Fly—Cantharidin’s Alter Ego." JAMA Dermatology 154, no. 1 (January 1, 2018): 51. http://dx.doi.org/10.1001/jamadermatol.2017.4531.

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22

Космеда, Т. А. "Ego i Alter Ego Тараса Шевченка в його поетичному мовленні." Лінгвістичні дослідження, Вип. 34 (2012): 91–96.

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23

Stoica, Adelina-Alexandra. "Homophily in co-autorship networks." International Review of Social Research 8, no. 2 (December 1, 2018): 119–28. http://dx.doi.org/10.2478/irsr-2018-0014.

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Abstract The main purpose of this paper is to measure the impact that homophily, structural characteristics of the networks, number of citations of the alters and their Hirsch score have on the number of citations of an ego. I have chosen co-authorship networks as a subject of research because they have a great influence on knowledge and on the diffusion of ideas. The studied populations are represented by full-time academics affiliated to sociology departments in Romania, Poland and Slovenia. Ego-network analysis was used as research design. The data was analyzed using linear hierarchical regression. For all three populations the average number of citations of the alter has a considerable positive impact on the number of citations of the ego. Conversely, the Hirsch score of the alter has a negative impact on the number of citations of the ego. The data analyzed in this article claims that the assumptions about the positive impact of alter citations, network size and the betweenness score on the number of the authors citations are supported empirically.
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24

Зуйков, А. В. "Alter ego: кто помогает главе государства?" Сравнительное конституционное обозрение, no. 6 (79) (2010): 24–36.

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25

Attias-Donfut, Claudine, and François-Charles Wolff. "Les liens affinitaires, des alter ego ?" Retraite et société 44, no. 1 (March 1, 2005): 49–78. http://dx.doi.org/10.3917/rs.044.0049.

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26

Dowek, Gilles. "Mon alter ego sur le web." Pour la Science N° 521 - mars, no. 3 (June 3, 2021): 20. http://dx.doi.org/10.3917/pls.521.0020.

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27

Arnold, Alice. "Violent Video Games as Alter Ego." Art Education 69, no. 1 (December 17, 2015): 6–7. http://dx.doi.org/10.1080/00043125.2016.1106841.

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28

Young, Sarah. "Agency and the Digital Alter Ego." International Journal of Sociotechnology and Knowledge Development 10, no. 3 (July 2018): 41–53. http://dx.doi.org/10.4018/ijskd.2018070103.

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Wearables produce a body of data controlled by the user of the wearable, and the institution creating the device or collecting the device information, and community members engaging with the devices. This article examines the privacy policies of the top five wearable vendors of 2016 to analyze how corporations describe the bodies of digital data they amass through surveillant assemblage. Results indicate four points of agency which surround bodies of digital information: data as alter ego, data under personal control, institutional power, and community. Although scholarship often emphasizes that entities of power control information, and wearable companies emphasize the user's ability to control their information, there are multiple ways the authors can think about the data, and not addressing the complexity of data can lead to limited ideas about agency, identity, surveillance, and visibility.
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29

Komunyakaa, Yusef. "From Autobiography of My Alter Ego." Callaloo 28, no. 3 (2005): 478–86. http://dx.doi.org/10.1353/cal.2005.0107.

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30

Komunyakaa, Yusef. "from Autobiography of My Alter Ego." Callaloo 27, no. 2 (2004): 409–10. http://dx.doi.org/10.1353/cal.2004.0075.

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31

Santore, Cathy. "Danae: The Renaissance Courtesan's Alter Ego." Zeitschrift für Kunstgeschichte 54, no. 3 (1991): 412. http://dx.doi.org/10.2307/1482582.

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32

Dunmall, Karen M. "Honorable Mention: My Arctic Alter Ego." Fisheries 41, no. 1 (December 29, 2015): 8. http://dx.doi.org/10.1080/03632415.2016.1130488.

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33

Таньшина, Н. П. "Герцогиня Доротея Дино - alter ego князя Талейрана." Новая и новейшая история, no. 6, ноябрь - декабрь (2015): 177–96.

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34

윤새라. "Four Nekhliudovs: Tolstoy's Alter Ego and Space." Korean Journal of Slavic Studies 31, no. 2 (June 2015): 25–50. http://dx.doi.org/10.17840/irsprs.2015.31.2.002.

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35

Laske, Otto. "The Computer as the Artist's Alter Ego." Leonardo 23, no. 1 (1990): 53. http://dx.doi.org/10.2307/1578466.

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36

Bizek-Tatara, Renata. "Jean Muno et ses alter ego fictionnels." Textyles, no. 46 (May 1, 2015): 145–65. http://dx.doi.org/10.4000/textyles.2597.

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37

Anstey, Josephine. "The Alter Ego Workshop: A Cognitive Exercise." Cream City Review 40, no. 1 (2016): 46–48. http://dx.doi.org/10.1353/ccr.2016.0012.

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38

Rai, Dhananjay. "Popular Hindi Cinema as Gandhi’s Alter Ego." Social Change 41, no. 1 (March 2011): 63–78. http://dx.doi.org/10.1177/004908571104100103.

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39

Messerli, Franz H., and Adrian W. Messerli. "Alter ego(s) in coronary artery disease." European Heart Journal 39, no. 45 (November 30, 2018): 3987–98. http://dx.doi.org/10.1093/eurheartj/ehy701.

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40

Bratton, Shawn B., and Gerald M. Cohen. "Apoptotic death sensor: an organelle's alter ego?" Trends in Pharmacological Sciences 22, no. 6 (June 2001): 306–15. http://dx.doi.org/10.1016/s0165-6147(00)01718-1.

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41

Clapp, Jeffrey. "Undisguised alter ego: Mary McCarthy’s autofictional career." Life Writing 17, no. 1 (January 2, 2020): 27–43. http://dx.doi.org/10.1080/14484528.2020.1710556.

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42

Liossis, Stamatis-Nick C., Charles S. Via, and George C. Tsokos. "The Alter Ego of Heat Shock Proteins." Clinical Immunology and Immunopathology 86, no. 3 (March 1998): 235–36. http://dx.doi.org/10.1006/clin.1997.4482.

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43

Nemoianu, Virgil. "Confluenţe literare: Studii de literatură comparată româno-maghiară, and: Ego, Alter, Alter Ego (review)." Comparatist 19, no. 1 (1995): 160–61. http://dx.doi.org/10.1353/com.1995.0011.

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44

Viscardi-Murray, Lorraine. "The Constitution of the Alter Ego in Husserl's Transcendental Phenomenology." Research in Phenomenology 15, no. 1 (1985): 177–91. http://dx.doi.org/10.1163/156916485x00113.

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AbstractThis paper explores Husserl's phenomenological description of the constitution of the alter ego within the sphere of transcendental subjectivity. It is important at the start to point out that the Other plays a crucial role in securing the intersubjective nature of the experienced world. Although Husserl goes on in the "Fifth Cartesian Meditation" to consider the constitution of an objective world common to all subjects and the establishment of a community of monads, my primary focus in this paper will be the examination of the initial steps whereby the sense, "other ego," is constituted by the transcendental ego. My main task, then, will be to examine the reduction to the sphere of ownness, the appresentative transfer of sense from ego to alter ego, and the criterion of harmonious behavior. My primary criticisms will center around certain difficulties inherent in the attempt to uncover a primordial sphere of ownness and problems that arise from a shift in concern from the life-world (everyday) attitude to the attitude following the performance of the epoché. Part I of the paper will consist of a general discussion of Husserl's phenomenological project, Part II will be a detailed study of the alter ego, and Part III a general statement of problems and objections.
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45

Lozar Manfreda, Katja, Vasja Vehovar, and Valentina Hlebec. "Collecting ego-centred network data via the web." Advances in Methodology and Statistics 1, no. 2 (July 1, 2004): 295–321. http://dx.doi.org/10.51936/sbuu6702.

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Owing to their complex data structure face-to-face surveys are a typical data collection method for ego-centred social networks. Usually the interviewer is required to handle the list of alters in order to reduce misunderstandings and typing errors and increase the respondents' motivation. When answering questions about each alter the respondent is given help. Compared to face-to-face or telephone interviews Web data collection can substantially reduce the costs, time, and fatigue in managing the complex questionnaire required for data collection of ego-centred data. Such data collection is especially suitable for special populations familiar with Internet tools. However, particular attention to questionnaire design has to be paid if a respondent is expected to complete a Web questionnaire by him or herself, compiling a list of alters and giving information about them. One trial in the collection of ego-centred networks via the Web was performed during the annual RIS (Research on Internet in Slovenia) Web survey conducted by the Faculty of Social Sciences, University of Ljubljana. Respondents were randomly split into four groups. Each group received a name generator for one type of social support: material, informational, emotional support or social companionship. Each respondent also received a set of questions for each alter they named in the network generator. Data collection was carried out between June and October 2001. The quality of the data was studied with respect to the number of listed alters and by two question wording forms for name generators. The analysis shows that the Web can be used as a data collection method for ego-centred social networks. However, special attention is required when designing the graphic layout of name generators as well as with the wording of instructions. In particular, the number of alters should be limited in some way, since respondents who name many alters tend to quit the questionnaire before answering additional questions regarding these alters.
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46

Samsel-Chojnacka, Monika. "Figura błazna jako alter ego Bergmana w teatrze." Studia Scandinavica, no. 2 (22) (December 28, 2018): 46–62. http://dx.doi.org/10.26881/ss.2018.22.03.

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One of Bergman’s favourite figures was the jester or the clown. When appearing on stage, they gather the whole attention of both audience and other characters. In theatre productions Bergman used three strategies to express his fondness for this figure – he either emphasized jesters already existing in the text of the drama, provided other characters with clownish features (both visual and mental), or he even created clown-like figures and added them to the original drama. This was done not only to stress comic aspects, but mainly to expose the psychological complexity of the personalities of these figures. In my article, I analyse all three levels of this phenomenon in productions of Shakespeare, Ibsen and Gombrowicz, trying to find the source of inspiration behind them, as well as a common thread between them.
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47

Looi, Collin Seng Kim, and Manohar Arumugam. "Acrometastases: The nasty alter ego of fingertip infections." Malaysian Family Physician 16, no. 2 (June 3, 2021): 86–89. http://dx.doi.org/10.51866/cr1059.

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Fingertip infections are commonly diagnosed in primary care. There is a serious condition, acrometastases, that is often mistaken for these infections. Acrometastases are defined as metastases located distal to the elbow or knee. We present a case of a malignant phyllodes tumour with acrometastases to the distal phalanx of the left middle finger that was misdiagnosed as a fingertip infection on 2 separate occasions, highlighting the need for vigilance regarding acrometastases.
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48

Adelman, Janet. "Iago’s Alter Ego: Race as Projection in Othello." Shakespeare Quarterly 48, no. 2 (1997): 125–44. http://dx.doi.org/10.2307/2871277.

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49

Sonesson, Göran. "Ego Meets Alter and Alius on the Marketplace." International Journal of Semiotics and Visual Rhetoric 1, no. 2 (July 2017): 55–78. http://dx.doi.org/10.4018/ijsvr.2017070104.

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Marketing is always a kind of inter-cultural communication, in the sense defined by the semiotics of culture: a message from someone in a group who says “I” to a group he sees as “You” or “Them”. But marketing is also an inter-cultural message in a narrower sense: it often emanates from a global company, which needs to sell a product on a local market. To do so, it may also make use of classical group values, notably national identities, which it can ascribe to the products it wants to sell. In the first part of this article, the author discusses communication within the framework of cultural semiotics, with a particular emphasis on the marketing situation. In the second part, the author looks at particular cases of visual rhetoric, in which cultural values are used to sell specific products. These are exemplified by the ascription of European values to a Swedish product (Absolut Vodka), and Swedish values to a product most of the time produced elsewhere (IKEA), as well as the assignment of American values to a Turkish service provider.
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50

Schwerdt, Lisa N. "Isherwood's Namesake Narrators: Device, Persona, and Alter Ego." Critique: Studies in Contemporary Fiction 29, no. 3 (April 1988): 195–207. http://dx.doi.org/10.1080/00111619.1988.9937849.

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