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Books on the topic 'Altérité (philosophie) – Dans l'art'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

La question du rapport à autrui dans la philosophie de Vladimir Jankélévitch. Québec: Presses de l'Université Laval, 2009.

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2

Folscheid, Dominique, writer of preface, ed. Altérité et transcendance dans le Mvett: Essai de philosophie pratique. Paris: L'Harmattan, 2014.

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3

L'infini dans les sciences, l'art et la philosophie. Paris: L'Harmattan, 2003.

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4

Le soi et l'autre: Identité, différence et altérité dans la philosophie de la Pratyabhijñā. Leiden: Brill, 2011.

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5

Ravalec, Vincent. Pour une nouvelle sorcellerie artistique. Paris: V. Ravalec, 2001.

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6

Ravalec, Vincent. Pour une nouvelle sorcellerie artistique. Paris: V. Ravalec, 2001.

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7

Lausanne, Université de, Deutsches Forum für Kunstgeschichte, Istituto svizzero di Roma, and Accademia di Francia (Rome, Italy), eds. Penser l'art dans la seconde moitié du XVIIIe siècle: Théorie, critique, philosophie, histoire. Paris: Somogy éditions d'art, 2013.

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8

Pieters, Corinne. Image, philosophie et médecine: Le corps en regards. Paris: Ellipses, 2000.

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9

James, Clifford. Malaise dans la culture: L'ethnographie, la littérature et l'art au XXe siècle. Paris: École nationale supérieure des Beaux-Arts, 1996.

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10

Invent-L Conference: Imaging Place (2007 University of Florida). Imaging place. Kamloops, B.C: Textual Studies in Canada, Thompson Rivers University, 2009.

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11

Arsenne, L. C. Manuel du peintre et du sculpteur: Ouvrage dans lequel on traite de la philosophie de l'art et des moyens pratiques. Paris: L.V.D.V. Inter-livres, 1986.

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12

Rapaport, Herman. Is there truth in art? Ithaca: Cornell University Press, 1997.

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13

Les rapports de la rhétorique et de la philosophie dans l'oeuvre de Cicéron: Recherches sur les fondements philosophiques de l'art de persuader. 2nd ed. Louvain: Peeters, 2003.

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14

Gervereau, Laurent. Voir, comprendre, analyser les images. Paris: Découverte, 1994.

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15

Gervereau, Laurent. Voir, comprendre, analyser les images. Paris: La Découverte, 1997.

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16

Voir, comprendre, analyser les images. 4th ed. Paris: Éd. la Découverte, 2004.

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17

La légende des anges. Paris: Flammarion, 1993.

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18

Foundation, Chipstone, ed. American fancy: Exuberance in the arts, 1790-1840. Milwaukee: Chipstone Foundation, 2004.

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19

1942-, Bleton Claude, Gerday Jacqueline, and Frayssinet Claude de, eds. Le baiser de Judas: Photographie et vérité. Arles: Actes Sud, 2005.

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20

L' objet singulier. Paris: Editions de minuit, 1985.

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21

Gender and Aesthetics: An introduction. New York: Routledge, 2004.

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22

Korsmeyer, Carolyn. Gender and aesthetics: An introduction. New York: Routledge, 2004.

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23

European vision and the South Pacific. 2nd ed. New Haven: Yale University Press, 1985.

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24

European vision and the South Pacific. 2nd ed. New Haven: Yale University Press, 1988.

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25

Sight, sound, motion: Applied media aesthetics. 3rd ed. Belmont, CA: Wadsworth Pub. Co., 1999.

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26

Nochlin, Linda. The body in pieces: The fragment as a metaphor of modernity. New York, N.Y: Thames and Hudson, 1995.

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27

Nochlin, Linda. The body in pieces: The fragment as a metaphor of modernity. [London]: Thames and Hudson, 1994.

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28

The aesthetics of disengagement: Contemporary art and depression. Minneapolis: University of Minnesota Press, 2006.

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29

Talking a good game: Inquiries into the principles of sport. Dallas: Southern Methodist University Press, 1991.

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30

The educational and evangelical missions of Mary Emilie Holmes (1850-1906): "not to seem, but to be". Lewiston: E. Mellen Press, 1994.

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31

L' Effet trompe-l'oeil dans l'art et la psychanalyse. Paris: Dunod, 1988.

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32

Ballas, G. La Couleur dans la peinture moderne. Adam Biro, 1997.

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33

La philosophie de l'acteur: La dialectique de l'intérieur et de l'extérieur dans les écrits sur l'art théâtral français (1738-1801). Paris: H. Champion, 2007.

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34

Agostino, Paravicini Bagliani, Spieser J. -M, and Wirth Jean, eds. Le portrait: La représentation de l'individu. Firenze: SISMEL edizioni del Galluzzo, 2007.

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35

Dupont and Pieters. Images physique et médicale du corps. Ellipses Marketing, 2000.

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36

Gervereau, Laurent. Voir, comprendre, analyser les images. La Découverte, 2000.

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37

La légende des anges. Flammarion, 1999.

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38

1969-, Alfoldy Sandra, and Nova Scotia College of Art and Design. Press., eds. NeoCraft: Modernity and the crafts. Halifax, N.S: Press of the Nova Scotia College of Art and Design, 2007.

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39

1969-, Alfoldy Sandra, ed. NeoCraft: Modernity and the crafts. Halifax, N.S: Press of the Nova Scotia College of Art and Design, 2007.

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40

(Editor), Sandra Alfondy, ed. NeoCraft. The Press of the Nova Scotia College of Art and Design, 2008.

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41

La religion des origines. Hachette Littérature, 2001.

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42

Zettl, Herbert. Sight, Sound, Motion: Applied Media Aesthetics. 3rd ed. Wadsworth Publishing, 1998.

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43

Hübner, Jürgen, 1932 Aug. 30- ed., Stamatescu, I.-O 1941- ed., and Weber Dieter ed, eds. Theologie und Kosmologie: Geschichte und Erwartungen für das gegenwärtige Gespräch. Tübingen: Mohr Siebeck, 2004.

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44

1940-, Hertz Richard, and Klein Norman M. 1945-, eds. Twentieth century art theory: Urbanism, politics, and mass culture. Englewood Cliffs, NJ: Prentice Hall, 1990.

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45

Klein, Norman M., and Richard Hertz. Twentieth Century Art Theory: Urbanism, Politics, and Mass Culture. Prentice Hall College Div, 1990.

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46

Klein, Norman M., and Richard Hertz. Twentieth Century Art Theory: Urbanism, Politics, and Mass Culture. Prentice Hall College Div, 1990.

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47

The Body in Pieces: The Fragment as a Metaphor of Modernity. Thames & Hudson, 2001.

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48

Paul, Schimmel, Dziewior Yilmaz, and Museum of Contemporary Art (Los Angeles, Calif.), eds. Public offerings. New York: Thames & Hudson, 2001.

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