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Relevant bibliographies by topics / Alternate lyrics

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Journal articles

Academic literature on the topic 'Alternate lyrics'

Author: Grafiati

Published: 4 June 2021

Last updated: 18 February 2022

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Journal articles on the topic "Alternate lyrics"

1

Hiller, James. "Music Therapists’ Preparation for Song Discussion: Meaning-Making With the Music." Music Therapy Perspectives 37, no. 2 (2019): 205–12. http://dx.doi.org/10.1093/mtp/miz005.

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Abstract Songs are powerful catalysts and resources for change processes in music psychotherapy. Not surprisingly, music therapists often invite clients to listen to recordings of popular songs. A common song listening method is song discussion, in which a therapist selects a relevant song to explore with a client or group and facilitates the listening and subsequent verbal processing. In the relevant music therapy literature, lyrics assume a primary focus (i.e., lyric analysis), and yet, the music of a song, as integrated with its lyrics, impacts both client’s and therapist’s meaning-making a

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2

Фолимонов, Сергей Станиславович. "Alternate Literary Composition in the Lyrical Poems by I.V. Severyanin." Philology & Human, no. 2 (2020): 86–98. http://dx.doi.org/10.14258/filichel(2020)2-07.

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3

Vrana, Laura. "Genre Experiments: Thylias Moss’s Slave Moth and the Poetic Neo-Slave Narrative." MELUS 46, no. 2 (2021): 111–30. http://dx.doi.org/10.1093/melus/mlab020.

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Abstract As histories of experimentation on the enslaved receive scholarly attention, so too are neo-slave narratives representing and commenting on this aspect of enslavement, in both their content and their form. This article examines Thylias Moss’s genre-troubling Slave Moth: A Narrative in Verse (2004), a neo-slave text that depicts an enslaved woman named Varl treated as an object of psychological experimentation. Varl develops a strong subjectivity through becoming a subject performing experiments: aesthetic experiments in how she chooses to represent her narrative in stitched cloths. Th

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4

Ahmadi, Fereshteh. "Song lyrics and the alteration of self-image." Nordic Journal of Music Therapy 20, no. 3 (2011): 225–41. http://dx.doi.org/10.1080/08098131.2010.522718.

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5

Gervin, A. P. "Music Therapy Compensatory Technique Utilizing Song Lyrics during Dressing to Promote Independence in the Patient with a Brain Injury." Music Therapy Perspectives 9, no. 1 (1991): 87–90. http://dx.doi.org/10.1093/mtp/9.1.87.

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6

Huyssen, Andreas. "Modernist Miniatures: Literary Snapshots of Urban Spaces." PMLA/Publications of the Modern Language Association of America 122, no. 1 (2007): 27–42. http://dx.doi.org/10.1632/pmla.2007.122.1.27.

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This essay focuses on a little–studied narrative form I call the modernist miniature. Its practitioners after Baudelaire include novelists like Kafka and Musil, poets like Rilke and Benn, social thinkers and critics like Kracauer, Benjamin, and Adorno. Central concerns of these modernist miniatures, written primarily for the newspaper feuilleton and published only later in book form, were the perceptions and image spheres of urban space, which were undergoing radical change in the late nineteenth and early twentieth centuries. Modernist miniatures can be alternately narrative or philosophical,

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7

Seago, Karen, and Lavinia Springett. "Dzikie bohaterki? Problematyka płci kulturowej i gatunku literackiego w przekładach Northern Lights Philipa Pullmana." Przekładaniec, no. 40 (2020): 22–50. http://dx.doi.org/10.4467/16891864pc.20.002.13165.

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Savage Heroines? The Treatment of Gender and Genre in Translations of Philip Pullman’s Northern Lights Philip Pullman’s Northern Lights is the first instalment of his award-winning trilogy His Dark Materials. In this alternate-worlds fantasy and children’s literature classic, Lyra and her daemon Pan are catapulted from the relative stability of Oxford to negotiate an increasingly threatening world in a quest to protect free will from cataclysmic adult zealotry. According to prophecy, Lyra is the chosen one; she conforms to the tropes of the fantasy quest performing the paradigmatic steps of th

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8

O’Brien, Emma. "“Their lives, their stories, in their words”: a workshop on lyric creations with clients." Nordic Journal of Music Therapy 25, sup1 (2016): 106. http://dx.doi.org/10.1080/08098131.2016.1180118.

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9

Kurniawan, Rama, and Syeilendra Syeilendra. "BENTUK MUSIK SALUANG SIROMPAK VERSI ABAH EMI PADA ACARA ALEK PEMUDA DI PARIK DALAM NAGARI TAEH BARUAH KABUPATEN LIMA PULUH KOTA PAYAKUMBUH." Jurnal Sendratasik 10, no. 1 (2020): 1. http://dx.doi.org/10.24036/jsu.v9i2.110538.

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This study aims to describe Saluang Sirompak music of Abah Helmi version at Alek Pemuda event in Parik Dalam, Taeh Baruah village, Lima Puluh Kota regency, Payakumbuh City. This research belongs to a qualitative research using a descriptive approach. The main instrument in this study was the researcher itself and was assisted by supporting instruments such as writing tools and cameras. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by collecting the data, clarifying the data, and summarizing the data. The results sho

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10

Silverman, M. J. "The Use of Lyric Analysis Interventions in Contemporary Psychiatric Music Therapy: Descriptive Results of Songs and Objectives for Clinical Practice." Music Therapy Perspectives 27, no. 1 (2009): 55–61. http://dx.doi.org/10.1093/mtp/27.1.55.

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