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Journal articles on the topic 'Amadeo'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Varela, Cosme Beccar. "Mario Amadeo and Chesterton." Chesterton Review 11, no. 4 (1985): 548–49. http://dx.doi.org/10.5840/chesterton198511472.

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2

Carneiro, Ana. "Amadeo Avogadro. Relazioni Accademiche." Ambix 64, no. 1 (January 2, 2017): 103. http://dx.doi.org/10.1080/00026980.2017.1310429.

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3

Soares, Marta de Almeida Loução. "Parto da Viola para "Orpheu": Amadeo de Souza-Cardoso, o sensacionismo e os "hors-textes" de "Orpheu 3"." Anuário de Literatura 20, no. 2 (August 26, 2015): 116. http://dx.doi.org/10.5007/2175-7917.2015v20n2p116.

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http://dx.doi.org/10.5007/2175-7917.2015v20n2p116Trou de la Serrure Parto da Viola Bon ménage Fraise Avant-garde é o longo título de um quadro do pintor português Amadeo de Souza-Cardoso. Parto da Viola (abrevio desta forma) foi pintado em Manhufe (terra natal de Amadeo no norte de Portugal) no período em que eclodia a revista Orpheu, em Lisboa. Apesar da frequente inclusão do pintor na história da revista (em grande parte devedora da narrativa de Almada Negreiros), ainda poucos estudos expandiram a relação entre as obras de Amadeo de Souza-Cardoso e no enquadramento artístico de Orpheu. O movimento sensacionista, criado por Fernando Pessoa e Mário de Sá-Carneiro, potencia várias abordagens aos contributos literários e plásticos. Neste artigo, centrar-me-ei na sensação e na sinestesia, uma das vertentes do sensacionismo. Após a contextualização artística e interdisciplinar de Orpheu, revela-se o resultado de uma investigação no espólio de Amadeo de Souza-Cardoso que pode reforçar o lugar de Amadeo na história da revista modernista.
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4

Correa, Federico. "Capitalismo, pandemia y crisis global: reflexiones sobre la covid-19 y nuevas formas editoriales." Dixit, no. 32 (May 28, 2020): 76–80. http://dx.doi.org/10.22235/d.vi32.2187.

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Ensayo bibliográfico Sopa de Wuhan. Editado por Pablo Amadeo. ASPO (Aislamiento Social Preventivo y Obligatorio), 2020. 188 págs. La fiebre. Editado por Pablo Amadeo. ASPO (Aislamiento Social Preventivo y Obligatorio), 2020. 262 págs.
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5

Jansen, Walter. "Amadeo (Amedeo) Avogadro *1776 †1856." CHEMKON 13, no. 4 (October 23, 2006): 211–13. http://dx.doi.org/10.1002/ckon.200690034.

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6

Hernández Esquerre, Danilo Kadesh. "Un acercamiento al extinto pueblo taushiro." ISHRA, Revista del Instituto Seminario de Historia Rural Andina, no. 5 (July 15, 2020): 87–101. http://dx.doi.org/10.15381/ishra.v0i5.18069.

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Este artículo presenta algunos tópicos del extinto pueblo taushiro, como son su endonimia, cosmovisión y cosmogonía, según la perspectiva de Amadeo García, el último taushiro vivo. Para tal fin, tenemos en cuenta la influencia religiosa que ha experimentado Amadeo dada la vinculación directa que tuvo, cuando joven, con el Instituto Lingüístico de Verano (ILV).
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7

Lena Mateu Prats, Mª. "Ibiza en la pintura costumbrista de Amadeo Roca." Revista de Dialectología y Tradiciones Populares 68, no. 1 (June 30, 2013): 239–63. http://dx.doi.org/10.3989/rdtp.2013.01.011.

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8

Carabaño Aguado, I. "Gitana con niño: Amadeo Modigliani, 1919." Pediatría Atención Primaria 16, no. 61 (March 2014): 93–94. http://dx.doi.org/10.4321/s1139-76322014000100019.

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9

Henriques, Marisa Neves. "AMADEO NA MIRA DE UM NARRADOR DESAPAIXONADO." Revista de Estudos Literários 4 (March 2, 2016): 247–57. http://dx.doi.org/10.14195/2183-847x_4_10.

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A tensão entre o autor, inicialmente talhado para fazer uma biografia histórica, e a personagem biografada converte-se num genial ato criador, a várias vozes. Entre elas, ouvem-se os murmúrios de um narrador desapaixonado, ressentido até com a personagem histórica que lhe coube em sorte. Daí que Mário Cláudio projete, quase involuntariamente, Amadeo de Souza Cardoso para um horizonte ficcional, em que a desconfiança e a subjetividade se refinam na subtileza deste olhar magoado, pontuado de ira, que ultrapassa o pacto silencioso de quem reconstitui factos e alinha datas. Nesse sentido, propomo-nos analisar as feições do narrador que ora observa Amadeo, ora se esconde por detrás das máscaras de Álvaro e de Frederico. Veremos que por entre a Trilogia da Mão, perpassa um olhar multímodo – de desprezo, de ternura e de admiração – que recai sobre o pintor de Manhufe sem complacências, segredando-lhe acusações de sobranceria e arrogância. Como se processa a figuração da personagem na relação tensional com os seus narradores? Cremos ser possível dar uma resposta a esta questão a partir da derrisão da biografia e da reconfiguração do estatuto relacional biógrafo/biografado, bem como da reequacionação do lugar do narrador de Amadeo.
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10

Carid Naveira, Miguel Alfredo. "Amadeo, Pablo (ed.). 2020. Sopa de Wuhan: Pensamiento contemporáneo en tiempos de pandemias. Editorial ASPO (Aislamiento Social Preventivo y Obligatório). 188 p." Campos - Revista de Antropologia 21, no. 2 (December 31, 2020): 206. http://dx.doi.org/10.5380/cra.v21i2.79255.

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11

Pierotti, Raymond. "Explorations in Ethnobiology: The Legacy of Amadeo Rea." Ethnobiology Letters 5 (November 13, 2014): 126–28. http://dx.doi.org/10.14237/ebl.5.2014.286.

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Review of Explorations in Ethnobiology: The Legacy of Amadeo Rea. Marsha Quinlan and Dana Lepofsky, eds. 2013. Society of Ethnobiology, Denton, TX. Pp. 310, color illustrations, maps, tables. $56.95 (paperback). ISBN 978‐0988733008.
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12

Engel, Jamie, Joseph Gabra, Andrew Esterle, William Lanzinger, and John Elias. "In Vitro Comparison of Two Barbed Suture Configurations for Flexor Tendon Repair." Journal of Hand and Microsurgery 09, no. 03 (November 6, 2017): 126–30. http://dx.doi.org/10.1055/s-0037-1606628.

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Purpose The current study compares the strength of a previously studied technique for flexor tendon repair with barbed sutures to an experimental approach that aligns all the barbs to oppose distraction. Methods Twelve flexor tendons from cadaveric specimens were mechanically tested following repair of simulated zone II tendon injuries. Two repair techniques utilizing barbed sutures were studied: the Marrero-Amadeo four-core barbed suture approach and the experimental configuration with all barbs on four cores opposing distraction. Maximum applied load at failure, that is, ultimate load, and 2-mm gap force were compared between the two repair techniques, both as raw values and after normalization to cross-sectional area of the intact tendon. Statistical testing was performed using t-tests and Mann-Whitney U-tests, where appropriate, with a significance level of 0.05. Results The ultimate loads, raw (58.2 N) and normalized (4.8 N/mm2), were significantly larger for the Marrero-Amadeo repair than the proposed experimental approach (35.6 N and 2.7 N/mm2; p < 0.05). No significant differences were identified for 2-mm gap force. Conclusion The innovation of suturing to align all barbs to oppose distraction does not improve strength of the repaired tendon. The Marrero-Amadeo technique was found to have superior strength for use in traumatic zone II flexor tendon injuries.
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13

Vilches García, Jorge. "Cánovas. Político del sexenio revolucionario." Hispania 57, no. 197 (March 5, 2019): 1107. http://dx.doi.org/10.3989/hispania.1997.v57.i197.679.

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La actitud de Cánovas durante el Sexenio Revolucionario (1868-1874) lejos de ser la de un conspirador o inductor de pronunciamientos, fue la de aceptar y defender la Constitución de 1869 y coadyuvar a la consolidación de la Monarquía democrática de D. Amadeo de Saboya mediante el apoyo parlamentario a la opción conservadora del régimen, la de Serrano y Sagasta. Sólo cuando el gobierno radical de Ruiz Zorrilla, con la ayuda de los antisistema —republicanos, carlistas y moderados— apartó del régimen a los constitucionales en el verano de 1872, Cánovas, al igual que muchos de estos últimos, creyó imposible la Monarquía de Amadeo I para asentar la libertad en España. A partir de entonces se dedicó a organizar el alfonsismo y a extender la opinión favorable a la Restauración liberal y civil en D. Alfonso de Borbón.
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14

Parissenti, Amadeo. "Preface [Hot Topic: Pharmacogenomics (Guest Editor: Amadeo M. Parissenti)]." Current Topics in Medicinal Chemistry 4, no. 13 (September 1, 2004): i. http://dx.doi.org/10.2174/1568026043387728.

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15

Tcach, Cesar. "Amadeo Sabattini: Reforma Social, Partido Político y Movimiento Nacional." Estudios Sociales 3, no. 1 (February 26, 2005): 189–202. http://dx.doi.org/10.14409/es.v3i1.2282.

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16

Travassos, Ana Rita, L. Soares-de-Almeida, and Rui Tato Marinho. "A Medicina na Obra de Amadeo de Souza-Cardoso." Acta Médica Portuguesa 27, no. 2 (April 30, 2014): 277. http://dx.doi.org/10.20344/amp.5376.

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Amadeo de Souza-Cardoso, one of the pivotal figures of the Portuguese Modernist movement, studied painting and began his work in Paris where he arrived at the age of 19. Interestingly, Amadeo cemented strong friendships with some physicians from his time. The first was Manuel Laranjeiro, physician, poet and essayist, who has been a major influence on his choice of studying visual arts. In 1909, the painter met the dermatologist Paul Alexander and later Dr. Martins, who diagnosed him with a dermatosis, which led the painter to have to interrupt his work. Described as an eczema, which affected his face and hands, probably an allergic contact dermatitis to paints or other products that did not become clarified, with the artist’s early death at age of 30 by pneumonic fever. Occupational diseases affect the practice of many professions and artists, including painters, who constitute an important risk group. Contact with several components of paints and solvents are associated with the contact sensitization. However, allergens responsible for allergic contact dermatitis change over the time according to the usage trends and products´ composition.
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17

Gandolfi, Giovanni. "Villa en Rímini." Informes de la Construcción 9, no. 090 (June 1, 2017): 47. http://dx.doi.org/10.3989/ic.1957.v10.i90.5739.

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Esta villa, de carácter residencial, se encuentra enclavada en la avenida del Príncipe Amadeo, de Rímini. En sus tres plantas se distribuyen: en la baja, los servicios y garaje; en la primera, la vivienda del propietario, amplia y magníficamente condicionada, y la segunda se dedica a alquiler.
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18

Xammar, Luis Fabio. "Páginas escogidas." FENIX, no. 5 (December 30, 2020): 12–78. http://dx.doi.org/10.51433/fenix-bnp.1947.n5.p12-78.

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Como homenaje a la memoria de Luis Fabio Xammar, que desempeñara la Secretaria General de la Biblioteca Nacional en los comienzos de su actual reconstitución, Fenix ofrece estas “paginas escogidas” en las cuales alienta lo vivo de su obra. La selección estuvo a cargo de Amadeo Delgado Pastor.
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19

Gayoso, Romina Gisel, and Natalia Virginia Colombo. "Entrevista a Laura Conde y Pablo Amadeo, de editorial ASPO." Ñeatá 1 (November 17, 2020): 93. http://dx.doi.org/10.30972/nea.104562.

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20

Goldner, Loren. "Amadeo Bordiga, the agrarian question and the international revolutionary movement." Critique 23, no. 1 (January 1995): 73–100. http://dx.doi.org/10.1080/03017609508413387.

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21

Melo, Victor Andrade de. "Esporte e artes plásticas em Portugal: Amadeo de Souza-Cardoso." Revista Portuguesa de Ciências do Desporto 10, no. 1 (2010): 191–99. http://dx.doi.org/10.5628/rpcd.10.01.191.

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22

Mizieva, Z. M., and E. V. Shirshova. "The effectiveness of using modern technologies in early recovery period treatment of post-stroke patients." Journal of Clinical Practice 9, no. 1 (December 25, 2018): 10–17. http://dx.doi.org/10.17816/clinpract09110-17.

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This study presents the results of investigation «Amadeo», «Armeo» effectiveness in treatment of 61 post-stroke patients during early recovery period with upper limbs motor dysfunction. Comparative characteristics of treatment effectiveness in patients with ischemic and hemorrhage stroke are given. The results of investigation represent positive effect of using robotic technologies in post stroke patients rehabilitation therapy.
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23

Cunha Leal, Joana. "Sintomas de “regionalismo crítico”: sobre o “decorativismo” na pintura de Amadeo de Souza Cardoso." Arbor 190, no. 766 (April 30, 2014): a113. http://dx.doi.org/10.3989/arbor.2014.766n2005.

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24

Bienek, Diane R., Anthony A. Giuseppetti, Ugochukwu C. Okeke, Stanislav A. Frukhtbeyn, Peter J. Dupree, Sharukh S. Khajotia, Fernando L. Esteban Florez, Rochelle D. Hiers, and Drago Skrtic. "Antimicrobial, biocompatibility, and physicochemical properties of novel adhesive methacrylate dental monomers." Journal of Bioactive and Compatible Polymers 35, no. 2 (March 2020): 160–73. http://dx.doi.org/10.1177/0883911520911660.

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For the advancement of Class V restoratives, our goal was to evaluate the physicochemical and mechanical properties, antimicrobial functionality, and cytotoxic potential of novel antimicrobial copolymers. 5-Carboxy-N-(2-(methacryloyloxy)ethyl)-N,N-dimethylpentan-1-aminium bromide (AMadh1) and 10-carboxy-N-(2-(methacryloyloxy)ethyl)-N,N-dimethyldecan-1-aminium bromide (AMadh2) were incorporated into light-curable urethane dimethacrylate, polyethylene glycol–extended urethane dimethacrylate, ethyl 2-(hydroxymethyl) acrylate resin (UPE resin). In the AMadhs-UPE resin, the hydrophobic/hydrophilic balance, degree of vinyl conversion, flexural strength, elastic modulus, and shear bond strength were assessed. Antimicrobial properties were measured using Streptococcus mutans (planktonic and biofilm). Cytotoxicity was tested using human gingival fibroblasts and mouse connective tissue fibroblasts (ATCC® CCL-1™) exposed to two-fold serial dilutions (≤10.6 mmol/L AMadh1 or ≤8.8 mmol/L AMadh2). At 10% mass of AMadh, the attained degree of vinyl conversion values (AMadh1 = 90.1% and AMadh2 = 88.5%) were not statistically different from the UPE resin (88.1%). At both AMadh levels, the flexural strength was reduced in a dose-dependent manner. Elastic modulus and contact angle were not significantly affected by AMadh1. Variations in elastic modulus and contact angle were observed with AMadh2; however, this does not disqualify it in future design of Class V restoratives. Compared to UPE resin, AMadh1-UPE and AMadh2-UPE (10% mass) copolymers reduced S. mutans biofilm 4.2- and 1.6-fold, respectively (p ≤ 0.006). In direct contact with human gingival fibroblasts or ATCC CCL-1 cells, at biologically relevant concentrations, the AMadhs did not adversely affect cell viability or their metabolic activity. This effort addresses a significant oral health issue associated with elderly populations. Its successful completion is expected to yield dental restoratives with well-controlled biofunction.
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25

Verani, Dalva Maria Calvão. "Modos de ser/modos de criar: percursos da reflexão sobre a arte na trilogia da mão, de Mário Cláudio." Revista do Centro de Estudos Portugueses 20, no. 27 (December 31, 2000): 27. http://dx.doi.org/10.17851/2359-0076.20.27.27-45.

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<p>Este trabalho tem como objetivo analisar um dos aspectos depreendidos da ampla reflexão sobre o fazer estético levada a efeito por Mário Cláudio nos romances de sua <em>Trilogia da mão</em>. Pretendemos evidenciar que, por dentro das recriadas biografias dos três artistas portugueses – Amadeo de Souza- Cardoso, Guilhermina Suggia e Rosa Ramalha –, o autor constrói uma delicada rede de relações entre vivências pessoais e culturais e produção estética, instaurando em seu texto a possibilidade para que se repensem as intransferíveis ligações que, em sua origem, unem o artista à sua obra.</p> <p>The purpose of this work is to analyse one of the aspects inferred from the wide reflection about the aesthetic making done by Mário Cláudio in his <em>Trilogia da mão </em>novels. Also, is its intent to highlight that, inside of the re-created biographies of the three portuguese artists – Amadeo de Souza-Cardoso, Guilhermina Suggia and Rosa Ramalha –, the author builds a delicate net of relations among personal and cultural life experiences and aesthetic production, and establishes in his text the possibility to rethink the untransferable liaisons that, in their origin, unite the artist to his work.</p>
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26

Leal, Joana Cunha. "Trapped Bugs, Rotten Fruits and Faked Collages: Amadeo Souza Cardoso's Troublesome Modernism." Konsthistorisk Tidskrift/Journal of Art History 82, no. 2 (June 2013): 99–114. http://dx.doi.org/10.1080/00233609.2013.794859.

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27

Sánchez, Raquel. "SOCIABILIDAD CORTESANA Y MODELOS DE MONARQUÍA EN ESPAÑA (1833-1872)." Librosdelacorte.es, no. 20 (June 24, 2020): 235–59. http://dx.doi.org/10.15366/ldc2020.12.20.008.

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Este trabajo reflexiona acerca de la importancia de la sociabilidad cortesana para estudiar tres cuestiones de interés: la legitimación social de las elites a través de su relación con la monarquía; la sociabilidad cortesana como reflejo de dos formas de entender la monarquía en la España del siglo XIX; y la sociabilidad cortesana como vía para explorar el papel del monarca en el espacio público en tanto que símbolo de la nación. Para ello se comparan los reinados de Isabel II y de Amadeo de Saboya.
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28

Barral Martínez, Margarita. "Socialización española de la monarquía saboyana: la visita a Galicia de Amadeo I." Hispania 79, no. 262 (August 22, 2019): 389. http://dx.doi.org/10.3989/hispania.2019.011.

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En la difusión de la identidad española durante la segunda mitad del siglo XIX las visitas reales fueron ejemplos de ceremonias civiles —acompañadas del repertorio religioso y castrense de la época— explotadas a modo de políticas públicas para la difusión de la nation-building, participando así en la conformación de las identidades políticas y culturales. Este artículo propone incorporar el estudio de la monarquía saboyana desde la combinación del poder político y simbólico a partir de un episodio concreto: la visita a Galicia de Amadeo I en agosto de 1872. A través del ceremonial monárquico desplegado de cara a la legitimidad de la nueva dinastía, pretendemos analizar el verdadero alcance de la nueva Corona en la socialización y nacionalización de la misma cuando, en principio, los actores sociales que la sustentaban no se reconocían ni en la forma ni en la persona que la representaba. Indagaremos en dos aspectos fundamentales: la proyección política de la visita y la percepción social de la misma. Nuestras fuentes serán las crónicas y reportajes hemerográficos, tanto la prensa provincial y regional como la de edición central, junto con documentación del Archivo General de Palacio (Madrid), del Ministero degli Affari Esteri (Roma), del Arquivo Histórico Municipal (A Coruña), de la Biblioteca Municipal de Estudos Locais (A Coruña) y del Arquivo Municipal (Ferrol-A Coruña).
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29

Sánchez, Raquel. "Política de gestos. La aristocracia contra la monarquía democrática de Amadeo de Saboya." Pasado y Memoria. Revista de Historia Contemporánea, no. 18 (June 28, 2019): 19. http://dx.doi.org/10.14198/pasado2019.18.02.

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El modelo de monarquía que se diseñó con la llegada del rey Amadeo a España presentaba notables diferencias con respecto a la monarquía isabelina. Políticamente, se basaba en principios políticos democráticos. Socialmente, en una respetabilidad burguesa que remitía a una forma de vida austera y acorde con la mentalidad de la clase media. El objetivo de este artículo es tratar de calibrar cuáles fueron las limitaciones que tuvo ese proyecto democrático de monarquía en un contexto en el que sus propuestas resultaban inéditas. Se estudiará, en particular, el papel desempeñado por las clases altas (tradicionales soportes de la monarquía) no tanto en su labor conspirativa, sino en su rechazo explícito a lo que la monarquía democrática significaba y al papel que a ellas les cabía en dicho proyecto.
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30

Montagner, Cristina, João M. M. Linhares, Márcia Vilarigues, Maria João Melo, and Sérgio M. C. Nascimento. "Supporting history of art with colorimetry: The paintings of Amadeo de Souza-Cardoso." Color Research & Application 43, no. 3 (October 14, 2017): 304–10. http://dx.doi.org/10.1002/col.22189.

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31

Dana, Geraldina, Catalina Mas, María Reiszer, and Emilio Soto. "¿Miramos el mundo a través de la grieta? Análisis del tratamiento editorial de la cumbre intercoreana desde Argentina." Telos: Revista de Estudios Interdisciplinarios en Ciencias Sociales 21, no. 3 (September 10, 2019): 731–53. http://dx.doi.org/10.36390/telos213.12.

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On April 27th 2018, the first summit in eleven years was held between North Korean and South Korean chief executives. This paper addresses Argentinian newspapers Clarín and Página 12 editorial approaches pertaining to that summit. The purpose is to analyze whether there is a difference in the frequency of the media coverage and the editorial approach of both newspapers. This paper tries to explain these phenomena through Framing, Agenda-setting and Intermedia Agenda-setting theories, based upon authors such as Kiousis (2004), Zunino (2016), Martini, Luchessi (2004), Amadeo (2008), Amadeo and Aruguete (2013) and Aruguete (2015). Given that the summit is not considered to be controversial in Argentina, the hypothesis assumes that these newspapers, although divergent within the national arena, will have a similar coverage in this case. Following this aim, a mixed gathering “of successive stages” was done (first, a quantitative one, and then, a qualitative one) of media coverage on both newspapers. This was then processed and codified in order to build a measurement model utilizing different data matrices. The analysis of the index results show that the relevance given by both newspapers was medium level, with the presence of cover and back cover articles. When it comes to the editorial approach, both papers focused on concepts such as de-nuclearization and analysis of geopolitical consequences therein. However, Clarín adopts a bias position favoring the South Korean stand, together with rhetorical resources criticizing North Korean leadership and government. Thus, for this reason, the hypothesis has only a partial corroboration.
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32

Vasconcelos, Viviane. "Breves notas de aproximação entre Mário de Sá-Carneiro e Amadeo de Souza-Cardoso." Metamorfoses - Revista de Estudos Literários Luso-Afro-Brasileiros 14, no. 2 (December 30, 2017): 69–76. http://dx.doi.org/10.35520/metamorfoses.2017.v14n2a17684.

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33

Dziemian, Katarzyna, Aleksandra Kiper, Alfonc Baba, Francesca Baldan, Mahmoud Alhelou, Michela Agostini, Andrea Turolla, and Pawel Kiper. "The effect of robot therapy assisted by surface EMG on hand recovery in post-stroke patients. A pilot study." Rehabilitacja Medyczna 21, no. 4 (April 9, 2018): 4–10. http://dx.doi.org/10.5604/01.3001.0011.7401.

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Background: Hemiparesis caused by a stroke negatively limits a patient’s motor function. Nowadays, innovative technologies such as robots are commonly used in upper limb rehabilitation. The main goal of robot-aided therapy is to provide a maximum number of stimuli in order to stimulate brain neuroplasticity. Treatment applied in this study via the AMADEO robot aimed to improve finger flexion and extension. Aim: To assess the effect of rehabilitation assisted by a robot and enhanced by surface EMG. Research project: Before-after study design. Materials and methods: The study group consisted of 10 post-stroke patients enrolled for therapy with the AMADEO robot for at least 15 sessions. At the beginning and at the end of treatment, the following tests were used for clinical assessment: Fugl-Meyer scale, Box and Block test and Nine Hole Peg test. In the present study, we used surface electromyography (sEMG) to maintain optimal kinematics of hand motion. Whereas sensorial feedback, provided by the robot, was vital in obtaining closed-loop control. Thus, muscle contraction was transmitted to the amplifier through sEMG, activating the mechanism of the robot. Consequentially, sensorial feedback was provided to the patient. Results: Statistically significant improvement of upper limb function was observed in: Fugl-Meyer (p = 0.38) and Box and Block (p = 0.27). The Nine Hole Peg Test did not show statistically significant changes in motor skills of the hand. However, the functional improvement was observed at the level of 6% in the Fugl-Meyer, 15% in the Box and Block, and 2% in the Nine Hole Peg test. Conclusions: Results showed improvement in hand grasp and overall function of the upper limb. Due to sEMG, it was possible to implement robot therapy in the treatment of patients with severe hand impairment.
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34

RIBBANS, GEOFFREY. "Galdós' Literary Presentations of the Interregnum, Reign of Amadeo and the First Republic (1868-1874)." Bulletin of Hispanic Studies 63, no. 1 (January 1986): 1. http://dx.doi.org/10.3828/bhs.63.1.1.

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35

Letouzey, Catherine. "Amadeo Feniello, Les Campagnes napolitaines à la fin du Moyen Âge. Mutations d'un paysage rural." Médiévales, no. 51 (December 1, 2006): 180–82. http://dx.doi.org/10.4000/medievales.1450.

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Ribbans, Geoffrey. "Galdós’ Literary Presentations of the Interregnum, Reign of Amadeo and the First Republic (1868–1874)." Bulletin of Hispanic Studies 63, no. 1 (January 1986): 1–17. http://dx.doi.org/10.1080/1475382862000363001.

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37

Montagner, Cristina, Rui Jesus, Nuno Correia, Márcia Vilarigues, Rita Macedo, and Maria João Melo. "Features combination for art authentication studies: brushstroke and materials analysis of Amadeo de Souza-Cardoso." Multimedia Tools and Applications 75, no. 7 (March 9, 2016): 4039–63. http://dx.doi.org/10.1007/s11042-015-3197-x.

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38

Chapa Brunet, Teresa, and Julio González Alcalde. "Las esculturas ibéricas del Cerro de los Santos en la Exposición Universal de Viena (1873)." Lucentum, no. 32 (December 15, 2013): 115. http://dx.doi.org/10.14198/lvcentvm2013.32.05.

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La presencia en la Exposición Universal de Viena de moldes de las esculturas del Cerro de los Santos es un hecho mal conocido. Tras la inauguración oficial del Museo Arqueológico Nacional de Madrid por Amadeo de Saboya en 1871, la institución consideró una prioridad comprar un número significativo de piezas de este lugar, considerado como evidencia de una sorprendente, antigua y desconocida cultura española. Desgraciadamente, entre ellas había varias falsificaciones que no fueron detectadas hasta algunos años después. Se enviaron a Viena 29 moldes, donde fueron revisadas por diversos arqueólogos europeos. Por su actitud oferente, sosteniendo un vaso entre las manos, fueron relacionadas con las esculturas funerarias del sur de Rusia conocidas como «Kamennye Baby».
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39

Carmona Sánchez, Luis Alberto. ""Sopa de Wuhan"." Revista Arista-Crítica 1, no. 1 (March 27, 2021): 164–69. http://dx.doi.org/10.18041/2745-1453/rac.2020.v1n1.6698.

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Con la presente reseña se propone evidenciar los alcances teóricos y prácticos a los cuales, desde varias disciplinas de las Ciencias Sociales y Humanas, han arribado los autores antologizados en Sopa de Wuhan, compilado por Pablo Amadeo (2020). Para ello, se revisan sus fundamentos conceptuales y se sigue la línea argumentativa que allí presentan. De esta manera, el presente escrito se elabora a partir de algunos de los textos que en el mencionado libro se recopilan; es decir, solo sobre aquellos que tienden al análisis crítico sobre el sistema capitalista o advierten la posibilidad de ser optimistas frente a la mundial dificultad que se está configurando a raíz de la pandemia por el covid-19.
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40

Cullum, Hugh. "Rhetorical space – the hunting lodge at Venaria Reale." Architectural Research Quarterly 11, no. 2 (June 2007): 182–84. http://dx.doi.org/10.1017/s1359135507000668.

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Venaria Reale was built by the Savoy Duke Carlo Emanuele II on a marshy site about six miles north-east of Turin. It comprised a large palace cum hunting-lodge, gardens, a hunting wood and a small city through which the palace was approached. Designed by the architect Amadeo di Castellamonte, it was built almost entirely ex novo between about 1655 and 1675. The entire project was thematically structured around an elaborate programme of emblems (essentially mottos with illustrative paintings) drawn from contemporary rhetorical practice. This iconographic scheme was devised by the court philosopher and eminent theorist of rhetoric, Emanuele Tesauro. It is also clear that the Duke himself was involved in both the architecture and decoration of the scheme.
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41

Higueras Castañeda, Eduardo. "La desilusión monárquica del Partido Progresista: trono y democracia en el discurso radical del Sexenio (1868-1873)." Pasado y Memoria. Revista de Historia Contemporánea, no. 18 (June 28, 2019): 39. http://dx.doi.org/10.14198/pasado2019.18.03.

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El breve periodo que comprende la monarquía democrática de Amadeo I en España sigue planteando importantes interrogantes a los historiadores. Aunque el papel moderador del monarca italiano y su empeño en ajustarse a una sincera práctica constitucional ha merecido la atención de diversas investigaciones, no se han planteado cuáles eran las expectativas de las agrupaciones dinásticas que se disputaron el poder durante su reinado y si esa práctica constitucional se ajustaba a los parámetros que unas y otras defendían. Por ello, este artículo persigue analizar el proyecto monárquico del Partido Progresista-Democrático o Radical, así como explicar los motivos del desencanto de la militancia radical respecto a la monarquía. Un proceso que fue paralelo a la decantación republicana de esta agrupación.
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42

Toth, Peter P. "Review of the AMADEO Study: Reducing Proteinuria in Patients with Diabetic Nephropathy with Telmisartan versus Losartan." Postgraduate Medicine 122, no. 2 (March 2010): 165–68. http://dx.doi.org/10.3810/pgm.2010.03.2135.

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43

Mira Abad, Alicia. "La imagen de la Monarquía o cómo hacerla presente entre sus súbditos: Amadeo y María Victoria." Mélanges de la Casa de Velázquez, no. 37-2 (November 15, 2007): 173–98. http://dx.doi.org/10.4000/mcv.1743.

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44

Perus, Francoise. "Amadeo López, La conscience malheureuse dans la littérature latinoaméricaine contemporaine. (Littérature, philosophie, psychanalyse). L'Harmattan, Paris, 1994." Nueva Revista de Filología Hispánica (NRFH) 45, no. 2 (July 1, 1997): 510–18. http://dx.doi.org/10.24201/nrfh.v45i2.2021.

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45

Lyukmanov, R. Kh, O. A. Mokienko, G. A. Aziatskaya, N. A. Suponeva, and M. A. Piradov. "POST STROKE REHABILITATION: CLINICAL EFFICACY OF BCI-DRIVEN HAND EXOSKELETON IN COMPARISON WITH "AMADEO" ROBOTIC MECHANOTHERAPY." Physical and rehabilitation medicine, medical rehabilitation 1, no. 3 (September 15, 2019): 63–72. http://dx.doi.org/10.36425/2658-6843-2019-3-63-72.

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Motor function deficit due to stroke is one of the leading causes for disability among working-age population. The most effective evidence-based treatment strategies are task oriented exercise approaches including constrained-induced movement therapy. Robot-assisted training provides high amount of repetitions and feedback to patient. Adjuvant therapies such as mirror therapy and motor imagery show their effectiveness if used in combination with basic neurorehabilitation methods and are treatment of choice for patients with severe motor impairment. Brain-computer interfaces allow to control motor imagery as a process by giving different type of feedback (e.g. kinesthetic via exoskeleton) during training sessions. It is poorly known if kinesthetic motor imagery is more effective comparing to robot-assisted training as a part of post-stroke rehabilitation. Materials and methods: 55 patients with arm paresis >1 month after stroke were enrolled in the current study. Screening and randomization were performed. Participants underwent rehabilitation treatment where BCI controlled motor imagery training in main group and robot-assisted training in control group were included. Motor function of the paretic arm was assessed using Action Research Arm Test (ARAT) and Fugl-Meyer Assessment (FMA) before and after intervention. Results: Recovery of upper extremity motor function did not correlate with time since stroke and age of participants neither in main group, nor in control group. Correlations between change in motor scales scores and initial severity of motor deficit was shown in both groups (p
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46

Lezcano, Jose Manuel. "African-Derived Rhythmical and Metrical Elements in Selected Songs of Alejandro Garcia Caturla and Amadeo Roldan." Latin American Music Review / Revista de Música Latinoamericana 12, no. 2 (1991): 173. http://dx.doi.org/10.2307/780088.

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47

Hood, Charles. "Once A River: Bird Life and Habitat Changes on the Middle Gila by Amadeo M. Rea." Western American Literature 19, no. 4 (1985): 337. http://dx.doi.org/10.1353/wal.1985.0022.

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48

Laumain, Xavier, Angela López Sabater, Jorge Ríos Alós, and Carlos Huerta Gabarda. "Sistemas de bajo coste en levantamiento y restitución virtual. El caso del Palauet Nolla de Meliana." Virtual Archaeology Review 3, no. 5 (May 13, 2012): 68. http://dx.doi.org/10.4995/var.2012.4526.

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<p>In the middle of the 19th Century appears in Meliana (Valencia) a tile mosaic factory which will play a preponderant paper in the spanish Industrialization History. Over there, wrapped up by a vast group of industrial premises, we stays the Palauet Nolla, an emblematic building, decorated with the most exquisites compositions that the product which went out from the melianars hovens allowed. This palace, converted as a real scale showroom, has witnessed the visits of the most distinguished personages of the moment, as the King Amadeo I of Saboya, the Romanov Family, o illustrious intellectuals and artists. The study in course pretends providing a complete information about this historic and artistic monument, being its entire virtual restitution one of the most notable and eye-ctching element.</p>
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49

Suasnábar, Claudio, and Nicolás José Isola. "Tomás Amadeo Vasconi y la radicalización del pensamiento político-pedagógico en las décadas del sesenta y setenta." Revista Colombiana de Educación, no. 61 (February 13, 2011): 201. http://dx.doi.org/10.17227/01203916.861.

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Las décadas del 50 y 60 fueron un período de profundas transformaciones para el conjunto de los países latinoamericanos. En la convergencia de estos cambios se inscribió un amplio y heterogéneo espectro de proyectos políticos que tendrán en común la voluntad de avanzar en una transformación social profunda. Todos estos procesos se dieron en el marco del crecimiento de la llamada «nueva izquierda», como también de la emergencia de distintas organizaciones guerrilleras en la región. La figura de Tomás Amadeo Vasconi resulta «paradigmática» como trayectoria biográfica, seguida por numerosos intelectuales provenientes de las ciencias sociales y de la educación que, en los convulsionados 60 y 70, iniciarían un proceso de radicalización política. El artículo analiza distintas etapas de su pensamiento educativo inicial de carácter desarrollista-funcionalista en Argentina; en Chile, donde se produce su conversión al marxismo vía estructuralismo francés. Y finalmente en su exilio en Panamá, Venezuela y Cuba, donde su reflexión se centra en las dictaduras militares y la revolución truncada en América Latina. El trabajo busca dar a conocer a un autor que ha sido relevante en la discusión sobre las tensiones educativo-políticas de esas décadas tan convulsionadas.
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Manuel, Peter. "From Scarlatti to “Guantanamera”: Dual Tonicity in Spanish and Latin American Musics." Journal of the American Musicological Society 55, no. 2 (2002): 311–36. http://dx.doi.org/10.1525/jams.2002.55.2.311.

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Abstract This essay explores the sense of dual tonicity evident in a set of interrelated Spanish and Latin American music genres. These genres include seventeenth-century Spanish keyboard and vihuela fandangos, and diverse folk genres of the Hispanic Caribbean Basin, including the Venezuelan galerón and the Cuban punto, zapateo, and guajira. Songs in these genres oscillate between apparent “tonic” and “dominant” chords, yet conclude on the latter chord and bear internal features that render such terminology inapplicable. Rather, such ostinatos should be understood as oscillating in a pendular fashion between two tonal centers of relatively equal stability. The ambiguous tonicity is related to the Moorish-influenced modal harmony of flamenco and Andalusian folk music; it can also be seen to have informed the modern Cuban son and the music of twentieth-century Cuban composer Amadeo Roldán.
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