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Relevant bibliographies by topics / Amateur image

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Journal articles
Dissertations / Theses
Books
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Academic literature on the topic 'Amateur image'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Amateur image"

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Garg, Anurag. "Image processing in amateur astro-photography." Resonance 15, no. 2 (2010): 170–75. http://dx.doi.org/10.1007/s12045-010-0018-4.

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Barstow, Robbins. "I Am an Amateur Moving Image Archivist." Moving Image 11, no. 1 (2011): 150–54. http://dx.doi.org/10.1353/mov.2011.0015.

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Robbins Barstow. "I Am an Amateur Moving Image Archivist." Moving Image: The Journal of the Association of Moving Image Archivists 11, no. 1 (2011): 150. http://dx.doi.org/10.5749/movingimage.11.1.0150.

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Pollatou, Elisana, Nikoleta Bakali, Yannis Theodorakis, and Marios Goudas. "Body image in female professional and amateur dancers." Research in Dance Education 11, no. 2 (2010): 131–37. http://dx.doi.org/10.1080/14647893.2010.482980.

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Buil, Christian, Guylaine Prat, and Eric Thouvenot. "An Amateur CCD Camera." International Astronomical Union Colloquium 98 (1988): 105–7. http://dx.doi.org/10.1017/s0252921100092344.

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A CCD camera was built in 1984 using a linear detector (Thomson TH7810A) with 1728 pixels. The simplicity of this sort of detector enabled us to gain experience with CCDs. With a linear detector it is possible to carry out spectroscopy or even two-dimensional imaging by shifting the observed field at right angles to the photosensitive strip and by acquiring data in a regular manner (the scanning technique). The limitations of this equipment soon became apparent when trying to image deep-sky objects, so a second camera was built in 1985 using a CCD array, a Thomson TH7851 with 208 × 144 pixels.

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Teil, Geneviève. "Amateurs’ Exploration of Wine: A Pragmatic Study of Taste." Theory, Culture & Society 38, no. 5 (2021): 137–57. http://dx.doi.org/10.1177/02632764211029347.

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Amateurs are neither regular consumers nor professionals. What makes them distinctive? To answer that question, this ethnographic study focuses on wine amateurs who show a distinctive feature compared to regular consumers: for them, wine is not a straightforward reality but a world to explore. Wine exploration drives an evolution that transforms both wine and amateurs’ disposition towards it. Amateurs usually start with the discovery of the wines and their tastes, which may turn into an ability to attune to and finally produce taste and good quality. Amateurs’ passion, initially fuelled by the

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Hung, C. H., W. C. Chang, and L. C. Chen. "ORIENTATION MODELING FOR AMATEUR CAMERAS BY MATCHING IMAGE LINE FEATURES AND BUILDING VECTOR DATA." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLI-B3 (June 9, 2016): 39–42. http://dx.doi.org/10.5194/isprsarchives-xli-b3-39-2016.

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With the popularity of geospatial applications, database updating is getting important due to the environmental changes over time. Imagery provides a lower cost and efficient way to update the database. Three dimensional objects can be measured by space intersection using conjugate image points and orientation parameters of cameras. However, precise orientation parameters of light amateur cameras are not always available due to their costliness and heaviness of precision GPS and IMU. To automatize data updating, the correspondence of object vector data and image may be built to improve the acc

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Hung, C. H., W. C. Chang, and L. C. Chen. "ORIENTATION MODELING FOR AMATEUR CAMERAS BY MATCHING IMAGE LINE FEATURES AND BUILDING VECTOR DATA." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLI-B3 (June 9, 2016): 39–42. http://dx.doi.org/10.5194/isprs-archives-xli-b3-39-2016.

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With the popularity of geospatial applications, database updating is getting important due to the environmental changes over time. Imagery provides a lower cost and efficient way to update the database. Three dimensional objects can be measured by space intersection using conjugate image points and orientation parameters of cameras. However, precise orientation parameters of light amateur cameras are not always available due to their costliness and heaviness of precision GPS and IMU. To automatize data updating, the correspondence of object vector data and image may be built to improve the acc

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Demina, Evgeniya, Elena Larina, and Sergey Mescheryakov. "Tselina: The photographical practices of perception." Вестник антропологии (Herald of Anthropology) 45, no. 1 (2019): 30–53. http://dx.doi.org/10.33876/2311-0546/2019-45-1/30-53.

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The paper presents the results of an experimental study on practices in visual anthropology based on photographs made by amateur authors during an expedition to «Tselina» (virgin lands) in Orenburg Oblast. The study considers photographs both in their representative aspect and as a material for the enquiry on perspectives, behavior and attitudes of amateur photographers and their models in historical, anthropological and visual contexts. The article analyzes the interaction between interview and photography practices, along with the ethos of photographer – model encounter, paying attention to

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Geiger, Jeffrey. "Exquisite wonder: Colour film, realism and the Yankee voyage, 1936–38." Journal of New Zealand & Pacific Studies 8, no. 1 (2020): 57–79. http://dx.doi.org/10.1386/nzps_00015_1.

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This article looks at rare Kodachrome film taken across Oceania, mostly shot by a skilled amateur filmmaker, Edmund Zacher, to document the circumnavigation of the famous clipper Yankee. There are three intertwined lines of inquiry traced here. The first explores relations between US imperialism, moving image media and a popular imaginary, considering how experiences of virtual travel engage with cultural ideology. The second examines how this footage may be interpreted: how might critical frameworks brought to bear on amateur non-fiction differ from those commonly applied to professional and

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Dissertations / Theses on the topic "Amateur image"

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Heaton, Emily Mullins. "Formant Changes in Amateur Singers After Instruction in a Vowel Equalization Technique." Diss., CLICK HERE for online access, 2010. http://contentdm.lib.byu.edu/ETD/image/etd3527.pdf.

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Poos, Francoise. "The making of a national audio-visual archive : the CNA and the 'Hidden Images' exhibition." Thesis, De Montfort University, 2016. http://hdl.handle.net/2086/12429.

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This thesis explores the agency and practices of visual material in the construction of collective memory and national identity. It is grounded in the case study of one particular institution, the Centre national de l’audiovisuel (CNA) in Luxembourg, and in the institutional life and transformations of a specific body of images, Luxembourg’s Amateur Film Collection and the exhibition Hidden Images mounted in 2007. The CNA is Luxembourg’s central repository for film, photography and sound documents brought together under the rubric of ‘national heritage’. The amateur film archive comprises toda

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Manuel, Alexandre. "Information d’urgence et information télévisée : analyse d’un paradigme communicationnel (les événements du tsunami de 2004 et du 11 septembre 2001)." Thesis, Besançon, 2011. http://www.theses.fr/2011BESA1007/document.

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Bien que le continuum discursif de l’information télévisée soit marqué par un rituel quotidien, il inscrit les événements dans différents niveaux de profondeur pathémiques. Lors de grandes catastrophes telles que le tsunami d’Asie du Sud-Est de 2004 ou le 11 septembre de 2001, le degré de profondeur atteint semble avoir cristallisé une forme particulière, que le travail de thèse désigne comme information d’urgence, à l’égard de laquelle il s’attache à dessiner les plans conceptuels et définitionnels. Majoritairement manifestée par l’immixtion massive d’images d’amateurs, l’information d’urgenc

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Mendes, Menezes Lucas. "Images voyageuses : photographie amateur brésilienne dans la collection de la Société française de photographie." Thesis, Paris 1, 2019. http://www.theses.fr/2019PA01H080.

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La collection de photographies brésiliennes de la Société française de photographie (SFP) est composée de 150 photographies, produites entre les années 1940 et 1950 par des photographes amateurs, formellement associés à des photo-clubs au Brésil. Au-delà des appartenances esthétiques, géographiques et institutionnelles, ces images peuvent, d’abord, être divisées en deux groupes différents : celles envoyées pour la participation au Salon International d’Art Photographique en 1951 et celles exhibées en février 1960, dans le cadre d’une exposition sur la photographie brésilienne, organisée à Gale

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ANDRADE, ANA PAULA GOULART DE. "APOCRYPHAL TV NEWS BROADCAST: PERSPECTIVES ON THE AMATEUR AND SURVEILLANCE IMAGES USAGE ON CREATION OF TV NEWS S NARRATIVE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2014. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=27236@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>PROGRAMA DE SUPORTE À PÓS-GRADUAÇÃO DE INSTS. DE ENSINO<br>Essa dissertação se foca na reflexão sobre o uso de imagens originadas em câmeras amadoras e de videovigilância como prática relativamente nova e, no entanto, crescente na construção de narrativas telejornalísticas – a isso foi atribuído a classificação de telejornalismo apócrifo, aquele que se constrói a partir de imagens originadas no exterior do cânone jornalístico. Dessa forma, teoricamente, o trabalho considera ap

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Oxley, Noémie. "“The Real Nasty Side of War" : An iconology of amateur productions shot by American soldiers in Iraq." Paris, EHESS, 2016. http://www.theses.fr/2016EHES0733.

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Cette thèse explore les vidéos filmées par les soldats américains en Irak et postées sur Youtube. En m'appuyant sur leurs images portant sur des opérations de combat ou de maintien de la paix, je démontre la spécificité de leurs productions, loin des représentations médiatiques traditionnelles de la guerre, ainsi que des doctrines de guerre technologique et de contre-insurrection. Ces versions, qu'elles proviennent des manuels à destination des soldats, des discours officiels, des reportages télévisés, des jeux vidéos ou des caméras automatisées fixées sur les missiles longue-portée, délivrent

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Price, Elizabeth Megan. "Town and Gown : amateurs and academics : the discovery of British prehistory, Oxford 1850-1900 : a pastime professionalised." Thesis, University of Oxford, 2007. http://ora.ox.ac.uk/objects/uuid:b07844bc-f5a5-4064-9cac-198ff9b704a7.

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This investigation into the origin of a collection of nineteenth century lanternslides revealed evidence of the social, intellectual and cultural importance of various scientific societies in Oxford, and the contributions made by those involved, particularly the creator of the lanternslides, H. M. J. Underhill, (1855–1920). Evidence gathered from primary sources showed a fluidity of relationships between the supposed ‘town and gown’ in late nineteenth century Oxford which consisted of a community of citizens, amateurs and academics, all of whom were linked by a growing interest in the real and

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Perez, Morales Junior Wagner. "Visualité et contre-visualité. Les images de guerres et de conflits tournées par des amateurs, et leur utilisation dans l’art contemporain. Une politique des images sur un « bruit de fond » godardien." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA101/document.

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En partant de l’idée que la guerre et les images sont deux notions interdépendantes, la thèse reprend deux concepts clés : visualité et contre-visualité. La visualité, étant une façon de perpétuer la guerre, représente les discours dominants. L’art contemporain serait donc une possibilité de construction de contre-visualités. La « guerre globale » contemporaine - totale et dispersée - aurait une production visuelle qui lui correspondrait : des images d’amateurs, elles aussi dispersées et de grande circulation. Comment ces images, généralement liées à la sphère privée, se sont converties en enr

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Lima, Renata Pereira. "A fantasia de atleta no imaginário de corredores amadores: análise do papel das marcas esportivas na construção da imagem de participantes de grupos de corrida." Pontifícia Universidade Católica de São Paulo, 2007. http://tede2.pucsp.br/handle/handle/2687.

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Made available in DSpace on 2016-04-25T20:21:51Z (GMT). No. of bitstreams: 1 renata lima.pdf: 1488304 bytes, checksum: ac63cb565b8e8e01ea02f4ca2d38d8e5 (MD5) Previous issue date: 2007-06-14<br>The main objective of this research was to describe and analyze the image that amateur runners, members of the runners´ team Run & Fun, in São Paulo, have of themselves: how they perceive themselves as runners and what are the values that characterize and unite them. An ethnographic research was conducted during one year in which the runners´ routine and their relationship among themselves and with the

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Continentino, Blank Thais. "Da tomada à retomada : origem e migração do cinema doméstico brasileiro." Thesis, Paris 1, 2015. http://www.theses.fr/2015PA010521/document.

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Ce travail de doctorat est consacré au cinéma amateur produit au Brésil entre les années 1920 et 1965. Notre recherche a été développée à partir d'un corpus constitué par des films produits par cinq familles. Dans une première partie, nous revenons sur l'origine et le développent de cette pratique au Brésil en nous basant: l'étude des disputes commerciales qui ont marqué l'arrivée sur le marché des équipements dédiés exclusivement à l'usage amateur; les publications des années 1920 et 1930 consacrées à ce public et sur la récupération du contexte de production des images qui forment notre corp

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Books on the topic "Amateur image"

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Digital photography: A no-nonsense, jargon-free guide for beginners. Collins & Brown, 2000.

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Bavister, Steve. Digital photography: A no-nonsense, jargon-free guide for beginners. Collins & Brown, 2000.

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Private eyes and the public gaze: The manipulation and valorisation of amateur images. Kliomedia, 2009.

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Taggart, Ralph. The ARRL image communications handbook. ARRL, 2002.

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Depardon, Raymond. Images cachées: Hidden images. Centre national de l'audiovisuel, 2007.

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Quand les médias utilisent les photographies des amateurs. Bord de l'eau, 2012.

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service), SpringerLink (Online, ed. New Eyes on the Sun: A Guide to Satellite Images and Amateur Observation. Springer Berlin Heidelberg, 2012.

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Ferrando, Dolors Grau i. Els artesans de la imatge: Fotografía i cinema amateur a Palafrugell, 1860-1985. Ajuntament de Palafrugell, Diputació de Girona, 1997.

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King, Julie Adair. Digital photo projects for dummies. Wiley, 2007.

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Photographing Big Bend National Park: A friendly guide to great images. Texas A&M University Press, 2013.

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Book chapters on the topic "Amateur image"

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Mobberley, Martin. "Image-Processing Software." In The New Amateur Astronomer. Springer London, 2004. http://dx.doi.org/10.1007/978-1-4471-0639-5_8.

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Shand, Ryan. "Visions of Community: The Postwar Housing Problem in Sponsored and Amateur Films." In The City and the Moving Image. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230299238_4.

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Mobberley, Martin. "Image Processing, Planetarium and Telescope Control Software." In Astronomical Equipment for Amateurs. Springer London, 1999. http://dx.doi.org/10.1007/978-1-4471-0583-1_9.

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Phillips, Alastair, and Roger Odin. "Amateur Filmmakers’ Paris: Home Movies at the Forum des Images." In Paris in the Cinema. British Film Institute, 2017. http://dx.doi.org/10.1057/978-1-84457-820-7_13.

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"Computer image enhancement." In Astrophotography for the Amateur. Cambridge University Press, 1999. http://dx.doi.org/10.1017/cbo9781107050648.015.

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"6. Visa Pour l’Image: Personal Visions and Amateur Documents." In Image Brokers. University of California Press, 2019. http://dx.doi.org/10.1525/9780520961616-007.

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Butler, William. "Public image." In The Irish amateur military tradition in the British Army, 1854–1992. Manchester University Press, 2016. http://dx.doi.org/10.7765/9781526108463.00012.

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"Between the Archive and the Image-Repertoire: Amateur Commercial Still Life Photography on eBay." In Everyday eBay. Routledge, 2012. http://dx.doi.org/10.4324/9780203958988-17.

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Sándor, Katalin. "Trauma, Memorialisation and Intermediality in Jasmila Žbanić’s For Those Who Can Tell No Tales." In Caught In-Between. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474435499.003.0008.

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This chapter discusses cinematic intermediality in Jasmila Žbanić's film, For Those Who Can Tell No Tales (2013) as a modality of addressing the traumatic memory of atrocities and mass rapes committed during the 1992–1995 Bosnian war. Traumatic memory is not primarily formed through symbols or narratives but rather resembles ?a wounded body’ (Broderick–Traverso), and therefore it may disrupt cultural strategies of memorialisation, narrativization and representation through which personal, collective or historical trauma is approached. In Žbanić's film, intermediality becomes a mode of addressing collective trauma by ‘acknowledging’ the unrepresentable within representation and by foregrounding the interstitial and corporeal aspect of traumatic memory. The intermedial cinematic discourse that incorporates photofilmic pictures, fragments of performance art and practices of non-cinematic image-making (such as amateur video diary) performs an irresolute and affective memorialisation of war trauma engaging the viewer in potentially transformative memory work.

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Bayer, Kristin. "Set in Stone." In The Heritage Turn in China. Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985667_ch04.

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The Great Wall(s) of China have been imagined, re-imagined, analysed and re-visited through a variety of media, including written records, visual materials, and literature. The various myths and cultural attachments to the Wall have even coalesced in an interest-based field referred to as Great Wall studies (Waldron 1995, Luo Zhewen 2006, Cheng Dalin 2006, Barmé 2005, Lindesay 2008). A backward-looking gaze at the history of the wall has compelled historians, writers, architects, geographers, and photographers to take on the construction, deterioration, and preservation of it to create a definition of China that serves both Chinese national and foreign interests. The recently recovered archive of the American Great Wall enthusiast William Edgar Geil (1865-1924), housed in a local historical society in Doylestown, Pennsylvania, USA, contains many photographs that add to our understanding of the role of the Wall as artefact, image, and even fetish. Geil’s archive captures contemporary Great Wall tensions among amateur/ scholar, photographer/preservationist, and national/international identities.

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Conference papers on the topic "Amateur image"

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Kalicki, Arkadiusz, Lech Mankiewicz, Krzysztof T. Pozniak, and Grzegorz Wrochna. "Sky Eye: image processing software for amateur astronomers." In SPIE Proceedings, edited by Ryszard S. Romaniuk. SPIE, 2004. http://dx.doi.org/10.1117/12.568857.

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Safdarnejad, Seyed Morteza, Xiaoming Liu, and Lalita Udpa. "Genre categorization of amateur sports videos in the wild." In 2014 IEEE International Conference on Image Processing (ICIP). IEEE, 2014. http://dx.doi.org/10.1109/icip.2014.7025201.

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Awane, Keita, Koki Tsubota, Hikaru Ikuta, Yusuke Matsui, Kiyoharu Aizawa, and Naohiro Yanase. "Improving The Quality Of Illustrations: Transforming Amateur Illustrations To A Professional Standard." In 2021 IEEE International Conference on Image Processing (ICIP). IEEE, 2021. http://dx.doi.org/10.1109/icip42928.2021.9506615.

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Tikhonov, Daniil, and Lyubov' Statsenko. "RADIO FREQUENCY SPECTRUM EXPLORATION USING THE SOFTWARE PACKAGE SDRSHARP." In CAD/EDA/SIMULATION IN MODERN ELECTRONICS 2019. Bryansk State Technical University, 2019. http://dx.doi.org/10.30987/conferencearticle_5e028210cf34d5.83756458.

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The article presents a research of the main frequency bands that can receive and reproduce the SDR receiver. The quality of the entire radio frequency range exploration depends on the antenna directly connected to the RTL-SDR. The article illustrates the signal’s images in the SDRSharp program; presentation shows recordings of various FM radio stations, amateur radio stations and recording of the signal from the NOAA satellite.

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Gileva, E. V. "Images of Siberia in the Poems of Amateur Poets." In Proceedings of the Internation Conference on "Humanities and Social Sciences: Novations, Problems, Prospects" (HSSNPP 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/hssnpp-19.2019.36.

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Gabaldón López, Carmelo. "LAETITIA. Barthes, ensayo audiovisual y gay-storylines." In IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9595.

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La ficción audiovisual como herramienta fundamental en los mecanismos de producción de subjetividades, es utilizada con frecuencia desde los organismos de poder para configurar identidades, producir verdad y legitimar conductas acordes a sus necesidades. Cómo organizamos y consumimos las imágenes en movimiento y el impacto que tiene la sobresaturación de los discursos sobre los mecanismos de construcción identitarios, son elementos de análisis en la pieza audiovisual Laetítia. Concretamente en la esfera dialéctica queer y a través del estudio del fenómeno conocido como gay storylines, proponem

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