Relevant bibliographies by topics / Amazighe music

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Academic literature on the topic 'Amazighe music'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Amazighe music"

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MERAKEB, Dihia. "A propos de la terminologie de la musique d’imẓad". ALTRALANG Journal 6, № 2 (2024): 241–56. https://doi.org/10.52919/altralang.v6i2.483.

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ABSTRACT: This article first focuses on the terminology linked to the imẓad music, in the light of the ethnomusicology of the Berber domain. Its purpose is to make a description and a semantic study of a sample of terms. Our hypothesis focuses on the role of semantic extensions in the constitution of this musical terminology. To explain different changes, we adopted the method of lexical trope mechanisms, which dictate the ordering of the meaning. We ended up identifying two processes: metaphor end metonymy. The two processes refer to comparisons, formal and functional references linked to ges
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Bouziane, Ikbale. "Engaged Amazigh Poetry in Meteor Airlines' "Agdal": Reviving Tradition while Addressing Global Environmental Issues." Journal of Gender, Culture and Society 4, no. 2 (2024): 119–25. http://dx.doi.org/10.32996/jgcs.2024.4.2.10.

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This paper analyzes Meteor Airlines' 2024 album Agdal, which revitalizes traditional Amazigh poetry through the emerging genre of Amazigh Rock. The study aims to explore how Agdal integrates the cultural heritage of pre-Saharan Amazigh oasis communities into global environmental discussions, with an emphasis on preserving nomadic and pastoral traditions. Using a qualitative analysis of the album’s lyrics, music style, and its reception, this research examines how the album marks a shift in Morocco's cultural industry from commercialized music production to efforts centered on cultural preserva
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3

Blench, Roger. "Reconstructing the history of Berber [Amazigh] music." Études et Documents Berbères N° 52, no. 2 (2025): 7–32. https://doi.org/10.3917/edb.052.0007.

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4

Mark, Andrew. "Gnawa Confusion: The Fusion of Algeria’s Favorite French Band." Ethnologies 33, no. 2 (2013): 205–29. http://dx.doi.org/10.7202/1015031ar.

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Gnawa Diffusion was a successful musical group of first- and second-generation North African immigrants that achieved significant fame in North Africa, the Middle East and Europe during the last two decades. Based in France, though from Algeria, their politicized egalitarian message reached the world. Their musical skills, instrumentation, tastes and appeal to youth sounds, sentiments and meanings gave their globalized music a prominent place on the global stage. In their work Gnawa Diffusion addressed a panoply of political issues and sought to represent and reach their audience. Their greate
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Rossie, Jean-Pierre. "Vegetal Material in Moroccan Children's Toy and Play Culture." Vegetal Material in Moroccan Children's Toy and Play Culture 1, no. 75 (2022): 213–26. https://doi.org/10.5281/zenodo.10058673.

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Cette étude fait partie d' une analyse approfondie des jeux et jouets d' enfants nord-africains et sahariens publiée sur Academia.edu, Zenodo.org et Scribd sous le nom de l' auteur dans l' intention de promouvoir la reconnaissance des cultures enfantines dans ces pays et comme patrimoine de l' humanité. L' article analyse l' usage de matériel végétal pour des jeux de poupées, lié au monde animal ou à la vie domestique, des jeux en relation avec les fêtes et rituels, le son et la musique, les activités techniques, et les jeux d' adresse. Les informations sont basées sur des recherches sur le te
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Tayeb, Leila. "Our star: Amazigh music and the production of intimacy in 2011 Libya." Journal of North African Studies 23, no. 5 (2018): 834–50. http://dx.doi.org/10.1080/13629387.2018.1436651.

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7

Merolla, Daniela. "Cultural heritage, artistic innovation, and activism on Amazigh Berber websites." Journal of African Cultural Studies 32, no. 1 (2019): 42–59. http://dx.doi.org/10.1080/13696815.2019.1624153.

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8

Tachouche, Mohamed Badredine. "Exploring the Significance of Andalusian <i>muwashshaḥāt</i> and <i>azjāl</i> in the Study of Islamic Theology". Journal of Arabic and Islamic Studies 25, № 1 (2025): 133–57. https://doi.org/10.5617/jais.12441.

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Can the poetic and musical genres muwashshaḥāt and azjāl enrich Islamic theology, particularly through their compatibility with traditional naẓm (didactic poetry), while addressing the epistemological and ethical challenges confronting Islamic discourse today? This paper examines the significance of these Andalusian forms, focusing on Jādaka al-ghayth by Lisān al-Dīn Ibn al-Khaṭīb (1313–1374), and raises critical questions about the role of traditional theological texts, especially naẓm, in meeting the evolving needs of contemporary Islamic thought. The study underscores four key contributions
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9

Mnouer, Mounia. "The Amazigh Musical Style of Rouicha: Transcending Linguistic and Cultural Boundaries." Review of Middle East Studies, December 21, 2023, 1–13. http://dx.doi.org/10.1017/rms.2023.12.

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Abstract Mohammed Rouicha is an Amazigh musical legend. Rouicha came to prominence in his teenage years in the mid-sixties in Morocco and continued to evolve and rise internationally until his death in 2012. An artist and a musician, he was ahead of his time in that he believed that people and communities should connect with one another through music, regardless of ethnicity or language. Rouicha appreciated art in all its shapes and forms and was fascinated by Amazigh, Arab, and Hindi Music. He sang in both Tamazight (the language of the Indigenous Amazigh) and Arabic, winning him accolades am
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10

Oudadene, Hassane. "Lyrical Opponency in Amazigh Music: The Racial and Gender Question in Tanddamt." Review of Middle East Studies, December 27, 2023, 1–16. http://dx.doi.org/10.1017/rms.2023.15.

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Abstract A very significant sub-version that derives from Tirruyssa (ⵜⵉⵔⴻⵢⵙⴰ) is called Tanddamt (ⵜⴰⵏⴹⴰⵎⵜ), which refers to musical jousting between two seemingly opponent Rways and/or Raysat. Each singer attempts to address convincing and satirical chants to the opponent singer. Tanddamt is rich of social topoi such as race and gender. This chapter aims to deconstruct the discursive contexts that gave rise to the derivative form of tanddamt, and provide an in-depth analysis of the assorted images of eloquence and satire in the discourse of this melodious genre of contest. A close reading of t
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Books on the topic "Amazighe music"

1

Aboulkacem, El Khatir. Expressions musicales amazighes en mutation. Editions Okad, 2020.

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2

Ḥamzāwī, ʻAbd al-Mālik. Kunūz al-Aṭlas al-Mutawassiṭ: Waʻṣīm Ḥammū Ūlyazīd: muʻāṣirūh wa-ḥāmilū al-mishʻal min baʻdih. ʻA. Ḥamzāwī, 2014.

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3

Everett, Samuel Sami, and Rebekah Vince, eds. Jewish-Muslim Interactions. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621334.001.0001.

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By exploring dynamic Jewish–Muslim interactions across North Africa and France through performance culture in the 20th and 21st centuries, this book offers an alternative chronology and lens to a growing trend in media and scholarship that views these interactions primarily through conflict. The book interrogates interaction that crosses the genres of theatre, music, film, art, and stand-up, emphasising creative influence and artistic cooperation between performers from the Maghrib, with a focus on Algeria, Tunisia, Morocco, and diaspora communities, notably in France. The plays, songs, films,
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Book chapters on the topic "Amazighe music"

1

Tayeb, Leila. "Our star: Amazigh music and the production of intimacy in 2011 Libya." In Women in the Modern History of Libya. Routledge, 2020. http://dx.doi.org/10.4324/9781003019244-6.

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