Relevant bibliographies by topics / Amelia (1930-1996)

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  1. Journal articles
  2. Dissertations / Theses

Academic literature on the topic 'Amelia (1930-1996)'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 June 2024

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Journal articles on the topic "Amelia (1930-1996)"

1

Alizadeh Kashani, Neda. "Scrittrici nomadi: la scrittura nella terza lingua di Jhumpa Lahiri e la poesia plurilingue di Amelia Rosselli." Cuadernos de Filología Italiana 30 (November 13, 2023): 415–31. http://dx.doi.org/10.5209/cfit.75374.

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Questo saggio è uno studio comparativo della scrittura nella terza lingua della scrittrice indiana-americana Jhumpa Lahiri (1967) e delle poesie plurilingue della poetessa italiana Amelia Rosselli (1930-1996). Entrambe le scrittrici sono state definite soggetti nomadi per la loro identità senza confini e la loro scrittura libera da regole definite. Nonostante lo spazio temporale di quasi mezzo secolo che separa le loro opere e la differenza di genere letterario di prosa e poesia, la loro identità nomade ha fatto avvicinare notevolmente il loro linguaggio. Quindi, esaminando le prose di In altr
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2

Rodrigues, Leandra Aparecida Mendes dos Santos, Mayara Lustosa de Oliveira Barbosa, and Cristiane Maria Ribeiro. "Documentos oficiais e legislações educacionais no combate às desigualdades raciais: estudo com base na PNAD (Official documents and educational legislation in the fight against racial inequalities: study based on PNAD)." Revista Eletrônica de Educação 15 (February 23, 2021): e4360011. http://dx.doi.org/10.14244/198271994360.

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e4360011The objective of this research was to analyze how official documents and educational legislation present the subject of ethnic-racial diversity, and also reflect on their impact on reality through the National Household Sample Survey (PNAD) data. To this end, we conducted an analysis of legislation and official documents created for Brazilian education, from 1988 to 2018, based on the Bardin Content Analysis technique. Subsequently, this analysis was compared with the data available in the PNAD to verify the impact of publications regarding 1) average years of study by color/race in th
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3

Nairn, Angelique, and Deepti Bhargava. "Demon in a Dress?" M/C Journal 24, no. 5 (2021). http://dx.doi.org/10.5204/mcj.2846.

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Introduction The term monster might have its roots in the Latin word monere (to warn), but it has since evolved to have various symbolic meanings, from a terrifying mythical creature to a person of extreme cruelty. No matter the flexibility in use, the term is mostly meant to be derogatory (Asma). As Gilmore puts it, monsters “embody all that is dangerous and horrible in the human imagination” (1). However, it may be argued that monsters sometimes perform the much-needed work of defining and policing our norms (Mittman and Hensel). Since their archetype is predisposed to transgressing boundari
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Dissertations / Theses on the topic "Amelia (1930-1996)"

1

Sciarrino, Emilio. "Le plurilinguisme en littérature. Les langues d'Amelia Rosselli, Edoardo Sanguineti, Patrizia Vicinelli." Electronic Thesis or Diss., Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA104.

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Nous voulons démontrer que le plurilinguisme n’est pas un procédé accessoire, mais une fonction majeure de la littérature. Pour ce faire, cette thèse étudie l’écriture de trois auteurs italiens plurilingues : Amelia Rosselli (1930-1996), Edoardo Sanguineti (1930-2010) et Patrizia Vicinelli (1943-1991). La première partie analyse le plurilinguisme littéraire d’un point de vue théorique, historique et formel. Après avoir défini les concepts essentiels, nous dressons une synthèse argumentée des études fondatrices sur ce sujet. Parallèlement, nous montrons comment le plurilinguisme se développe da
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2

Pascale, Vincenzo. "Préhistoire de l'écriture plurilingue d'Amelia Rosselli dans les 'Primi scritti' (1952-1963) : une écriture bouleversée." Thesis, Normandie, 2018. http://www.theses.fr/2018NORMC003.

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Nous voulons démontrer l’importance du moment biographique et formatif d’Amelia Rosselli qui précède son écriture et le rôle de ses premiers écrits plurilingues qui représentent la préhistoire de sa trilogie italienne et d’autres œuvres de sa maturité littéraire. Pour ce faire, cette thèse étudie, dans ses deux premières parties, l’exil de la famille Rosselli, victime de la persécution politique pendant le ventennio fasciste et la proto-formation culturelle, franco-anglo-américaine, de la poétesse, entre musique, littérature et politique. Nous dressons une synthèse de l’influence du néoréalism
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3

Sciarrino, Emilio. "Le plurilinguisme en littérature. Les langues d'Amelia Rosselli, Edoardo Sanguineti, Patrizia Vicinelli." Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015USPCA104.

Full text
Abstract:
Nous voulons démontrer que le plurilinguisme n’est pas un procédé accessoire, mais une fonction majeure de la littérature. Pour ce faire, cette thèse étudie l’écriture de trois auteurs italiens plurilingues : Amelia Rosselli (1930-1996), Edoardo Sanguineti (1930-2010) et Patrizia Vicinelli (1943-1991). La première partie analyse le plurilinguisme littéraire d’un point de vue théorique, historique et formel. Après avoir défini les concepts essentiels, nous dressons une synthèse argumentée des études fondatrices sur ce sujet. Parallèlement, nous montrons comment le plurilinguisme se développe da
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4

Vaglio, Tanet Maddalena. "Babeling: Language, Meter, and Mysticism in Amelia Rosselli's Poetry." Thesis, 2017. https://doi.org/10.7916/D85X2N7N.

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Amelia Rosselli has often been considered an obscure and impenetrable author, whose language may be identified with the expression of the unconscious. In this study I argue, on the contrary, that a strong cognitive tension underlies the poet's multilingual production (in Italian, English, and French). I therefore explore its imaginative and philosophical depth, by reconstructing Rosselli's project to transpose into writing the complexity of human experience in a fickle, chaotic, and contradictory world. In the first chapter I focus on language, in particular on lexical fusions and distortions,
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