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1

American literature's aesthetic dimensions. Columbia University Press, 2012.

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2

Weinstein, Cindy, and Christopher Looby, eds. American Literature's Aesthetic Dimensions. Columbia University Press, 2012. http://dx.doi.org/10.7312/wein15616.

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3

Norman Mailer: An American aesthetic. P. Lang, 2008.

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4

Gilpatric, Guy. The aesthetic Glencannon. Glencannon Press, 2000.

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5

Albaugh, Stephen. A Des Moines aesthetic. Iowa Institute of Philosophy, 1990.

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6

Aesthetic materialism: Electricity and American romanticism. Stanford University Press, 2009.

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7

Gabbin, Joanne V. Sterling A. Brown: Building theBlack aesthetic tradition. Greenwood Press, 1985.

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8

Platitudes: & the new Black aesthetic. Northeastern University Press, 2003.

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9

Black intellectuals, Black cognition, and a Black aesthetic. Praeger, 1997.

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10

Dubey, Madhu. Black women novelists and the nationalist aesthetic. Indiana University Press, 1994.

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11

Gabbin, Joanne V. Sterling A. Brown: Building the Black aesthetic tradition. University Press of Virginia, 1994.

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12

Gabbin, Joanne V. Sterling A. Brown: Building the Black aesthetic tradition. Greenwood Press, 1985.

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13

Baker, Houston A. Afro-American poetics: Revisions of Harlem and the Black aesthetic. University of Winconsin Press, 1988.

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14

Baker, Houston A. Afro-American poetics: Revisions of Harlem and the Black aesthetic. University of Wisconsin Press, 1988.

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15

The collage aesthetic in the Harlem Renaissance. Ashgate, 2009.

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16

Albert Murray and the aesthetic imagination of a nation. University of Alabama Press, 2010.

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17

Pitts, Terence. Photography in the American grain: Discovering a native American aesthetic, 1923-1941. Center for Creative Photography, University of Arizonia, 1988.

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18

Aesthetics and Marxism: Chinese aesthetic Marxists and their Western contemporaries. Duke University Press, 2000.

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19

Banta, Martha. One true theory & the quest for an American aesthetic. Yale University Press, 2007.

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20

The semblance of identity: Aesthetic mediation in Asian American literature. Stanford University Press, 2012.

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21

Grandt, Jürgen E. Kinds of blue: The jazz aesthetic in African American narrative. Ohio State University Press, 2004.

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22

Powell, Richard J. The blues aesthetic: Black culture and modernism. Washington Project for the Arts, 1989.

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23

Taylor, Clyde. The mask of art: Breaking the aesthetic contract--film and literature. Indiana University Press, 1998.

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24

Mark Twain and the feminine aesthetic. Cambridge University Press, 1992.

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25

Ishmael Reed and the new Black aesthetic critics. St. Martin's Press, 1988.

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26

Ishmael Reed and the new Black aesthetic critics. Macmillan, 1988.

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27

Murray, Albert. The blue devils of Nada: A contemporary American approach to aesthetic statement. Pantheon Books, 1996.

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28

Murray, Albert. The blue devils of Nada: A contemporary Am,erican spproach to aesthetic statement. Pantheon Books, 1996.

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29

The British aesthetic tradition: From Shaftesbury to Wttgenstein. Cambridge University Press, 2013.

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30

S, Duncan James. Landscapes of privilege: The politics of the aesthetic in an American suburb. Routledge, 2003.

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31

1948-, Duncan Nancy, ed. Landscapes of privilege: The politics of the aesthetic in an American suburb. Routledge, 2004.

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32

Soul babies: Black popular culture and the post-soul aesthetic. Routledge, 2002.

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33

Veith, Barbara. Aesthetic ambitions: Edward Lycett and Brooklyn's Faience Manufacturing Company. University of Richmond Museums, 2011.

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34

Cooney, Frelinghuysen Alice, University of Richmond Museums, Mint Museum of Art, and Brooklyn Museum, eds. Aesthetic ambitions: Edward Lycett and Brooklyn's Faience Manufacturing Company. University of Richmond Museums, 2011.

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35

Aesthetic approaches to children's literature: An introduction. Scarecrow Press, 2005.

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36

English literature and the Russian aesthetic renaissance. Cambridge University Press, 1998.

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37

Emerson, Ralph Waldo. Nature and selected essays. Penguin, 2003.

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38

Colonial American portraiture: The economic, religious, social, cultural, philosophical, scientific, and aesthetic foundations. Cambridge University Press, 1986.

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39

Places, Center for American, ed. The Southwest in American literature and art: The rise of a desert aesthetic. University of Arizona Press, 1997.

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40

Acting beautifully: Henry James and the ethical aesthetic. State University of New York Press, 2005.

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41

Jottkandt, Sigi. Acting beautifully: Henry James and the ethical aesthetic. State University of New York Press, 2005.

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42

Weinstein, Cindy, and Christopher Looby, eds. American Literature's Aesthetic Dimensions. Columbia University Press, 2012. http://dx.doi.org/10.7312/columbia/9780231156172.001.0001.

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43

Hollywood Aesthetic: Pleasure in American Cinema. Oxford University Press, Incorporated, 2017.

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44

Berliner, Todd. Hollywood Aesthetic: Pleasure in American Cinema. Oxford University Press, Incorporated, 2017.

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45

Southeastern Center for Contemporary Art., ed. Next generation: Southern Black aesthetic. Southeastern Center for Contemporary Art, 1990.

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46

Sims. Next Generation: Southern Black Aesthetic. Univ of North Carolina Pr, 1990.

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47

Jeff, Crook, Berberick Nancy Varian, Grubber John, et al., eds. Bertrem the aesthetic. Wizards of the Coast, 2001.

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48

Persuasive Aesthetic Ecocritical Praxis. Lexington Books/Fortress Academic, 2015.

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49

Iseminger, Gary. Aesthetic Experience. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0005.

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This article surveys attempts by aestheticians writing in the Anglo-American analytic tradition during the last half of the twentieth century to clarify, defend, and use the idea of a distinctively aesthetic state of mind. Their ambitions typically include most or all of the following: giving an account of what distinguishes the aesthetic state of mind from other states of mind that are like it in some ways, such as sensual pleasure or drug-induced experience, or from those connected with other realms of human concern, such as the religious, the cognitive, the practical, and the moral; giving
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50

Berliner, Todd. Hollywood Aesthetic. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190658748.001.0001.

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Hollywood makes the most widely successful pleasure-giving artworks the world has ever known. The American film industry operates under the assumption that pleasurable aesthetic experiences, among large populations, translate into box office success. More than any other historical mode of art, Hollywood has systematized the delivery of aesthetic pleasure, packaging and selling it on a mass scale. If the Hollywood film industry succeeds in delivering aesthetic pleasure both routinely and, at times, in an outstanding way, then we should ultimately regard Hollywood cinema as an artistic achieveme
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