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Journal articles on the topic 'American aesthetic'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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1

Berliner, Todd. "Hollywood Aesthetic: Pleasure in American Cinema." Projections 14, no. 2 (2020): 90–101. http://dx.doi.org/10.3167/proj.2020.140209.

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In this reply to four commentaries on my book, Hollywood Aesthetic: Pleasure in American Cinema, I address several conceptual and methodological issues raised by the respondents. Those issues include the book’s focus on aesthetic pleasure; the functions of narrative, style, ideology, and genre in Hollywood cinema; the relationship between ideology and aesthetics; the use of scientific research in the humanities; normative aesthetic evaluations; real versus hypothetical spectators; and the practices of aesthetic film analysis.

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Pyrova, Tatiana Leonidovna. "Philosophical-aesthetic foundations of African-American hip-hop music." Философия и культура, no. 12 (December 2020): 56–62. http://dx.doi.org/10.7256/2454-0757.2020.12.34717.

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This article is dedicated to the philosophical-aesthetic foundations of African-American hip-hop music of the late XX century. Developed by the African philosopher Leopold Senghor, the author of the theory of negritude, concept of Negro-African aesthetics laid the foundations for the formation of philosophical-political comprehension and development of the principles of African-American culture in the second half of the XX century in works of the founders of &ldquo;Black Arts&rdquo; movement. This research examines the main theses of the aesthetic theory of L. Senghor; traces his impac

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Carlson, Allen. "Aesthetic Appreciation of Nature and Environmentalism." Royal Institute of Philosophy Supplement 69 (September 22, 2011): 137–55. http://dx.doi.org/10.1017/s1358246111000257.

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There can be no doubt that aesthetic appreciation of nature has frequently been a major factor in how we regard and treat the natural environment. In his historical study of American environmental attitudes, environmental philosopher Eugene Hargrove documents the ways in which aesthetic value was extremely influential concerning the preservation of some of North America's most magnificent natural environments. Other environmental philosophers agree. J. Baird Callicott claims that historically ‘aesthetic evaluation… has made a terrific difference to American conservation policy and management’,

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Dirgualam, Oki, Dadang Suganda, Buky Wibawa, and Kunto Sufianto. "ESTETIKA PERMAINAN MUSIK BARAT PADA BIG BAND SALAMANDER." Paradigma: Jurnal Kajian Budaya 11, no. 1 (2021): 99. http://dx.doi.org/10.17510/paradigma.v11i1.420.

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<p>This article describes the aesthetics of the big band jazz music by Salamander Big Band. Aesthetics is a study of the processes that occur in three basic elements: aesthetic objects, aesthetic subjects, and aesthetic values related to aesthetic experiences, aesthetic properties, and attractive and unattractive parameters. This paper presents the basic elements of western music aesthetics, especially big band jazz music, and how Salamander Big Band can implement the aesthetic values of western jazz big band music in the music played. This research uses a qualitative approach with a des

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McGowan, Grace. "“I Know I Can’t Change the Future, But I Can Change the Past”: Toni Morrison, Robin Coste Lewis, and the Classical Tradition." Contemporary Women's Writing 13, no. 3 (2019): 339–56. http://dx.doi.org/10.1093/cww/vpaa001.

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Abstract “A central figure in transnational intellectual history” (Roynon, 2013), Toni Morrison’s oeuvre has helped deconstruct the triangulated relationship between a European Graeco-Roman classical tradition, Africa, and America. Morrison’s deconstruction of the classical past and its aesthetics have laid the foundation for the reconstructive work of a new generation of writers, including Robin Coste Lewis. Both writers renegotiate and reclaim a classical aesthetic by recovering its African roots and situating it in an African American context. In addition, the article (1) examines the role

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Berliner, Todd. "Hollywood Aesthetic." Projections 14, no. 2 (2020): 48–55. http://dx.doi.org/10.3167/proj.2020.140204.

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Hollywood Aesthetic: Pleasure in American Cinema investigates the Hollywood film industry’s chief artistic accomplishment: providing aesthetic pleasure to mass audiences. Grounded in film history and supported by research in psychology and philosophical aesthetics, the book explains (1) the intrinsic properties characteristic of Hollywood cinema that induce aesthetic pleasure; (2) the cognitive and affective processes, sparked by Hollywood movies, that become engaged during aesthetic pleasure; and (3) the exhilarated aesthetic experiences afforded by an array of persistently entertaining Holly

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Peremislov, I. A., and L. G. Peremislov. "JAPANESE AESTHETICS IN AMERICAN SILVER MASTERPIECES." Arts education and science 1, no. 2 (2021): 79–88. http://dx.doi.org/10.36871/hon.202102010.

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Japanese culture with its unique monuments of architecture, sculpture, painting, small forms, decorative and applied arts, occupies a special place in the development of world art. Influenced by China, Japanese masters created their own unique style based on the aesthetics of contemplation and spiritual harmony of man and nature. In the context of "Japan's inspiration" the work refers to the influence of the art of the Land of the Rising Sun on American decorative arts and, in particular, on the silver jewelry industry in trends of a new aesthetic direction of the last third of the XIXth centu

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8

Peremyslov, I. A., and L. G. Peremyslova. "JAPANESE AESTHETICS IN MASTERPIECES OF AMERICAN SILVER." Arts education and science 1, no. 1 (2021): 89–96. http://dx.doi.org/10.36871/hon.202101010.

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Japanese culture with its unique monuments of architecture, sculpture, painting, small forms, decorative and applied arts, occupies a special place in the development of world art. Influenced by China, Japanese masters created their own unique style based on the aesthetics of contemplation and spiritual harmony of man and nature. In the context of "Japan's inspiration" the work refers to the influence of the art of the Land of the Rising Sun on American decorative arts and, in particular, on the silver jewelry industry in trends of a new aesthetic direction of the last third of the XIXth centu

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9

Liao, Shen-yi. "Explanations: Aesthetic and Scientific." Royal Institute of Philosophy Supplement 75 (October 2014): 127–49. http://dx.doi.org/10.1017/s135824611400023x.

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In recent years, aesthetics – like many other philosophical areas – has gradually replaced conceptual analysis projects with theory construction projects. For example, in a presidential speech of the American Society for Aesthetics, Kendall Walton advocates for the theory-construction methodology, which does not primarily aim to capture the meaning of aesthetic terms in ordinary English. Instead of trying to define what beauty or art is, philosophers have shifted their focus to explaining aesthetic phenomena that arise from our interactions with narratives and artworks. We are experiencing a s

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10

GEORGI, KAREN L. "James Jackson Jarves's Art Criticism: Aesthetic Classifications and Historiographic Consequences." Journal of American Studies 42, no. 2 (2008): 215–35. http://dx.doi.org/10.1017/s0021875808004660.

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Looking at the methodological principles and rhetorical forms that structure James Jackson Jarves's often-cited 1864 book The Art-Idea, this essay reconsiders Jarves's role in the historiography of American art. Jarves has long been associated with post-Civil War shifts toward international aesthetic trends, which eroded the native bias in favor of verisimilitude and anecdote. He is thought to mark a turning point. His texts, however, only partially corroborate the reputation. Here, firstly, I reread Jarves's art theory to suggest what were the aesthetic preferences he hoped to foster among Am

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Wiedenfeld, Grant. "Hollywood Aesthetic: Pleasure in American Cinema." Canadian Journal of Film Studies 26, no. 2 (2017): 148–52. http://dx.doi.org/10.3138/cjfs.26.2.br5.

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Mock, James. "American Ruins, Aesthetic Responses, and Speculations." Southwest Philosophy Review 36, no. 1 (2020): 179–85. http://dx.doi.org/10.5840/swphilreview202036120.

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&NA;. "AMERICAN SOCIETY FOR AESTHETIC PLASTIC SURGERY." Plastic and Reconstructive Surgery 85, no. 3 (1990): 494. http://dx.doi.org/10.1097/00006534-199003000-00098.

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&NA;. "AMERICAN SOCIETY FOR AESTHETIC PLASTIC SURGERY." Plastic and Reconstructive Surgery 86, no. 6 (1990): 1253. http://dx.doi.org/10.1097/00006534-199012000-00093.

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&NA;. "AMERICAN SOCIETY FOR AESTHETIC PLASTIC SURGERY." Plastic and Reconstructive Surgery 89, no. 2 (1992): 396. http://dx.doi.org/10.1097/00006534-199202000-00118.

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Cutting, James E. "Goldilocks Aesthetics." Projections 14, no. 2 (2020): 66–74. http://dx.doi.org/10.3167/proj.2020.140206.

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Much of aesthetics is based in psychological responses. Yet seldom have such responses—couched in empirically based psychological terms—played a central role in the discussion of movie aesthetics. Happily, Todd Berliner’s Hollywood Aesthetic: Pleasure in American Cinema does just that. This commentary discusses some history and some twists and turns behind Berliner’s analysis.

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Murthy, Dhiraj. "A South Asian American diasporic aesthetic community?" Ethnicities 7, no. 2 (2007): 225–47. http://dx.doi.org/10.1177/1468796807076847.

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O'Neal, Gwendolyn S. "African-American Aesthetic of Dress: Current Manifestations." Clothing and Textiles Research Journal 16, no. 4 (1998): 167–75. http://dx.doi.org/10.1177/0887302x9801600403.

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19

Brogan, Jacob. "American Literature’s Aesthetic Dimensions (review)." College Literature 40, no. 1 (2013): 145–48. http://dx.doi.org/10.1353/lit.2013.0001.

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FRASER, GORDON. "Conspiracy, Pornography, Democracy: The Recurrent Aesthetics of the American Illuminati." Journal of American Studies 54, no. 2 (2018): 273–94. http://dx.doi.org/10.1017/s0021875818001408.

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This essay examines reactionary, countersubversive fictions produced in the context of two conspiracy theories in the United States: the Illuminati crisis (1798–1800) and Pizzagate (2016–17). The author suggests that both cases emblematize a pornotropic aesthetic, a racialized sadomasochism that recurs across United States culture. Building on the work of Hortense Spillers, Alexander Weheliye, Jennifer Christine Nash, and others, this essay argues that observers should understand countersubversive political reaction as an aesthetic project, a pornotropic fantasy that distorts underlying condit

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Wilkoszewska, Krystyna. "Aesthetic experience in the nature-culture continuum: The biological dimension of pragmatist aesthetics." SAJ - Serbian Architectural Journal 7, no. 2 (2015): 47–56. http://dx.doi.org/10.5937/saj1501047w.

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In 1930 American pragmatist philosopher John Dewey introduced into aesthetics a relatively new idea of experience. Living in modern time Dewey offered non-modernist way of thinking which especially in the field of aesthetics seems to be more adequate to our time than the modern ideas of aesthetic experience and autonomy of art. After short presentation of Dewey's philosophy of aesthetics I would like to show its inner dimensions that are fully developed today: ecological, evolutionary and transhuman tendencies, experience as interaction, soma and sensuous perspective.

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Liu, Lei, and Mei Dong. "Aesthetic Representation of Subtitle Translation in American Movies from the Perspective of Translation Aesthetics." OALib 07, no. 12 (2020): 1–6. http://dx.doi.org/10.4236/oalib.1106891.

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23

Corpus, Rina Angela. "Dance Beyond the Disquiet of Diaspora: Kristin Jackson's Aesthetic of Independent Dancing." Congress on Research in Dance Conference Proceedings 39, S1 (2007): 12–23. http://dx.doi.org/10.1017/s2049125500000066.

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This essay navigates the dance history and aesthetics of New York–based Filipina-American dance artist Kristin Jackson, who bravely produced herself as an independent dance-maker. It highlights the independent and alternative dance practice of Jackson in the context of her multicultural identity and Filipino diaspora in America. As Jackson straddles both the Philippines and America, we witness in this narrative several issues mobilized around her dance and dance-making.

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24

Allan, Jonathan A. "The Foreskin Aesthetic or Ugliness Reconsidered." Men and Masculinities 23, no. 3-4 (2018): 558–78. http://dx.doi.org/10.1177/1097184x17753038.

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This article argues that to understand the role and place of the foreskin, we must address the aesthetic question that sits at its root. North American media often describe the foreskin as “ugly,” “gross,” or pejoratively “European”; all of which present, fundamentally, an aesthetic comment on what is pleasing. As such, this article investigates the aesthetic discourse surrounding the foreskin in relation to a range of materials that speak at or around the foreskin. In particular, it looks at sources deemed to be “common”—sex manuals, pregnancy manuals, and film and television—alongside theore

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25

Winslow, Margaret. "Aesthetic Dynamics, Inc. Presents: Afro-American Images 1971." Journal of Curatorial Studies 8, no. 2 (2019): 184–204. http://dx.doi.org/10.1386/jcs_00003_1.

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Abstract In February 1971, the artist collective Aesthetic Dynamics, Inc. presented its first major undertaking: an exhibition of over 130 works of art by 66 artists. Organized as a memorial to the late James A. Porter, Afro-American Images 1971 was presented at the National Guard Armory in Wilmington, Delaware. Many of the artists who participated in the show were well-established nationally; however, the location and inclusion of many artists known only to the local community resulted in the marginalization of this significant exhibition. In 2021, the Delaware Art Museum will restage the exh

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26

Salter, Sarah H. "A Hero and His Newspaper: Unsettling Myths of Italian America." MELUS 45, no. 2 (2020): 108–33. http://dx.doi.org/10.1093/melus/mlaa019.

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Abstract Italian American ethnic identity has long been constituted by struggles and inequalities endured by Italians in post-unification rural Italy and their subsequent racialized oppression in urban centers of the US North in the era of mass migration. Until now, the presumed stability of mass migration identity has created the general terms for understanding Italian America. In this essay, a New Orleans microhistory illuminated through the 1849 newspaper Il Monitore del Sud, the first Italian-language newspaper published in the United States, reshapes foundational understandings of Italian

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27

Castronovo, Russ. "Beauty along the Color Line: Lynching, Aesthetics, and the Crisis." PMLA/Publications of the Modern Language Association of America 121, no. 5 (2006): 1443–59. http://dx.doi.org/10.1632/pmla.2006.121.5.1443.

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“What have we who are slaves and blacks to do with Art?” asked DuBois in his 1926 essay “Criteria of Negro Art.” In an era of lynching, art hardly seemed appropriate for political struggle. Nevertheless, DuBois and his colleagues at the Crisis risked making connections between lynching and art by putting aesthetics to democratic use even as the theatricality of ritualized violence gave lynching an aesthetic dimension. Starting with DuBois's manifesto and reading in reverse chronological order every issue of the Crisis to its first issue in 1910, this article re-creates a critical narrative tha

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Thrailkill, J. F. "Aesthetic Materialism: Electricity and American Romanticism; Passions for Nature: Nineteenth-Century America's Aesthetics of Alienation." American Literature 82, no. 3 (2010): 637–39. http://dx.doi.org/10.1215/00029831-2010-027.

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29

Robin, Ron. "“A Foothold in Europe”: The Aesthetics and Politics of American War Cemeteries in Western Europe." Journal of American Studies 29, no. 1 (1995): 55–72. http://dx.doi.org/10.1017/s0021875800026165.

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Twenty American military cemeteries dot the pastoral countryside of western Europe. Casualties of the Great War, numbering 31,000, are buried in eight sites: 73,000 of America's 93,000 overseas burials from the Second World War are interred in twelve European cemeteries. These “silent cities” are monuments to an enduring result of global conflict: a forceful American presence in the cultural and political landscapes of other countries. The cemeteries' standardized styles, laconic epitaphs, and their removal from the sphere of family and community erase much of the sense of individual tragedy a

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Villas Boas, Alex. "REFORMA ECLESIAL E RECEPÇÃO CONCILIAR: CRISE DA LINGUAGEM TEOLÓGICA E RECEPÇÃO ESTÉTICA DO VATICANO II." Perspectiva Teológica 46, no. 128 (2015): 45. http://dx.doi.org/10.20911/21768757v46n128p45/2014.

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O presente trabalho procura analisar a questão da recepção conciliar do Vaticano II, proposta por Yves Congar, Bernard Sesboüe e Christoph Theobald, porém, a partir da teoria da recepção estética de Hans Robert Jauss, e como está presente na tarefa contínua de reforma eclesial. As recepções conciliares são processos de construções teológicas de linguagem e, inevitavelmente atingem momentos de inflexão, como é o caso entre o que ficou conhecido como estilo pastoral da teologia latino americana e a estética teológica de Hans Urs von Balthasar, que acentua o aspecto dogmático. Tais linguagens, qu

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de Oliveira, Pablo Santos, Fabio Chiarelli, José A. Rodrigues, et al. "Aesthetic Surgical Crown Lengthening Procedure." Case Reports in Dentistry 2015 (2015): 1–4. http://dx.doi.org/10.1155/2015/437412.

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The aim of this case report was to describe the surgical sequence of crown lengthening to apically reposition the dentogingival complex, in addition to an esthetic restorative procedure. Many different causes can be responsible for short clinical crown. In these cases, the correct execution of a restorative or prosthetic rehabilitation requires an increasing of the crown length. According to the 2003 American Academy of Periodontology (Practice Profile Survey), crown lengthening is the most habitual surgical periodontal treatment.

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32

Horowitz, Joseph. "Henry Krehbiel: German American, Music Critic." Journal of the Gilded Age and Progressive Era 8, no. 2 (2009): 165–87. http://dx.doi.org/10.1017/s1537781400001134.

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The “dean” of New York's music critics a century ago, Henry Krehbiel–born in Ann Arbor to German immigrant parents—was emblematic of a vibrant intellectual community that blended Germanic and American traits. As a dominant propagator of a distinctively wholesome American Wagnerism, he embodied both German Kunst and American meliorism. As a self-made critic, he combined weighty scholarly learning and prose with a nose for news and a popularizing bent. During World War I, the German enemy incited no more patriotic response than his. But Krehbiel was increasingly stranded in postwar America. A be

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33

KHARITONOVA, NATALIA. "El viaje transatlántico de Rafael Alberti en 1935." Bulletin of Hispanic Studies: Volume 98, Issue 4 98, no. 4 (2021): 339–56. http://dx.doi.org/10.3828/bhs.2021.20.

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This article studies, from the perspective of Transatlantic Studies, literary works by Rafael Alberti along with archival documents concerning his travel to the Americas in 1935. In his poetry collection, 13 bandas y 48 estrellas. Poema del Mar Caribe and travel diary, ‘Encuentro en la Nueva España con Bernal Díaz del Castillo’, published in 1936, Alberti challenges the traditional perception of Latin American republics as former colonies. Although Alberti insists on his affiliation with the anti-imperialism of the Comintern, the article reveals an underlying conflict in the dialogue establish

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GIGER, ANDREAS. "Bernstein's The Joy of Music as Aesthetic Credo." Journal of the Society for American Music 3, no. 3 (2009): 311–39. http://dx.doi.org/10.1017/s1752196309990447.

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AbstractThe bulk of Leonard Bernstein's first book, The Joy of Music (1959), consists of three imaginary conversations and seven scripts of Omnibus lectures intended for the education of lay audiences. These texts have long been admired for their pedagogy but have largely been ignored as reflections of Bernstein's aesthetic views. This article proposes that The Joy of Music functions not only as a pedagogical document but also as an aesthetic manifesto preparing Bernstein's audiences for some of his best compositions—especially the Third Symphony (Kaddish; 1963, rev. 1977) and West Side Story

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Peterson, Kristin M. "Aesthetic Styles and the Occupation of Space in the “Places You’ll Pray” Photo Series." Journal of Religion, Media and Digital Culture 10, no. 1 (2021): 115–34. http://dx.doi.org/10.1163/21659214-bja10029.

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Abstract This paper analyzes a series of photographs that feature Muslim Americans praying in various public locations. In the “Places You’ll Pray” series, photographer Sana Ullah employs attractive settings along with framing, lighting, angle and colors to emphasize that the Islamic practice of prayer is not only an act that induces feelings of tranquility but also a beautiful practice that belongs within American public spaces. Through the policing of the sensory realm, the complex experiences of Muslims are generally over-simplified or made invisible in the media. This article explores how

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May, Will. "Modernist Women Writers and Whimsy: Marianne Moore and Dorothy Parker." Humanities 9, no. 1 (2020): 24. http://dx.doi.org/10.3390/h9010024.

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This article assesses the work of Dorothy Parker (1893–1967) and Marianne Moore (1887–1972) in relation to the aesthetic category of whimsy. It considers how whimsy has been used as a term of dismissal for American women poets, outlines ways both writers’ receptions have been informed by this context, and explores questions of cost, worth, and value raised by their work. It situates whimsy in relation to Sianne Ngai’s account of diminutive modes in Our Aesthetic Categories (2015) and suggests why American women’s modernist poetry can be a useful context for exploring the aesthetic and cultural

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Ahtone, Heather. "Designed to Last: Striving toward an Indigenous American Aesthetic." International Journal of the Arts in Society: Annual Review 4, no. 2 (2009): 373–86. http://dx.doi.org/10.18848/1833-1866/cgp/v04i02/35602.

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Rose, William D. "Postmodern American Sociology: A Response to the Aesthetic Challenge." Contemporary Sociology: A Journal of Reviews 35, no. 2 (2006): 187–88. http://dx.doi.org/10.1177/009430610603500256.

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Gelpi, Donald L. ""Incarnate Excellence": Jonathan Edwards and an American Theological Aesthetic." Religion and the Arts 2, no. 4 (1998): 443–66. http://dx.doi.org/10.1163/156852998x00313.

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DeFrantz, T. F. "PERFORMING THE BREAKS: Notes on African American Aesthetic Structures." Theater 40, no. 1 (2010): 31–37. http://dx.doi.org/10.1215/01610775-2009-017.

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Galbraith, Craig S., and Judy A. Siguaw. "Aesthetic Consumption Differences in Asian-American and Anglo Subcultures:." Journal of Nonprofit & Public Sector Marketing 3, no. 3-4 (1995): 3–24. http://dx.doi.org/10.1300/j054v03n03_02.

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Guran, Letitia. "The Aesthetic Dimension of American-Romanian Comparative Literary Studies." Comparatist 27, no. 1 (2003): 94–115. http://dx.doi.org/10.1353/com.2003.0010.

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&NA;. "THE AMERICAN SOCIETY FOR AESTHETIC PLASTIC SURGERY INC MISSION." Plastic and Reconstructive Surgery 93 (April 1994): 1116. http://dx.doi.org/10.1097/00006534-199404001-00071.

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SKITOLSKY, LISSA. "Holocaust Humor and Our Aesthetic Sensibility of American Genocide." Journal of Aesthetics and Art Criticism 77, no. 4 (2019): 499–511. http://dx.doi.org/10.1111/jaac.12679.

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Kim, Daejoong. "Dialectics of Aesthetic Politics in Asian American Experimental Poetry." Journal of East-West Comparative Literature 42 (December 31, 2017): 219–39. http://dx.doi.org/10.29324/jewcl.2017.12.42.219.

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ATIYAH, Ahmed Shams. "AESTHETIC VALUES AND ITS IMPLICATIONS IN MODERN AMERICAN POTTERY." RIMAK International Journal of Humanities and Social Sciences 03, no. 03 (2021): 349–60. http://dx.doi.org/10.47832/2717-8293.3-3.33.

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Aesthetic values have grown in light of the innovations and changes taking place in society that can be captured from the outside world, because they are textile creation composed of formal relationships that have produced shapes of aesthetic value. Therefore, it is necessary to realize the most important characteristics of the whole and the part in the context of designing the ceramic figure to highlight its aesthetic value, as it gave the artist a vision inspired by the creations of nature and was thus able to transfer the inner or latent knowledge in the core of artistic activity to the cir

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Da Costa Nunes, Jadviga M. "The Naughty Child in Nineteenth-Century American Art." Journal of American Studies 21, no. 2 (1987): 225–47. http://dx.doi.org/10.1017/s0021875800029182.

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During the first half of the nineteenth century many Americans began to promote the visual arts as a means of defining and fostering national identity. One highly significant consequence of this new aesthetic was the rise of a native genre art which depicted uniquely “American” customs and characters. Focussing upon and interpreting the daily world of average citizens in an emphatically optimistic and ideal manner, these works of art celebrated the virtue, vigor, simplicity, resourcefulness and republicanism of American society. They tended chiefly to represent rural American activities – mapl

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Trafí-Prats, Laura. "Aesthetic Post-Phenomenological Inquiry: A Compositional Approach to the Invention of Worlds." Qualitative Inquiry 26, no. 5 (2019): 432–39. http://dx.doi.org/10.1177/1077800419857454.

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In this article, I think retrospectively with art and passages of writing produced in connection to a study on aesthetic activity and urban nature with two classes of fifth graders attending school in a city of the American Midwest. For this, I take on the art philosophy of Deleuze, Deleuze and Guattari and Deleuzian scholars to discuss how aesthetics and processes of art-making can inform empirical gestures based on distance from and invention of worlds. Art extracts sensations from chaotic forces that function in excess, variation, and proliferation, offering valuable practices to attune tow

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Cagulada, Elaine. "Persistence, Art and Survival." Canadian Journal of Disability Studies 9, no. 4 (2020): 50–70. http://dx.doi.org/10.15353/cjds.v9i4.668.

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   A world of possibility spills from the relation between disability studies and Black Studies. In particular, there are lessons to be gleaned from the Black Arts Movement and Black aesthetic about conjuring the desirable from the undesirable. Artists of the Black Arts Movement beautifully modeled how to disrupt essentialized notions of race, where they found “new inspiration in their African ancestral heritage and imbued their work with their experience as blacks in America” (Hassan, 2011, p. 4). Of these artists, African-American photographer Roy DeCarava was engaged in a

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Židová, Diana. "Ethnic Literature and Slovak American Research." Ars Aeterna 6, no. 1 (2014): 1–7. http://dx.doi.org/10.2478/aa-2014-0001.

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Abstract The article outlines the beginnings of ethnic literature research in the United States of America with regards to its reception from the 1960s to the 1980s. Aesthetic merit as a leading consideration in the evaluation of literary works, in view of the opinions of numerous critics, is quite problematic to apply in the case of Czech and Polish literature. Considering the output of Slovak-American research in the field of literary criticism and literary history, the results are not satisfactory either. There are a few works that provide valuable insight into the literature of the Slovak

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