Academic literature on the topic 'American Code and cipher stories'

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Journal articles on the topic "American Code and cipher stories"

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Tantoni, Ahmad, and Mohammad Taufan Asri Zaen. "IMPLEMENTASI DOUBLE CAESAR CIPHER MENGGUNAKAN ASCII." Jurnal Informatika dan Rekayasa Elektronik 1, no. 2 (November 30, 2018): 24. http://dx.doi.org/10.36595/jire.v1i2.56.

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In this paper, it will discuss about the merger between caesar cipher with caesar cipher or called double caesar cipher. In this study will show the design of the double caesar cipher algorithm, in order to secure the database given the database login user form to make it safer. Double caesar cipher is the development of symmetrical caesar cipher algorithms. The encryption and description process has the same key, each of which has a key. Not only that, the research will also show the double caesar cipher algorithm script using the ASCII (American Standard Code for Information Interchange) table and also in the .php programming language (hypertext preprocessor), then how do I run the double caesar cipher, the last is trying to enter plaintext into the double caesar cipher program then convert it to ciphertext and vice versa from ciphertext to plaintext again.
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Głownia, Dawid. "Pacification of Rebellious Comics by the Comic Code On the Example of Changes Introduced Into Reprints of Pre-1955 Comics." Kultura Popularna 60, no. 2 (January 31, 2020): 188–204. http://dx.doi.org/10.5604/01.3001.0013.7343.

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The article discusses the issue of changes introduced into reprints of pre-1955 American comics in order to adapt them to requirements of the Comic Code. Pre-1955 American comic books are characterized as “rebellious” — challenging norms and aesthetic rules of contemporary America – and the activities of Comic Code Administration as a form of their pacification. What follow next is a presentation of main strategies of adaptation of pre-1955 comics to the requirements of the Comic Code identified on the basis of analysis of fifty reprints. In the last part the author compares the original and reprinted versions of three comics books stories, shows how dramatically the plot of stories could change due to introduction of prescriptions of the Comic Code Administration.
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Andrews, Jean F., and Vickie Dionne. "“Down the Language Rabbit Hole with Alice”: A Case Study of a Deaf Girl with a Cochlear Implant." International Journal of Otolaryngology 2011 (2011): 1–8. http://dx.doi.org/10.1155/2011/326379.

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Alice, a deaf girl who was implanted after age three years of age was exposed to four weeks of storybook sessions conducted in American Sign Language (ASL) and speech (English). Two research questions were address: (1) how did she use her sign bimodal/bilingualism, codeswitching, and code mixing during reading activities and (2) what sign bilingual code-switching and code-mixing strategies did she use while attending to stories delivered under two treatments: ASL only and speech only. Retelling scores were collected to determine the type and frequency of her codeswitching/codemixing strategies between both languages after Alice was read to a story in ASL and in spoken English. Qualitative descriptive methods were utilized. Teacher, clinician and student transcripts of the reading and retelling sessions were recorded. Results showed Alice frequently used codeswitching and codeswitching strategies while retelling the stories retold under both treatments. Alice increased in her speech production retellings of the stories under both the ASL storyreading and spoken English-only reading of the story. The ASL storyreading did not decrease Alice’s retelling scores in spoken English. Professionals are encouraged to consider the benefits of early sign bimodal/bilingualism to enhance the overall speech, language and reading proficiency of deaf children with cochlear implants.
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Sánchez, María Jesús, and Elisa Pérez-García. "Acculturation through Code-Switching Linguistic Analysis in Three Short-Stories: “Invierno”, “Nilda” and “The Pura Principle” (Díaz 2012)." Miscelánea: A Journal of English and American Studies 61 (January 25, 2021): 59–79. http://dx.doi.org/10.26754/ojs_misc/mj.20205139.

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The purpose of this article is to investigate whether Yunior, a character and narrator in the three short stories under study, “Invierno”, “The Pura Principle”, and “Nilda”, becomes absorbed into American culture or obtains a positive relationship with this culture without losing his Dominican identity. Quantitative analyses of the vocabulary in the L1 code-switches (Spanish) and of the L2 (English) vocabulary used by Yunior in the stories were carried out to appraise his linguistic progression. Code-switching was analyzed because it gives insights into how situation and context influences language use and why the characters use the language they do. The results obtained, by means of three common lexical measures used in foreign language research (lexical density, age of acquisition and lexical sophistication), allowed us to assess Yunior’s change of identity. According to the acculturation model, Yunior becomes acculturated in the host country, showing progression and integration with many cultural aspects of American life and the English language due to his formal education and early age of acquisition of L2.
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Traver, John C. "Hero or villain? Moral ambiguity and narrative structure under the Comics Code in 1950s Superman stories." Studies in Comics 10, no. 2 (November 1, 2019): 255–76. http://dx.doi.org/10.1386/stic_00005_1.

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Abstract This article explores the decades-long influence of the Comics Code on American comic books’ storytelling form by identifying the interpretive processes underlying the Code’s application and adapting the Code as a theoretical model for approaching the narrative structure and implied ethical stance within 1950s Superman comics. Instead of treating the Comics Code as a series of regulations seemingly interpreted arbitrarily, this article explores how interpretive issues were framed by figures such as Charles Murphy, Leonard Darvin and John Goldwater to identify ‘the spirit and intent of the Code’ and resolve challenges such as distinguishing between the ‘spirit’ and ‘letter’ of the Code, identifying interpretive authority outside the Code, weighing past interpretive precedent and locating authorial ‘intent’. Ambiguities and aporia within the Code’s language demanded that administrators reconstruct the Code’s possible meanings and conceptualize ‘justice’ by distinguishing between the Code’s general preferences and actual prohibitions, resolving terminological nuance and prioritizing conflicting stipulations. Administrators’ efforts to balance competing stipulations regarding characters’ physical unattractiveness, criminality, justice and institutional authority shaped comics’ storytelling form and perpetuated ambiguities that comic creators could ‐ intentionally or unintentionally ‐ exploit. Where Silver Age DC Comics have often been viewed as sacrificing psychological complexity to plotting and social conformity, this article argues that the plotting intricacy in several 1950s Comics-Code era Superman comics in fact enabled writers to present a more complex rendering of moral issues. Where the Comics Code explicitly forbade that ‘crimes’ be ‘presented in such a way as to create sympathy for the criminal’, the Comics Code’s own textually unstable meaning ‐ coupled with the narrative complexity of the stories’ plotting, shifting points of view and situational and dramatic irony ‐ enabled 1950s Superman writers to create sympathy for a supposed ‘criminal’, depict the frequent inaccuracy of assumed knowledge and introduce moral ambiguity, all while arguably ‘following’ the Code.
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Vraukó, Tamás. "Code switching and the so-called “assimilation narrative”." Linguistics Beyond and Within (LingBaW) 4 (December 30, 2018): 173–81. http://dx.doi.org/10.31743/lingbaw.5673.

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In literary theory, the works of (ethnic) minority authors–and similarly, the works of authors dealing with minorities–are often referred to as “assimilation narrative.” This term tends to suggest that minority authors, who write in the language of their country, seek a place in society through assimilation. Assimilation, however, means melting up in the majority nation by adopting all the values, customs and way of life characteristic of the majority, and abandoning, leaving behind, giving up the original traditional values, ethics, lifestyle, religion etc. of the minority. Assimilation means disappearing without a trace, continuing life as a new person, with new values, language, a whole set of new cultural assets. In this paper an effort is made to show that this is in fact not what many of the ethnic minority writers look for, so the term assimilation narrative is in many, although certainly not all, the cases, erroneuosly applied. It is justified to make a distinction between assimilation and integration narratives, as the two are not the same. In the paper examples are provided from Hispanic-American literature (Mexican-American, Puerto Rican and Dominican), across a range of genres from prose through drama to poetry, and also, examples are discussed when the author does in fact seek assimilation, as well as stories in which neither assimilation, nor integration is successful.
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Jackson, Janice J., and Gregory N. P. Konz. "Cracking the Corporate Code: The Revealing Success Stories of 32 African-American ExecutivesCracking the Corporate Code: The Revealing Success Stories of 32 African-American Executives By Cobbs Price M. and TurnockJudith L. New York, NY: AMACOM, 2003. 287 pages, hard cover, $24.95." Academy of Management Perspectives 17, no. 3 (August 2003): 158–60. http://dx.doi.org/10.5465/ame.2003.10954839.

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HALLIWELL, MARTIN. "Cold War Ground Zero: Medicine, Psyops and the Bomb." Journal of American Studies 44, no. 2 (November 5, 2009): 313–31. http://dx.doi.org/10.1017/s0021875809990776.

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This essay takes a history-of-ideas approach to place American medicine and psychiatry within the context of the Cold War. Rather than focus on physical science and technology (as is often the case in studies of science and the Cold War), the essay shifts attention to the human sciences in order to consider the ways in which medical and psychiatric research was caught up in concerns over national defence. Various arguments have proposed that US research involving human subjects between the late 1940s and the mid-1960s contravened the Nuremberg Code, which was established in 1948 to formalize the ethical boundaries of medical research and prevent any repeat of the human experimentation widely practised in Nazi concentration camps. The essay focusses, particularly, on two phases of the Cold War: the medical and genetic testing linked to the dropping of the atom bomb in Hiroshima and Nagasaki and the psychological tests (often referred to as “psyops”) beginning in the World War II years but developing rapidly during the Korean War. The aim of the essay is to link a phenomenological approach to the Cold War – in which the figures of the “zero” and “cipher” frequently arose – with a discussion of the interrelationship between US national defence issues and American medical research.
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Richey, E. Duke. "The Aspenization of Telluride: Coming of Age and Mythologizing Change in Ski Country, 1945-1985." Pacific Historical Review 79, no. 2 (May 1, 2010): 231–64. http://dx.doi.org/10.1525/phr.2010.79.2.231.

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"Aspenization" is an inherently political term that by the 1980s had evolved into a code word for "selling out" in the American West and elsewhere, yet it is as much a refection of changes that happened to ski bums as they "grew up," or came of age, as it is a refection of growth in a resort community. When we look at the Aspenization of Aspen itself, or of Telluride, we are looking at stories about places that change, but we are also exploring how some people might change, too, as they both grow older and conceptualize and re-conceptualize what particular ages mean when associated with mountain-town lifestyles.
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Farahi, Behnaz. "Can the Subaltern Speak?" Proceedings of the ACM on Computer Graphics and Interactive Techniques 4, no. 2 (July 30, 2021): 1–11. http://dx.doi.org/10.1145/3465621.

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This paper presents AI-controlled robotic masks intended to empower women and allow them to communicate with one another. These are inspired by the historical masks worn by the Bandari women from southern Iran. Legend has it that these masks were developed during Portuguese colonial rule as a way of protecting the wearer from the gaze of slave masters looking for attractive women. In this project two robotic masks seemingly begin to develop their own language to communicate with each other, blinking their eyelashes in rapid succession using AI-generated Morse code. This project draws upon a Facebook experiment where two AI bots apparently began to develop their own language. It also draws upon an incident when an American soldier used his eyes to blink and spell out the word "TORTURE" using Morse code during his captivity in Vietnam, as well as stories of women using code to report domestic abuse during the COVID-19 lockdown. The aim is to sow anxiety within the patriarchal system where the "wink" of the sexual predator is subverted into a language to protect women from the advances of a predator. The project bridges AI, interactive design, and critical thinking (Figure 1).
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Dissertations / Theses on the topic "American Code and cipher stories"

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Prudhomme, Florence. "Naviguer en temps de révolution : le Chevalier de L'Espine (1759-1826), de l'Indépendance américaine au service de l'Autriche. Un destin au prisme de l'archéologie et de l'histoire." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL078.

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Au tout début du XXIe siècle, une équipe d’archéologues plonge sur l’épave d’un petit navire de guerre du XVIIIe siècle, au nord de l’actuelle République Dominicaine. Sa coque est de fabrication américaine, ses canons sont écossais et les boutons d’uniformes sont français. Après avoir suivi quelques fausses pistes, la recherche aux Archives nationales permet de résoudre l’énigme : il s’agit de la corvette française Dragon du chevalier de l’Espine, détruite en janvier 1783 à l’issue d’un court combat contre des vaisseaux britanniques assurant le blocus nord de Saint-Domingue. Cette identification sert de catalyseur à une recherche historique dont le chevalier Joseph de L’Espine du Puy (1759-1826) constitue le personnage central. L’enquête révèle le destin de l’officier de la Marine L’Espine, en amont puis en aval de son fait d’armes de janvier 1783. Jeune chevalier de Malte et officier de la Marine de Louis XVI, L’Espine participe à la guerre de l’Indépendance américaine, effectue un passage obligé dans la Marine de Malte, et participe à des missions secrètes françaises de renseignement naval. La Révolution française vient briser ses espérances et l’oblige à l’exil. En Autriche, il gagne la confiance des hautes autorités autrichiennes en s’engageant sans ambiguïté contre les armées de la France à partir de 1795. L’Espine devient rapidement l’un des cerveaux d’une Marine de guerre autrichienne remise en question à chaque traité signé entre la France et l’Autriche. Promu Feldmarschall-Leutnant en 1813, L’Espine décide de ne pas rentrer en France à la Restauration. Nommé Gouverneur de Milan en novembre 1825, il y meurt le 31 décembre 1826
At the very beginning of the 21st century, a team of archaeologists dived on the wreck of a small 18th century warship in the north of the current Dominican Republic. Its hull is of American manufacture, its guns are Scottish and the buttons of uniforms are French. After having followed some false leads, the research in the National Archives makes it possible to solve this enigma: it concerns the French corvette Dragon of Chevalier de L’Espine, destroyed in January 1783 after a short action against British vessels ensuring the northern blockade of Santo Domingo. This identification serves as a catalyst for a historical research of which Chevalier Joseph de L'Espine du Puy (1759-1826) constitutes the central character. The investigation reveals the fate of the Navy officer L'Espine upstream and downstream of his gallant action in January 1783. Young Knight of Malta and officer of the Navy of Louis XVI, L'Espine participated in the American Revolution, did a mandatory service in the Navy of Malta, and took part in French naval intelligence secret missions. The French Revolution ruined his hopes and forced him into exile. In Austria, he won the confidence of the high Austrian authorities by unambiguously engaging with the armies of France from 1795. L'Espine quickly became one of the brains of an Austrian Navy questioned at each treaty signed between France and Austria. Promoted to Feldmarschall-Leutnant in 1813, L'Espine decided not to return to France at the Restauration. Appointed Governor of Milan in November 1825, he died there on December 31, 1826
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Books on the topic "American Code and cipher stories"

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Code of honor. New York: Scholastic, Incorporated, 2015.

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Carman, Patrick. The Black Circle: Library Edition. 557 broadway, way york, ny 10012: Scholastic Press, 2009.

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Brown, Dan. Da Vinci Code. Paris: JC Lattes, 2010.

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The Skunk code. Frome: Chicken House, 2006.

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John, Townsend. Operation code-cracker. London: A. & C. Black Publishers, 2015.

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Brown, Dan. Da Vinci code: Roman. Paris: J.-C. Lattès, 2004.

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Brown, Dan. The Da Vinci Code. New York: Knopf Doubleday Publishing Group, 2003.

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Brown, Dan. The Da Vinci code. Jakarta: Serambi Ilmu Semesta, 2005.

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The Da Vinci Code. London: Corgi Books, 2013.

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Brown, Dan. The Da Vinci Code. New York, USA: Anchor Books, 2006.

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Book chapters on the topic "American Code and cipher stories"

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"ENIGMA UNCRACKED: THE ALLIES FAIL TO BREAK THE GERMAN CIPHER MACHINE." In How I Discovered World War II's Greatest Spy and Other Stories of Intelligence and Code, 437–46. Auerbach Publications, 2014. http://dx.doi.org/10.1201/b16517-32.

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Hand, Richard J. "Disruptive Corpses." In Vampires and Zombies. University Press of Mississippi, 2016. http://dx.doi.org/10.14325/mississippi/9781496804747.003.0011.

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Before the establishment of the Code of the Comics Magazine Association of America (1954), American horror comics were violent and explicit. In the vast body of pre-Code horror comics, the living dead are used in various ways. Some stories are authentic to the Haitian origins of zombie folklore, some use distinctly historical or gothic settings for tales of the living dead, while the zombies in other stories crawl from the grave into a contemporary USA to exact their revenge or retribution. This chapter analyses the presentation of the living dead in 1950s horror comics before exploring subsequent and more recent comic achievements in underground, countercultural and mainstream contexts in an attempt to establish and evaluate the mythology, meaning and resonance of this most disruptive construct of post-war and contemporary popular horror.
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Kerby, Lauren R. "Founders." In Saving History, 26–52. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469658773.003.0002.

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This chapter explores how white evangelicals come to imagine themselves as heirs to the American founding fathers, and how they find material evidence to support their claims about the nation’s Christian heritage at key sites in Washington, D.C. It discusses Christian tourists’ experiences at the U.S. Capitol, the National Archives, and the Library of Congress, and the stories they tell about George Washington, Thomas Jefferson, Abraham Lincoln, and other famous white men they depict as proto-evangelical Christians. This chapter also introduces the Christian heritage industry, including early proponents such as Jerry Falwell Sr. and more recent advocates such as David Barton. It argues that white evangelicals employ a nostalgic view of the American past to justify their participation in politics and their efforts to impose their moral code on the nation.
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