Relevant bibliographies by topics / American Contemporary Poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'American Contemporary Poetry'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "American Contemporary Poetry"

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Knight, C. J. "Contemporary American Poetry." American Literary History 14, no. 1 (2002): 181–93. http://dx.doi.org/10.1093/alh/14.1.181.

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Kronick, Joseph G., and Robert von Hallberg. "Contemporary American Poetry." Contemporary Literature 27, no. 2 (1986): 265. http://dx.doi.org/10.2307/1208661.

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Rossiter, Charles. "Contemporary Multicultural North American Poetry and Poetry Therapy." Journal of Poetry Therapy 8, no. 4 (1995): 191–94. http://dx.doi.org/10.1007/bf03391456.

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Kočan Šalamon, Kristina. "Translating Culture: Contemporary African American Poetry." ELOPE: English Language Overseas Perspectives and Enquiries 12, no. 2 (2015): 211–24. http://dx.doi.org/10.4312/elope.12.2.211-224.

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The paper interrogates cultural specifics of contemporary African American poetry and exhibits translation problems when translating this poetic work. African American writers have always included much of their cultural heritage in their writing and this is immediately noticed by a translator. The cultural elements, such as African American cuisine, attire and style in general, as well as spiritual and religious practices, often play a significant role for African American poets who are proclaiming their identity. Moreover, the paper presents the translation problems that emerge when attemptin
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Hunter, Walt. "The American Poetic Subprime: Contemporary Poetry, Race, and Genre." New Literary History 51, no. 3 (2020): 615–37. http://dx.doi.org/10.1353/nlh.2020.0037.

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Altieri, Charles. "On difficulty in contemporary American poetry." Daedalus 133, no. 4 (2004): 113–18. http://dx.doi.org/10.1162/0011526042365618.

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Burris, Sidney, and Charles Altieri. "Self and Sensibility in Contemporary American Poetry." South Atlantic Review 50, no. 1 (1985): 92. http://dx.doi.org/10.2307/3199535.

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McGuiness, Daniel. "The Long Line in Contemporary American Poetry." Antioch Review 47, no. 3 (1989): 269. http://dx.doi.org/10.2307/4612064.

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Dickie, Margaret, Charles Altieri, and R. W. (Herbie) Butterfield. "Self and Sensibility in Contemporary American Poetry." Yearbook of English Studies 18 (1988): 365. http://dx.doi.org/10.2307/3508294.

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Porter, David, Norman Finkelstein, and Lynn Keller. "The Utopian Moment in Contemporary American Poetry." American Literature 61, no. 1 (1989): 146. http://dx.doi.org/10.2307/2926552.

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Dissertations / Theses on the topic "American Contemporary Poetry"

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McCurry, Sara Kathleen. "The places of contemporary American poetry /." view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3181111.

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Thesis (Ph. D.)--University of Oregon, 2005.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 260-266). Also available for download via the World Wide Web; free to University of Oregon users.
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Jenkins, Sarah E. "Facing God : contemporary American devotional poetry /." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2392.pdf.

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Thomas, Joseph T. Susina Jan. "Refiguring the culture(s) of contemporary American children's poetry." Normal, Ill. Illinois State University, 2003. http://wwwlib.umi.com/cr/ilstu/fullcit?p3087877.

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Thesis (Ph. D.)--Illinois State University, 2003.<br>Title from title page screen, viewed October 19, 2005. Dissertation Committee: Jan Susina (chair), Victoria Harris, Anita Tarr. Includes bibliographical references (leaves 241-258) and abstract. Also available in print.
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Corrigan, Paul T. "Wrestling with Angels: Postsecular Contemporary American Poetry." Scholar Commons, 2015. http://scholarcommons.usf.edu/etd/5671.

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In the current “secular age,” more and more people find beliefs and behaviors associated with traditional religion intellectually and ethically untenable. At the same time, many “postsecular” writers, both believers and nonbelievers, continue to write with religious or religiously-inflected forms, themes, and purposes. In the United States, postsecular poets “wrestle with angels” by engaging constructively and deconstructively with matters traditionally considered the domain of religion and spirituality. While the recent work of Jürgen Habermas, Charles Taylor, John McClure and others puts the
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Hay, Rebecca Cecilia. "Nostalgia: Movement and Stasis in Contemporary American Poetry." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3475.

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A remarkable amount of award-winning contemporary American poetry incorporates nostalgia as a prominent idea discussed. This poetry appears to use nostalgia as means to a greater end. In other words, nostalgia, while a dominant theme within different works, is more a way to treat concepts such as representation and memory, more so than the work being an actual commentary on nostalgia itself. Given the poetry's predominant concept, it seems poets such as Carl Dennis, Natasha Trethewey and Ted Kooser could be representative of a literary historical moment. This moment is one which comments heavi
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Sedlak, Emma Adams. "Origin stories and contemporary epistles in American prose poetry." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/26043.

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My poetry portfolio is 75 pages long, and consists of single poems as well as two series. The first series includes the ‘Good Work’ poems, which explore different ideas of ‘good work’ based on characters’ occupations, preoccupations and mental perspectives. The second series is the ‘Makar’ poems, depicting an imagined world in which the poet is a guardian angel or guiding force. The style of my poetry varies from lyric to prose poetry, with a few language-focused abstract poems, and more formal styles, like a villanelle. Dreaming and waking are two themes that reflect aspects of reality and pe
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Stone, Alison Jane. "Contemporary British poetry and the Objectivists." Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/30174.

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This thesis examines a neglected transatlantic link between three post-war British poets – Charles Tomlinson, Gael Turnbull and Andrew Crozier – and a group of Depression-era modernists: the Objectivists. This study seeks to answer why it was the Objectivists specifically, rather than other modernists, that were selected by these three British poets as important exemplars. This is achieved through a combination of close readings – both of the Americans’ and Britons’ poetry and prose – and references to previously unpublished correspondence and manuscripts. The analysis proceeds via a considera
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Fogarty, William. "Local Languages: The Forms of Speech in Contemporary Poetry." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/19662.

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Robert Frost’s legendary description of “the sound of sense” to define his poetics has for decades sounded like little more than common sense. His idea is now taken to be fairly straightforward: the inflections of an utterance resulting from the tension between demotic speech and poetic form indicate its purport. However, our accepted notion of Frost’s formulation as simply the marriage of form and meaning misconstrues what is potentially revolutionary in it: if everyday speech and verse form generate tension, then Frost has described a method for mediating between reality, represented by spee
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Luck, Jessica Lewis. "Gray matters contemporary poetry and the poetics of cognition /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3215175.

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Thesis (Ph.D.)--Indiana University, Dept. of English, 2006.<br>Source: Dissertation Abstracts International, Volume: 67-04, Section: A, page: 1339. Adviser: Paul John Eakin. "Title from dissertation home page (viewed March 22, 2007)."
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Rickey, Russell P. "Referentially speaking, generating meaning(s) in contemporary North American poetry." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq23476.pdf.

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Books on the topic "American Contemporary Poetry"

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A, Poulin, ed. Contemporary American poetry. 5th ed. Houghton Mifflin, 1991.

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A, Poulin, ed. Contemporary American poetry. 6th ed. Houghton Mifflin, 1996.

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A, Poulin, and Waters Michael 1949-, eds. Contemporary American poetry. 7th ed. Houghton Mifflin, 2001.

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A, Poulin, ed. Contemporary American poetry. 4th ed. Houghton Mifflin, 1985.

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Karen, McCarthy, ed. Bittersweet: Contemporary Black women's poetry. Women's Press, 1998.

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McClatchy, J. D. White paper on contemporary American poetry. Columbia University Press, 1989.

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S, Gwynn R., and Lindner April, eds. Contemporary American poetry: A pocket anthology. Pearson/Longman, 2005.

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Van Cleave, Ryan G., 1972-, ed. Contemporary American poetry: Behind the scenes. Longman, 2002.

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1955-, Baker Peter, ed. Onward: Contemporary poetry and poetics. Peter Lang, 1996.

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1962-, Chevalier Tracy, ed. Contemporary poets. 5th ed. St. James, 1991.

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Book chapters on the topic "American Contemporary Poetry"

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Gilbert, Roger. "Contemporary American Poetry." In A Companion to Twentieth-Century Poetry. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470998670.ch46.

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McDaid, Ailbhe. "American Highways." In The Poetics of Migration in Contemporary Irish Poetry. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63805-8_1.

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Spahr, Clemens. "Contemporary American Poetry, Literary Tradition, and the Multitude." In A Poetics of Global Solidarity. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137568311_7.

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Rauscher, Judith. "Introduction: Ecopoetic Place-Making in Contemporary American Poetry." In Literary Ecologies. transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839469347-003.

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Jenkins, Grant Matthew. "Other-Consciousness: Toward a Tradition of African (American) Ethics." In Modern and Contemporary Poetry and Poetics. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-71367-5_2.

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Ross, Bruce. "Refiguring Nature: Tropes of Estrangement in Contemporary American Poetry." In New Queries in Aesthetics and Metaphysics. Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-011-3394-4_22.

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Pietrzak, Wit. "The Figure of the Self in Contemporary Irish Poetry." In New Directions in Irish and Irish American Literature. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98946-0_1.

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Spahr, Clemens. "Contemporary American Poetry and the Legacy of the Third World." In A Poetics of Global Solidarity. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137568311_6.

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Keniston, Ann. "Introduction: Economies of Scale: Financialization and Contemporary North American Poetry." In Economies of Scale. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-39341-9_1.

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"Contemporary American Poetry." In Encyclopedia of Literature and Criticism. Routledge, 2002. http://dx.doi.org/10.4324/9780203403624-30.

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Conference papers on the topic "American Contemporary Poetry"

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Drobot, Irinaana. "EFFICIENT STRATEGIES OF A POPULAR MASSIVE OPEN ONLINE COURSE: THE CASE OF MODERN AND CONTEMPORARY POETRY COURSE ("MODPO")." In eLSE 2020. University Publishing House, 2020. http://dx.doi.org/10.12753/2066-026x-20-230.

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The purpose of this paper is to analyse the reasons for the success of the Modern and Contemporary American Poetry Course held by Professor Al Filreis from the University of Pennsylvania, held on Coursera platform. Among the success factors, based on participants' feedback, we find the interaction with the instructor and teaching assistants, as well as with other students, which is found to a larger extent than in other MOOCs. Reasons for the use of the strategies will also be explored. We know from Hofstede's cultural dimensions that the USA score low on the power distance index, meaning that
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Spencer, Herbert. "The epic and poetics of the Travesía as a space of resistance in design education." In LINK 2023. Tuwhera Open Access, 2023. http://dx.doi.org/10.24135/link2022.v4i1.193.

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The "Travesías" are an emblematic practice of the PUCV School of Architecture and Design, recognised as a radical element in the training of designers and architects. They originated not from a pedagogical intentionality but from an artistic impulse inherent in the poetry-craft relationship (and, within the framework of a school, in the teacher-disciple relationship). Their systematisation as a permanent part of the curriculum is a later phenomenon due to their resounding success in disciplinary apprenticeship. The theoretical and poetic foundations of the travesías are multiple and varied, ea
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К.А., Вихрова. "ALEXANDER PUSHKIN AND SOVIET CULTURAL POLITICS: AN AMERICAN PERSPECTIVE." In АЛЕКСАНДР СЕРГЕЕВИЧ ПУШКИН КАК КУЛЬТУРНЫЙ ФЕНОМЕН. Crossref, 2024. https://doi.org/10.54874/9785605245797.2024.2.02.

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Цель исследования состоит в выявлении ключевых структурно-методологических и прагматических особенностей научных трудов, написанных современными американскими пушкинистами о роли образа поэта в советской культурной политике. Актуальность определяется вниманием к изучаемой теме и ее дискуссионностью. Новизна обусловлена сравнительно малой изученностью анализируемых трудов в отечественной науке. The article aims to identify the key structural, methodological and pragmatic features of the academic works written by contemporary American Pushkinists on the role of the poet’s image in Soviet cultura
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Dolidze, Nino. "Imposters by al-Hariri and its Translations." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9009.

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In 2020 the Imposters by prominent Arab author al-Hariri (1054-1122) was issued by the NYU press. The masterpiece of Arabic Literature has alrea­dy been translated into several languages, but Michael Cooperson presented absolutely different version. In the paper I try to analyze the attitude of the translators to the origi­nal text in a diachrony. How Maqamat of al-Hariri were perceived in diffe­rent cultures? What was / is the priority while translating them? What has been changed from the Middle Ages to the globalization era? Persian, Hebrew, German and Russian translations of the Maqamat ar
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