Relevant bibliographies by topics / American Contemporary Poetry (Anthologies)

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Academic literature on the topic 'American Contemporary Poetry (Anthologies)'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "American Contemporary Poetry (Anthologies)"

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Karnad, Girish. "Performance, Meaning, and the Materials of Modern Indian Theatre." New Theatre Quarterly 11, no. 44 (November 1995): 355–70. http://dx.doi.org/10.1017/s0266464x00009337.

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Girish Karnad is not only India's leading playwright, and a practitioner across the performing arts in all that nation's media, but the first contemporary Indian writer to have achieved a major production in a regional American theatre – Naga-Mandala, seen at the Guthrie Theatre in July 1993. The following interview was recorded on the occasion of that production, and ranges widely not only over Karnad's own work and its circumstances, but the situation and problems of the Indian theatre today, and its ambivalent relationship alike to its classical and its colonial past, and to the contemporary problems of its society. The interviewer, Aparna Dharwadker, is Assistant Professor of Drama and Eighteenth-Century British Studies at the University of Oklahoma. Her essays and articles have appeared or are forthcoming in PMLA, Modern Drama, and The Sourcebook of Post-Colonial English Literatures and Cultural Theory (Greenwood, 1995). She has also published collaborative translations of modern Hindi poetry in major anthologies, including The Oxford Anthology of Modern Indian Poetry (1994), and is currently completing a book-length study of the politics of comic and historical forms in late seventeenth-century drama.
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Hudgins, Andrew. "Contemporary Poetry: Four Anthologies." Missouri Review 12, no. 1 (1989): 197–216. http://dx.doi.org/10.1353/mis.1989.0004.

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McCormick, Adrienne. "Theorizing Difference in Asian American Poetry Anthologies." MELUS 29, no. 3/4 (2004): 59. http://dx.doi.org/10.2307/4141842.

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Knight, C. J. "Contemporary American Poetry." American Literary History 14, no. 1 (March 1, 2002): 181–93. http://dx.doi.org/10.1093/alh/14.1.181.

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Kronick, Joseph G., and Robert von Hallberg. "Contemporary American Poetry." Contemporary Literature 27, no. 2 (1986): 265. http://dx.doi.org/10.2307/1208661.

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Sobalkowska, Estera. "Przegląd antologii serbskiej poezji współczesnej wydanych w Polsce po 1990 roku." Przekłady Literatur Słowiańskich 9, no. 3 (October 30, 2019): 145–59. http://dx.doi.org/10.31261/pls.2019.09.03.16.

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This text deals with the anthologies of Serbian contemporary and newest poetry, which appeared in Poland in the last twenty-eight years. Four publications by four different authors and translators present the wealth of Serbian poetry composed by several generations of poets. Each of the anthologies presents a different image of Serbian poetry, thus showing its great diversity. Thanks to these publications, many names appeared in Poland for the first, yet not the last, time — as shown in the subsequent Bibliographies printed in the “Translation of Slavic Literatures”.
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Wagstaff, Emma, and Nina Parish. "Translating Contemporary French Poetry." Irish Journal of French Studies 18, no. 1 (December 13, 2018): 163–94. http://dx.doi.org/10.7173/164913318825258347.

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This article examines a bilingual anthology edited by the authors and published in 2016. It argues that the process of editing an anthology of contemporary poetry with multiple translators is a form of re-writing that not only introduces new writers into the target-language poetic system, but also recasts their positions in the poetic system of the source culture by giving them new readers who have no or few preconceptions about the writers' place in that system. Anthologizing operates in tandem with translating in this instance, and we additionally use the notions of inference and cognitive stylistics to discuss the particular habitus of academic translators who are not poets, and the opportunities those approaches offer to produce a creative translation. Style is an appropriate lens through which to consider poems included in this anthology because it is a contested question in contemporary French poetic practice. The article therefore treats the question of présence that this special issue addresses in three ways. It discusses, on the most literal level, the new or more visible presence that French poetry can acquire in the anglophone context through translation and anthologies. Moreover, it examines the ways in which the presence of new or decontextualized voices affects poetic systems. Finally, it considers whether an approach to translation that sees it as an embodied, interpretative process may allow some access to the présence of the 'original' poetic work.
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García, Miguel Ángel. "Crítica en simpatía." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 55, no. 1 (February 19, 2019): 117–37. http://dx.doi.org/10.1075/rro.18015.gar.

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Abstract For the first time, we analyze in detail the reading that Pedro Salinas makes of a series of relevant anthologies for the history of contemporary Spanish poetry: the two anthologies of Gerardo Diego (1932–1934) and the anthologie of Federico de Onís (1934), among others. Also, we study his theoretical reflection about this genre, which is always supported in these “criticism with simpathy” that he claims.
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Nesme, Axel. "Canonical Agon in Post-World War II American Poetry Anthologies." Revue Française d Etudes Américaines 110, no. 4 (2006): 42. http://dx.doi.org/10.3917/rfea.110.0042.

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Chakraborty, Joydeep. "Hallucinations in Post-9/11 American Poetry." Critical Survey 33, no. 3-4 (September 1, 2021): 1–15. http://dx.doi.org/10.3167/cs.2021.33030403.

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This article seeks to enlarge the scope of the current scholarly discussion on the trauma-related or, more precisely, ‘belated’ aspect of post-9/11 American literature through a focus on hallucinatory experiences in post-9/11 American poetry, and through the application of the information-processing models of Post-Traumatic Stress Disorder (PTSD) to the interpretation of these experiences. To attain this purpose, the article focuses on four poems – ‘High Haunts’ by Tish Eastman, ‘The Dead Have Stopped Running’ by Matthew Mason, ‘Making Love after September 11, 2001’ by Aliki Barnstone and ‘Strangers’ by Lucille Lang Day – all of which were included in An Eye for an Eye Makes the Whole World Blind: Poets on 9/11 and September 11, 2001: American Writers Respond, two of the major anthologies of 9/11 poems that came into being in the immediate aftermath of 9/11. This article, finally, attempts to discover a poetic strategy to conquer the trauma of 9/11 at the personal level.
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Dissertations / Theses on the topic "American Contemporary Poetry (Anthologies)"

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McCurry, Sara Kathleen. "The places of contemporary American poetry /." view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3181111.

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Thesis (Ph. D.)--University of Oregon, 2005.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 260-266). Also available for download via the World Wide Web; free to University of Oregon users.
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Jenkins, Sarah E. "Facing God : contemporary American devotional poetry /." Diss., CLICK HERE for online access, 2008. http://contentdm.lib.byu.edu/ETD/image/etd2392.pdf.

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Thomas, Joseph T. Susina Jan. "Refiguring the culture(s) of contemporary American children's poetry." Normal, Ill. Illinois State University, 2003. http://wwwlib.umi.com/cr/ilstu/fullcit?p3087877.

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Thesis (Ph. D.)--Illinois State University, 2003.
Title from title page screen, viewed October 19, 2005. Dissertation Committee: Jan Susina (chair), Victoria Harris, Anita Tarr. Includes bibliographical references (leaves 241-258) and abstract. Also available in print.
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Corrigan, Paul T. "Wrestling with Angels: Postsecular Contemporary American Poetry." Scholar Commons, 2015. http://scholarcommons.usf.edu/etd/5671.

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In the current “secular age,” more and more people find beliefs and behaviors associated with traditional religion intellectually and ethically untenable. At the same time, many “postsecular” writers, both believers and nonbelievers, continue to write with religious or religiously-inflected forms, themes, and purposes. In the United States, postsecular poets “wrestle with angels” by engaging constructively and deconstructively with matters traditionally considered the domain of religion and spirituality. While the recent work of Jürgen Habermas, Charles Taylor, John McClure and others puts the concept of the postsecular at the cutting edge of various fields of study, including religion, sociology, and literature, this dissertation presents the first study of contemporary postsecular poetry. The central question is, how should we define and describe contemporary postsecular poetry in the United States and how should we understand its religious and literary significance? To answer this question, this dissertation presents a broad survey of postsecular contemporary American poetry, offers extended analyses of the work of two preeminent postsecular poets—Li-Young Lee and Scott Cairns—and probes the implications for readers of the poetic forms found in such texts.
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Piasecki, Bohdan A. "Anthologies of contemporary Polish poetry in English translation : paratexts, narratives, and the manipulation of national literatures." Thesis, University of Warwick, 2010. http://wrap.warwick.ac.uk/55714/.

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Sedlak, Emma Adams. "Origin stories and contemporary epistles in American prose poetry." Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/26043.

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My poetry portfolio is 75 pages long, and consists of single poems as well as two series. The first series includes the ‘Good Work’ poems, which explore different ideas of ‘good work’ based on characters’ occupations, preoccupations and mental perspectives. The second series is the ‘Makar’ poems, depicting an imagined world in which the poet is a guardian angel or guiding force. The style of my poetry varies from lyric to prose poetry, with a few language-focused abstract poems, and more formal styles, like a villanelle. Dreaming and waking are two themes that reflect aspects of reality and perception. Much of my portfolio is rooted in reflections of identity: Identity in terms of work, and the story we tell to the world about what we do; identity in terms of inter-personal relationships and how those connections form who we become; identity in terms of memory, and the story of who we have been; and identity in terms of the stories we tell ourselves about who we think we are. And if none of those stories align, what kind of fragmented self-identity does that reveal? The narrative poems often use different characters and personas in order to enact these lenses of identity. Even with only a few epistles in the collection, my poetry has been influenced by the epistolary ideas of separation and reunion (as critic Altman describes them: ‘bridge’ and ‘distance’). Similarly, the prose poems often riff on the unification and distancing of various themes, in a mediation of together- and apart-ness. I have used letters and diary-entries as addresses to the audience, and also as invitations for the reader to access the poem through different points of entry. My academic thesis focuses on the utilisation of epistles in contemporary American prose poetry. It is 26,000 words, and is divided into three sections: focused on Epistles: Poems by Mark Jarman; Letters to Kelly Clarkson by Julia Bloch, and The Desires of Letters by Linda Brown; and Dear Editor: Poems by Amy Newman. Why are we still writing poems as letters when we don’t habitually write letters for personal correspondence anymore? The poem-as-letter, or epistle, offers the ability to craft complex relationships within the reader/author, writer/recipient, and open/closed dynamics of intimacy in literature. The criticism is framed within the methodology of reader-response theory, and draws upon examples of epistles in history and literature to connect and establish themes.
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Hay, Rebecca Cecilia. "Nostalgia: Movement and Stasis in Contemporary American Poetry." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3475.

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A remarkable amount of award-winning contemporary American poetry incorporates nostalgia as a prominent idea discussed. This poetry appears to use nostalgia as means to a greater end. In other words, nostalgia, while a dominant theme within different works, is more a way to treat concepts such as representation and memory, more so than the work being an actual commentary on nostalgia itself. Given the poetry's predominant concept, it seems poets such as Carl Dennis, Natasha Trethewey and Ted Kooser could be representative of a literary historical moment. This moment is one which comments heavily on the past's presence within the present. While each poet's writing is heavily influenced by nostalgia, I posit the theory that these poets are speaking to a greater literary historical moment found in both the literature itself as well as current trends in literary theory. It is not that these poets are writing to a specific theory, rather, their Pulitzer-prize winning poetry is rooted in a trend of yearning for the past. As overt a connection between contemporary poetry's treatment of nostalgia and nostalgia theory itself, little, if any, literary criticism has connected these two. In his essay "Theorizing Nostalgia Isn't What It Used to Be," Paul Grainge contends, "Since the late 1980s, when memory became a topic of concerted critical interest, nostalgia has been taken up in critiques of reactionary conservatism, in accounts of retro phenomena, in relation to the growing memorial tendencies in Europe and America, and as central to particular theories of postmodernism" (20). Grainge continues on to describe two forms nostalgia takes: "mood" and "mode." Similarly, Svetlana Boym suggests nostalgia as either "reflective" or "restorative" (41). This type of current scholarship addressing nostalgia seems to set up a nostalgic reading of texts as more the end game of the literature—the literature is nostalgic. However, if literature then ends as only nostalgic, there seems to be a lack of nostalgic theory's breadth. Dennis, Trethewey and Kooser all address this gap through their poetry—expanding the notion of nostalgia as being more the vehicle leading one through the landscape of memory. Suggesting nostalgia as merely reflective or restorative, as Boym and Grainge have done, seems to create a sense of nostalgia as stagnant rather than as a dynamic movement within the literature, and even the act of recollection itself. The three poets addressed in my project all suggest at some level that this residue of the past can lead one to see that perhaps experience itself delights in memory. Furthermore, nostalgia's dependence upon present memory indicates not just a longing for the past, but rather the past's presence in the present. The act of remembering serves as a type of catalyst which transforms memories to manifestations in present circumstance.
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Stone, Alison Jane. "Contemporary British poetry and the Objectivists." Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/30174.

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This thesis examines a neglected transatlantic link between three post-war British poets – Charles Tomlinson, Gael Turnbull and Andrew Crozier – and a group of Depression-era modernists: the Objectivists. This study seeks to answer why it was the Objectivists specifically, rather than other modernists, that were selected by these three British poets as important exemplars. This is achieved through a combination of close readings – both of the Americans’ and Britons’ poetry and prose – and references to previously unpublished correspondence and manuscripts. The analysis proceeds via a consideration of how the Objectivists’ principles presented a challenge to dominant constructs of ‘authority’ and ‘value’ in post-war Britain, and the poetic is figured in this sense as a way-of-being as much as a discernible formal mode. The research concentrates on key Objectivist ideas (“Perception,” “Conviction,” “Objectification”), revealing the deep ethical concerns underpinning this collaboration, as well as hitherto unacknowledged political resonances in the context of its application to British poetries. Discussions of language-use build on recent critical perspectives that have made a case for the ‘re-forming’ potential of certain modernist poetries, particularly arguments about ‘paratactic’ versus ‘fragmentary’ modernisms, and as such the three British poets’ interest in the Objectivists is interpreted as a response to a need for restitution following the trauma of World War II. Ultimately, it is argued that this interaction (which this thesis figures in explicitly transatlantic terms) was a challenge to the emphasis placed on collective and normative viewpoints in much post-war British poetry, many of which were located in an organic conception of ‘nation.’ This study claims that the Objectivists’ example posited a contrasting poetic, foregrounding individual agency and capacity for thought as the only viable means for the poet to re-connect with and make meaningful statements about society and the world.
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Luck, Jessica Lewis. "Gray matters contemporary poetry and the poetics of cognition /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3215175.

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Thesis (Ph.D.)--Indiana University, Dept. of English, 2006.
Source: Dissertation Abstracts International, Volume: 67-04, Section: A, page: 1339. Adviser: Paul John Eakin. "Title from dissertation home page (viewed March 22, 2007)."
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Rickey, Russell P. "Referentially speaking, generating meaning(s) in contemporary North American poetry." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq23476.pdf.

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Books on the topic "American Contemporary Poetry (Anthologies)"

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David, Young, and Stuart Friebert. The Longman anthology of contemporary American poetry. 2nd ed. New York: Longman, 1989.

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A face to meet the faces: An anthology of contemporary persona poetry. Akron, Ohio: The University Of Akron Press, 2012.

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Borovskey, Natasha. State of peace: The women speak. Prattsville, New York: Gull Books, 1987.

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Angles of ascent: A Norton anthology of contemporary African American poetry. New York: W.W. Norton & Co., 2012.

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Copyright Paperback Collection (Library of Congress), ed. Wine and roses. Washington, D.C: BET Publications, 1999.

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Dove, Rita, and David Lehman, eds. The Best American Poetry 2000. New York, USA: Scribner, 2000.

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Bly, Robert. The Best American Poetry 2000. Edited by Rita Dove and David Lehman. New York, NY: Scribner, 2000.

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McHugh, Heather, and David Lehman, eds. The Best American Poetry 2007. New York, USA: Scribner, 2007.

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McHugh, Heather, and David Lehman, eds. The Best American Poetry 2007. New York, NY: Scribner, 2007.

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McHugh, Heather, and David Lehman, eds. The Best American Poetry 2007. New York, NY: Scribner, 2007.

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Book chapters on the topic "American Contemporary Poetry (Anthologies)"

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Wheatley, David. "Anthologies and Canon Formation." In Contemporary British Poetry, 9–31. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-31663-9_2.

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Gilbert, Roger. "Contemporary American Poetry." In A Companion to Twentieth-Century Poetry, 557–70. Malden, MA, USA: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470998670.ch46.

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McDaid, Ailbhe. "American Highways." In The Poetics of Migration in Contemporary Irish Poetry, 1–53. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63805-8_1.

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Spahr, Clemens. "Contemporary American Poetry, Literary Tradition, and the Multitude." In A Poetics of Global Solidarity, 175–207. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137568311_7.

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Ross, Bruce. "Refiguring Nature: Tropes of Estrangement in Contemporary American Poetry." In New Queries in Aesthetics and Metaphysics, 299–311. Dordrecht: Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-011-3394-4_22.

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Spahr, Clemens. "Contemporary American Poetry and the Legacy of the Third World." In A Poetics of Global Solidarity, 147–73. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137568311_6.

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Djos, Matts G. "Addiction and Spirituality in Contemporary American Poetry: Frustration and Paradox." In Writing Under the Influence, 29–41. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230109131_3.

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Lagapa, Jason. "Introduction." In Negative Theology and Utopian Thought in Contemporary American Poetry, 1–14. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55284-2_1.

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Lagapa, Jason. "Our Message Was Electric: Susan Howe and the Resuscitation of Failed Utopian Projects." In Negative Theology and Utopian Thought in Contemporary American Poetry, 15–39. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55284-2_2.

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Lagapa, Jason. "And Be Whole Again: Antiphony, Deprivation, and the “Not-Yet” Place of Utopia in Nathaniel Mackey’s Splay Anthem." In Negative Theology and Utopian Thought in Contemporary American Poetry, 41–65. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55284-2_3.

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