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Journal articles on the topic 'American culture'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Woods, Andrew. "American culture: A sociological perspectives." Linguistics and Culture Review 2, no. 1 (2018): 1–12. http://dx.doi.org/10.21744/lingcure.v2n1.6.

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The culture of the United States of America is primarily of Western origin but is influenced by a multicultural ethos that includes African, Native American, Asian, Pacific Island, and Latin American people and their cultures. American culture encompasses the customs and traditions of the United States. The United States is sometimes described as a "melting pot" in which different cultures have contributed their own distinct "flavors" to American culture. The United States of America is a North American nation that is the world's most dominant economic and military power. Likewise, its cultura

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2

Hermawanto, Ariesani, and Melaty Anggraini. "NILAI-NILAI AMERICAN CREED STUDI MENGENAI SISTEM KEPERCAYAAN BANGSA MAJEMUK AMERIKA." Paradigma: Jurnal Masalah Sosial, Politik, dan Kebijakan 24, no. 1 (2020): 497. http://dx.doi.org/10.31315/paradigma.v24i1.5023.

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United States is a new nation and its inhabitants plural because the citizens mostly descendants of immigrants from around the world and specifictly from Europe which is made various culture that has own. The various cultures made American citizen created the new value of culture that’s had they own featured. Culture Value’s they used for facing various issues and becomes guidance for every single decision. The Culture Value’s is known American Creed, which is transformed become idea politic. Liberalism is a central tenet of American citizens’ ideology about independence and individual rights.

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Yi, Julie. "The Bumpy Generation: An Exploration of Cultural Tensions for Second-Generation Korean Americans." Interdependent: Journal of Undergraduate Research in Global Studies 4 (2023): 169. http://dx.doi.org/10.33682/zz33-2hzw.

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Culture permeates many aspects of our lives, even in ways that we may not be conscious of. This article examines the way culture produces tensions for second-generation Korean Americans due to contrasting value systems in American and Korean cultures. More specifically, it explores the tenacity of Korean culture as it influences the everyday experiences of second-generation Korean Americans as they navigate their lives in American society.

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Mok, Aurelia, and Michael W. Morris. "Asian-Americans' Creative Styles in Asian and American Situations: Assimilative and Contrastive Responses as a Function of Bicultural Identity Integration." Management and Organization Review 6, no. 3 (2010): 371–90. http://dx.doi.org/10.1111/j.1740-8784.2010.00190.x.

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Bicultural individuals vary in the degree to which their two cultural identities are integrated. Among Asian-Americans, for instance, some experience their Asian and American sides as compatible whereas others experience them as conflicting. Past research on judgments finds this individual difference affects the way bicultural individuals respond to situations that cue their cultures. Asian-Americans with high bicultural identity integration (BII) assimilate to norms of the cued culture (e.g., they exhibit typically American judgments when in situations that cue American culture), whereas Asia

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Neupane, Dipesh. "Racial and Cultural Tension in Lorraine Hansberry’s A Raisin in the Sun." Cognition 4, no. 1 (2022): 16–20. http://dx.doi.org/10.3126/cognition.v4i1.46438.

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The culture in which we are brought up shapes our traits and identity. When people move from one place to another, they get acquainted with new cultures. Then, they vacillate on the conflicting modes of dilemma – whether to follow the new culture or not. Cultural conflict arises when people cannot discard the original culture they carry from their birth. This paper explores how an African-American family confronts racial discrimination and culture clash in America, and how they react against the racial injustice. The voices that African-America people raise against racial discrimination and se

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Gries, Peter, Matthew A. Sanders, David R. Stroup, and Huajian Cai. "Hollywood in China: How American Popular Culture Shapes Chinese Views of the “Beautiful Imperialist” – An Experimental Analysis." China Quarterly 224 (October 28, 2015): 1070–82. http://dx.doi.org/10.1017/s0305741015000831.

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AbstractWhile most mainland Chinese today have extremely few direct contacts with either America or Americans, their indirect contacts with both, via globalized American popular culture, are increasing rapidly. Do daily parasocial contacts with American celebrities shape Chinese views of America? Based on two experimental studies, this paper argues that even indirect, subconscious exposure to American celebrities via popular magazine covers shapes Chinese views of America. However, the impact of that exposure depends upon both the specific nature of the bicultural exposure and the psychologica

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7

Martinez, Theresa A. "Popular Culture as Oppositional Culture: Rap as Resistance." Sociological Perspectives 40, no. 2 (1997): 265–86. http://dx.doi.org/10.2307/1389525.

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Bonnie Mitchell and Joe Feagin (1995) build on the theory of oppositional culture, arguing that African Americans, American Indians, and Mexican Americans draw on their own cultural resources to resist oppression under internal colonialism. In this paper, rap music is identified as an important African American popular cultural form that also emerges as a form of oppositional culture. A brief analysis of the lyrics of political and gangsta rappers of the late 1980s and early 1990s, provides key themes of distrust, anger, resistance, and critique of a perceived racist and discriminatory society

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8

Vivatenko, S. V., and O. V. Baev. "Guides to France for American Liberators." SibScript 26, no. 3 (2024): 471–80. http://dx.doi.org/10.21603/sibscript-2024-26-3-471-480.

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In the modern world, contacts between cultures tend to strengthen, even during and after military conflicts. After France had been liberated by the US Army during World War II, US soldiers started getting acquainted with French culture. This article introduces an analysis of American guidebooks published specifically for American soldiers who served in France during World War II. The research objective was to identify the information that the guidebooks represented as necessary for an average US military person to make their stay in the country more comfortable, e.g., culture, entertainment, r

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9

Li, Ziang Xiu, and Cheng Yu Huan. "Chinese and North American culture: A new perspective in linguistics studies." Linguistics and Culture Review 3, no. 1 (2019): 14–31. http://dx.doi.org/10.21744/lingcure.v3n1.13.

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We explored the two cultures in the two countries. There has been discussed on Chinese culture and North American culture. Chinese language, ceramics, architecture, music, dance, literature, martial arts, cuisine, visual arts, philosophy, business etiquette, religion, politics, and history have global influence, while its traditions and festivals are also celebrated, instilled, and practiced by people around the world. The culture of North America refers to the arts and other manifestations of human activities and achievements from the continent of North America. The American way of life or si

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10

Appleyard, Bryan. "Popular Culture and Public Affairs." Royal Institute of Philosophy Supplement 45 (March 2000): 97–104. http://dx.doi.org/10.1017/s1358246100003337.

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Recently I saw a corporate TV advertisement for the American television network ABC. It showed brief shots of people in other countries—France, Japan, Russia and so on. These people were doing all kinds of things, but they weren't watching television. Americans, the commentary told us, watch more TV than any of these people. Yet America is the richest, most innovative, most productive nation on the planet. ‘A coincidence’, concluded the wry, confident voice, ‘we don't think so’.

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11

HAENNI, SABINE. "‘A Community of Consumers’: Legitimate Hybridity, German American Theatre, and the American Public." Theatre Research International 28, no. 3 (2003): 267–88. http://dx.doi.org/10.1017/s0307883303001135.

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German American theatre in late nineteenth- and early twentieth-century New York City became a model for both a national American theatre and other diasporic theatres in the US. This theatre aspired to an autonomous, class-free, universal culture, which was seen as the legacy of a German Enlightenment tradition epitomized by Schiller's national(izing) theatre. German Americans were thus exceptionally positioned to claim the ideology of a universal culture as a national characteristic. At the same time, however, the theatre was structured by market demands and the need to appeal to a diverse Ge

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12

Melton, Zachary J. "Race, Religion and the Medieval Norse Discovery of America." Religions 15, no. 9 (2024): 1084. http://dx.doi.org/10.3390/rel15091084.

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In 1837, Danish philologist Carl Christian Rafn published Antiquitates Americanæ, which introduced Americans to the Vinland sagas—medieval texts that suggest that Norse explorers “discovered” North America around the turn of the first millennium. Rafn, who saw it as his mission to promote Old Norse literature around the globe, presented some of his research in a way that would appeal to Anglo-American prejudices, particularly through the obsession with American Antiquities and the question of a pre-Columbian civilization. His conclusions and the Vinland sagas consequently entered the American

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13

De Graaf, Lawrence. "Henry, Culture And African American Politics." Teaching History: A Journal of Methods 17, no. 1 (1992): 35–36. http://dx.doi.org/10.33043/th.17.1.35-36.

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When W.E.B. Dubois observed the "two-ness" of the African-American he brought attention to a theme that would pervade writings in black studies to the present day. While a majority of works have considered blacks as Americans and focused upon their inequitable treatment or condition compared to other segments of the population, a growing literature has sought to portray African American moral and social life as distinctive from that of other Americans. This work summarizes some of this thinking and attempts to extrapolate from it a political ideology unique to black Americans.

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Davis, Patrick Edward. "Painful Legacy of Historical African American Culture." Journal of Black Studies 51, no. 2 (2020): 128–46. http://dx.doi.org/10.1177/0021934719896073.

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African Americans continue to experience significant difficulty integrating into mainstream American society. Research literature demonstrates that after decades of legislation designed to address African American socialization issues, African Americans continue to seem to be unable to pull many of their communities out of academic disparities, high unemployment, crippling poverty, and endemic crime. There appears to be historical ramifications and etiological determinants that explicate the challenges that confront African American communities. However, few researchers seem to understand the

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15

Peng, Sun. "A Review of the Phenomenon and Formation Mechanism of Cultural Differences between the United States and China." International Journal of Science and Business 15, no. 1 (2022): 135–41. https://doi.org/10.5281/zenodo.7382405.

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America and China have different cultures. For example, Chinese culture emphasizes the group, while American culture emphasizes the individual. Chinese culture emphasizes integration, while American culture emphasizes analysis. In addition, there are differences in customs, religious beliefs, and nonverbal communication between the United States and China. This article examines the cultural differences between China and the United States in historical geography, traditional thought, cognitive systems, and language. In the following, I will explain and discuss the reasons for the cultural diffe

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Masalova, O. A. "Typology of Dialogue of Cultures in Latin America in the Concept of Leopoldo Zea." Cuadernos Iberoamericanos 11, no. 4 (2023): 108–23. http://dx.doi.org/10.46272/2409-3416-2023-11-4-108-123.

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The problem of dialogue between cultures becomes one of the central ones in the 20th and 21st centuries. The elaboration of the theory of dialogue of cultures, types of dialogical connections, identification of its characteristics and regional specifics have become the main research components in various fields of socio-humanitarian knowledge. Latin America turned out to be the cultural area where the above components were most vividly reflected. This work seeks to examine one of the most important subjects in the concept of Latin American culture by the Mexican thinker Leopoldo Zea. His «proj

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17

Doss, Erika. "American Art Matters: Rethinking Materiality in American Studies." Open Cultural Studies 3, no. 1 (2019): 75–84. http://dx.doi.org/10.1515/culture-2019-0007.

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Abstract The “material” turn has steadily gained currency in cultural studies and the humanities, with scholars increasingly attentive to theorising things and examining their presence, power, and meaning in any number of fields and disciplines. This essay stems from the keynote lecture given at the conference MatteReality: Historical Trajectories and Conceptual Futures for Material Culture Studies, held on March 23, 2017, at the Freiburg Institute for Advanced Studies, University of Freiburg. Focused in particular on the meaning of materiality in American art history and American Studies toda

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18

Mancke, Elizabeth. "Early Modern Imperial Governance and the Origins of Canadian Political Culture." Canadian Journal of Political Science 32, no. 1 (1999): 3–20. http://dx.doi.org/10.1017/s0008423900010076.

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AbstractFor the last three decades, scholars of Canadian political culture have favoured ideological explanations for state formation with the starting point being the American Revolution and Loyalist resettlement in British North America. This article challenges both the ideological bias and the late eighteenth-century chronology through a reassessment of early modern developments in the British imperial state. It shows that many of the institutional features associated with the state in British North America and later Canada—strong executives and weak assemblies, Crown control of land and na

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19

Chen, Dou. "A Cross-Cultural Analysis of Chinese Traditional Culture and American Culture Elements of the Movie of Guasha Treatment." International Journal of Languages, Literature and Linguistics 6, no. 1 (2020): 56–59. http://dx.doi.org/10.18178/ijlll.2020.6.1.250.

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20

Amin, Al. "Understanding the Changing Concepts of Halloween in America." Digital Press Social Sciences and Humanities 2 (2019): 00001. http://dx.doi.org/10.29037/digitalpress.42252.

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America has many cultures and most of them brought by the immigrants, as multiculturalism country it provides the people with freedom to explore themselves with many positive ways, what becoming the issues nowadays is about the origin of certain culture and how it can be part of American culture. Halloween is very famous in many parts of country around the world because some of the countries celebrated this day, in America itself celebrated annually with different ways in each state. Halloween has been being part of American culture, this is one of the important celebrations, here will be disc

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21

Dahal, Arvind. "Anti-War Messages in the Songs of John Lennon." JODEM: Journal of Language and Literature 12, no. 1 (2021): 1–16. http://dx.doi.org/10.3126/jodem.v12i1.38709.

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This study endeavors to explore Lennon’s songs as an expression of rage and rebellion of the common Americans against the bitter realities of the contemporary American war politics of the 1960s and 70s and of the prevailing socio-economic and cultural injustices. It illumines a reality that alternative cultures like drugs, alcohol, homosexuality, nomadism and mystic vision, perceived reprehensible by the contemporary mainstream culture, were in fact manufactured out of harsh American socio-political context. By projecting the painful experiences of the victims during the time of war, the resea

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22

Haller, Dieter. "Non-Americans Researching Mainstream American Culture (MACnet)." North American Dialogue 12, no. 1 (2009): 13–15. http://dx.doi.org/10.1111/j.1556-4819.2009.01020.x.

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23

Wu, Shali, and Boaz Keysar. "The Effect of Culture on Perspective Taking." Psychological Science 18, no. 7 (2007): 600–606. http://dx.doi.org/10.1111/j.1467-9280.2007.01946.x.

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People consider the mental states of other people to understand their actions. We evaluated whether such perspective taking is culture dependent. People in collectivistic cultures (e.g., China) are said to have interdependent selves, whereas people in individualistic cultures (e.g., the United States) are said to have independent selves. To evaluate the effect of culture, we asked Chinese and American pairs to play a communication game that required perspective taking. Eye-gaze measures demonstrated that the Chinese participants were more tuned into their partner's perspective than were the Am

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Cowan, Michael. "Boundary as Center: Inventing an American Studies Culture." Prospects 12 (October 1987): 1–20. http://dx.doi.org/10.1017/s0361233300005512.

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When the American Studies Association chose “Boundaries of American Culture” as the theme and San Diego as the site of its 1985 biennial convention, it made a particularly appropriate match between theme and site. Seen from my hotel balcony in a hazy autumnal glow, San Diego appeared a boundary city in at least three senses of relevance to the Association's work. First, lying at the border of the United States and Mexico, it hinted at the rich possibilities available to an American Studies willing to reach imaginatively beyond national boundaries, both north and south, toward a genuinely pan-A

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25

Gamsakhurdia, Nino. "Historical Overview of African American Religion." Journal in Humanities 3, no. 1 (2014): 45–48. http://dx.doi.org/10.31578/hum.v3i1.303.

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One of the central themes in the American history is the interaction between white and black cultures, both in the nineteenth and twentieth centuries of America. The religion perfectly reflects this interaction. As Campbell notes, African American religion has been extremely important both for American religious culture as a whole, and for the black community itself. When freedmen withdrew from white-dominated churches and formed their religious institutions, black churches, they quickly occupied a central position in African Americans’ lives. They became the chief social and cultural institut

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26

Wang, Congpan. "Research on the Linguistic Features of British and American Literary Works from a Cross-cultural Perspective." Journal of Educational Theory and Management 4, no. 1 (2020): 42. http://dx.doi.org/10.26549/jetm.v4i1.3365.

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British and American literary classics are very rich, and they are the bright pearls in the treasure house of world literature. British and American literary creations are produced under unique regional cultures. Different regional cultures have their own language characteristics and connotations. To understand the work deeply, they must have a deep understanding and understanding of their background culture. British and American literature is an important reflection of British and American culture. By analyzing the language characteristics of British and American literature, we can better und

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27

Silbey, Susan S. "The Courts in American Public Culture." Daedalus 143, no. 3 (2014): 140–56. http://dx.doi.org/10.1162/daed_a_00295.

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In American public imagination, courts are powerful but also impotent. They are guardians of citizens' rights but also agents of corporate wealth; simultaneously the least dangerous branch and the ultimate arbiters of fairness and justice. After recounting the social science literature on the mixed reception of courts in American public culture, this essay explains how the contradictory embrace of courts and law by Americans is not a weakness or flaw, nor a mark of confusion or naïveté. Rather, Americans' paradoxical interpretations of courts and judges sustain rather than undermine our legal

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28

Blaser, Kent. "Mapping American Culture." Annals of Iowa 52, no. 4 (1993): 483–84. http://dx.doi.org/10.17077/0003-4827.9775.

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29

Hodson, Joel, Wayne Franklin, and Michael Steiner. "Mapping American Culture." Technology and Culture 34, no. 4 (1993): 953. http://dx.doi.org/10.2307/3106438.

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30

Paine, Cecelia. "MAPPING AMERICAN CULTURE." Landscape Journal 12, no. 2 (1993): 192–94. http://dx.doi.org/10.3368/lj.12.2.192.

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31

Miller, Jim Wayne, Wayne Franklin, and Michael Steiner. "Mapping American Culture." Journal of American History 80, no. 4 (1994): 1421. http://dx.doi.org/10.2307/2080609.

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32

Curtis, James R., Wayne Franklin, and Michael Steiner. "Mapping American Culture." Geographical Review 83, no. 4 (1993): 481. http://dx.doi.org/10.2307/215831.

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Farrell, James J., Jeff Smith, H. Bruce Franklin, and Edward T. Linenthal. "American Atomic Culture." American Quarterly 43, no. 1 (1991): 157. http://dx.doi.org/10.2307/2712975.

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Elazar, Daniel J., Wayne Franklin, and Michael Steiner. "Mapping American Culture." CrossRef Listing of Deleted DOIs 23, no. 4 (1993): 147. http://dx.doi.org/10.2307/3330881.

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35

Esch, Robert M., and Conrad Phillip Kittak. "Researching American Culture." College Composition and Communication 36, no. 2 (1985): 248. http://dx.doi.org/10.2307/357451.

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36

Hartnett, Sean, Wayne Franklin, and Michael Steiner. "Mapping American Culture." Western Historical Quarterly 25, no. 3 (1994): 413. http://dx.doi.org/10.2307/971146.

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37

Matos, Francisco Gomes De, and Cheryl L. Delk. "Discovering American Culture." TESOL Quarterly 32, no. 4 (1998): 790. http://dx.doi.org/10.2307/3588018.

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38

Patterson, Robert L. "Mapping American Culture." History: Reviews of New Books 22, no. 1 (1993): 5. http://dx.doi.org/10.1080/03612759.1993.9950771.

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39

Hampe-Martínez, Teodoro. "Hispanic American Culture." Americas 50, no. 4 (1994): 547–48. http://dx.doi.org/10.1017/s0003161500021258.

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40

Mok, Aurelia, Michael W. Morris, Verónica Benet-Martínez, and Zahide Karakitapoğlu-Aygün. "Embracing American Culture." Journal of Cross-Cultural Psychology 38, no. 5 (2007): 629–35. http://dx.doi.org/10.1177/0022022107305243.

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41

Lord, Carnes. "American strategic culture." Comparative Strategy 5, no. 3 (1985): 269–93. http://dx.doi.org/10.1080/01495938508402693.

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42

Rudanko, Juhani. "Shaping American Culture." Moderna Språk 85, no. 1 (1991): 26–29. http://dx.doi.org/10.58221/mosp.v85i1.10390.

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43

Mtambuzi, Thabiti. "African American Culture." Journal of Psychological Issues in Organizational Culture 6, no. 4 (2016): 7–17. http://dx.doi.org/10.1002/jpoc.21206.

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Gotsiridze, Zurab, and Giorgi Gotsiridze. "Why Should America Fall." Works of Georgian Technical University, no. 4(534) (December 25, 2024): 215–23. https://doi.org/10.36073/1512-0996-2024-4-215-223.

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In this article, we will review the pivotal stages of the formation and evolution of the United States of America as the epitome of modern civilization, often called as “New Rome”. Our examination will be targeted solely at analyzing American literature, as fiction represents one of the most important and reliable indicators of any culture. We believe that fiction possesses the ability to notice, capture, and mirror the characteristic nuances of an era, often overlooked by “the Great History”. American literature is a very organic continuation of great European literature. And yet, it is self-

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45

Zhong, Zhiting. "Analysis of Chinese and American Family Culture Under Hofstede’s Cultural Dimension Theory — A Grandson from America." Journal of Advanced Research in Education 3, no. 6 (2024): 57–61. https://doi.org/10.56397/jare.2024.11.09.

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Nowadays, globalization has become an irreversible trend, and cultural exchanges between China and the West are inevitable. The classic representatives of Eastern and Western cultures are China and the United States. The collision and integration of Chinese and American cultures is not only reflected in diplomacy, but also in all aspects of family culture. A Grandson from America is a typical reflection of the cultural differences between China and the United States, the film tells the story of an old Chinese shadow puppet artist Lao Yang and an American boy Brooks from twists and turns collis

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Tamara, Raisa Hani, and Bhakti S. Nugroho. "POPULARIZING AMERICAN PROFESSIONAL WRESTLING AS POPULAR CULTURE OUTSIDE THE UNITED STATES." CrossOver 1, no. 2 (2021): 1–27. http://dx.doi.org/10.22515/crossover.v1i2.3987.

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Â This research is under Transnational American Studies, which focuses on the popularity of American professional wrestling outside the United States. Nowadays, as popular culture, American professional wrestling is not only mainly consumed within North America but also consumed by massive viewers around the world. For instance, in recent years, American professional wrestling has expanded in Saudi Arabia and India. However, it fails to conquer Indonesian viewers. Thus, studies of the popularity of American wrestling as popular culture outside the United States are needed due to its massive so

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47

Koulisis, Olga. "Ties that Bind: Greek American Leaders, the Greek Junta, and the Development of Late Twentieth-Century US “Culture Wars”." Journal of American Ethnic History 44, no. 3 (2025): 71–111. https://doi.org/10.5406/19364695.44.3.03.

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Abstract From 1967 to 1974, a military junta ran Greece with US approval. Most Greek Americans tolerated, if not fully supported, the right-wing government. This article examines how Greek American elites such as spiritual leader Archbishop Iakovos, business operative Tom Pappas, and Vice President Spiro Agnew helped shape and reinforce both US foreign policy towards Greece and the Greek American community's perceived public stance. While all three influenced US policy and Greek American narratives on the junta, Iakovos and Agnew more directly shaped diasporic debates, while Pappas became US p

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48

Coder, Megan. "Book Review: Asian American Culture: From Anime to Tiger Moms." Reference & User Services Quarterly 56, no. 2 (2017): 140. http://dx.doi.org/10.5860/rusq.56n2.140.

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Asian American Culture: From Anime to Tiger Moms is a two-volume reference work that consists of 170 articles discussing many aspects of Asian American culture. Editor Lan Dong has broadly defined Asian American culture “to encompass the historical as well as contemporary cultural practices and productions related to Asian Americans” (xxix).

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Fischer, Marilyn. "Pluralismo culturale, migranti europei, e afro-americani. La prospettiva di Jane Addams." SOCIETÀ DEGLI INDIVIDUI (LA), no. 74 (November 2022): 12–33. http://dx.doi.org/10.3280/las2022-074002.

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Addams wrote extensively on the significance and value of immigrant cultures of origin, both for immigrants themselves and for nonimmigrant Americans. Her theory of cul¬tural pluralism is democratic and cosmopolitan. However, in the few essays she wrote on African Americans, she does not extend her theory to encompass African American culture. In this paper I develop Addams's theory of cultural pluralism. I then point out resources in her theory with which she could have extended it to include African American culture, in light of knowledge available to her at the time. I also identify barrier

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Ginn, Sherry. "CFP: Popular Culture/American Culture Association." Science Fiction Studies 37, Part 3 (2010): 534. https://doi.org/10.1525/sfs.37.3.0534.

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