Relevant bibliographies by topics / American Drawing books

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'American Drawing books'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "American Drawing books"

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Davis, Elliot Bostwick. "American Drawing Books and Their Impact on Winslow Homer." Winterthur Portfolio 31, no. 2/3 (1996): 141–63. http://dx.doi.org/10.1086/496683.

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Sega Gumelar, Michael. "Menguak Mitos: Diskursus Gaya Gambar Amerika, Jepang, Eropa, Gaya Gambar Indonesia dan Implikasinya." Jurnal Bahasa Rupa 1, no. 1 (2017): 25–34. http://dx.doi.org/10.31598/bahasarupa.v1i1.140.

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The Indonesian young generation who has the skills to draw and or who love drawing in Indonesia when this study was written more or less have believe in the myth of the existence of the American drawing style (U.S.A), Japanese drawing style, European drawing style, and eventually come into conclusion there must be an Indonesian drawing style. The watching TV culture or watching other audio-visual footage via the internet reducing significantly on reading books in printed format or in electronic media (e-Books) in Indonesia young generations. In this study reveals are there really exist drawing in American, Japanese, European, and Indonesian style.
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BURNS, JENNIFER. "IN SEARCH OF A USABLE PAST: CONSERVATIVE THOUGHT IN AMERICA." Modern Intellectual History 7, no. 2 (2010): 479–94. http://dx.doi.org/10.1017/s147924431000017x.

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There is no conservative thought in America, only “irritable mental gestures which seek to resemble ideas,” wrote Lionel Trilling in 1950, thus providing a generation of historians with a convenient set piece to demonstrate the inadequacies of mid-century liberalism and its blindness to the nascent conservative intellectual movement gathering strength and purpose just as Trilling wrote. Two excellent new books about American intellectual history cast this quote in yet another light. Patrick Allitt's The Conservatives: Ideas and Personalities throughout American History carefully documents a centuries-long tradition of conservative thought in America, from the founding era through the end of the twentieth century. In The Conservative Turn: Lionel Trilling, Whittaker Chambers, and the Lessons of Anti-Communism, Michael Kimmage asserts that Trilling himself be considered a source of conservative ideas in postwar America. Taken together, the books by Allitt and Kimmage indicate that a new cycle of writing about conservative thought has reached full flower. For far too long, the field of conservative intellectual history has been dominated by the figure of George Nash, author of the classic 1976 The Conservative Intellectual Movement in America since 1945. These books provide an updated and more critically sophisticated way to examine the terrain Nash strode alone for so long. More significantly, they indicate that intellectual historians are ready to consider conservatism in dialogue with liberalism, bringing new balance to the study of American ideas. Furthermore, both books, Kimmage's in particular, suggest that some of what we are calling conservative and liberal might be flying under the wrong flag. The key to sorting out the confusion will be drawing a more careful distinction between conservatism as a “movement” and as a body of ideas, and looking at both conservatisms as part of a typically American response to historical change, rather than as an exotic and abberant specimen.
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Boll, Tom. "Penguin Books and the Translation of Spanish and Latin American Poetry, 1956–1979." Translation and Literature 25, no. 1 (2016): 28–57. http://dx.doi.org/10.3366/tal.2016.0236.

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This article accounts for the social interactions that gave rise to Penguin's translation of Spanish and Latin American Poetry during the 1950s, 60s, and 70s. Drawing on the Actor-Network Theory of Bruno Latour, it traces the editorial discussions that led to the adoption and abandonment of different translation policies: the dual-language subseries of the Penguin Poets, which employed prose translation; and the verse translation of the Penguin Modern European and Latin American Poets. Often regarded as an institution, Penguin is revealed as a focal point for conflicting initiatives that came from within and without the organization.
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Markey, OP, John J. "Notes from the Road More Traveled: Doing Theology in a US Cultural Context." New Theology Review 28, no. 2 (2016): 18. http://dx.doi.org/10.17688/ntr.v28i2.1221.

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One of the most significant consequences of Vatican II has been the worldwide effort at inculturation and contextualization of the Christian tradition, particularly at the level of foundational theology and method.This process implies drawing on the unique patterns of thought, social structures, cultural narratives, and rituals to develop new theological and pastoral sensibilities.This process, termed “prophetic dialogue” by Steve Bevans and Roger Schroeder,[1] seems to be dramatically underway practically everywhere in the Roman Catholic world except, most notably, in the United States.While Hispanics/Latin@s, African Americans, Asian Americans, feminists, etc., have continuously served with an awareness of the need for contextualization, Euro-American academic and ecclesial theology has largely failed to analyze, articulate, and critique its own US cultural context and to engage it in a serious evangelical and theological dialogue. In this article, I propose to offer what I believe are four significant insights about to the task of inculturation/contextualization as it relates particularly to Euro-American theology in the church and academy in the coming decade.[1] Stephen B. Bevans And Roger P. Schroeder, Constant in Context: A Theology of Mission for Today, Maryknoll, NY: Orbis Books, 2004, 385-95.See also Bevans and Schroeder, Prophetic Dialogue: Reflections on Christian Mission Today, Maryknoll, NY: Orbis Books, 2011.
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Hernández-Hernández, Tania P. "The Spanish Translation of Les Leçons de chimie élémentaire: On the Legal Status of Translation and its Various Values." Comparative Critical Studies 16, no. 2-3 (2019): 201–15. http://dx.doi.org/10.3366/ccs.2019.0327.

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Throughout the nineteenth century, European booksellers and publishers, mostly from France, England, Germany and Spain, produced textual materials in Europe and introduced them into Mexico and other Latin American countries. These transatlantic interchanges unfolded against the backdrop of the emergence of the international legal system to protect translation rights and required the involvement of a complex network of agents who carried with them publishing, translating and negotiating practices, in addition to books, pamphlets, prints and other goods. Tracing the trajectories of translated books and the socio-cultural, economic and legal forces shaping them, this article examines the legal battle over the translation and publishing rights of Les Leçons de chimie élémentaire, a chemistry book authored by Jean Girardin and translated and published in Spanish by Jean-Frédéric Rosa. Drawing on a socio-historical approach to translation, I argue that the arguments presented by both parties are indicative of the uncertainty surrounding the legal status of translated texts and of the different values then attributed to translation.
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Brown, Matthew P. "The Thick Style: Steady Sellers, Textual Aesthetics, and Early Modern Devotional Reading." PMLA/Publications of the Modern Language Association of America 121, no. 1 (2006): 67–86. http://dx.doi.org/10.1632/003081206x96113.

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Research on the early modern book trades has uncovered a set of steadily reprinted devotional titles, a canon whose popularity challenges conventional notions of English and American literary history for the seventeenth century. My essay attends to these steady sellers as they helped structure the literary culture of early New England. The essay demonstrates that the pious conduct books rely on the performative literacies of sight, sound, gesture, and touch, on the sensory effects of literary expression, and on the cross-referencing collation of discrete passages, in a phenomenon I call–drawing on editorial theory and information history–the thickening of devotional textuality. With evidence from the prescriptive literature and its use in personal miscellanies, the essay revalues the aesthetic experience of devout colonists. Further, it examines the book format as a precursor to the modes of nonlinear reading associated with digital texts, and it historicizes such uses of the book format in the light of devotional sensibilities. (MPB)
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Dunnett, Jane. "Foreign Literature in Fascist Italy: Circulation and Censorship." TTR : traduction, terminologie, rédaction 15, no. 2 (2004): 97–123. http://dx.doi.org/10.7202/007480ar.

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Abstract In this article the author sets out to illustrate some of the strategies which Italian translators and publishers adopted, or were forced to adopt, to ensure that their texts passed muster under Fascism. “Taboo” areas are identified and an attempt is made to sketch out what were often rather vague criteria for acceptability. The author proceeds to survey the mechanisms that were put in place to vet books—essentially, preventive censorship and police confiscation—for the duration of the dictatorship. It is argued that the apparatus of the State was only partially successful at monitoring the content of works of literature. This historical contextualisation, drawing on archival and published material, is followed by a number of case-studies, first of three novels by John Steinbeck, and then of Americana, a famous anthology of American literature published during the Second World War. In her conclusion, the author draws attention to the failure of the regime to implement a watertight policy on translation, despite its desire to influence the way readers interpreted books.
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Szuberla, Guy. "Ladies, Gentlemen, Flirts, Mashers, Snoozers, and the Breaking of Etiquette's Code." Prospects 15 (October 1990): 169–96. http://dx.doi.org/10.1017/s0361233300005895.

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Some time after the Civil War, writers of American etiquette books marked the rise of the city by introducing new sections on “etiquette in the street” and “conduct in a crowd.” No one should look to their texts and the accompanying illustrations for a faithfully detailed and documented history of 19th-century city life. The stiff, cutout figures that walk through city streets in these old line drawings represent a particular fantasy of social order, focused in the figure and type of the lady and gentleman. “Walk slowly, do not turn your head … and,” The Ladies' Book of Etiquette (1876) warned, “avoid any gesture or word that would attract attention.” That advice is illustrated, with punctilious care, in Gentleman Meeting a Lady, a line drawing in John Young's 1882 guide, Our Deportment (Figure 1). The gentleman and the lady make no apparent eye contact; they, in strict observance of propriety, look off and away from each other. Again, in Alice Emma Ives's Social Mirror (1886), the ladies who illustrate the way to give a gentleman “formal street recognition” grant it with averted eyes and unturned heads. Ives quite properly avoids the word “meet” (Figure 2).
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Gilpin, W. Clark. "“Companionable Being”." Journal of Jewish Thought & Philosophy 25, no. 1 (2017): 59–71. http://dx.doi.org/10.1163/1477285x-12341277.

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American religious thinkers of the mid-twentieth century regularly included appreciative comments about Martin Buber’s thought in their books and essays, but they seldom stated specifically what they were drawing from Buber. Their comments did, however, tend to circle around a single issue: modern social, political, and technological changes were destabilizing both the sense of “the uniqueness of human selfhood” and the possibility of its distinctively “religious existence.” They sought a third way through the modern cultural and religious problem of the self, and they took Martin Buber as their guide.
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Dissertations / Theses on the topic "American Drawing books"

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Reilly-Sanders, Erin F. "Drawing Outside the Bounds: Tradition and Innovation in Depictions of the House in Children's Picturebooks." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1398851009.

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Ysasi, Alonso Alejandro. "La obra gráfica de Pedro Quetglas “Xam” (1915-2001): la riqueza de un patrimonio." Doctoral thesis, Universitat de les Illes Balears, 2014. http://hdl.handle.net/10803/284394.

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És una investigació, anàlisis, i aproximació a l’obra gràfica de l’artista mallorquí, del segle XX, Pere Quetglas, conegut pel pseudònim de “Xam”. La seva activitat s'ha sistematitzat sobre la base la biografia, tècniques treballades i el seu entorn. Xam, es va exercitar en la caricatura, el dibuix, el cartell, el gravat xilogràfic, la pintura, els monotips, la serigrafia i en el gravat calcogràfic. Del conjunt de tota la seva producció l’autor se centra en l'obra gràfica produïda a partir de 1944, quan pot datar-se la seva primera xilografia, i la seva defunció, l’any 2001, en el qual realitza la seva última litografia. El treball s'insereix en un àmbit sense tradició immediata sobre l'obra gràfica a Mallorca, pràcticament desapareguda després de la important impremta Guasp. S'han pogut documentar més de 400 matrius. Alhora, s'han treballat les estampacions d'aquestes, que ascendeixen a 600 estampes calcogràfiques, xilogràfiques, serigràfiques i litogràfiques.<br>Es una investigación, análisis, y aproximación a la obra gráfica del artista mallorquín, del siglo XX, Pedro Quetglas, conocido por el seudónimo de “Xam”. Su actividad se ha sistematizado en base a la biografía, técnicas trabajadas y a su entorno. Xam, se ejercitó en la caricatura, el dibujo, el cartel, el grabado xilográfico, la pintura, los monotipos, la serigrafía y en el grabado calcográfico. Del conjunto de toda su producción se centra en la obra gráfica producida a partir de 1944, cuando puede datarse su primera xilografía, y su fallecimiento, en 2001, en el cual realiza su última litografía. La tarea se inserta en un ámbito sin tradición inmediata sobre la obra gráfica en Mallorca, prácticamente desaparecida tras la importante imprenta Guasp. Se han podido documentar más de 400 matrices. A su vez, se han trabajado las estampaciones de estas, que ascienden a 600 estampas calcográficas, xilográficas, serigráficas y litográficas.<br>The thesis is research, analysis and approach to the graphic work of the Majorcan artist of the 20th century, Pedro Quetglas, known by his pseudonym "Xam". Xam worked in several art fields, such as caricature, drawing, designing and painting posters, woodcut, painting, monotype, serigraphy and calcography engraving. From the sum of his work the thesis is centred in the graphic work produced between 1944, when we can date the first xylography, and his death, 2001, when he finished his last lithography. The task was inserted in a field without immediate tradition on the graphic work in Mallorca, which practically went missing after the important Guasp printing house closed down. It has been possible to document more than 400 blocks and, at the same time, the prints of those which add up to 600 prints on chalcography, xylography, serigraphy and lithography.
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Huether, Anton. "97-02 works /." 2002.

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Books on the topic "American Drawing books"

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Panter, Gary. Satiro-plastic: Drawings by Gary Panter. Drawn & Quarterly, 2005.

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Satiroplastic: [sketchbook facsimile]. Drawn & Quarterly, 2005.

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Panter, Gary. Satiro-plastic. Drawn & Quarterly, 2005.

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Higgs, Daniel. Morph traits. 2nd ed. & Pens Press, 2011.

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Drawing from memory. Scholastic Press, 2011.

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American imprints on art through 1865: Books and pamphlets on drawing, painting, sculpture, aesthetics, art criticism, and instruction : an annotated bibliography. G.K. Hall, 1990.

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Pettibon, Raymond. Raymond Pettibon: The books 1978-1998. D.A.P. Distributed Art Publishers, 2000.

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The comics of Chris Ware: Drawing is a way of thinking. University Press of Mississippi, 2010.

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Audubon, John James. John James Audubon: American birds. Gramercy Books, 1999.

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Bourgeois, Louise. Louise Bourgeois: Drawings & observations. University Art Museum and Pacific Film Archive, University of California, Berkeley, 1995.

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Book chapters on the topic "American Drawing books"

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Backhouse, Maria, Rosa Lehmann, Kristina Lorenzen, Janina Puder, Fabricio Rodríguez, and Anne Tittor. "Contextualizing the Bioeconomy in an Unequal World: Biomass Sourcing and Global Socio-Ecological Inequalities." In Bioeconomy and Global Inequalities. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-68944-5_1.

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AbstractWhat is the bioeconomy and how does the bioeconomy relate to socio-ecological inequalities? With a focus on biomass sourcing, production and bioenergy, this chapter aims to answer these two questions with the whole book in mind. First, we introduce the conceptual, geographical and methodological focus of the volume. Drawing on political ecology and world systems theory, we develop an analytical lens for the study of global socio-ecological inequalities. Against this background, we sketch out the main findings of the contributions, which focus on conceptual questions, bioeconomy policies and agendas in different countries, as well as the reconfigurations and continuities of socio-ecological inequalities in and beyond the agrarian sector from the local to the global level. The contributions offer insights into different countries in South America, Southeast Asia and Europe as well as into the interrelations between different countries and regions. Finally, the outlook identifies and discusses four areas of further research.
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Cremins, Brian. "Steamboat’s America." In Captain Marvel and the Art of Nostalgia. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496808769.003.0005.

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Steamboat, Billy Batson’s friend and valet, was a stereotypical African American character who appeared in Fawcett’s comic books until 1945, when a group of New York City middle school students visited Captain Marvel editor Will Lieberson. Those students, all part of a program called Youthbuilders, Inc., successfully argued for the character’s removal. Drawing on the work of Ralph Ellison, Toni Morrison, and George Yancy, this chapter studies the character and his similarities to other racial caricatures in U. S. popular culture of the era. It also provides a short history of the Youthbuilders, an organization created by social worker Sabra Holbrook. The chapter concludes with a discussion of Alan Moore’s Evelyn Cream, a black character who appears in the 1980s series Miracleman. Although not directly based on Steamboat, Moore’s character was an attempt to address racial stereotypes in superhero comic books, figures that have their origins in the narratives of the 1930s and 1940s.
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Lux, Julia, and John David Jordan. "Alt-Right ‘cultural purity’, ideology and mainstream social policy discourse: towards a political anthropology of ‘mainstremeist’ ideology." In Social Policy Review 31, edited by Elke Heins, Catherine Needham, and James Rees. Policy Press, 2019. http://dx.doi.org/10.1332/policypress/9781447343981.003.0007.

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A series of journalistic books and articles exploring the Alt-Right provide detailed empirical data critical to understanding the underpinning social networks of the Alt-Right. However, intensive media focus on young, working-class – usually American – white supremacists sharing extremist material over the internet masks incidences of closely related racist, conspiracist, misogynist, and ‘anti-elitist’ ideology in wider, often middle-class mainstream media, politics, and social policy discourse. This article problematises these narratives. Drawing partly on the work of Mary Douglas and Antonio Gramsci, we contribute to ongoing national and international ‘Alt-Right’ debates with an interdisciplinary, political-anthropological model of ‘mainstremeist’ belief and action. This approach highlights the links between ‘fringe’ and ‘centre’ into an entangled social network seeking to deploy social policy as a tool of misogynist, patriarchal, racist, and classist retrenchment.
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Hill, Shirley A. "Introduction." In Inequality and African-American Health. Policy Press, 2016. http://dx.doi.org/10.1332/policypress/9781447322818.003.0001.

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This book explores how the health of African Americans is influenced by numerous social settings and policies that reinforce racial inequality. The author accomplishes this by expanding on existing literature and research on the health deficit experienced by African Americans, as well as drawing on interviews with a class-diverse group of African-American women and men about health attitudes and experiences. This chapter introduces the structure of the author’s research and the structure of the remaining chapter of the book.
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Reich, Simon, and Peter Dombrowski. "Introduction." In The End of Grand Strategy. Cornell University Press, 2018. http://dx.doi.org/10.7591/cornell/9781501714627.003.0001.

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This introductory chapter lays out the central puzzle of the book: why do so many academics and policymakers advocate a specific form of grand strategy when the evidence drawn from military operations suggest that it is impossible to pursue a ‘one-size fits all’ strategy? We use a personal example, drawing on the experience of one of the authors (Dombrowski) to illustrate operational limitations. We argue that America faces a novel geostrategic environment, with notably new threats, actors, and forms of conflict. When these are combined with the more traditional problems inherent in the design and implementation of policy, outcomes are often unanticipated and sometimes perverse – ensuring that American grand strategy is less than the sum of its parts. In response, America pursues all six major variants of grand strategy simultaneously. We justify the selection of the US Navy and sea services in the book.
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Hunter, Marcus Anthony, and Zandria F. Robinson. "Everywhere below Canada." In Chocolate Cities. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520292826.003.0001.

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Drawing on Malcolm X's provocative 1964 speech "The Ballot or the Bullet," this chapter follows the insight that everywhere below Canada is the South for black Americans. This chapter also provides an overview of the book and the book's central arguments, laying the foundation for subsequent chapters.
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"Drawing Lines: The Place of Comic Book Artists and Writers in Hollywood." In The American Comic Book Industry and Hollywood. British Film Institute, 2021. http://dx.doi.org/10.5040/9781839023156.ch-003.

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Haines, Christian P. "Assembling the Future." In A Desire Called America. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823286942.003.0006.

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This chapter concludes the book by drawing out the connections between the American literary commons and contemporary social movements. It explains these connections not in terms of theory versus practice but rather as a shared project of commoning America (the United States), or inventing a non-capitalist, non-statist version of the nation. It contends that utopianism, or critical hope, is more necessary than ever in times of political reaction.
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Amorosa, Paolo. "Introduction. An American Project." In Rewriting the History of the Law of Nations. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198849377.003.0001.

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The introduction sets the historiographical and political stakes of narrating and analyzing Scott’s campaign for the Spanish origin of international law, drawing on current methodological discussions and the role of the concept of equality in our political discourse. It also explains the relation of the book with previous scholarship on Scott and literature on the rise of international legal networks in the Americas in the early twentieth century. Moreover, it elaborates on the reasons for the primarily descriptive style the text adopts and on certain related choices of language. The introduction ends with an outline of the structure of the book and of the individual chapters.
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Haveman, Heather A. "Introduction." In Magazines and the Making of America. Princeton University Press, 2015. http://dx.doi.org/10.23943/princeton/9780691164403.003.0001.

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This book explores the role that magazines played in the modernization of America, and particularly in the development of translocal communities, during the period 1741–1860. Drawing on original data obtained from 5,362 magazines published during this period, the book analyzes how the growing number and variety of magazines promoted and directed modern community building in America. It investigates the ways that magazines affected and were affected by key features of American society, including rapid population growth and urbanization; breakthroughs in printing and papermaking technologies; the rise of religious communities and social reform movements; the growth of educational institutions; and the emergence of scientific agriculture. This introduction reviews scholarship on modernization and community and explains how these concepts apply to America during the period. It also provides an overview of the chapters that follow.
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