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Dissertations / Theses on the topic 'American Girl'

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1

Medina, Veronica E. "Theorizing American girl." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4975.

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Thesis (M,A.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on October 30, 2007) Includes bibliographical references.
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Cook, Rachel E. "You're Wearing the Orange Shorts? African American Hooters Girls and the All American Girl Next Door." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/wsi_theses/21.

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Hooters restaurants are typically staffed by Caucasian women that resemble the company’s idea of an “All American Girl, Surfer Girl, Girl Next Door” image, promoted in employee training materials. However, my experience working for this company has been in a predominantly African American-staffed Hooters, atypical for the corporation. Through a mixed methods approach encompassing content analysis, participant observation, autoethnography, and interviews, this research seeks to understand the ideal Hooters Girl image promoted by the corporation, and the performance of that ideal in an atypical Hooters location.
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Horrex, Emma. "From representation to reception : the gang girl and girl gang in contemporary American film." Thesis, University of Hull, 2016. http://hydra.hull.ac.uk/resources/hull:15425.

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Gonzalez, Karen Brown. "The drowned girl." [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002403.

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Wahome, Samatha. "Ain’t I a Girl: Black Girls Negotiating Gender, Race, and Class." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1313436849.

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Haire-Sargeant, Lin. "American girl to new woman : themes of transformation in books for girls, 1850-1925 /." Thesis, Connect to Dissertations & Theses @ Tufts University, 2004.

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Thesis (Ph.D.)--Tufts University, 2004.<br>Director: Carol Houlihan Flynn. Submitted to the Dept. of English. Includes bibliographical references (leaves 296-307). Access restricted to members of the Tufts University community. Also available via the World Wide Web;
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7

Shang, Mei. "On “Not Asian Enough” – Textual Analysis of Cultural Representation of All-American Girl." Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1304608739.

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8

Perez, Sonja Zepeda. "Mis(s) Education: Narrative Construction and Closure in American Girl." Diss., The University of Arizona, 2015. http://hdl.handle.net/10150/556826.

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While American Girl markets itself as a brand that teaches girls about our nation’s history and empowers girls to "stand tall, reach high, and dream big," this dissertation, "Mis(s) Education: Narrative Construction and Closure in American Girl" challenges this widely held belief. The American Girl Historical Character Series (hereafter AGHC series) is a textual site that writes a history that relies more on national myths of freedom, independence, and the pursuit of the American Dream through struggle. To dig deeper into this book series, I analyze how intersections of power in particular, nation, gender, race, and consumerism are constructed within the pages of the AGHC series. I assert that these books create a narrative construction and closure within the series. In place of a dialogic history that allows the reader to question historical and/or contemporary issues of power, a dominant narrative of history-one that relies on national myths prevails. While AG prides itself as a brand that first and foremost celebrates and empowers girls to become their very best, the historical series also imposes traditional gender roles for girls. It is this "rhetoric of empowerment" that this dissertation uncovers. Such an imagined empowerment is infused with ambivalence. AGHC series readers are also constructed as consumers who are being taught to celebrate consumerism and the Almighty Dollar.
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Atchison, Erin Jane. "Convention, individuality, and feminine musicianship : the piano girl in nineteenth century American literature." Thesis, University of Edinburgh, 2008. http://hdl.handle.net/1842/24753.

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The nineteenth-century piano was not just a means of making music, but a cultural myth. In literature it is a complex conduit for ideas about femininity, social expectations, and status. Nevertheless, the literary significance of the “piano girl” – the woman who played the piano as an accomplishment – has been largely ignored by the critics, particularly in the field of American literature, where piano-playing characters superficially conform to conventional expectations about domestic music in greater numbers than their European counterparts. Not all texts, however, are so happy to accept a prescribed model of feminine musicianship, and in this thesis I analyse several key texts by James Fenimore Cooper, Margaret Fuller, Elizabeth Stoddard, Henry James, and Kate Chopin, and show how their representations of the piano girl challenge the often contradictory rhetoric of their day. Through the socio-cultural and historic understanding of the piano and musicianship in the United States, the piano girls in these texts reveal a complex pattern of ambivalence towards the role of domestic music in the performance of womanhood, and its relationship to the contingent realities of nineteenth century American society. In Chapter One, I introduce the narrative significance and literary antecedents of music in four of Cooper’s novels, and in Chapter Two, I discuss Fuller’s concerns about the piano as a feminine object in <i>Summer on the Lakes</i>, <i>in 1843, </i>with reference to her music criticism and other contemporary fiction. Chapter Three analyses Stoddard’s representation of the piano girl in <i>The Morgesons</i>; the chapter combines Romanticism and musical subjectivity with domesticity and consumer theory. In Chapter Four, I locate the exceptional musicianship of Madame Merle within the wider context of feminine music in James’ <i>The Portrait of a Lady.</i> Through a consideration of the discursive meaning of repertoire in Chopin’s <i>The Awakening</i>, Chapter Five explores the complex relationship between musical performance, selfhood and gender expectation.
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Lawall, Kathryn. "Protecting the Innocents: The Inter-American System and Securing the Girl-Child’s Rights." Miami University Honors Theses / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1110918383.

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Carvalho, Ana Carolina Campos de. "Beauty matters, family matters :: the experience of growing up an African-American girl." Universidade Federal de Minas Gerais, 2006. http://hdl.handle.net/1843/ALDR-6WENMF.

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The present work focuses on the experience of the African-American girl as she grows up in Toni Morrisons "The Bluest Eye" and Maya Angelous "I Know Why the Caged Bird Sings". The books, both published in 1970, portray the lives of young girls as they learn what it is to be black under a solid racist regime that dictates white western society as the norm. The norm includes, necessarily, physical traits that are established as the standards for beauty. African-American girls need to deal with these standards in their self-perception and identities. The study intends to demonstrate that families play a significant role in this process of self-perception and may encourage either the acceptance of these standards or their rejection.
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Ding, Yunxue. "A critical comparison of American idol and Super girl a cross-cultural communication analysis of American and Chinese cultures /." Muncie, Ind. : Ball State University, 2008. http://cardinalscholar.bsu.edu/377.

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Petrich, Tatum. "The Girl Gang: Women Writers of the New York City Beat Community." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/176745.

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English<br>Ph.D.<br>The Girl Gang: Women Writers of the New York City Beat Community seeks to revise our understanding of the Beat community and literary tradition by critically engaging the lives and work of five women Beat writers: Diane di Prima, Joyce Johnson, Hettie Jones, Carol Bergé, and Mimi Albert. This dissertation argues that, from a position of marginality, these women developed as protofeminist writers, interrogating the traditional female gender role and constructing radical critiques of normative ideas in fiction and poetry in ways that resisted the male Beats' general subordination of women and that anticipated the feminist movement of the late 1960s and 1970s. A project of recovery and criticism, The Girl Gang provides literary biographies that explore how each writer's experience as a marginalized female writer within an otherwise countercultural community affected the development of her work; it also analyzes a range of works (published and unpublished texts from various genres, written from the early 1950s through the turn of the twenty-first century) in order to illustrate how each writer distinctively employs and revises mainstream and Beat literary and cultural conventions. The dissertation's critical analyses examine each writer's engagement in various literary, cultural, and social discourses, drawing attention to their incisive and provocative treatment of thematic issues that are central to the postwar countercultural critique of hegemonic norms --including fundamental Beat questions of identity, authenticity, and subjectivity-- and that are developed through experimentation with literary conventions. Ultimately, The Girl Gang argues that the literary achievements of the New York City women Beats collectively reconceptualize the prevailing notion of the Beat community and canon.<br>Temple University--Theses
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Beskin, Anna. "Good Girl, Bad Girl: The Role of Abigail and Jessica in The Jew of Malta and The Merchant of Venice." [Tampa, Fla] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0001900.

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Sibielski, Rosalind. "What Are Little (Empowered) Girls Made Of?: The Discourse of Girl Power in Contemporary U.S. Popular Culture." Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277091634.

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Manzur, Jennifer Elena. "An Illustrated Celebrity in American Society: The Biography of the Gibson Girl, 1890-1920." Thesis, The University of Arizona, 2014. http://hdl.handle.net/10150/321797.

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Smyth, Karen Elizabeth. ""What's a Nice Mormon Girl Like You Doing Writing about Vampires?": Stephenie Meyer's "Twilight" Saga and the Church of Jesus Christ of Latter-day Saints." W&M ScholarWorks, 2011. https://scholarworks.wm.edu/etd/1539626647.

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Sherrill, Brenna Elizabeth. "The Birth of the MPDG 2.0: The Potential for the Manic Pixie Dream Girl Trope in Independent Film." TopSCHOLAR®, 2016. http://digitalcommons.wku.edu/theses/1572.

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This project chronicles an in-depth character study on the Manic Pixie Dream Girl trope in film. The term was coined in 2007 by a film critic about a very specific kind of female character—one who exists “solely in the fevered imaginations of sensitive writer-directors to teach broodingly soulful young men to embrace life and its infinite mysteries and adventures.” The MPDG has often been written off as nothing more than a stereotype or sexist characterization of a woman, but I argue that the MPDG can be much more than a flat character, as evidenced by the increasingly complex characterization of the MPDG in independent film. Based on case studies of several films, I discuss how the MPDG has grown from a supporting archetype into a well-rounded and multi-dimensional character. Based on a history of female depiction in film, a discussion of the critical interpretations of the MPDG, and these case studies, I argue that the MPDG has the potential to exist as a complex and realistic character rather than just an archetype.
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Serls, Tangela La'Chelle. "The Spirit of Friendship: Girlfriends in Contemporary African American Literature." Scholar Commons, 2017. https://scholarcommons.usf.edu/etd/7442.

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The Spirit of Friendship: Girlfriends in Contemporary African American Literature examines spiritual subjectivities that inspire girlfriends in three contemporary novels to journey towards actualization. It examines the girlfriend bond as a space where the Divine Spirit can flourish and assist girlfriends as they seek to become actualized. This project raises epistemological questions as it suggests that within the girlfriend dynamic, knowledge that is traditionally subjugated is formed and refined. Finally, girlfriend epistemology is considered in light of Black Girl Magic, a contemporary social and cultural movement among Black women.
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Reynolds, Diana Dial. "Signifying in Incidents in the Life of a Slave Girl: Harriet Jacobs' Use of African American English." Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2195.

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Thesis (M.A.)--Indiana University, 2010.<br>Title from screen (viewed on July 19, 2010). Department of English, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Susan C. Shepherd, Frederick J. DiCamilla, Stephen L. Fox. Includes vitae. Includes bibliographical references (leaves 48-50).
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De, Leo Emilia Anne. "I Love Lucy, That Girl, and Changing Gender Norms On and Off Screen." Oberlin College Honors Theses / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1525640462074147.

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22

Bzura, Katherine. "I'm Not Who I Was Then, Now: Performing Identity in Girl Cams and Blogs." [Tampa, Fla.] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0001995.

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23

Weiss, Katherine. ""... Long Before the Stars Were Torn down...": Sam Shepard and Bob Dylan's "Brownsville Girl"." Digital Commons @ East Tennessee State University, 2009. https://dc.etsu.edu/etsu-works/2301.

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Excerpt: In 1975, Bob Dylan invited Sam Shepard, the young playwright who had ignited the Off-Broadway and London theatre scene, to go on tour with him in order to write scenes and dialogue for a film of the Rolling Thunder Revue.
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24

Whitlock, Mary Catherine. "Selling the Third Wave: The Commodification and Consumption of the Flat Track Roller Girl." Scholar Commons, 2012. http://scholarcommons.usf.edu/etd/4255.

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In an ethnographic examination of the "modern" roller derby movement that began in the early 2000s, I explore Women's Flat Track Derby in Florida. What does it mean to be a roller derby player? How is she conceptualized and commodified? Or more centrally, how is third wave feminism used as a catalyst of this commodification? In order to fully appreciate, understand, and even embrace roller derby, I look at roller derby leagues as social movement organizations (SMOs) in order to note how they frame themselves and maintain collective identity the commodification of third wave feminism. First, I will explore various facets of the "modern" roller derby movement by way of gender, sexuality, and youth as central themes of roller derby culture and identity. Second, I note how roller derby utilizes rhetoric associated with third wave feminism. Third, I examine how roller derby is conceptualized as a social movement and while doing so note the charity organizations that various leagues support. I go on to explore how cultural capital is used in roller derby as a way to create insider knowledge while appropriating third wave feminism. Finally, I will look at how all aspects of roller derby I discussed illuminate a critique of third wave feminism. It is through these facets that I illustrate how the modern flat track roller derby employs third wave feminist rhetoric to produce and commodify the roller derby player identity.
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Voltz, Noel Mellick. "“`It’s no disgrace to a colored girl to placer’: Sexual Commodification and Negotiation among Louisiana’s “Quadroons,” 1805-1860”." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1417682791.

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Davis, Tristan A. "Is this Lady-like? The Portrayal of Women's Relationship with Food in American "Working Girl" Sitcoms between 1966 and 2017." Kent State University Honors College / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1588251948629127.

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27

Roddy, Rhonda Kay. "In search of the self: An analysis of Incidents in the life of a slave girl by Harriet Ann Jacobs." CSUSB ScholarWorks, 2001. https://scholarworks.lib.csusb.edu/etd-project/2262.

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In her bibliography, Incidents in the life of a Salve Girl, Harriet Ann Jacobs appropriates the autobiographical "I" in order to tell her own story of slavery and talk back to the dominant culture that enslaves her. Through analysis and explication of the text, this thesis examines Jacobs' rhetorical and psyshological evolution from slave to self as she struggles against patriarchal power that would rob her of her identity as well as her freedom. Included in the discussion is an analysis of the concept of self in western plilosophy, an overview of american autobiography prior to the publication of Jacobs' narrative, a discussion of the history of the slave narrative as a genre, and a discussion of the history of Jacobs' narrative.
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Rugg, Adam. "The mashup as resistance? : a critique of Marxist framing in the digital age." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0003104.

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Ryalls, Emily Davis. "The Culture of Mean: Gender, Race, and Class in Mediated Images of Girls' Bullying." Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3325.

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This dissertation examines narratives about female bullying and aggression through mediated images of "mean girls." Through textual analysis of popular media featuring mean girls (television shows such as Gossip Girl and films like Mean Girls), as well as national news coverage of the case of Phoebe Prince, who reportedly committed suicide after being bullied by girls from her school, this feminist examination questions how the image of the mean girl is raced and classed. This dissertation values an interdisciplinary approach to research that works to make sense of the forces that produce bodies as gendered, raced, and classed. One of the central concerns of this project is explore images of mean girls in order to highlight the ideas that construct female aggression as deviant. In popular culture, the mean girl is constructed as a popular girl who protects and cultivates the power associated with her elite status in duplicitous and cruel ways. Specifically, mean girls are framed as using indirect aggression, which is defined as a form of social manipulation. This covert form of aggression, also referred to as "relational" or "social" aggression, includes a series of actions aimed at destroying other girls' relationships, causing their victims to feel marginalized. The bullying tactics associated with indirect aggression include gossiping, social exclusion, stealing friends, not talking to someone, and threatening to withdraw friendship. The leader of the clique is the Queen Bee who is able to use boundary maintenance to exclude other girls from her friendship groups. In media texts, while the Queen Bee is always White, the Mean Girl discourse does not ignore girls of color. Instead, girls of color are acknowledged as having the potential to be mean, but, more often, they are shown to exemplify the characteristics of normative White femininity (they are nice and prioritize heterosexual relationships) and to escape the lure of popularity. Indeed, whereas media texts continually center Whiteness as a necessary component of the mean girl image, nice girls are constructed as White, Latina, and Black. The constructions of the girls of color often rely on stereotyped behaviors (i.e., Black girls' direct talk and Latina girls' commitment to nuclear family structures); at the same time, these essentialized characteristics are revered and incorporated into the nice girl tropes. The Queen Bee is always upper-class, while the Wannabe (the girl who desires to be in the clique) is middle-class. When attempting to usurp the Queen Bee's power, the Wannabe breaks with normative cultural versions of White, middle-class passive femininity in ways that are framed as problematic. Although the Wannabe rises above her class, in so doing, she also transcends her "authentic" goodness. As a result, middle-classness is recentered and ascribed as part of the nice girl's authentic image. The Mean Girl discourse defines girls' success on a continuum. A popular girl stays at the top of the social hierarchy by being mean. The nice girl finds individual success by removing herself from elite social circles. As a result, privilege is not defined inherently as the problem, but girls' excessive abuse and access to privilege is.
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Evans, Tina B. "We Wear the Mask: Stories of the Black Girl Middle School Experience in Predominantly White, Elite, Independent Schools." Digital Commons at Loyola Marymount University and Loyola Law School, 2019. https://digitalcommons.lmu.edu/etd/893.

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This dissertation examined the experiences of Black middle school girls who attend predominantly white, elite, independent schools in the Greater Los Angeles area. Using Critical Race Theory, Black Identity Theory, and Black Feminism Theory as a conceptual framework, this qualitative research explored the role of race, class, gender, and parental support as contributing factors to the development of participants’ racial consciousness. Utilizing timeline interviews and critical narratives to explore the lived histories of each student and parent participant, data analysis included content coding based on themes that emerged throughout the narrative examination. An analysis of the narratives of student participants revealed the absence of a Black faculty advocate, the burden of microaggressions, and the tension to define what it meant to be Black as important factors in the development of a racial consciousness. Additional findings based on data from the participants’ mothers revealed their reasons for choosing independent schools for their daughters and an emphasis on nurturing Black identity and friendships to help guide them through critical racial experiences. Findings led to important recommendations to improve the educational experiences of Black girls in predominantly white, elite independent schools. These findings also indicated a need for further study of the experiences of the Black girl middle school experience in predominantly white, elite, independent schools.
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Aboderin, Olutoyosi Abigail. "More Than a Hashtag: An Examination of the #BlackGirlMagic Phenomenon." Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/592065.

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African American Studies<br>M.L.A.<br>Cashawn Thompson, who is credited for coining the phrase “Black girls are magic” which was later shortened to Black Girl Magic, says in an interview with the Los Angeles Times that “at its core, the purpose of this movement is to create a platform where women of color can stand together against “the stereotyping, colorism, misogynoir and racism that is often their lived experience.” Julee Wilson, Fashion Senior Editor at Essence Magazine, reflects Thompson in her article written for HuffPost saying, “Black Girl Magic is a term used to illustrate the universal awesomeness of black women. It’s about celebrating anything we deem particularly dope, inspiring, or mind-blowing about ourselves.” (Wilson, 2016) Nielsen Media Research similarly defines #BlackGirlMagic as “a cross-platform gathering of empowered Black women who uplift each other and shine a light on the impressive accomplishments of Black women throughout the world, a hashtag which uncovers and addresses the daily racism that so<br>Temple University--Theses
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Knight, Elisabeth D. "The Bird Woman Takes Her Stand : Gene Stratton Porter's Conservancy as seen in "A Girl of the Limberlost" and "The Harvester"." Ohio Dominican University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=odu1572903002523117.

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Alsulobi, Najwa. "APPROACHES TO UNDERSTANDING SUBJECTIVITY AND IDENTITY CONSTRUCTION IN AMERICAN LITERATURE: A PSYCHOANALYTIC READING OF WILLA CATHER’S WORKS." University of Akron / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=akron1523202498002257.

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Serrano, Tamara E. "Intersecting Identities: Race and Gender in a Quinceañera Fashion Show." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1245259832.

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Kubik, Erica. "From Girlfriend to Gamer: Negotiating Place in the Hardcore/Casual Divide of Online Video Game Communities." Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1260391480.

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36

Cato, Farrah M. "The alternative tradition of womanhood in nineteenth-century African-American women's writings." Honors in the Major Thesis, University of Central Florida, 1999. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/54.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>English
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Oviedo, Marilda Janet. "Growing up Latinita| Latina girls, online 'zine production, and identity formation." Thesis, The University of Iowa, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3566696.

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<p> The purpose of this dissertation was to examine the ways in which the media products of the non-profit organization Latinitas revealed ideologies and discourses about identity. The organization purports to empower Latina youth via media education. The media products include two online magazines that feature content for and by the members of the organization. The media products also include a Web site where members of the organization can post and update individual blogs and videos. While not the focus of this dissertation, it is important to note that the organization also hosts various after-school programs and workshops that teach its members about issues related to media education. </p><p> The study was managed in two stages. First, a content analysis of the two magazines was conducted to reveal which ideologies were featured in the magazine articles. Literature suggests that the two most relevant identities to Latina girls are gender and ethnicity. As such, special attention was given to ideologies that directed attention to those identities. Second, a discourse analysis of the blogs and videos hosted on the Web site was performed to reveal whether the featured ideologies carried over into the media product of the members of the organization. Results suggested that the magazines focused on issues of gender while mostly ignoring issues of ethnicity. The blogs housed on the Web site reflected the focus on gender but were also the only place where talk of ethnicity was dominant. The videos were generally not used as a means to express identity and were vehicles for displaying the activities of the organization.</p>
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Motl, Kaitlyne A. "“WELL, DON’T WALK AROUND NAKED... UNLESS YOU’RE A GIRL”: GENDER, SEXUALITY, AND RISK IN JAMTRONICA FESTIVAL SUBCULTURAL SCENES." UKnowledge, 2018. https://uknowledge.uky.edu/sociology_etds/38.

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The purpose of this study was to explore emerging issues surrounding gendered fear, threat, and violence perpetration at music festivals – particularly events that feature a synthesis of jam band and electronic dance music acts – a genre termed jamtronica by its fans. Though gendered violence perpetration and prevention have been widely studied within other party-oriented settings (i.e., sexual violence perpetration on college campuses), very little research exists to address how wider disparities of gender and sexuality permeate a community whose members frequently claim the scene’s immunity from external inequalities. In this three-year multi-sited ethnography, I incorporate participant observations, group and individual interviews, and textual analyses to progressively layer investigations into: 1) festival-goers’ gender-bifurcated perceptions of the problems they face within the event arena; 2) how institutional and interactional inequalities fuel gender-sexual expectations that exacerbate the risks with which festival-going women’s contend; and, 3) how jamtronica’s “libertarian and libertine” codes complicate women’s negotiations of (sub)cultural agency, expression, and safety. Findings derived across fourteen sites, interviews with 179 festival participants, and countless material texts suggest that men and women do perceive festival “problems” in very different ways – subsequently leading women to calculatedly navigate festival terrains, interactions, and self-presentations in ways that festival-going men seldom must. Protected by scene norms that paradoxically elevate personal autonomy and group integration, festival-going men’s homosocial displays of masculinity (through pranks, drinking and drug use, and even sexual predation) often goes unchallenged – or, is seemingly even encouraged. In an environment that both scholars and study participants claim to eclipse mainstream inequalities of gender and sexuality, a closer look reveals the multiplex ways that festival-going women risk their physical, social, and sexual well-beings in order to pursue the emancipatory promises that jamtronica music festival community discourses purport. For this understudied, yet rapidly growing, subcultural scene, this study offers conceptual and analytical foundations to event-specific violence prevention programming, as well as gender and sexuality-centric initiatives paramount to ever-diversifying jamtronica music festival communities.
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DeLong, Ellen Elizabeth. "Advertising Domesticity: A Content Analysis of Traditional Messages in Seventeen Magazine, 1946-1948." University of Akron / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=akron1216912746.

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Rossie, Amanda Marie. "New Media, New Maternities: Representations of Maternal Femininity in Postfeminist Popular Culture." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1397597413.

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41

Whittle, Lindsay. "Exploring Achievement Motivation of African American Girls in High School." Miami University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=miami1371221048.

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42

Stewart, heather M. "Señoritas and princesses the quinceañera as a context for female development /." Click here for text online. The Institute of Clinical Social Work Dissertations website, 2004. http://www.icsw.edu/_dissertations/stewart_2004.pdf.

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Dissertation (Ph.D.) -- The Institute for Clinical Social Work, 2004.<br>A dissertation submitted to the faculty of the Institute of Clinical Social Work in partial fulfillment for the degree of Doctor of Philosophy.
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Ogley-Oliver, Emma J. F. "Natural mentors and African American girls' sexual efficacy." restricted, 2009. http://etd.gsu.edu/theses/available/etd-07172009-113958/.

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Thesis (M.A.)--Georgia State University, 2009.<br>Title from file title page. Gabriel P. Kuperminc, committee chair; Lisa P. Armistead, James G. Emshoff, committee members. Description based on contents viewed Sept. 4, 2009. Includes bibliographical references (p. 50-66).
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Gibson, Simone Cade. "Critical engagements adolescent african american girls and urban fiction /." College Park, Md.: University of Maryland, 2009. http://hdl.handle.net/1903/9110.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2009.<br>Thesis research directed by: Dept. of Curriculum and Instruction. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Archer-Banks, Diane Alice Marie. "Voices of high-performing African American high school girls." [Gainesville, Fla.] : University of Florida, 2007. http://purl.fcla.edu/fcla/etd/UFE0020760.

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46

Paulsson, Joseline. "Girls in Youth Gangs in Central America." Thesis, Stockholms universitet, Romanska och klassiska institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-131103.

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Youth gangs, so-called Maras, in Central America have for a long time been one of the major factors contributing to the great amount of organized crime and violence in the Central American countries. The citizens in this region are exposed to violence and other crimes from the gangs on a daily basis. The vast amount of teens joining but also being forced to join the gangs is due to the high levels of poverty in the countries. Becoming a member in a gang is often seen as the only option to make a living. The study focuses on three countries in Central America: El Salvador, Guatemala and Honduras. The reason why the author chose these three countries is because they are the ones with the highest youth gang activity in the region as well as the ones who have faced and still are facing high levels of violence and corruption. They have all faced political, economic, and social challenges after civil wars and increasing drug trafficking in the region. The method used in the study is qualitative through an analysis of secondary sources on young women in youth gangs. The material is analyzed from a gender perspective and also power and social control theory. The maras mainly recruit teen boys, but also young girls and women. Teen girls are in some cases forced to join the gangs but many times they join the gangs as self- protection from other local maras. The young girls are used for different tasks and duties while in the gang, but also face abuse by being taken advantage of in a male dominated environment. The essay focuses on the role of young women in gangs. The research questions are: why the young girls join the gangs? What are their roles in the gangs? Are their roles differentiate to the mens?  It is important to observe how the youth gangs function, reflect the patriarchal structures of society in general which has created differences between the sexes where males are seen as superior to females, which also is evident in criminal youth gangs. The essay shows that the main reasons why young women join gangs are because they are looking for a safe environment due to lacking support and safety at home. The young women’s roles in the gang differentiate from the men in the way that they are assigned tasks according to traditional gender roles where the women are expected to do domestic tasks and excluded from some of the gang activities because of their gender.
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Mortazavi, Sohale Andrus. ""The Barroom Girls" and Other Stories." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5218/.

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This creative thesis is comprised of five original short stories and a critical preface. The preface discusses the changing cultural, sociopolitical, and socioeconomic landscape of the modern American South and the effects-positive, negative, and neutral-these changes have had on the region's contemporary literature, including the short stories contained within.
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Carrubba, Maria Diana. "Test of reliability and validity of the Feminist Identity Development Scale, the Attitudes Toward Feminism and the Women's Movement Scale, and the Career Aspiration Scale with Mexican American female adolescents /." free to MU campus, to others for purchase, 2002. http://wwwlib.umi.com/cr/mo/fullcit?p3074383.

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Black, Ella M. Shawntain. "Identity in the millennium software, meaning and African-American girls' identity /." Connect to this title online, 2004. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1092416603.

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Thesis (Ph. D.)--Ohio State University, 2004.<br>Title from first page of PDF file. Document formatted into pages; contains x, 189 p.; also includes graphics Includes bibliographical references (p. 180-189). Available online via OhioLINK's ETD Center
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Biegert, Melissa Ann Langley. "Woman scout : the empowerment of Juliette Gordon Low, 1860-1927 /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/main.

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