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1

Jackson, Charles E. "African American males and their heritage." Online version, 1999. http://www.uwstout.edu/lib/thesis/1999/1999jacksonc.pdf.

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2

Dixon, Brendan W. "The Protestant heritage of American public schools." Theological Research Exchange Network (TREN), 1994. http://www.tren.com.

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3

Arvio, A. (Anni). "Thinking about Finnish heritage, living the American life:ethnic identity and cultural heritage of third and fourth generation Finnish Americans." Master's thesis, University of Oulu, 2019. http://jultika.oulu.fi/Record/nbnfioulu-201905031569.

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Abstract. In this thesis I have studied the Finnish American ethnic identity and the presence of Finnish ethnicity and cultural heritage among third and fourth generation Finnish Americans. The theoretical background is on symbolic and interpretive anthropology and Clifford Geertz’s (1973) definition of culture as a shared web of meanings. The thesis gives a cultural anthropological perspective on researching ethnic identities and cultural heritage of immigrants’ descendants. The research material has been collected using ethnographic fieldwork methods; semi-structured interviews and participant observation in Finnish American communities in the USA. Many Americans want to identify themselves according to their ethnic heritage, because being just American may not be a sufficient expression of their ethnic identity. The USA is a country of many ethnicities and it is common for a person to have ancestors from more than one country. People may have multicultural identities and one person can identify as for example Finnish, Irish and Swedish American. The Finnish American ethnic heritage is represented in flags and other national symbols. Ethnic identity does not depend on speaking the language fluently or contacts with Finland. Instead, it is in the symbols that represent Finland and the Finnish heritage. Being Finnish American is not just depending on genetic makeup, but symbolically being part of the community and culture. Many Americans are seeking for their roots and heritage, discovering their family history and defining what their ethnic heritage is by doing genealogy and taking DNA-tests. For many, the family connection means that they have a tangible place for their roots and that they belong to a group of people. Many Finnish Americans use material objects to represent their ethnic heritage. The Finnish heritage is visible in many Finnish Americans’ homes in artefacts, flags, dishes, glassware, family heirlooms and photographs, bringing the ethnic heritage visible with these items and publicly presenting the pride in the ethnic heritage. The Finnish names for certain foods are used to emphasize the Finnish heritage of the food culture. The influence of Finnish Americans can also be seen in place names in certain regions. Finnish American organizations maintain the ethnic culture, and the culture and heritage are made visible in various Finnish American and Nordic events across the USA. National and local events keep the Finnish American community active and promote Finnish cultural attributes, such as music, dancing, cuisine or handcrafts. Third and fourth generation Finnish Americans are assimilated to the American mainstream culture in a sense that they are like any other average American in their daily lives. However, many Finnish Americans have a symbolic connection with their Finnish heritage and want to keep that connection by integrating Finnish cultural features to their lives.Tiivistelmä. Tässä pro gradussa tarkastelen amerikansuomalaisten etnistä identiteettiä ja sitä, miten suomalainen kulttuuriperintö on osa kolmannen ja neljännen sukupolven amerikansuomalaisten elämää. Tutkielman teoreettinen tausta on symbolisessa ja tulkitsevassa antropologiassa ja Clifford Geertzin (1973) määritelmässä kulttuurista jaettuna merkitysten verkostona. Tutkimus antaa kulttuuriantropologisen näkökulman etnisten identiteettien ja siirtolaisten kulttuuriperinnön tutkimukseen. Tutkimusaineisto on kerätty käyttäen etnografisia tutkimusmenetelmiä; puolistrukturoituja haastatteluja ja osallistuvaa havainnointia amerikansuomalaisten yhteisöissä Yhdysvalloissa. Monet amerikansuomalaiset haluavat identifioida itsensä etnisen taustansa mukaan, koska pelkkä amerikkalaiseksi määrittely ei välttämättä ole tarpeeksi kuvaava ilmaisu. Yhdysvallat on monien etnisyyksien valtio ja suurimmalla osalla ihmisistä on esivanhempia useammassa kuin yhdessä maassa. Henkilön identiteetti voi olla monikulttuurinen ja henkilö voi samastua esimerkiksi amerikansuomalaiseksi, -irlantilaiseksi ja -ruotsalaiseksi. Amerikansuomalainen etninen perintö ilmaistaan lipuilla ja muilla kansallisilla symboleilla. Etninen identiteetti ei ole riippuvainen kielitaidosta tai yhteydenpidosta Suomeen, vaan symboleista, jotka esittävät suomalaisuutta ja suomalaista kulttuuriperintöä. Amerikansuomalaisuus ei ole riippuvainen vain geneettisestä perimästä, vaan symbolisesta kuulumisesta osaksi yhteisöä ja kulttuuria. Monet amerikkalaiset etsivät juuriaan, tietoa sukutaustastaan ja määrittelevät oman kulttuuriperintönsä tekemällä sukututkimusta tai DNA-testien avulla. Monet amerikansuomalaiset tuovat etnistä perintöön esille materiaalisten esineiden avulla. Suomalainen kulttuuriperintö näkyy monissa amerikansuomalaisissa kodeissa esineinä, lippuina, astioina, lasiesineinä, suvun perintökalleuksina ja valokuvina. Etninen perintö ja ylpeys siitä tehdään näkyväksi erilaisilla esineillä. Tietyistä ruoista käytetään suomalaisia nimiä, jotta niiden suomalaisuus ja suomalainen ruokakulttuuri korostuisi. Amerikansuomalaisten vaikutus näkyy myös paikannimissä tietyillä alueilla. Amerikansuomalaiset järjestöt ylläpitävät etnistä kulttuuria ja tekevät sen näkyväksi erilaisissa amerikansuomalaisissa ja pohjoismaisissa tapahtumissa eri puolilla Yhdysvaltoja. Valtakunnalliset ja paikalliset tapahtumat pitävät amerikansuomalaiset yhteisöt aktiivisina sekä tukevat ja edistävät suomalaisia kulttuuripiirteitä kuten musiikkia, tanssia, ruokakulttuuria ja käsitöitä. Kolmannen ja neljännen sukupolven amerikansuomalaiset ovat assimiloituneet amerikkalaiseen valtakulttuuriin siinä mielessä, että he ovat kuin kuka tahansa amerikkalainen jokapäiväisessä elämässään. Kuitenkin monilla amerikansuomalaisilla on symbolinen yhteys suomalaiseen kulttuuriperintöönsä ja he haluavat ylläpitää tätä yhteyttä liittämällä suomalaisia kulttuuripiirteitä osaksi elämäänsä.
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4

Sturkey, William Mychael. "The Heritage of Hub City: The Struggle for Opportunity in the New South, 1865-1964." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343155676.

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5

Neilson, Joy. "Milwaukee's ethnic festivals| Creating ethnic-American heritage for urban ethnic tourism." Thesis, The University of Wisconsin - Milwaukee, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1588839.

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Ethnic identity is dynamic social construction. Ethnic groups define and display their heritage to meet the social, economic, and political interests of the group. Tourism is one outlet for ethnic groups to express their identity while stimulating local economies. Ethnic tourism is becoming more popular in urban settings, as municipal governments attempt to compete for tourism income and establish a unique brand. Placing ethnic tourism within an urban setting creates additional layers of complexity that have the potential to alter the way ethnic groups interact and are perceived by locals and visitors. Tourism involves the construction of expectations through deliberate representation. When the object of expectation is an ethnic or minority group, the creation of symbols to enhance the exotic appeal can have unintended consequences for the performance of ethnicity within urban structures. This paper attempts to document the effects of urban ethnic tourism on the ethnic group that is the subject of tourism by applying a new framework for urban ethnic tourism to the ethnic festivals of Milwaukee, WI.

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6

Swilley-Woods, Graylyn Marie. "Glocalizing Community Heritage Tourism in Two African American Communities in Miami." Antioch University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1570976680725075.

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7

Bishop, Matthew Robert. "Patriotism, nationalism, and heritage in the orchestral music of Howard Hanson." Thesis, The Florida State University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1539204.

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Composer Howard Hanson played a pivotal role in both the development and promotion of American concert music in the twentieth century. Born in Wahoo, Nebraska, to Swedish immigrants, Hanson grew up surrounded by people who followed Swedish customs (including folk song and dance), yet exhibited strong feelings of American patriotism. Hanson's earliest works, left unpublished, display the influence of Swedish folk music traditions in either direct quotation or stylistic imitation.

As the winner of the first American Prix de Rome, Hanson traveled to Italy to study at the American Academy, affording him the opportunity to travel for the first time to Sweden. While in Europe Hanson wrote some of his most important compositions, including the Scandinavian-inspired First Symphony ("Nordic") and the symphonic poem North and West. The former pulls heavily from Swedish folk music, and the latter is autobiographical, representative of the composer's identity struggles as he explored the role his heritage should play in what he increasingly realized was Americanist music.

After he assumed the directorship of the Eastman School of Music, a position he held for forty years, Hanson's music lost explicit programmatic elements inspired by Scandinavia. Hanson wrote hundreds of articles and speeches about the importance of furthering American music, became a community leader in Rochester and on a national level, and transformed Eastman into a vital center for the promotion of American composers. His affinity for Swedish music continued to be an important factor in his compositional process, as evidenced by his Third Symphony and the popular comparison of his music to that of Jan Sibelius. Despite this association Hanson is remembered as a transformative figure in American music.

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Martinez, Cervantes Ruth Maria. "The Colonial Heritage of Mestizaje in Granada, Nicaragua." Thesis, University of Colorado at Boulder, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10151149.

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This research stems from my questioning regarding the lack of research of precolonial archaeological sites and their almost complete absence in the new industry of tourism. I chose my field site on the city of Granada because of the historical importance in the economy of the country, its foundation as the first establishment of Spanish colonizers, and its centrality today in Nicaraguan tourism. Babb (2004) argues that the introduction to tourism industry provides the opportunity to the Nicaraguan government to remake its image to the outside. This remaking of the country’s image will affect how Nicaraguans view themselves. In that sense my main question is: what are the effects of tourism on the identity of granadinos? I argue that the Nicaraguan government takes an active position in presenting tourists with a modernized (not indigenous or black) Nicaraguan community by silencing their past and present, and presenting to tourists only the European heritage of the country; such narratives gives a partial representation of the Nicaraguan identity to foreign visitors; at the same time it projects and naturalizes Nicaraguan identity as “mestizo.” I conclude tourism narratives are reinforcing a mestizo identity through the colonial heritage. Young mestizos as well as indigenous people continue to admire and emulate foreigners’ accents, clothing, sports, hairdo, etcetera.. I believed that the reason for these changes were rooted in the introduction of tourism and new cultural expressions, however, from this research I concluded that is rooted in the effects of the colonial period on the identity of the population. For centuries the Spanish crown and later the national governments eroded the foundation of the indigenous identity, thus the origins of mestizo identity as well. Thereby creating an identity crisis among both ethnic groups and a deep tension on the subject of identity, furthering the racialization of indigenous and Afro-descendant communities. Mestizaje successfully silenced indigenous populations, and ignored the indigenous origin of mestizos. However, currently mestizos do participate in indigenous cultural expressions departing from the hegemonic concept of mestizo - as in complete opposition to indigenous identity -, although they deny or ignore and racialize indigenous people. I consider that the introduction of tourism has brought changes in the Nicaraguan population. The government narratives based on colonial identities create a new environment where colonial relationships are reproduced. In my opinion this is a negative impact of tourism, however, it may lead to new conversations about colonialist interactions, ethnic identity and racism that remain covert in the everyday lives of Nicaraguans.

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9

Christensen, Bonnie S. "Playing with the past : heritage and public identity in the American West /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/10505.

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10

Morones, Rachel Bright. "In search of self : a closer look at Mexican American heritage seeking students." Scholarly Commons, 2004. https://scholarlycommons.pacific.edu/uop_etds/588.

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This qualitative study explores the complexities of a little studied international student population called heritage seekers. Focusing specifically on Mexican Americans studying abroad in Mexico, this investigation examined a group from California living in the central state of Queretaro. Information on their experience was collected via a questionnaire applied upon their arrival in Mexico and a two hour interview with each of the participants conducted midway through their study abroad. Their experiences were compiled into profiles and analyzed using theories from four different areas of intercultural study including acculturation, identity, Chicano studies, and friendship development. This investigation produced a series of demographic continua, a list of experiences students are likely to encounter, and suggestions for international educators for meeting the needs of this student population.
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11

Thomson, Graeme M. "Heirs of the revolution : the founding heritage in American presidential rhetoric since 1945." Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5103/.

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The history of the United States’ revolutionary origins has been a persistently prevalent source of reference in the public speeches of modern American presidents. Through an examination of the character and context of allusions to this history in presidential rhetoric since 1945, this thesis presents an explanation for this ubiquity. America’s founding heritage represents a valuable – indeed, an essential – source for the purposes of presidential oratory. An analysis of the manner in which presidents from Harry Truman to Barack Obama have invoked and adapted specific aspects of this heritage in their public rhetoric exposes a distinctly usable past, employed in different contexts and in advancing specific messages. Chapters devoted to the references of modern presidents to the Declaration of Independence, to the Constitution, and to four of the nation’s Founding Fathers, demonstrate that distinct elements of the founding heritage can be invoked in different ways. In sum, however, they reveal that allusions to this history have served three, sometimes overlapping, purposes in modern presidential discourse. Firstly, and most commonly, this history has proved an essential source on the numerous occasions in which presidents have reflected upon and reaffirmed the enduring character of American national identity. Secondly, such is the prominence of the founding heritage in the collective memory of Americans that presidents have been able to invoke elements of this familiar history pertinent to their discussion of a diverse range of contemporary concerns. Finally, and most significantly, this rhetoric has very often been applied for more pragmatic and partisan reasons. Given the veneration of the founding heritage in American culture and the acceptance that the democratic ideals then established remain essential to the purpose and direction of the nation, this thesis argues that presidents have found political value in implying their own inheritance of the Founders’ incontestable legacy. In speeches delivered across the shifting contexts of the post-war period, presidents have explicitly aligned their policy goals with the values and vision of the nation’s first leaders, interpreting and adapting the Founders’ words in a manner supportive of their public message.
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Church, Lila Teresa Tibbo Helen R. "Documenting African American community heritage archival strategies and practices in the United States /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2008. http://dc.lib.unc.edu/u?/etd,1816.

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Thesis (Ph. D.)--University of North Carolina at Chapel Hill, 2008.
Title from electronic title page (viewed Dec. 11, 2008). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Information and Library Science." Discipline: Information and Library Science; Department/School: Information and Library Science, School of.
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Martin, Natalie Kubota Ryuko. "Arab American parents' attudes toward their children's heritage language maintenance and language practices." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2009. http://dc.lib.unc.edu/u?/etd,2751.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2009.
Title from electronic title page (viewed Mar. 10, 2010). "... in partial fulfillment of the requirements for the degree of Master of Arts in the School of Education Early Childhood, Intervention and Literacy." Discipline: Education; Department/School: Education.
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Merriam-Castro, Kelley Kathleen, and Kelley Kathleen Merriam-Castro. "Cantando La Madre Patria: Mexican Musical Heritage in Tucson, 1939-1983." Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/626745.

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The maintenance, performance, and practice of Mexican music formed part of a resistance effort against cultural, political, economic, gendered, and geographic marginalization throughout the course of the twentieth century in Tucson, Arizona. This project defines iconic, popular Mexican music as música cósmica, a term inspired by José Velasco’s raza cósmica, and which refers to the music’s role as a unifying cultural expression for individuals of Mexican descent in Tucson and other diaspora communities. This project draws from new and archived interviews, newspapers, recorded performances, radio programs, and other ephemera of Tucson’s musical past to outline how la música cósmica formed part of an organic cultural expression of the people of the U.S. southwest, one that informed and was informed by the corpus being developed and promoted out of Mexico City. The process of maintaining la música cósmica in Tucson as a source of collective identity and resistance involved a deep commitment to maintaining musical places, spaces, and talents in the face of political, social, and geographic marginalization, including the physical destruction of Mexican homes and businesses in the name of urban renewal. Community leaders and music teachers viewed the teaching of música cósmica to Tucson youth as part of a social justice educational revolution, yet to teach the music they first had to overcome the internalization of anti-Mexican sentiment that viewed Mexican cultural expressions as inferior and overtly feminine. They reclaimed pride in this marginalized identity, the feminized fatherland or madre patria, through reframing the interpretation of the music as a cultural expression requiring precision, excellence, and that held monetary value. Music teachers employed a commitment to excellence and an insistence on paid performances to transform the perception of the music from that of an expression of inferior culture to one worthy of pride, respect, and admiration. Tucsonans approached the teaching and performing of la música cósmica with a profound sense of duty, one that inspired heroic acts of dedication and united Tucsonans of Mexican descent in spite of otherwise deep and painful divisions over political ideologies, popular tastes, skin color, personal experience, and the process of social change. The deep scar left by urban renewal, neighborhood demolition, and family relocation left many bitter divisions among members of Tucson’s community of Mexican descent. Nonetheless, la música cósmica continued to play a unifying role, and Tucsonans came together across these differences to ensure its survival, and to ensure their own cultural survival in the city´s public narrative as a result. By the 1980s, Tucson boasted numerous youth mariachi programs and hosted the first annual International Mariachi Conference, converting a city that continued to struggle with its collective identity into a global center for the teaching and performing of Mexican music.
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Siudzinski, Meghan Habas. "History, Memory, and [Archaeological?] Heritage at Nombre De Dios, Panama." W&M ScholarWorks, 2008. https://scholarworks.wm.edu/etd/1539626556.

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16

Lewis, Cecelia Ann, and Cecelia Ann Lewis. "Breaking Borders: Women of Mexican Heritage in Douglas, Arizona." Diss., The University of Arizona, 2016. http://hdl.handle.net/10150/620954.

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This study examines the manifold ways in which fifteen women of Mexican heritage actively participated in the secular, spiritual, and social spheres to improve conditions for themselves and their community in Douglas, Arizona during the first half of the twentieth century. Using interviews, newspapers, US census reports, ephemera, and secondary sources, it highlights the women's agency and the various ways they employed critical and innovative approaches to break through the economic, personal, and structural borders imposed by a corporate and industrial smelter town created by Phelps-Dodge and Company and the Calumet and Arizona Company. In this dissertation I ask, and seek to answer questions such as: why did these women of Mexican heritage choose to settle in Douglas; why did those who were born there remain; and what did this newly established town offer the women in this study that perhaps more established cities in the southwestern United States did not? Because Mexicanas are invisible in the archives and in the historical chronicles of Douglas Arizona, this dissertation employs an interdisciplinary methodology designed to highlight their actions and their contributions to their communities, city, and nation. Influenced by Chicana theorist Gloria Anzaldua, I seek to recover history, and what she refers to as la facultad, by relying on the words of the women and their families to offer answers and insight. Despite the challenges of living in the borderlands in a time of limited access to economic and social resources, these women's contributions to history confirm that Mexicanas were not passive subalterns.
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Sorrell, Tanya R. "Mental health treatment preferences for persons of Mexican heritage." Thesis, The University of Arizona, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3560342.

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Culturally sensitive care is thought to take into account a person's specific cultural values and preferences when providing mental health care services. Latinos currently comprise 17% of the total U.S. population at 50.5 million and persons of Mexican heritage constitute over 66% of all Latinos in the United States. Persons of Mexican heritage experience higher rates of mental health issues and illness with 30% lifetime incidence versus 20% incidence for Anglos. Few studies have focused on the mental health treatment preferences for persons of Mexican heritage. Treatment preferences could reflect personal characteristics, acculturation perspective about mental health issues and illness, and experience with treatment. Mass media may also influence treatment preferences and mental health information-seeking. The purpose of this study was to describe preferences for mental health treatment services for persons of Mexican heritage living in the Southwest along the United States-Mexico border. Twenty-one participants were interviewed individually and their responses analyzed using Atlas-ti qualitative analysis software. The participants reported twenty-five mental health treatment preferences. The top six preferences—medication, going to the doctor, social and family support, counseling and herbal medicines, were consistent throughout demographic categories of age, gender, income, generational status, insurance status, education, and acculturation. Self-management interventions and integrative medicine were also reported as treatment preferences. Participants reported media use of television, internet, books and magazines, in-person interaction, and radio as primary mental health information sources. Media influences on mental health included education/information, hope, normalization, and a catalyst for conversation. Ascribed meanings for anxiety, depression, substance abuse, schizophrenia, and bipolar disorder included cognitive, behavioral, and interactional reports. Mental health services for persons of Mexican heritage should include varying holistic mental health treatment practices, recognizing the need for understanding of potential meanings for mental health issues and illness. Persons of Mexican heritage report the desire for the same types of allopathic care including medications and counseling as Anglos in the US. Additionally, self-management interventions and integrative medicine therapies, as well as innovative media outreach methods were reported as integral to the holistic treatment process of obtaining help for mental health issues and illness.

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Lehmkuhl, Iva Lee. "Authenticity in portrayals of Navajo culture at two heritage sites." Thesis, The University of Arizona, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1537215.

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The degree of accuracy in portrayals of Navajo culture at Salmon Ruins Heritage Park and Rock Art Ranch was assessed by comparing the Navajo structures assembled at each site to archaeological, ethnographic and historical data for traditional Navajo construction practices. Comparison and analysis revealed different degrees of accuracy in the portrayal of features with cultural and functional importance. Authentic practices were presented in a historical framework to permit the temporal characterization of each site. The aggregate of the temporal data from features at both sites was consistent with Navajo sites of the early twentieth century. The results of this study suggest a bias in contemporary portrayals of Navajo culture favoring the most extensively documented, and the more recent, aspects of Navajo culture.

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Aguilera, Sergio. "Mexican-Heritage Children's Cultural Patterns in Collaboration and Communication while Playing a Computerized Videogame." Thesis, California State University, Long Beach, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10639042.

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Two-hundred twenty-eight U.S. Mexican-heritage children, ages 8–10 (110 boys & 118 girls) whose mothers varied in familiarity with Indigenous practices and experience with schooling were videotaped while playing a computer game to study cultural patterns in collaboration and communication. The children played in groups of 4 on 2 computers. Interaction was coded in 5-second segments involving: teamwork, attempts at collaboration, turn-taking, competitive play, or neutral play. Communication was coded as either verbal or nonverbal, including what was communicated. Some results among middle class children were consistent with our expectations; for example, higher rates of solo play, however, the majority showed no difference between the groups. I discuss the shifting cultural practices in both groups as possible reasons for this pattern of results. Lastly, discussing possible cultural shifts pertaining to children’s experience with school in addition to their mothers formal schooling experience.

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Radwan, Chad Kassem. "Assessing Druze identity and strategies for preserving Druze heritage in North America." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0003217.

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21

Rowland, Monica. "Menendez versus Mickey : a study of heritage tourism in Florida." [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001618.

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Soderland, Hilary Allester. "A century of values reflected in the evolving concept of heritage : United States federal archaeology law and Native American heritage from 1906 to the present." Thesis, University of Cambridge, 2006. https://www.repository.cam.ac.uk/handle/1810/252000.

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Figueroa, Alejandro J. "The Clash of Heritage and Development on the Island of Roatán, Honduras." Scholar Commons, 2011. http://scholarcommons.usf.edu/etd/3104.

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The present study examines the spatial relationship between archaeological sites on the island of Roatán, Honduras and their topographical and biophysical location, as well as how these relationships are and continue to be impacted by the island's current socioeconomic context. Despite several studies and explorations conducted on the island's history, archaeology, and geography since the early twentieth century, little is known of its place and role within the larger cultural and socioeconomic spheres of interaction in this region: Mesoamerica and the Intermediate Area. Previous archaeological research has shown that hilltops on Roatán were chosen in prehispanic times for the location of the largest and most prominent sites, and several hypotheses have been put forward to explain the unique location of these sites. Despite the island's potential for addressing questions regarding the culture and history of this poorly understood region of Honduras, Roatán's status as Honduras' top tourist destination has resulted in the altering of its landscape in irreversible ways, including the destruction of archaeological sites. Given this unique situation, site preservation and the study of settlement patterns on Roatán are intricately related, and they both need to be carried out simultaneously if research into the past of this island is to continue, since without immediate site preservation what little we can learn on prehispanic settlement patterns might be lost. Using data compiled from previous archaeological research on Roatán, as well as data acquired through pedestrian survey carried out during the 2009 season of the University of South Florida (USF)'s Project Roatán, I have developed a Geographic Information Systems (GIS) geodatabase in order to provide a broader perspective on both prehispanic and modern settlement patterns. An analysis of site locations with regards to their topography shows that the majority of sites recorded on Roatán are in fact located on hilltops, an observation which, when complemented with other archaeological and ethnohistoric data from northeast Honduras, suggests a possible ritual importance of these spaces. An analysis of current settlement and urban growth patterns shows the degree to which development has encroached upon previously untouched areas of the island, which has impacted an increasing number of archaeological sites. I analyze the various factors and agents that have resulted in this situation, and highlight the need to carry out archaeological research that has heritage management and site preservation as one of its core priorities. These efforts must address the various components that define the management of archaeological heritage in Roatán and Honduras, including local socioeconomic context, national and international policy and law, as well as the various stakeholders with vested interests in cultural heritage. Due to the lack of adequate structures for managing and preserving archaeological resources on Roatán, I argue that approaches such as community participation and increased engagement from the part of researchers outside of Honduras' heritage management sphere are adequate and realistic short-term solutions to the pressing issue of protecting archaeological sites constantly in danger of being affected or destroyed.
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Webb, Brittany. "Materializing Blackness: The Politics and Production of African Diasporic Heritage." Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/504409.

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Anthropology
Ph.D.
"Materializing Blackness: The Politics and Production of African Diasporic Heritage” examines how intellectual and civic histories collide with the larger trends in the arts and culture sector and the local political economy to produce exhibitions at the African American Museum in Philadelphia (AAMP) and structure the work that museum exhibitions do to produce race visually for various audiences. Black museums are engaged in the social construction of race through their exhibitions and programs: selecting historical facts, objects and practices, and designating them as heritage for and to their audiences. In tracking this work, I am interested in 1) the assemblages of exhibits that are produced, as a function of 2) the internal logics of the producing institutions and 3) larger forces that structure the field as a whole. Looking at exhibits that engage Blackness, I examine how heritage institutions use art and artifacts to visually produce race, how their audiences consume it, and how the industry itself is produced as a viable consumptive market. Undergirded by the ways anthropologists of race and ethnicity have been explored and historicized race as a social construction I focus on an instantiation of the ways race is constructed in real time in the museum. This project engages deeply with inquiries about the social construction of race and Blackness, such as: how is Blackness rendered coherent by the art and artifacts in exhibitions? How are these visual displays of race a function of the museums that produce them and political economy of the field of arts and culture? Attending to the visual, intellectual, and political economic histories of networks of exhibiting institutions and based on ethnographic fieldwork in and on museums and other exhibiting institutions, this dissertation contextualizes and traces the production and circulation of the art and artifacts that produce the exhibitions and the museum itself as a way to provide a contemporary concrete answer. Overall “Materializing Blackness” makes the case for history and political economy as ghosts of production that have an outsized impact on what we see on exhibition walls, and are as important to the visual work as a result. Further it takes the Black museum as a site of anthropological engagement as a way to see the conjuncture of the aesthetic and the political, the historical and the material in one complicated node of institution building and racecraft in the neoliberal city.
Temple University--Theses
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25

Hill, Gretchen, and Gretchen Hill. "Inventing the Basque Block: Heritage Tourism and Identity Politics in Boise, Idaho." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12564.

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This thesis examines the social, political, and economic underpinnings of creating a place for Basque immigrant descendants by the use of the Basque Block in downtown Boise, Idaho. In the past, unlike other immigrant groups in the United States, Basques lacked the desire to assimilate into the US and remained relatively invisible. Simultaneously, they created subtle ethnic communities and maintained transnational sociospatial ties with Basque Provinces in Europe. Today, these transnational ties are stronger, which has profoundly influenced the creation of the Basque Block. The Basques strive to maintain their heritage landscapes to retain their cultural identity and educate present and future generations about their unique legacy. Furthermore, the local community in Boise has recently marketed their heritage landscapes to attract tourists and bring attention to this "invisible" ethnic group. This thesis explores the challenges and opportunities brought on by the production and commodification of an ethnic heritage site.
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Velazquez, Cristina. "REVOLUCIÓN DE IDENTIDAD: AN AUTOETHNOGRAPHY ON SPANISH HERITAGE LANGUAGE & IDENTITY." CSUSB ScholarWorks, 2019. https://scholarworks.lib.csusb.edu/etd/938.

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This autoethnography narrative examines my journey as a first-generation Mexican immigrant woman from birth, through completion of the doctorate degree at California State University, San Bernardino. The purpose in writing this autoethnography is to present a personalized account of my experiences growing up, in communicating between two languages, the structural and personal motivators behind maintaining a heritage language (Spanish), and to reflect, in my experience, how I have negotiated with multiple social identities, including ethnic, academic, and bilingual identities. In this self-study, I bring the reader closer to Mexican-American identity, language, and culture. Specifically, this qualitative analysis of Spanish Heritage Language (SHL) and identity will examine the following questions: a) How did I perceive and negotiate my bilingual identity?; b) What obstacles did I face when speaking English, Spanish or both?; c) What role does SHL have in identity development? I have chosen a qualitative approach, specifically an autoethnography, to answer these questions in order to add to existing literature rooted in the lived experience of Spanish heritage language maintenance. This approach allows me to be the researcher, subject, and narrator of the study, and allows me to reflect on my education as a bilingual and bicultural immigrant student. The autoethnographer’s subjective experiences (my stories) become the primary data and encompass looking at a culture through the lens of the researcher. While searching for themes written in vignettes, my journey is an account of two worlds, which coexist, in the infinite intricacy of language learning, speaking, thinking, and being.
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Ireland, Olga Martha. "Accessing Heritage Culture Resources When Facing Chronic Illness Among Low Acculturated Hispanics." Thesis, Northcentral University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3638195.

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Chronic illnesses, such as cancer, are considered sources of stress as they are associated with losses of physical, psychological, social, and financial resources. The consideration of cultural resources is particularly important among ethnic minorities, low acculturated individuals, and immigrants, populations usually associated with a lack of many resources. The connections between acculturation, the changes made when accessing a new cultural context, and health have been extensively studied from a quantitative perspective, usually concentrating on one acculturation domain and without reference to a specific theoretical background. A qualitative approach was utilized in this study involving a multidimensional concept of acculturation with an examination of potential theoretical connections within the theory of conservation of resources (COR). COR is a type of integrative stress theory in which the mobilization of resources and influence of culture, community, and self are emphasized within the stress process. Ten first generation low acculturated Hispanic women diagnosed and undergoing cancer treatment participated in this phenomenological study. The data were collected through semi-structured interviews that were voice-recorded, transcribed, translated, and analyzed following the protocol for interpretative phenomenological analysis. The participants identified the heritage culture resources of past experiences, family, motherhood, faith, social network, language, and cultural identification, which they accessed to manage stress during their cancer experience. Four superordinate themes emerged from the analysis of the heritage culture resources and emergent themes. The superordinate themes revealed the sources of reliance, support, strength to endure, and moving forward and giving back that these heritage culture resources represented during the cancer experience. Under COR theory, clarification was gained as how long-standing resource gain, represented by heritage culture resources, may counterbalance and aid in response to resource loss represented by chronic illness. Suggestions for future research are repeating the study with low acculturated Hispanic men, comparing access and use of heritage culture resources between low and high-acculturated individuals during chronic illness, and examining the impact of time of exposure to the mainstream culture on the different acculturation domains among low acculturated individuals.

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Viddal, Grete Tove. "Vodú Chic: Cuba's Haitian Heritage, the Folkloric Imaginary, and the State." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11315.

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Hundreds of thousands of Haitian agricultural laborers arrived in Cuba to cut cane as the Cuban sugar industry was expanding between the 1910s and the 1930s, and many settled permanently on the island. Historically, Haitian laborers occupied the lowest strata in Cuban society. Until relatively recently, the maintenance of Haitian traditions in Cuba was associated with rural isolation and poverty. Today however, the continuation of Haitian customs is no longer associated with isolation, but exactly the opposite. Cuba's Haitian communities are increasingly linked with cultural institutes, heritage festivals, music promoters, and the tourism industry. In Cuba's socialist economy, "folklore" is a valuable resource that demonstrates the unity of a multi-racial and multi-ethnic nation and attracts tourists. Music, dance, and rituals associated with Vodú have been re-imagined for the public stage. The "folkloric imaginary" creates new careers and opportunities for people of Haitian descent in Cuba. Haitiano-cubanos themselves have found innovative ways to transform the once abject into the now exotic, and are currently gaining a public presence in Cuba through folkloric performance.
African and African American Studies
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29

Cota, Carla Patricia. "Representation of Iranian-American Identity and Finding the Funds of Knowledge in the Resilience of Cultural Heritage." Thesis, The University of Arizona, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10809461.

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This dissertation assembles a case study of Iranian immigrant families in the United States conducted in the northeast. This work addresses the transnational diasporic global identity of second-generation Iranian-Americans. The literature reflects on the exile experience, concluding that Iranian identity is a disputed problematic issue. I argue hybridity pens the migratory process, building links and relationships at the material and cultural levels from the sending and receiving countries. To reveal these connections, I use the funds of knowledge/identity approach to demonstrate how families reach self-understanding and communicate that understanding to others. By examining Persian culture and traditions, this approach sheds new light on the cultural transformations and cultural preservations valued among the second generation. The study shows that complex webs of factors continue to be at work in the shaping of the sociocultural dynamics of Iranian-Americas.

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Dawley, Martina Michelle. "An Analysis of Diversifying Museums: American Indians in Conservation." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/311567.

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An investigation was conducted to show the number of American Indians in the field of conservation, through a quantitative and qualitative analysis. The research investigated the primary question, why are there so few American Indian conservators. In addition, the following secondary questions were examined: 1) How many conservators of American Indian ethnicity are there? 2) What factors influence the number of American Indian conservators? 3) How will American Indians qualified to practice conservation benefit museums? The findings for this study were collected through an online survey, personal interviews, and observations. The results showed that there was a significant relationship between education, conservation, and being American Indian. The study proved the hypothesis that there were not a lot of American Indian conservators. An earlier report investigating the status of American Indians in professional positions in museums nationwide revealed similar results (Rios-Bustamante, 1996). Other publications mentioned Indigenous people as collaborators and participants in various museum practices such as curatorial work, preservation, conservation, and exhibits; but did not specifically name an American Indian as a professional conservator (Bloomfield, 2013; Clavir, 2002; Erickson, 2002; Lonetree, 2012; Odegaard and Sadongei, 2005).A total of eleven participants were interviewed. Of the eleven participants interviewed, nine identified as American Indian from the United States, one identified as Maori from New Zealand working temporarily in the United States, and one as Italian-American (Table 13). Of the eleven interviewed, three identified as trained conservators qualified to practice conservation as a professional conservator. Of the three identifying at trained conservators, two were American Indian, Navajo/Assiniboine and Navajo. A total of ninety-three participants responded to the online survey. Univariate analysis using the standard t-test was used to compare each variable to the dependent, binomial variable (variable of interest=American Indian Conservator, yes or no) to determine its initial significance (Table 12). Significant variables were then added into the model and logistic regression analysis was performed to capture any effect a variable might have on the dependent variable. As a result, the data showed that a conservator was 8.6 times more likely not to be American Indian than conservators who were not American Indian in this study. This analysis and interpretation of the data was used as a preliminary study for future research.
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Beason, Alanna Cameron. "Claiming the Best of Both Worlds: Mixed Heritage Children of the Pacific Northwest Fur Trade and the Formation of Identity." DigitalCommons@USU, 2015. https://digitalcommons.usu.edu/etd/4728.

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Intimacy and family have been pillars of the North American fur trade since its conception. This is especially true for fur trading companies centered in Canada, specifically the Hudson’s Bay Company and the Northwest Company. Kinship ties formed through intimate relations between European fur traders and indigenous women allowed the fur trade to flourish and created an environment for stable, mixed heritage family units to emerge. As mixed heritage children grew into adulthood, they learned to identify with both sides of their parental cultures. However, the connections they formed with each other proved the most valuable and a separate, distinct culture emerged. In Canada this group of people are known as the Métis, a French word meaning mixed. The fur trade continued its move west and eventually reached the Pacific Ocean. This region known as the Pacific Northwest was the farthest removed from fur trade headquarters in Montreal and was home to many different Indigenous Nations. These nations, in combination with fur traders many of whom where Métis, also created families and a new culture once again came into being. It shared aspects of Métis, European, and indigenous cultures, but was something distinctly new. Through the examination of education, kinship ties, language and borders, this groups understanding of self and community came into focus.
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Burgess, Islay. "A Heritage Center for the Mississippi Gulf Coast: Linking the Community and Tourism Through Culture." [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002738.

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Callejas, Linda M. "Contemporary Afro-Cuban Voices in Tampa: Reclaiming Heritage in “America’s Next Greatest City”." Scholar Commons, 2010. http://scholarcommons.usf.edu/etd/3570.

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This dissertation presents findings from ethnographic research conducted with members of the Sociedad La Unión Martí-Maceo, established by segregated Black Cuban cigar workers in Ybor City in 1904. For decades, Tampa officials have initiated numerous urban revitalization projects aimed at developing a world-class tourist destination and metropolitan center. Often, these efforts have centered on highlighting the ethnic history of Ybor City, from which the participation of Black Cubans and the Martí-Maceo Society have been actively excluded or ignored. The main issues related to contemporary Afro- Cuban identity in Tampa and which will be examined in my dissertation, include the changing nature of the Afro-Cuban community in Tampa in light of increases in migration of Cubans and other Latinos of color to the area; Martí-Maceo members’ struggle to reclaim an Afro-Cuban heritage within Tampa’s larger historic preservation efforts over the past decade; and an examination of the Martí-Maceo Society as a voluntary association that appears to have outlived its usefulness in present-day Tampa despite efforts by elderly members to sustain and expand it.
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34

Spillane, Courtney Ross. "Reconstructing the past : heritage research and preservation activities in Tampa Bay communities." [Tampa, Fla.] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0002243.

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35

Voulgarakis, Evangelos. "'Our sacred symbols' : the utilisation of symbols of American heritage by the neo-militia movement and its critics." Thesis, University of Kent, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.396917.

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36

Esposito, Christina. "The Huhugam Heritage Center : an administrative history and case study in tribal museum issues /." VCU Scholars Compass, 2006. http://hdl.handle.net/10156/1853.

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37

Jansson, Martha. "The Swedish American Bibliography Project. A Case Study." Thesis, Högskolan i Borås, Institutionen Biblioteks- och informationsvetenskap / Bibliotekshögskolan, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-18469.

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This thesis is a case study of the Swedish American Bibliography (SWAM), a special subject database in the Swedish Royal Library’s library information system, LIBRIS. The research intentions are to explore and define the bibliography, and, by resolving issues concerning the responsibility for the bibliography, to fulfill the broader intention of clearing the way for its continuation. During the academic year 2006/2007 the qualitative methods of literature analysis, website analysis, email interviews and correspondence were used for investigating the bibliography. Results of research question one showed the SWAM bibliography’s beginnings and its basis in Swedish cultural heritage. Results of research question two showed the bibliography’s relationship to the Royal Library’s duties and instructions. Results of research question three showed the organization of knowledge in the bibliography’s scope, its digital structure and its accessibility. Results of research question four compared the bibliography to similar Nordic bibliographies. Results of research question five covered the Swedish and North American institutions collaborating on the project to keep the bibliography going and addressed the project member institution representatives’ ideas for the bibliography’s future. In addition to the bibliography material’s significance for Swedish cultural heritage, the conclusions revolved around the need for a combination of open communication channels among the member institutions, a sound financial base of operations and strong leadership and around the Royal Library’s ultimate head responsibility for the SWAM bibliography’s continuation.
Uppsatsnivå: D
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38

Elmore, Raheem Terrell Rashawn. "Cultural Trauma's Influence on Representations of African American Identity in Alice Walker's "Everyday Use"." University of Dayton / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1575988169901602.

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39

Ayouby, Kenneth Kahtan. ""Speak American"! or language, power and education in Dearborn, Michigan: a case study of Arabic heritage learners and their community." Thesis, University of Port Elizabeth, 2004. http://hdl.handle.net/10948/369.

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This study examines the history and development of the “Arabic as a foreign language” (AFL) programme in Dearborn Public Schools (in Michigan, the United States) in its socio-cultural and political context. More specifically, this study examines the significance of Arabic to the Arab immigrant and ethnic community in Dearborn in particular, but with reference to meanings generated and associated to Arabic by non- Arabs in the same locale. Although this study addresses questions similar to research conducted on Arab Americans in light of anthropological and sociological theoretical constructs, it is, however, unique in examining education and Arabic pedagogy in Dearborn from an Arab American studies and an educational multi-cultural perspective, predicated on/and drawing from Edward Said’s critique of Orientalism, Paulo Freire’s ideas about education, and Henry Giroux’s concern with critical pedagogy. In the American mindscape, the "East" has been the theatre of the exotic, the setting of the Other from colonial times to the present. The Arab and Muslim East have been constructed to represent an opposite of American culture, values and life. Through the agency of conflation, Arab (and Muslim) Americans are accordingly lumped together with people from abroad, making for their status as permanent outsiders. Thus, if the American Self represents an ideal, the inhabitants of this oppositional world of Arabs and Islam (an Anti-world) represent an Anti-self. A source of fear and object of hate and prejudice, this Anti-self is the object of derision and anything connected with it (e.g. language, customs, religion, etc.) becomes suspect and is devalued by association. This document has two objectives: First, to present an historical account of this context, and, secondly, to shed light on how and why things that are associated with Arab Americans in Dearborn are devalued. This is achieved by addressing the developments of meanings (of actions and symbols) in their American context, and how they have shaped (and still shape) the local culture's depiction of and understanding of Arab (and Muslim) Americans. Therefore, Arab American issues of language, culture and societal interactions should be understood as constituting a stream of American life, which represent a dimension of the total American experience, past and present, that is best understood through the paradigm of American studies. Viewing this experience as a cultural whole rather than as a series of unrelated fragments (e.g. immigration waves and settlement patterns, religious and state affiliations, assimilation and preservation debates), Arab American culture and issues begin to shine through as an organic and holistic experience whose characteristics are shared with other groups, suggesting research on this community is equally generalisable to others. ii As an academic work, this document promotes an understanding of the Arab American experience from an interdisciplinary point of view through focusing on the phenomenon of language in the community with emphasis placed on the AFL experience at school. Therefore, it is a broadly-framed outlook that permits, in an introductory way, a view of the richness of the Arab American experience, particularly in Dearborn, Michigan, as part of the American experience. Data were collected using two surveys, one for AFL students at a high school, and another was administered to adults in the community—in Dearborn. In addition, an action-research-based effort, individual personal interviews and focus groups were conducted with stakeholders in the community: parents/community members, teachers/school personnel and students, utilising personal involvement in understanding and analysing the data. Also, the study referred to archival and documentary evidence available in the school system. Four hypotheses regarding importance/significance and utility of Arabic were offered and tested by means of qualitative, interpretive analysis. Findings included: (1) Arab Americans valued Arabic as an emblem of their community in Dearborn, suggesting its employment as an indicator of political empowerment. (2) Conversely, in the non-Arab community Arabic was observed as a mark of the Other, and an artefact of ethnic retrenchment and rejection of assimilation. (3) Interestingly, however, development of English language competence emerged as a major concern in the community, outweighing Arabic language preservation. (4) While, language maintenance efforts in the community were observed as minimal, especially at the organisational level, and support for such programmes was marginal to nil. (5) Additionally, Arabic, while not the object of a desire to master as a medium of communication, was observed to signify a special symbol of heritage for Arab American youth in the Dearborn community, who may have rejected their parents’ ideas about learning Arabic, but had developed their own. (6) What is more, Arab American youth were observed developing a viable hybridised identity, whose mainstay is being “Arabic”, despite the dominance of English and Euro-Anglo cultural norms. (7) At the institutional level, Arabic was observed devalued in the school setting due to its association with Arabs, Islam, Arab Americans, and immigration. (8) Moreover, relations between Arab Americans and non-Arab Americans in the school system seems to have been equally impacted by this process of devaluation, furthering the cause of stigmatisation, prejudice and racism.
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40

Bittner, Jessica. ""To Milk the Yankee Tourists": Mid-20Th-Century Heritage Practice and the Social Construction of Whiteness in the American South." W&M ScholarWorks, 2018. https://scholarworks.wm.edu/etd/1550153833.

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This paper considers the appropriation of Indigenous heritage in northwest Georgia during the mid-20th century. Through this case study of the first state-funded historic preservation project in the state at Etowah Indian Mounds, I apply a recent theorizing on the nature of whiteness, settler colonialism, and the role of heritage in cementing racialized structures of colonial rule. I outline the long history of Indigenous dispossession and settler appropriation in the American South to show how the origins of Indigenous heritage tourism built on an established settler colonial apparatus that deployed race to service commercial and economic development schemes. in this vein, my study highlights state-funded infrastructural development, newspaper reports, commercial interests, and community practice as key nodes in an integrated system facilitating appropriation and solidifying white control over space and place. to tackle this complex interdependence, I formulate a conception of heritage practice drawn from Hargrove's (2009) model of whiteness as habituated cultural practice, and tie this discussion into heritage studies emphasizing the transformation of historic landscapes into white public space. I then contextualize heritage building at Etowah within an evolving tourism economy and New South ideology that positioned white supremacy in relation to modernity, and demonstrate how GHC practitioners utilized archaeology and architecture to reinforce this ideological framework at Etowah Mounds. Tracking trends in the press coverage of ongoing preservation activities at Etowah Mounds, my study charts the gradual production of heritage values tied not to commercial interests but to the site's perceived historical and archaeological significance as Georgia's flagship preservation project. I argue that the repositioning of this site as national patrimony served to legitimate the appropriation and continued possession of Indigenous land, resources, and material culture by establishing ancestral connections between white communities and the region's pre-contact inhabitants.
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41

Becker, Sharon Edwina. "Preserving rural African American heritage in Hawkins County, Tennessee: a history and restoration proposal for Saunders School, Chapel, and Cemetery." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/2256.

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As generations segment and separate by distance and relationships, the chapel, school, and cemetery in what was known as the Saunders Chapel Community in Hawkins County, Tennessee, becomes a unifying bond to its descendents. This study records Saunders School history as an established central archive and uses the history for a restoration proposal. Saunders history, like all social and cultural history, exists as coalesced fragments. In the hope of deriving proof of the past, each entity and event is brought together so they might illuminate another. The story of Saunders Chapel will continue to grow and live on through the decedents, the site, and their history. The lives and faith that created the community has been brought to present light to insure the descendents of Saunders Chapel a place to keep coming home to.
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ALVES, FLAVIO LUIS. "THE LATIN AMERICAN ECCLESIOLOGY AS A CREATIVE HOST OF VATICAN II: A PATH FOR A NEW RECEIPT TO RECONCILE THE HERITAGE." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2011. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=17426@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR
A presente dissertação intitulada: A Eclesiologia Latino-americana como acolhimento criativo do Vaticano II: Um caminho para uma nova recepção da herança conciliar desenvolveu-se estimulada pela reflexão que se vive hoje diante a uma mudança de época que demanda, por parte da Igreja, novas respostas aos desafios que se apresentam à evangelização na cultura atual. Parte-se do Concílio Vaticano II, onde a Igreja sente-se compelida diante do mundo a tomar decisões e dar um novo rumo à sua missão de evangelizar, promovendo assim uma renovação e mudança que possibilita uma nova consciência eclesial, que, por sua vez, é reconhecida e valorizada nos Documentos das Conferências Gerais do Episcopado Latino-americano. Esta nova concepção de Igreja adquire forte vitalidade no pós-Concílio na América Latina. A Igreja latino-americana, atenta aos sinais dos tempos, procura compreender e atualizar sua missão assumindo a realidade e a partir dela testemunha o Evangelho. As consequências eclesiológicas desta tradição latino-americana, possibilitada pelo Vaticano II, iniciada com a Conferência de Medellín e intensificada mais recentemente com a Conferência de Aparecida se apresentam como contribuições atuais para toda a Igreja e situam-se na direção de uma nova recepção da herança conciliar.
This dissertation entitled: The Latin American Ecclesiology as a creative host of Vatican II: A path for a new receipt to reconcile the heritage was developed stimulated by the reflection that lives today on an era change that demands, by the Church, new answers to challenges that present themselves to evangelism in today’s culture. Stems from Vatican II council, where the Church feels compelled against the world to make decisions and grant a new direction in Its mission to evangelize, promoting a renewal and change that enables a new ecclesial consciousness, which is recognized and valued in the General Conferences of Latin American Bishops’ documents. This new conception of Church has strong vitality in the post-council on Latin America. The latin american Church, attentive to the signs of the times, seeking to understand and update their mission assuming the reality and taking from it to witness the gospel. The ecclesiological consequences of this Latin American tradition, made possible by Vatican II, which began with the Medellín’s Conference and intensified more recently with the Aparecida’s Conference, are presented as current contributions to the whole Church and are in the direction of a new reception of the heritage council.
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Reid, LaMarise C. "“It's Not about Us": The Erasure of African American Heritage and the Rehistoricization of the First Africans on Jamestown Island, Virginia." W&M ScholarWorks, 2019. https://scholarworks.wm.edu/etd/1593092071.

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This thesis explores the complex relationship between making African Diaspora history and culture visible at Historic Jamestowne, a setting that has historically been seen as "white". The four hundredth anniversary of the forced arrival of Africans in Virginia has created a fraught space to examine African American collective memories of shared history, community and commemoration. This thesis operationalizes Page and Thomas's (1994) "white public space" which describes the utilization of "locations, sites, patterns, configurations or devices that routinely discursively, and sometimes coercively privilege Euro-Americans over nonwhites" (1994: 111). When this concept is applied to the construction of heritage and production of history, it may this be reconceptualized as "white public heritage space". At Jamestown, Jim Crow-era Anglo-Protestant elites created white public heritage space through their interpretation of archaeological sites, objects, historical events, and spaces to reaffirm white supremacist hierarchical views on the past in an effort to naturalize white privilege and structural violence toward non-whites. These formulas of silences construct an uneven past which add to what Tillet describes as "civic estrangement," the feeling of alienation from the "rights and privileges of the contemporary public sphere" (2009:125). For African Americans, civic estrangement further complicates the always complex process of identity formation and negatively affects transnational diasporic relations. To confront early-20th-century misrepresentations, archaeologists and heritage professionals at Jamestown have begun engaging the local descendant African American community in collective knowledge production centered around Angela, one of the first African women that lived at Jamestown in the 1620s. This method draws upon critical praxis as it aims to reconstruct traditional power relationships in archaeological production of histories and identities. Here, the Angela Site is foregrounding the life and influences of one of the first "invisible" African women to have lived and labored in the colony. Connecting postcolonial theory and community-collaborative methods, this thesis explores the production of dominant histories, plausible alternative interpretations of the colonial past, and relationships between heritage sites and local descendant communities.
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Callahan, Sara B. Dykins. "Where Christ Dies Daily: Performances of Faith at Orlando‘s Holy Land Experience." Scholar Commons, 2010. https://scholarcommons.usf.edu/etd/1586.

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This manuscript focuses on performances of place and faith inside the Holy Land Experience (HLE), an edutainment complex nestled in the fantasy nexus of Orlando, Florida. A self-proclaimed living-history museum, the HLE includes animatronic Bible characters and musical dramas. The HLE enacts and embodies evangelical narratives of Christianity and Christian faith, and visitors to the park are asked to join the performances, blurring the distinctions between spectators and professional actors. I argue that visitors' performances of faith invest the space of the HLE with sacredness, while the location and design of the HLE infuses the space with elements of the secular. The HLE exemplifies the performative nature of the sacred and shows how sacredness is a process (a performance), not an inherent property. Through participant observation, interviews, and critical/cultural analysis, I engage the multiple meanings of the HLE with the intention of facilitating empathic understandings of the complex, embodied phenomenon of faith as it manifests in this hybrid space.
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Sansevere, Keri. ""Anything but White": Excavating the Story of Northeastern Colonoware." Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/544810.

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Anthropology
Ph.D.
The study of historic-period pottery cuts across many disciplines (e.g., historical archaeology, material culture studies, American studies, art history, decorative arts, fine arts). Studies of historic pottery with provenience from the United States are largely centered on fine-bodied wares, such as porcelain, white salt-glazed stoneware, creamware, pearlware, whiteware, ironstone (or white granite), and kaolin smoking pipes. These wares share the common attribute of whiteness: white paste and painted, slipped, or printed decoration that typically incorporate the color white into its motif. Disenfranchised groups had limited direct-market access to these wares due to its high value (Miller 1980, 1991). White pottery was disproportionately consumed by White people until the nineteenth century. This dissertation examines colonoware—an earth-toned, non-white, polythetic kind of coarse earthenware. Archaeologists commonly encounter colonoware in plantation contexts and believe that colonoware was crafted by Native American, African, and African American potters between the sixteenth through nineteenth centuries (Deetz 1999; Espenshade and Kennedy 2002:210; Gerth and Kingsley 2014; Heite 2002; Madsen 2005:107). Colonoware researchers have engaged with collections and archaeologically excavated samples from the lower Middle Atlantic, American Southeast and Caribbean for over fifty years since the “discovery” of the pottery at Colonial Williamsburg—then called “Colono-Indian Ware”—by Ivor Noël Hume (1962). Comparatively less research has been conducted on colonoware with American Northeast provenience (see Catts 1988; Sansevere 2017). This dissertation “excavates” evidence of Northeastern colonoware that has been deeply buried—buried within obscure literature, buried by centuries of soil accrual only recently moved by compliance archaeology, and buried by the fifty-something-year-old myth that colonoware was only manufactured and used in the lower Middle Atlantic, American Southeast and Caribbean. The lives of northern bondsmen have been largely concealed in the historical record, yet these individuals were clearly a very visible part of northern society and the examination of northern colonoware helps tell that story. The circumstances that precipitated the excavation of northern sites that contain colonoware, the individuals who chose to collect northern colonoware, and my own experience accessing northern colonoware collections shapes how knowledge of the past is made, provides perspective on the mechanisms that control access to heritage, demonstrates how bias is created in object-based research, and reveals the politics at play. Lastly, I speculate that colonoware contained significant meaning for northern users between the seventeenth through nineteenth centuries and discuss the changing value of this non-white pottery in contemporaneous society.
Temple University--Theses
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46

Yang, Chun-Ting. "Student Ethnic Identity and Language Behaviors in the Chinese Heritage Language Classroom." The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1462865990.

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47

Mattson-Prieto, Raquel. "Identity, Discursive Positioning, and Investment in Mixed-Group Spanish Language Classes: A case study of five heritage speakers." Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/553710.

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Spanish
Ph.D.
Research in identity and heritage language (HL) education focuses on the experiences of heritage speakers (HS) and how certain classroom discourses can devalue the skills and proficiencies that they bring with them to the class (García & Torres-Guevara, 2010; Leeman, 2012; Showstack, 2016). These dominant and monoglossic language discourses often focus on the teaching and acquisition of a “standard Spanish language” (Train, 2007; del Valle, 2000). Although scholarship on HL education has long advocated for separate specialized courses to meet the needs of HSs (Potowski, 2002; Valdés, 1997), many HSs remain in courses designed for second language (L2) learners because institutions do not consistently offer specialized instruction. Some research has investigated the experiences of HSs in mixed L2-HL classes (Harklau, 2009; Potowski, 2002), but there is a need for an examination of the classroom discursive practices in courses tailored for L2 learners and how those practices shape how HSs of diverse backgrounds position themselves as Spanish speakers within and outside of the classroom. The present study explores the representation of identity among HSs enrolled in university-level Spanish language classes. This investigation examined the relationship between HSs’ perceived instructional objectives in a Spanish as a second language class, the ways HSs positioned themselves as knowledgeable of the language concerning these objectives, and finally, their subsequent investment in their Spanish studies. The data come from a classroom ethnography and were analyzed within a grounded theory methods approach (Glasser & Strauss, 1967) and showed the extent to which classroom activities were inclusive to HSs’ pedagogical needs. Further, from a social identity and positioning lens, I considered how language ideologies that value the standard linguistic repertoires of monolingual native speakers’ affected individuals’ perceptions and relationships to their heritage community, and the expert or novice identities they negotiated during social interaction. Classroom observations and interviews revealed that the instruction that HSs received often promoted a linguistic hierarchy that devalued the non-standard language forms that reflected the participants’ ethnolinguistic backgrounds. The findings show that each HS navigated classroom discursive practices and negotiated multilingual identities in interaction with their peers, teachers, and the curriculum in different ways. Some of the participants became ambivalent toward the language and its speakers as their backgrounds went unacknowledged in classroom practice, while others found value in the Spanish classes because of past experiences. Findings suggest that there is a need for methodologies in mixed-group classrooms that reflect and acknowledge the sociolinguistic variation of the class (Gutiérrez & Fairclough, 2006).
Temple University--Theses
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48

Serra, Aníbal José Ribeiro. "O Português, língua de herança nos Estados Unidos: o caso de Hudson, Massachusetts." Doctoral thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/31047.

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Usando como trampolim uma panorâmica histórica da presença portuguesa no Canadá e nos Estados Unidos da América, neste trabalho analisar-se-á a situação atual da língua portuguesa em Hudson, Massachusetts. Durante as últimas três gerações o português tem passado de uma língua falada como língua materna por imigrantes oriundos de Portugal — particularmente da ilha de Santa Maria — a uma Língua de Herança (LH) e finalmente a um vetor cultural usado como alavanca pela nova geração que a aprende ex novo como L2. A análise de amostras linguísticas da terceira geração de luso-americanos da Escola Secundária de Hudson permitirá descrever o perfil destes indivíduos que não se tornam falantes de uma realidade completamente desconhecida; antes se tornam falantes de um português com base e estrutura anglófonas. São, portanto, falantes de uma herança cultural, mas não falantes da língua cuja cultura são herdeiros; Portuguese, Heritage Language in the United States: the Case of Hudson, Massachusetts ABSTRACT Using as a springboard a historical overview of Portuguese presence in Canada and the United States, I analyze the current stage of the Portuguese language in Hudson, Massachusetts. Indeed, by looking at how during the past three generations Portuguese has gone from a full-fledged living language spoken by immigrants hailing from Portugal—particularly the island of Santa Maria, Azores—who spoke it as a native tongue, to a Heritage Language (HL), and eventually to a cultural vector whereby its speakers rely on their shared legacy to learn it anew as a L2. The analysis of linguistic samples of the third generation of Portuguese-Americans of Hudson High School will provide a profile of these individuals who do not become speakers of an unknown reality yet they become Portuguese speakers with an Anglophone base and structure. They are therefore speakers of a heritage and culture, but not speakers of the inherited language.
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49

Wakeman, Diane Marie. "Workin’ from Cain to Cain’t: Challenges within Florida’s Gulf Coast Oyster Industry." Scholar Commons, 2009. https://scholarcommons.usf.edu/etd/74.

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Oyster tongers are a cultural icon of Florida's maritime heritage and geography. Challenged for generations by the vagaries of weather, including catastrophic storms and years-long droughts, and economic uncertainties this maritime heritage is fading fast. While Florida's north and west coasts produce 90 percent of the Florida oyster harvest and ten percent of oysters consumed in the United States, the industry is at risk today for reasons including a declining demand for Florida oysters because of health concerns; water pollution; population growth and its accompanying development of condominiums, gated communities, and retail shopping centers; and declining interest in the hard work of oystering as a livelihood. This work investigates those challenges to Florida's Gulf Coast oyster industry through the lens of a twenty-first century consumer. I examine why the U.S. Department of Agriculture considers raw oysters a significant challenge to public health and how local, state, and federal government regulations, along with cooperative efforts of the seafood industry, offset the potential for oysters to convey foodborne illness to human consumers. The fact that raw oysters carry a high propensity for conveying bacterial disease makes them a unique marketing challenge, especially outside of months that have an r in them. As a subject of culinary tourism, Florida oystering maintains an iconic maritime heritage. The labor force of the commercial oystering business has ranged widely-from migrant mothers working with toddlers at their side and their school-age children forgoing education for shucking oysters at the turn of the twentieth century to a new, Hispanic work force whose strong work ethic heartily satisfies oyster processors as local interest for the hard work in the industry declines. The threat to sustainability of both the working traditions of the Apalachicola oyster folk, and the oysters themselves as a bountiful resource, grows in direct proportion to the environmental pressures fostered by rapid and poorly-regulated population growth. A legitimate question might be, given the difficulties of the work and challenges to the industry, is it worth the state's effort to help sustain this industry?
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50

Bateson, Catherine Victoria. "Culture and sentiments of Irish American Civil War songs." Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/33216.

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During the American Civil War, an approximate 200,000 Irish-born soldiers, and an even greater number of subsequent generation descended soldiers, fought for the Union and Confederate causes. Their experience, opinions, military actions and attitudes of their families were the subject of American Civil War songs, with songwriters penning numerous ballads about them. The conflict witnessed the mass production of wartime ballad culture, with over 11,000 pieces written and composed between 1861 and 1865 alone. An estimated 150 were by and about the Irish American wartime experience specifically. This thesis focuses on these Irish American Civil War songs and analyses the sentiments they expressed. Overall, the main topic written onto songsheet pages and in songbooks was the battlefield actions of Irish-born and descended soldiers. This study explores how military history was reported through song, following traditional oral practice patterns of using balladry to sing war reports. In particular, attention will be drawn to the proliferation of lyrical dedication and focus on specific Irish-dominated units such as the Union Army's Irish Brigade and 69th New York State Militia, and how their actions, along with other Irish soldiering units, came to dominate Irish American Civil War articulations and history. Within this lyrical attention the figures of Irish-born commanding officers, namely Generals Michael Corcoran and Thomas Francis Meagher, come to the fore. This study also analyses how their own wartime experiences and articulations corresponded with song lyrics. Beyond the battlefield focus, this thesis explores the way in which song lyrics sang about Irish loyalty and devotion to the American Union - and in a few examples Confederate nation - and particularly adopted symbols of the American nation, such as the Star Spangled Banner, as embodiments of the causes and ideals fought for by soldiers. Alongside this were lyrics that referred to symbols of Irish cultural heritage, language and a history of foreign military service. Irish identity can be seen on the surface of some songs, including references to Irish nationalism and the desire to gain Irish independence one day. Yet, as this thesis will argue, Irish American Civil War song lyrics reveal complicated support and sympathy for the Irish nationalist cause in the United States during the 1860s. Running through the songs of this study is a pervading sense and sentiment of American identity - that the Irish fighting and living through the war were stressing to society through song that they were committed to the United States as Americans first and foremost. In addition to assessing wartime views of Civil War politics and military actions, this thesis will also explore the way Irish song played a critical part in the formation of American musical culture, with traditional Irish music forming the foundation for American tunes, and blending Irish culture into the American wartime zeitgeist. This thesis will demonstrate the way in which Irish songs were written, published and disseminated through American society and crucially circulated beyond the confines of the Irish diaspora. Traditional and wartime Irish songs became a fundamental part of American culture because they were American cultural outputs. Thus this thesis will demonstrate the important evidential role Irish American Civil War songs play in singing an unexplored areas of mid-nineteenth century Irish American transnational history.
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