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Dissertations / Theses on the topic 'American history|American literature'

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1

Vollaro, Daniel R. "Origins and orthodoxy anthologies of American literature and American history /." unrestricted, 2008. http://etd.gsu.edu/theses/available/etd-08272008-210438/.

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Thesis (Ph. D.)--Georgia State University, 2008.<br>Title from file title page. Janet Gabler-Hover, committee chair; Robert Sattelmeyer, Calvin Thomas, committee members. Electronic text (205 p.) : digital, PDF file. Description based on contents viewed Sept. 18, 2008. Includes bibliographical references (p. 192-205).
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2

Vollaro, Daniel Richard. "Origins and Orthodoxy: Anthologies of American Literature and American History." Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/english_diss/36.

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This dissertation examines how the new “multicultural phase” anthologies of American literature treat American history. Anthologies of American literature are more historical, more diverse, and more multidisciplinary than ever before, but they have over-extended themselves in both their historical and representational reach. They are not, despite their diversity and historicism, effective vehicles for promoting critical discussions of American history in the classroom. Chapter One outlines a brief history of anthologies of American literature, while also introducing the terminology and method
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3

Arellano, Jose Antonio. "Life in Search of Form| Mexican American Literature and American Literary History, 1959-1999." Thesis, The University of Chicago, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10840787.

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<p> Searching for Form: Mexican American Literature and American Literary History,1959-1990 explores how Mexican American writers advanced notions of literary art to explore the conditions of their self-determination. Rather than stipulating a relatively continuous story of Mexican American &ldquo;culture,&rdquo; however, I show how the very terms &ldquo;self-determination&rdquo; and &ldquo;literary art&rdquo; changed radically from 1959 to 1999&mdash;a change that responded to shifts in the American political and economic scene. </p><p> I start in 1959, with the publication of what was then
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4

Kopec, Andrew. "Economic Crisis and American Literature, 1819-1857." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1365760287.

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5

Shevlin, Casey G. "A System with Parts and Players: The American Lynch Mob in John Steinbeck's Labor Trilogy." University of Akron / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=akron1366811963.

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6

Garcia, Alesia 1962. "Aztec Nation: History, inscription, and indigenista feminism in Chicana literature and political discourse." Diss., The University of Arizona, 1998. http://hdl.handle.net/10150/282854.

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In the United States in the mid-1960's, Chicano cultural nationalists mobilized a generation by recuperating the history and mythology of the pre-conquest Aztecs as strategies of political resistance. Claiming themselves la Raza de Bronce the Bronze race) in their art, literature, and political discourse, Chicano activists and intellectuals distinguished themselves racially from white America and worked toward reunifying an indigenous culture that had been fragmented by colonization and diaspora. This discursive practice of reinscribing Mexican Indian ancestry is a political act that I refer
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7

Gwinner, Donovan R. ""A wasteland fortunes": History, destiny, and cultural frontiers in American literature." Diss., The University of Arizona, 2001. http://hdl.handle.net/10150/289823.

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Throughout the nineteenth century, American authors produced literature that depicted the processes and effects of the conquest of North America, particularly the formation of the United States of America. Twentieth-century American writers have continued creating literature that portrays the history of the continent following the advent of Europeans in the "New World." This dissertation analyzes the conventions of historically oriented American literature. Interpretations of John Gast's painting Manifest Destiny and of selected works by James Fenimore Cooper, Timothy Flint, James Kirke Pauld
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8

Machcinski, Kathryn F. ""Civilization is Going to Pieces": Crime, morality, and their role in The Great Gatsby." Cleveland State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=csu1386665184.

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9

Smart, Andrew J. Smart. "Books Are Weapons: Didacticism in American Literature, 1890-1945." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu151188606118299.

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10

DeToy, Terence. "It's All In the Family?Metamodernism and the Contemporary (Anglo-) -"American" Novel." Thesis, Tufts University, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3728511.

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<p> This dissertation examines the function of family as a thematic in the contemporary Anglo-American novel. It argues that contemporary aesthetics increasingly presents the family as an enabling platform for conciliation with the social totality: as a space of personal development, readying one for life in the wider social field. This analyses hinges on readings of Jonathan Franzen&rsquo;s <i>Freedom</i> (2010), Zadie Smith&rsquo;s <i> NW</i> (2012), A. M. Homes&rsquo; <i>May We Be Forgiven</i> (2012) and Caryl Phillips&rsquo; <i>In the Falling Snow.</i> In approaching these novels, this pro
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11

Hardman, James Brian. ""Plucking roses from a cabbage patch"| Class dynamics in progressive era Louisville as understood through the contested relationship of Mary Bass and Alice Hegan Rice." Thesis, The University of North Carolina at Charlotte, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10247404.

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<p> In 1901, Alice Hegan Rice, a wealthy socialite reformer, published the novel <i>Mrs. Wiggs of the Cabbage Patch</i> which dealt her experiences working with the poor. By the end of 1902 her novel had become a national phenomenon and finished the decade as one of its five bestselling books. Though the novel was fictional in nature, the book&rsquo;s heroine, Mrs. Wiggs, was based on the life of a real woman, who inhabited the one of the poorest neighborhoods in Louisville, Kentucky at the turn of the twentieth-century, a slum known as the Cabbage Patch. Shortly after the book&rsquo;s publica
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12

Jacobson, Melvin. "Lillian Hellman's search for truth." Thesis, California State University, Dominguez Hills, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10020189.

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<p> Although Lillian Hellman was obsessed with truth, in her memoirs she often exaggerates, confabulates, and lies. So pervasive was Heliman's penchant for making things up that her reputation as a memoirist has suffered under a deluge of criticism. Hellman personified a era of many societal changes: greater sexual freedom for women, more opportunities for women to work, and television's growing impact on creating celebrities. Foremost, however, central to .Hellman's life was-the advent of McCarthyism, a period she describes in <i> Scoundrel Time Scoundrel Time</i> has drawn more criticism--ac
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13

Spurgeon, Sara Louise. "History, prophecy and myth: Reconstructing American frontiers and the modern West." Diss., The University of Arizona, 2000. http://hdl.handle.net/10150/284119.

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This study explores and analyzes the ways in which three contemporary writers--Cormac McCarthy, Leslie Marmon Silko, and Ana Castillo--are revisioning the archetypal frontier myths which have shaped, and continue to shape, American culture. Just as with earlier versions, modern frontier myths are mixed and hybridized, the often troubled offspring of parents from multiple cultures and races co-existing in an uneasy intimacy. Contrary to some scholars' assumption, modern American culture is neither lacking in myths, nor unmarked by centuries of conquest and co-existence with Native cultures and
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Al-Khaldi, Mubarak Rashed. "Other narratives : representations of history in four postcolonial Native American novels /." The Ohio State University, 1998. http://rave.ohiolink.edu/etdc/view?acc_num=osu148795220810831.

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15

Dawkins, Sabrina Y. "Postmodernity and the history of African American religious representations a Foucauldian approach /." Greensboro, N.C. : University of North Carolina at Greensboro, 2007. http://libres.uncg.edu/edocs/etd/1505Dawkins/umi-uncg-1505.pdf.

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Thesis (M.A.)--University of North Carolina at Greensboro, 2007.<br>Title from PDF t.p. (viewed Mar. 11, 2008). Directed by Steven R. Cureton; submitted to the Dept. of Sociology. Includes bibliographical references (p. 103-115).
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16

Zamora, Maria C. "Nation, race & history in Asian American literature re-membering the body." New York, NY Washington, DC Baltimore, Md. Bern Frankfurt, M. Berlin Brussels Vienna Oxford Lang, 2008. http://d-nb.info/990413780/04.

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O'Dell, Darlene. "Sites of Southern memory: The autobiographies of Katharine Dupre Lumpkin, Lillian Smith, and Pauli Murray." W&M ScholarWorks, 1997. https://scholarworks.wm.edu/etd/1539623904.

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This study argues that Katharine DuPre Lumpkin, Lillian Smith, and Pauli Murray used sites of regional memory in their autobiographies, particularly Confederate burial sites, to discuss how segregation divided not only the southern landscape and the southern people, but southern minds and bodies as well. In the southern graveyard, memory of the Confederate South was stored in tombstones and memorials, in Confederate flags driven into grass plots, and in Memorial Day speeches and rituals associated with the burial of the dead. Cemeteries housed the language of southern memory. Here, identity wa
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18

Subramanian, Alexandra. "Katherine Anne Porter and her publishers." W&M ScholarWorks, 2001. https://scholarworks.wm.edu/etd/1539623389.

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This biographical dissertation focuses upon Katherine Anne Porter's relationship with her literary agent, Cyrilly Abels, and her editors and publishers, Donald Brace and Seymour Lawrence, who were associated with Harcourt, Brace and Atlantic-Little, Brown respectively. The study is based upon the thousands of pages of correspondence between Porter and her professional associates housed in the Papers of Katherine Anne Porter at the University of Maryland. Porter's professional alliances are placed within the context of nineteenth and twentieth century publishing history and within a long tradit
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19

Barnard, Timothy L. ""Far out past": Hemingway, manhood, and modernism." W&M ScholarWorks, 2005. https://scholarworks.wm.edu/etd/1539623462.

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This dissertation investigates Ernest Hemingway's authorship as an instance of international modernisms forming as sustained engagements with gender and sexuality. By focusing on four of Hemingway's most experimental texts it shows how a figure of both "high" and "popular" modernism sought to occupy a heterogeneous space of cultural queerness vitalized by masculinity, national and ethnic identities, and writing.;The introduction discusses how post-war gender, sexual, and literary discourses reflected period obsessions with authenticity in the face of a rising commodity culture. It also introdu
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20

Donovan, Kathleen McNerney. "Coming to voice: Native American literature and feminist theory." Diss., The University of Arizona, 1994. http://hdl.handle.net/10150/186769.

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This dissertation argues that numerous parallels exist between Native American literature, especially that by women, and contemporary feminist literary and cultural theories, as both seek to undermine the hierarchy of voice: who can speak? what can be said? when? how? under what conditions? After the ideas find voice, what action is permitted to women? All of these factors influence what African American cultural theorist bell hooks terms the revolutionary gesture of "coming to voice." These essays explore the ways Native American women have voiced their lives through the oral tradition and th
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21

Suzuki-Martinez, Sharon S. 1963. "Tribal Selves: Subversive Identity in Asian American and Native American Literature." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/565575.

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22

Elsherif, Ikram Ahmed Ibrahim. "'A truth about the interior life' : Toni Morrison and African-American history." Thesis, Royal Holloway, University of London, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322370.

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23

Leuschner, Eric D. "Prefacing fictions : a history of prefaces to British and American novels /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p3144435.

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24

Weber, John William. "A Literature of Combat: African American Prison Writers of the Vietnam Era." W&M ScholarWorks, 2002. https://scholarworks.wm.edu/etd/1539626370.

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25

Cooledge, Dean R. "Beneath the urban landscape: Some versions of American pastoralism in urban literature, art, and film." Diss., The University of Arizona, 2002. http://hdl.handle.net/10150/280163.

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In this dissertation I explore the relationship between the city and the pastoral ideal in America. While not meant to be a comprehensive discussion of Urban Pastoralism, I want to focus my attention on the pastoral impulse one experiences within the city. Some versions of American Pastoralism emphasize the city as a complex wilderness, which creates within its inhabitants a pastoral impulse for a simpler mode (Golden Age) outside the boundaries of the city. However, the inability of the subject in art, literature, and film, to escape from the city forces the subject to seek a symbolic pastora
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26

Su, Suocai. "Inventing transnational Chinese American identities in Amy Tan's The Joy Luck Club, Shirley Geok-lin Lim's Among the white moon faces, and Shawn Hsu Wong's American knees." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1301632.

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My dissertation investigates how Chinese American writers invent transnational Chinese American identities in the 1980s and 1990s. In particular, I focus on Amy Tan's The JoyLuck Club (1989), Shirley Geok-lin Lim's Among the White Moon Faces: An Asian American Memoir of Homelands (1996), and Shawn Hsu Wong's American Knees(1995). 1 argue that Tan, Lim, and Wong challenge the conventional ideas of a singular, pure, and fixed identity but instead create Chinese American identities in the post-1965 era as multiple, hybrid, and constantly changing to accommodate to an open, diverse, and multicultu
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27

Berman, Whitney Elizabeth. "Archival Literature: Analysis of the Evolution of "American Archivist."." Thesis, School of Information and Library Science, 2004. http://hdl.handle.net/1901/74.

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This paper is a content analysis of the "American Archivist," the journal of the "Society of American Archivists." Eight volumes of the journal were analyzed to review the decade by decade thematic and structural evolution of the journal from its foundation in 1938 to the present. Analysis was conducted to determine if the journal had fulfilled its initial requirement “to be as useful as possible to all members of the profession.”
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28

Cerniglia, Kenneth James. "Becoming American : a critical history of ethnicity in popular theatre, 1849-1924 /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/10236.

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29

Levick, Alice. "Memory, history and the representation of urban space in post-war American literature." Thesis, University of Exeter, 2018. http://hdl.handle.net/10871/34097.

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This thesis investigates urban development and locational memory in New York and Los Angeles during the mid to late twentieth century, as represented both materially in the landscape of the city and textually in fiction and memoir. I begin my study in Raymond Chandler’s Los Angeles, where paved gardens and concretised river beds lie beneath the gridded urban landscape which hides the past and dislocates memory from what is visible in urban space. Next, through my analysis of Marshall Berman’s reflections on his childhood in the Bronx, I paint a picture of New York during the 1950s, during whic
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30

Kennedy, Lea Graner. "Teaching appreciation of Spanish-American culture and history through contemporary Latino literature : a multicultural approach to integrating diversity appreciation into high school curriculum /." View abstract, 1999. http://library.ctstateu.edu/ccsu%5Ftheses/1529.html.

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Thesis (M.A.)--Central Connecticut State University, 1999.<br>Thesis advisor: Antonio García-Lozada, Ph. D. "...in partial fulfillment of the requirements for the degree of Master of Arts in Spanish." Includes bibliographical references (leaves 163-168).
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31

Glennon, Jenny L. "American ways and their meaning : Edith Wharton's post-war fiction and American history, ideology, and national identity." Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:59954615-29ff-4da4-8632-b9887c24c218.

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This thesis argues that Edith Wharton’s assessment of American ways and their meaning in her post-war fiction has been widely misread. Its title derives from French Ways and Their Meaning (1919), which she wrote to educate her countrymen about French culture and society. Making sense of America was as great a challenge to Wharton. Much of her later fiction was for a long time dismissed by critics on the grounds that she had failed to ‘make sense’ of America. Wharton was troubled by American materialism and optimism, yet she believed in a culturally significant future for her nation. She advoca
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Jaimez, Vicki Louise 1953. "White eyes, red heart: Mixed-blood Indians in American history." Thesis, The University of Arizona, 1995. http://hdl.handle.net/10150/278496.

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Mixed-blood Indians have occupied a strategic role in American history since Europeans first reached this continent. However, the concept of a mixed-blood Indian is too complex to be limited to a biological construct; the mixed-blood Indian represents a class, as well as a race, of people. This analysis of the social construction of the mixed-blood Indian is conducted on three levels, (1) an historiographical approach which examines the study of the mixed-blood topic, (2) a historical analysis, using federal Indian policy and Indian literature as indicators of the mixed-blood social experience
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Garcia, Pablo. "Estrategias para (des)aparecer la historiografia de Fernando de Alva Ixtlilxochitl y la colonizacion criolla del pasado prehispanico /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3207047.

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Thesis (Ph.D.)--Indiana University, Dept. of Spanish and Portuguese, 2006.<br>Source: Dissertation Abstracts International, Volume: 67-01, Section: A, page: 0199. Adviser: Kathleen A. Myers. "Title from dissertation home page (viewed Feb. 8, 2007)."
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Sutton, Matthew Daniel. "Storyville: Discourses in Southern Musicians' Autobiographies." W&M ScholarWorks, 2011. https://scholarworks.wm.edu/etd/1539623346.

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This study utilizes many of the tools of the literary critic to identify and analyze the discursive conventions in autobiographies by American vernacular musicians who came of age in the American South during the era of enforced racial segregation. Through this textual analysis, we can appreciate this seemingly amorphous collection of books as a continuing conversation, where descriptions of the South and its music by turns confirm, contradict, and complicate each other. Ultimately, the dozens of southern musician autobiographies published in the last fifty years engage in a valuable and revea
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35

Cowan, William Tynes. "The slave in the swamp: Disrupting the plantation narrative." W&M ScholarWorks, 2001. https://scholarworks.wm.edu/etd/1539623375.

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In nineteenth-century plantation literature, the runaway slave in the swamp was a recurrent "bogeyman" whose presence challenged myths of the plantation system. By escaping to the swamps, the runaway, or "maroon," gained an invisibility that was more threatening to the institution than open conflict. The chattel system was dependent upon an exercise of will upon the body of the enslaved, but slaves who asserted control over their bodies, by removing them to the swamps, claimed definition over the Self. In part, the proslavery plantation novel served to transform that image of the maroon from i
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Kelly, Patrice M. "Harvesting sketches from a community of gardeners." Thesis, Drew University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10108231.

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<p> This dissertation creates a bridge between American cultural and horticultural discussions related to the topic of suburban community gardens, based on a new model called &ldquo;A Lot to Grow.&rdquo; (Abstract shortened by ProQuest.) </p>
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37

Sugden, Edward. "American literature and global time, 1812-59." Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:0c1a68fe-2e17-48bd-851b-00133ca256f0.

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American Literature and Global Time, 1812-59 explores the effects of the early stages of globalization on time consciousness in antebellum American literature and non-fiction. It argues that oceanic trade, extracontinental imperialism, immigration, and Pacific exploration all affected how antebellum Americans configured their national pasts, presents, and futures. The ensuing pluralisation of time that followed disallowed cogent conceptions of national identity. It analyses transnational geographies to examine how they transmit heterogeneous times. The project’s interest is in U.S. national si
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Sparks, Summar C. "Bound by paper| Nineteenth-century southern editors and their northern connections." Thesis, The University of North Carolina at Greensboro, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=3745558.

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<p>SPARKS, SUMMAR C., Ph.D. Bound by Paper: Nineteenth-Century Southern Editors and Their Northern Connections. (2015) Directed by Dr. Karen A. Weyler. 173 pp. Nineteenth-century editors frequently discussed their work in public forums (including their own periodicals) and in private correspondence. These sources provide insight into how editors imagined their work and their professional roles. For many nineteenth-century editors, one of the most important (and underappreciated) elements of their work was building expansive social networks that promoted productive relationships between writers
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Owen, Deborah Lynn. "Mann Thinking Across Antebellum Culture---Mann Satterwhite Valentine's Literary Aspirations." W&M ScholarWorks, 1993. https://scholarworks.wm.edu/etd/1539625791.

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Dakin, Alana E. "Indigenous Continuance Through Homeland: An Analysis of Palestinian and Native American Literature." Ohio University Honors Tutorial College / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1340304236.

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41

Veselits, Karen Rose. ""Prologue to a life": Dorothy West's Harlem Renaissance years, 1926--1934." W&M ScholarWorks, 2001. https://scholarworks.wm.edu/etd/1539623400.

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This dissertation is a bio-critical study of writer Dorothy West (1907--1998). It focuses on her apprenticeship in Harlem from 1926--1934 during the literary renaissance and lays the groundwork for a biography, long overdue. West's career extends from the Harlem Renaissance to the end of the 20 th century, but she has not received the critical recognition her work merits. The study of West's early work illuminates her later work, The Living Is Easy (1948) and The Wedding (1995); it demonstrates the continuity throughout her writing and makes clear that she struggled with the same themes and i
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DiCuirci, Lindsay Erin Marks. "History's Imprint: The Colonial Book and the Writing of American History, 1790-1855." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1280362004.

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43

Stryz, Jan A. "Memorial pictures: Visual representation in the American Romance." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185575.

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The American Romance is characterized by its use of memorial images which contribute in developing the form and content of its individual literary works. Readings of works by four authors who fall within the American Romance tradition--Hawthorne, James, Faulkner, and Toni Morrison--reveal a poetics of memory that operates in terms of tensions between word and image, with memory achieving apparent embodiment through the image, while the simple presence thus generated is revealed to be both contaminated and opposed by cultural codes. Through portraits, photographs, and other less concrete repres
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44

Reyes, Karen Stoner. "Finding a new voice : the Oregon writing community between the world wars." PDXScholar, 1986. https://pdxscholar.library.pdx.edu/open_access_etds/3602.

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The period of 1919 to 1939 was a significant one for the development of the literature of Oregon and the Pacific Northwest. The literary work produced in the region prior to the first world war was greatly influenced by the "Genteel tradition" of the late nineteenth century. By 1939, however, the literature of Oregon and the region had emerged from the outdated literary standards of the pre-war period and had found a new, realistic, natural voice, strongly regional in nature and rooted in the modern American tradition.
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45

Maier, Kevin. "Environmental rhetoric of American hunting and fishing narratives : a revisionist history /." view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?did=1232423281&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2006.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 249-256). Also available for download via the World Wide Web; free to University of Oregon users.
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Taylor, Juko Tana. "Misrecognized and Misplaced: Race Performed in African American Literature, 1900-2015." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc984162/.

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In my dissertation, I explore the ways in which racial identity is made complex through various onlookers' misrecognition of race. This issue is particularly important considering the current state of race relations in the United States, as my project offers a literary perspective and account of the way black authors have discussed racial identity formation from the turn of the century through the start of the twenty-first century. I highlight many variations of misrecognition and racial performance as a response to America's obsession with race.
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Sentilles, Renee M. "Performing Menken: Adah Isaacs Menken's American odyssey." W&M ScholarWorks, 1997. https://scholarworks.wm.edu/etd/1539623901.

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This dissertation explores notions of self-invention and performance in mid-nineteenth century America by examining the life and writings of actress and poet, Adah Isaacs Menken, from roughly 1835 to 1868. During America's Civil War years, Menken became an international star in the controversial title role of Mazeppa, an equestrian play. at the climax, soldiers forcibly stripped Mazeppa (Menken) to reveal her body in a costume suggestive of nudity. The soldiers tied her to a horse and sent her careening up a steep mountain into the theatre rafters. This provocative "breeches part" allowed Menk
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48

Hwang, Seunghyun. "Remaking the American Family:Asian Americans on Broadway during the Cold War Era." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1403302910.

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49

Baveystock, Freddie. "The romance of nationalism : the authority of history in American literary culture 1809-1851." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307423.

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50

Potts, Dale E. "Woods Voices, Woods Knowledge: Work and Recreation in the Popular Literature of the Northeastern Forest, 1850-1963." Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/PottsDE2007.pdf.

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