Academic literature on the topic 'American Landscapes in art'

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Journal articles on the topic "American Landscapes in art"

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Ehrmann, Lauren Elizabeth. "On the Edge of a New Perception: The Art of Moran and Watkins." IU Journal of Undergraduate Research 3, no. 1 (2017): 18–23. http://dx.doi.org/10.14434/iujur.v3i1.23324.

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This essay examines the ways in which views about documentation and representation were shifting in mid-nineteenth-century America, using Thomas Moran’s The Grand Canyon of the Yellowstone (1872) and Carleton Watkins’s Grizzly Giant (1861) as case studies. The work of Moran and Watkins demonstrates an interest in utilizing and uniting concepts of the sublime and the scientific with economic concerns. The goal of the paper is to demonstrate that the advent of photography caused landscape artists and photographers to reexamine the ways in which they chose to portray landscapes, specifically the
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Cohen, Matt. "Making the View from Lookout Mountain: Sectionalism and National Visual Culture." Prospects 25 (October 2000): 269–80. http://dx.doi.org/10.1017/s0361233300000661.

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Recent scholarship in the history of American art has uncovered the deep social, political, and economic context within which specific inividuals invented highly charged (and frequently contested) visions of the American landscape. Drawing attention away from the naturalizing tendency of criticism that emphasizes landscape painting as a reflection of national and transcendental ideals, this kind of analysis has brought new richness to the study of landscapes, weaving political and social history into the criticism of American art. Charting paintings as they function within the constellations o
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Byrnes, Corey. "Chinese Landscapes of Desolation." Representations 147, no. 1 (2019): 124–60. http://dx.doi.org/10.1525/rep.2019.147.1.124.

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This essay explores how landscape forms are used by writers, photographers, filmmakers, and other artists from inside and outside of China to represent environmental problems in that country. It considers the “landscape of desolation” as an ecocritical mode designed to change how people see and act in the world in relation to both the shifting status of “Chinese tradition” and to earlier moments in Euro-American landscape art, particularly the so-called New Topographics Movement of the 1970s.
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Ma, Jian Wu, Qian Zhang, and Jun Duo Guan. "Enlightment of American Green Land Rainwater Management Art to Chinese Modern Landscape Architecture." Applied Mechanics and Materials 209-211 (October 2012): 422–25. http://dx.doi.org/10.4028/www.scientific.net/amm.209-211.422.

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Abstract:Green lands are natural rainwater management facilities. Natural landscapes manage rainfall through a combination of evapotranspiration, infiltration, and runoff. Artful rainwater management is emulating nature split-flow rainwater in the processes of collection, conveyance and retention. Through artful design, the rainwater management facility will become a kind of site amenity that has varied values, functions, attributes. This paper introduces the American rainwater management theories and practices, proposes that the Chinese landscape architecture planning idea and design methodol
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Haas, Jonathan, and Winifred Creamer. "The Ancient Americas: Art from Sacred Landscapes at the Art Institute of Chicago.:The Ancient Americas: Art from Sacred Landscapes." Museum Anthropology 17, no. 2 (1993): 80–85. http://dx.doi.org/10.1525/mua.1993.17.2.80.

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Sabo, George, Jerry E. Hilliard, and Leslie C. Walker. "Cosmological Landscapes and Exotic Gods: American Indian Rock Art in Arkansas." Cambridge Archaeological Journal 25, no. 01 (2015): 261–73. http://dx.doi.org/10.1017/s0959774314001085.

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Sobrinho, Maryella Gonçalves. "Critical Landscapes: art, space and politics." Revista VIS: Revista do Programa de Pós-Graduação em Arte 18, no. 1 (2019): 165–68. http://dx.doi.org/10.26512/vis.v18i1.22623.

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 Ainda sem tradução para o português, a obra reúne um conjunto de reflexões que problematizam proposições artísticas que discutem o uso político da paisagem. Esta, é abordada como o resultado das complexas relações sociais e econômicas contemporâneas. Os projetos e textos catalogados (alguns escritos pelos próprios artistas) partem do ponto de vista norte americano; porém, também incorporam referências teóricas e análises de práticas que ocorrem ao redor do mundo, em âmbito local ou regional.
 
 
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Lucker, Amy. "Exploring bibliographic resources for Latin American art in New York City." Art Libraries Journal 37, no. 4 (2012): 36–38. http://dx.doi.org/10.1017/s0307472200017739.

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Librarians at Columbia’s Avery Library, New York University’s Institute of Fine Arts, and the Research Division of the New York Public Library are working together to offer a two-day symposium directed towards bibliographic resources for the study of Latin American art in New York City. The symposium, Latin American art bibliography: a continuing conversation, will celebrate the collections of these three institutions, placing them within the context of the field and the larger bibliographic and library landscapes. Supported in part by the Humanities Initiative at NYU and the Institute on the
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Chavez, Mercedes. "Vernacular Landscapes." Afterimage 48, no. 1 (2021): 37–53. http://dx.doi.org/10.1525/aft.2021.48.1.37.

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This essay employs Anthropocene frameworks to examine United States independent director Kelly Reichardt’s quiet vignettes of American precarity through the interpretive cinematic apparatus. Reichardt’s slow style and lingering gaze are primarily read as affective interpretations of human exhaustion or as a critique of capital temporalities. However, the critical attention paid toward the human in Reichardt’s films overlooks the primacy of landscape as a site of knowledge in the visual aesthetic. It is the entanglement between the human and the landscape in Reichardt’s films that invites an An
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Liebmann, Matthew J. "FROM LANDSCAPES OF MEANING TO LANDSCAPES OF SIGNIFICATION IN THE AMERICAN SOUTHWEST." American Antiquity 82, no. 4 (2017): 642–61. http://dx.doi.org/10.1017/aaq.2017.39.

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This article builds upon two convergent trends in landscape archaeology: (1) investigations of symbolic meaning and (2) collaboration with descendant and stakeholder communities. The recent merger of these research agendas in the Southwest US provides an innovative approach to addressing meaning in the past. But the interpretations that result can inadvertently propagate notions of static and unchanging indigenous landscapes. Archaeologists can develop more dynamic studies of meaning and landscape by paying greater attention to the indexical properties of the archaeological record. To illustra
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Dissertations / Theses on the topic "American Landscapes in art"

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Kowalczyk, Stephanie W. "Beyond the Painted Diary: Love, Loss, and Modernity in the Landscapes of John Singer Sargent." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1470007149.

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Reece-Hughes, Shirley (Shirley Ellen). "Arthur Garfield Dove's landscape assemblages: a unique intersection of European modernism, American ideas, and nature-based abstraction." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc798472/.

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In the middle of his career, Arthur Garfield Dove created a smell yet novel body of landscape assemblages. They illustrate Dove's central interest in evoking nature--its motifs and rhythms--through imaginative associations of organic and man-made materials. These works represent Dove's synthesis of contemporary European stylistic and intellectual ideas as well as American philosophies and concerns. They also reflect the influence of Alfred Stieglitz and his circle and the artist Helen Torr, Dove's second wife. This study examines how Dove used a complex interplay of European theory and techniq
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Haertel, Nilza Belita Grau. "Landscape and nature in American prints : transformations in form and meaning in the work of contemporary women artists /." [Bloomington, Ind.] : Indiana University, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3240649.

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Hacker, Jonathan Joseph. "The Visual Creation of the State Apparatus, Nineteenth Century American Landscape Paintings." Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1556557056790917.

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Thomas, Leah. "Literary Landscapes: Mapping Emergent American Identity in Transatlantic Narratives of Women's Travel of the Long Eighteenth Century." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/589.

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This dissertation examines intersections of the development of maps from the Native American-European encounter to the establishment of the New Republic and transatlantic British and American narratives of women’s travel of the long eighteenth century. Early European and American maps that depict the Americas analyzed as parallel “texts” to canonical and lesser-known women’s narratives ranging from 1688 to 1801 reveal further insights into both maps and these narratives otherwise not apparent. I argue that as mapping of the New World developed, this mapping influenced representations of women’
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White, Steven Robert. "A confluence of thinking: The influence of 20th century art history on American landscape architecture." Thesis, The University of Arizona, 1997. http://hdl.handle.net/10150/278634.

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Since beginning my graduate studies in landscape architecture, I have encountered many situations in class in which references to art were used. I discovered a connection in the usage of the jargon of art in landscape architecture study. People, for the most part, do not know what landscape architects do or who we are. In this thesis I will make the case for aligning the profession of landscape architecture with the fine arts and humanities. An art history component in the curriculum and education and training of landscape architects would augment their design and presentation skills in the wo
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Cooledge, Dean R. "Beneath the urban landscape: Some versions of American pastoralism in urban literature, art, and film." Diss., The University of Arizona, 2002. http://hdl.handle.net/10150/280163.

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In this dissertation I explore the relationship between the city and the pastoral ideal in America. While not meant to be a comprehensive discussion of Urban Pastoralism, I want to focus my attention on the pastoral impulse one experiences within the city. Some versions of American Pastoralism emphasize the city as a complex wilderness, which creates within its inhabitants a pastoral impulse for a simpler mode (Golden Age) outside the boundaries of the city. However, the inability of the subject in art, literature, and film, to escape from the city forces the subject to seek a symbolic pastora
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Ellsworth, Kirstin Lynne. "Icons on the American landscape in the 1960s mapping the culture of car and road /." [Bloomington, Ind.] : Indiana University, 2005. http://wwwlib.umi.com/dissertations/fullcit/3200635.

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Thesis (Ph.D.)--Indiana University, Dept. of History of Art, 2005.<br>Source: Dissertation Abstracts International, Volume: 66-12, Section: A, page: 4214. Adviser: Janet Kennedy. Title from dissertation home page (viewed Oct. 11, 2006).
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Latsis, Dimitrios. "Nature's nation on the move: the American landscape between art and cinema, 1867-1939." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/5798.

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This dissertation traces a half-century of interactions between motion pictures and other visual media, using scenery as a node of meaning-making that affected key aspects of cinema as a medium: narrative, mode of documenting the natural world, propaganda tool, conduit of ‘ experience’ for American modernity. Exploring often-ignored aspects of visual culture like set design, moving panoramas and art exhibitions, it argues for the cross-disciplinary importance of landscape in debates around nationhood, empire, environmental blight and the relation between style and ideology, as they played out
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Cao, Maggie M. "Episodes at the End of Landscape: Hudson River School to American Modernism." Thesis, Harvard University, 2014. http://dissertations.umi.com/gsas.harvard:11535.

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This dissertation examines the dissolution of landscape painting as a major cultural project in the late nineteenth-century United States. As a genre aligned with the goals of nation building, landscape maintained a privileged artistic status for much of the nineteenth century. Yet as frontier development, land speculation, environmental change, and other factors slowly rendered its conventions meaningless, landscape became the site through which American artists most urgently sought to come to terms with the modern world. This argument is anchored by unorthodox artworks, from landscapes resem
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Books on the topic "American Landscapes in art"

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Taylor, Michele. American light 2001: Andrei Kushnir. Taylor & Sons Fine Art, 2001.

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K, Howat John, Strickler Susan E, Worcester Art Museum, Los Angeles County Museum of Art., and Metropolitan Museum of Art (New York, N.Y.), eds. John Frederick Kensett, an American master. Worcester Art Museum in association with Norton, 1985.

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Czestochowski, Joseph S. The American landscape tradition: A study and gallery of paintings. International Arts and the Torch Press, 2009.

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Czestochowski, Joseph S. The American landscape tradition: A study and gallery of paintings. International Arts and the Torch Press, 2009.

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Grant, Longwell Alicia, ed. American landscapes: Treasures from the Parrish Art Museum. Parrish Art Museum, 2010.

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B, Hales Peter, and Dayton Art Institute, eds. A certain slant of light: The contemporary American landscape. Dayton Art Institute, 1989.

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1948-, Moore Barbara, and Corcoran Gallery of Art, eds. Dialogue with nature: Landscape and literature in nineteenth-century America. Corcoran Gallery of Art, 1985.

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Czestochowski, Joseph S. The American landscape tradition: A study and gallery of paintings. International Arts and the Torch Press, 2009.

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Czestochowski, Joseph S. The American landscape tradition: A study and gallery of paintings. International Arts and the Torch Press, 2009.

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Ripps, Rodney. Rodney Ripps: The American landscape, September-October 1985. Marisa del Re Gallery, 1985.

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Book chapters on the topic "American Landscapes in art"

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Cross, John A. "German-American Landscapes." In Ethnic Landscapes of America. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-54009-2_11.

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Cross, John A. "African-American Landscapes." In Ethnic Landscapes of America. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-54009-2_8.

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Williams, Merle A. "The American Spaces of Henry James." In Literary Landscapes. Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230227712_2.

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Martin, Mandy. "Peopling Landscapes Through Art." In Environmental History in the Making. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-41085-2_2.

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Gill, Jo. "Suburban Landscapes." In The Poetics of the American Suburbs. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137340238_5.

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Goedde, Lawrence O. "Renaissance Landscapes." In A Companion to Renaissance and Baroque Art. John Wiley & Sons, 2013. http://dx.doi.org/10.1002/9781118391488.ch18.

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Cross, John A. "Native American Landscapes in the American Southwest." In Ethnic Landscapes of America. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-54009-2_4.

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Hays-Gilpin, Kelley. "From Fertility Shrines to Sacred Landscapes:." In Discovering North American Rock Art. University of Arizona Press, 2006. http://dx.doi.org/10.2307/j.ctv1qwwjr2.13.

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"American Landscapes, Seen and Unseen." In Hero, Hawk, and Open Hand: American Indian Art of the Ancient Midwest and South. Art Institute of Chicago, 2004. http://dx.doi.org/10.37862/aaeportal.00064.006.

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Fennell, Christopher, Shawn Fields, and Rebecca Schumann. "Architecture and Landscape Art." In The Routledge History of the American South. Routledge, 2017. http://dx.doi.org/10.4324/9781315768076-13.

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Conference papers on the topic "American Landscapes in art"

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Salmond, Michael. "Locative Media: Urban Landscapes and Pervasive Technology Within Art." In ACM SIGGRAPH 2006 Art gallery. ACM Press, 2006. http://dx.doi.org/10.1145/1178977.1179112.

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Goldfarb, Doron, Max Arends, Josef Froschauer, and Dieter Merkl. "Revisiting 3D information landscapes for the display of art historical web content." In the 8th International Conference. ACM Press, 2011. http://dx.doi.org/10.1145/2071423.2071480.

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Ward, Tim. "The Soundscapes Landscapes project: Sound and video art in an urban installation." In 2014 International Conference on Interactive Mobile Communication Technologies and Learning (IMCL). IEEE, 2014. http://dx.doi.org/10.1109/imctl.2014.7011145.

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Nikolskaya, Tatiana E. "Campaign Posters In American And Russian Electoral Landscapes." In International Scientific Forum «National Interest, National Identity and National Security». European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.02.02.95.

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"[Spine art]." In 2013 Latin American Computing Conference (CLEI). IEEE, 2013. http://dx.doi.org/10.1109/clei.2013.6670675.

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"[Cover art]." In 2008 IEEE Latin American Robotic Symposium. IEEE, 2008. http://dx.doi.org/10.1109/lars.2008.41.

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"[Spine art]." In 2017 XLIII Latin American Computer Conference (CLEI). IEEE, 2017. http://dx.doi.org/10.1109/clei.2017.8226369.

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"[Cover art]." In 2008 Latin American Web Conference (LA-WEB). IEEE, 2008. http://dx.doi.org/10.1109/la-web.2008.31.

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"[Cover art]." In 2009 Latin American Web Congress. LA-WEB 2009. IEEE, 2009. http://dx.doi.org/10.1109/la-web.2009.45.

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"Cover Art." In 2016 Seventh Latin-American Symposium on Dependable Computing (LADC). IEEE, 2016. http://dx.doi.org/10.1109/ladc.2016.41.

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Reports on the topic "American Landscapes in art"

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Woodruff, L. G. North American soil geochemical landscapes, 2010 USGS perspective. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2011. http://dx.doi.org/10.4095/287967.

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Wansley, William J. American Art: Toward an American Theory of Peace. Defense Technical Information Center, 1992. http://dx.doi.org/10.21236/ada253169.

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Kathleen Farley, Kathleen Farley. How do post-industrial landscapes affect American Woodcock breeding success? Experiment, 2016. http://dx.doi.org/10.18258/8542.

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Olson, Christina, Marie Holmer, and Hollie Gilbert. Historic American Landscapes Survey: Arco Naval Proving Ground (Idaho National Laboratory). Office of Scientific and Technical Information (OSTI), 2015. http://dx.doi.org/10.2172/1347617.

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Phuong, Vu Tan, Nguyen Van Truong, and Do Trong Hoan. Commune-level institutional arrangements and monitoring framework for integrated tree-based landscape management. World Agroforestry, 2021. http://dx.doi.org/10.5716/wp21024.pdf.

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Governance is a difficult task in the context of achieving landscape multifunctionality owing to the multiplicity of stakeholders, institutions, scale and ecosystem services: the ‘many-multiple’ (Cockburn et al 2018). Governing and managing the physical landscape and the actors in the landscape requires intensive knowledge and good planning systems. Land-use planning is a powerful instrument in landscape governance because it directly guides how actors will intervene in the physical landscape (land use) to gain commonly desired value. It is essential for sustaining rural landscapes and improvi
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Woodruff, L. G. The North American soil geochemical landscapes project -- 2010 US geological survey update. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2011. http://dx.doi.org/10.4095/287948.

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Anastas, Kevin P. The American Way of Operational Art: Attrition or Maneuver. Defense Technical Information Center, 1992. http://dx.doi.org/10.21236/ada254194.

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Rencz, A. N., and I. M. Kettles. North American soil geochemical landscapes project (NASGLP): Proceedings of workshop II, Ottawa, Canada, 2008. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2009. http://dx.doi.org/10.4095/248127.

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Rencz, A. N., and I. M. Kettles. North American Soil Geochemical Landscapes Project (NASGLP): Proceedings of Workshop III, Ottawa, Canada, 2009. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2009. http://dx.doi.org/10.4095/248128.

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Edwards, Sebastian. The Economics of Latin American Art: Creativity Patterns and Rates of Return. National Bureau of Economic Research, 2004. http://dx.doi.org/10.3386/w10302.

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