Relevant bibliographies by topics / American literature – Arizona – History and criticism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'American literature – Arizona – History and criticism'

Author: Grafiati
Published: 4 June 2021
Last updated: 13 February 2022

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Journal articles on the topic "American literature – Arizona – History and criticism"

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Bucco, Martin, and Rene Wellek. "A History of Modern Criticism 1750-1950. Volume 6: American Criticism 1900-1950." American Literature 59, no. 1 (1987): 126. http://dx.doi.org/10.2307/2926495.

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Dawidoff, Robert. "Criticism and American Cultural Repair." American Literary History 1, no. 3 (1989): 665–74. http://dx.doi.org/10.1093/alh/1.3.665.

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Roberts, R. "American Science Fiction and Contemporary Criticism." American Literary History 22, no. 1 (2009): 207–17. http://dx.doi.org/10.1093/alh/ajp048.

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Sweeney, Susan Elizabeth. "“April in Arizona”: Nabokov as an American Writer." American Literary History 6, no. 2 (1994): 325–35. http://dx.doi.org/10.1093/alh/6.2.325.

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Murray, L. J. "Escaping from the Pirates: History, Literary Criticism, and American Copyright." American Literary History 16, no. 4 (2004): 719–27. http://dx.doi.org/10.1093/alh/ajh040.

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Židová, Diana. "Ethnic Literature and Slovak American Research." Ars Aeterna 6, no. 1 (2014): 1–7. http://dx.doi.org/10.2478/aa-2014-0001.

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Abstract The article outlines the beginnings of ethnic literature research in the United States of America with regards to its reception from the 1960s to the 1980s. Aesthetic merit as a leading consideration in the evaluation of literary works, in view of the opinions of numerous critics, is quite problematic to apply in the case of Czech and Polish literature. Considering the output of Slovak-American research in the field of literary criticism and literary history, the results are not satisfactory either. There are a few works that provide valuable insight into the literature of the Slovak
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Rostagno, Irene. "Waldo Frank's Crusade for Latin American Literature." Americas 46, no. 1 (1989): 41–69. http://dx.doi.org/10.2307/1007393.

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Waldo Frank, who is now forgotten in Latin America, was once the most frequently read and admired North American author there. Though his work is largely neglected in the U.S., he was at one time the leading North American expert on Latin American writing. His name looms large in tracing the careers of Latin American writers in this country before 1940. Long before Franklin D. Roosevelt launched the Good Neighbor policy, Frank brought back to his countrymen news of Latin American culture.Frank went to South America when he was almost forty. The youthful dreams of Frank and his fellow pre-World
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Nemoianu, Virgil, and Rene Wellek. "A History of Modern Criticism 1750-1950. Vol. 5: English Criticism, 1900-1950; Vol. 6: American Criticism, 1900-1950." MLN 101, no. 5 (1986): 1245. http://dx.doi.org/10.2307/2905719.

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Marotti, Maria. "The Italian Perspective: Italian Criticism of American Autobiography." a/b: Auto/Biography Studies 5, no. 2 (1990): 152–58. http://dx.doi.org/10.1080/08989575.1990.10815460.

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Waligora-Davis, Nicole. "The African American Male, Writing, and Difference: A Polycentric Approach to African American Literature, Criticism, and History (review)." Biography 26, no. 4 (2003): 750–55. http://dx.doi.org/10.1353/bio.2004.0028.

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Dissertations / Theses on the topic "American literature – Arizona – History and criticism"

1

Suzuki-Martinez, Sharon S. 1963. "Tribal Selves: Subversive Identity in Asian American and Native American Literature." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/565575.

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Stryz, Jan A. "Memorial pictures: Visual representation in the American Romance." Diss., The University of Arizona, 1991. http://hdl.handle.net/10150/185575.

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The American Romance is characterized by its use of memorial images which contribute in developing the form and content of its individual literary works. Readings of works by four authors who fall within the American Romance tradition--Hawthorne, James, Faulkner, and Toni Morrison--reveal a poetics of memory that operates in terms of tensions between word and image, with memory achieving apparent embodiment through the image, while the simple presence thus generated is revealed to be both contaminated and opposed by cultural codes. Through portraits, photographs, and other less concrete repres
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Stigter, Shelley, and University of Lethbridge Faculty of Arts and Science. "Double-voice and double-consciousness in Native American literature." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Sciencec, 2005, 2005. http://hdl.handle.net/10133/288.

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This thesis follows the interaction of "double-voicing" and "double-consciousness" in Native American literary history. It begins with surviving records from the time of colonial contact and ends with works by Leslie Marmon Silko and Thomas King, two contemporary authors of the Native American Literary Renaissance. "Double-voicing" is a common feature found in many works preserved by early anthropologists from various Native American oral traditions. However, after colonial contact this feature largely disappears from literary works written by Native American authors, when it is replaced by th
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Januzzi, Angela. "Making an "American Classic": Faulkner, Ferber, and the Politics of 20th Century Canon Formation." Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/JanuzziA2007.pdf.

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Turner, Robert Charles Grey. "Counterfeit culture : truth and authenticity in the American prose epic since 1960." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709455.

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Wolfe, Andrea P. "Black mothers and the nation : claiming space and crafting signification for the black maternal body in American women's narratives of slavery, reconstruction, and segregation, 1852-2001." CardinalScholar 1.0, 2010. http://liblink.bsu.edu/uhtbin/catkey/1560845.

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“Black Mothers and the Nation” tracks the ways that texts produced by United States women throughout the nineteenth and twentieth centuries position the black maternal body as subversive to the white patriarchal power structure for which it labored and that has acted in many ways to abject it from the national body. This study points to the ways in which the black mother’s subversive potential has been repeatedly, violently, and surreptitiously circumscribed in some quarters even as it succeeds in others. Several important thematic threads run throughout the chapters of this study, sometimes a
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Malkin, Rachel M. E. "Ordinary pursuits : experience, community, and the aesthetic in American writing since modernism." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708519.

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Su, Suocai. "Inventing transnational Chinese American identities in Amy Tan's The Joy Luck Club, Shirley Geok-lin Lim's Among the white moon faces, and Shawn Hsu Wong's American knees." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1301632.

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My dissertation investigates how Chinese American writers invent transnational Chinese American identities in the 1980s and 1990s. In particular, I focus on Amy Tan's The JoyLuck Club (1989), Shirley Geok-lin Lim's Among the White Moon Faces: An Asian American Memoir of Homelands (1996), and Shawn Hsu Wong's American Knees(1995). 1 argue that Tan, Lim, and Wong challenge the conventional ideas of a singular, pure, and fixed identity but instead create Chinese American identities in the post-1965 era as multiple, hybrid, and constantly changing to accommodate to an open, diverse, and multicultu
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MacLeod, Alexander. "Between a rock and a soft place : postmodern-regionalism in Canadian and American fiction." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19527.

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This study calls for a re-evaluation of contemporary regionalist literary theory. It argues that traditional models of the discourse have been too heavily influenced by nineteenth century realist aesthetics and political ideologies. Because most scholars continue to interpret regionalist texts according to a resolutely empirical reading of geography, literary regionalism has fallen out of touch with the new kinds of "unrealistic," generic landscapes that now dominate North American culture in the postindustrial era. Drawing heavily on recent work by postmodern geographers such as Edward Soja,
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Staton, Maria S. "Christianity in American Indian plays, 1760s-1850s." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1364944.

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The main purpose of this study is to prove that the view on the American Indians, as it is presented in the plays, is determined by two dissimilar sets of values: those related to Christianity and those associated with democracy. The Christian ideals of mercy and benevolence are counterbalanced by the democratic values of freedom and patriotism in such a way that secular ideals in many cases supersede the religious ones. To achieve the purpose of the dissertation, I sifted the plays for a list of notions related to Christianity and, using textual evidence, demonstrated that these notions were
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Books on the topic "American literature – Arizona – History and criticism"

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1949-, Wetsel David, Canovas Frédéric 1965-, Verdier Gabrielle, Goldsmith Elizabeth C, and Gres-Gayer Jacques M, eds. La spiritualité: L'épistolaire : le merveilleux au Grand Siècle : actes du 33e Congrès annuel de la North American Society for Seventeenth-Century French Literature, Arizona State University (Tempe), May 2001. Gunter Narr Verlag, 2003.

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1949-, Wetsel David, Canovas Frédéric 1965-, Probes Christine, and Norman Buford 1945-, eds. Les femmes au Grand Siècle: Le baroque, musique et littérature : musique et liturgie : actes du 33e Congrès annuel de la North American Society for Seventeenth-Century French Literature, Arizona State University (Tempe), May 2001. Gunter Narr Verlag, 2003.

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El Milagro and Other Stories. University of Arizona Press, 1996.

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Recovering American literature. I.R. Dee, 1994.

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A history of American literature. 2nd ed. Wiley-Blackwell, 2011.

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Peter, Shaw. Recovering American literature. I.R. Dee, 1995.

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A history of American literature. Blackwell Pub., 2003.

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Blades, Andrew. 20th century American literature. Longman, 2011.

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Hughes, Rowland. Nineteenth century American literature. Longman, 2011.

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Indian Association for American Studies. Congress. Indian response to American literature. Creative Books, 2003.

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Book chapters on the topic "American literature – Arizona – History and criticism"

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"Politics and American Criticism." In The Cambridge History of American Literature. Cambridge University Press, 1996. http://dx.doi.org/10.1017/chol9780521497336.013.

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"Magazines, Criticism, and Essays." In The Cambridge History of American Literature. Cambridge University Press, 1994. http://dx.doi.org/10.1017/chol9780521301053.024.

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"The Emergence of Academic Criticism." In The Cambridge History of American Literature. Cambridge University Press, 1996. http://dx.doi.org/10.1017/chol9780521497336.014.

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Jackson, K. David. "Literary criticism in Brazil." In The Cambridge History of Latin American Literature. Cambridge University Press, 1996. http://dx.doi.org/10.1017/chol9780521410359.017.

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"The Nationalizing of the New Criticism." In The Cambridge History of American Literature. Cambridge University Press, 1996. http://dx.doi.org/10.1017/chol9780521497336.015.

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"Conclusion: Academic Criticism and its Discontents." In The Cambridge History of American Literature. Cambridge University Press, 1996. http://dx.doi.org/10.1017/chol9780521497336.020.

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González, Aníbal. "Literary criticism in Spanish America." In The Cambridge History of Latin American Literature. Cambridge University Press, 1996. http://dx.doi.org/10.1017/chol9780521340700.014.

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"Southerners, Agrarians, and New Critics the institutions of modern criticism." In The Cambridge History of American Literature. Cambridge University Press, 2003. http://dx.doi.org/10.1017/chol9780521301091.020.

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Jackson, Lawrence P. "African American literature: foundational scholarship, criticism, and theory." In The Cambridge History of African American Literature. Cambridge University Press, 2011. http://dx.doi.org/10.1017/chol9780521872171.029.

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Carico, Aaron. "Southern Enclosure as American Literature." In Black Market. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469655581.003.0005.

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Set against the backdrop of Southern land grabs in the 1830s and again in the 1930s that were meant to sustain the cotton economy, this chapter studies the literary representation of the poor whites who were side-lined by the slave plantation’s expansion and modernization, and who were then remade into a national folk by literary elites. Facilitated by these Southern enclosures, the ambivalent canonization of poor whites as the nation’s folk would have a decisive and determining influence on the constitution—and the racial covenant—of American literature, and not only on its Americaness but also on its literariness. Slavery was the condition of possibility for this literature, but its role, along with that of the enslaved, was silenced. From frontier humor to the New Criticism, this chapter reveals a submerged racial history beneath the canonization of U.S. national literature, which was undertaken in the early twentieth century in U.S. literary criticism, explainingthe roleof New Deal photography, of paper money and paperwork, and modernism in literary style in the constitution of American literature as both discipline and object.
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