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Relevant bibliographies by topics / American literature Chinese Americans in literature

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Academic literature on the topic 'American literature Chinese Americans in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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Journal articles on the topic "American literature Chinese Americans in literature"

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Wang, Xiaotao. "Transnationalism in Maxine Hong Kingston’s China Men and Amy Tan’s The Joy Luck Club." Journal of Education and Culture Studies 4, no. 2 (May 20, 2020): p122. http://dx.doi.org/10.22158/jecs.v4n2p122.

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Chinese American literature is commonly interpreted as the narrative of the living experiences of Chinese Americans. Under the past nation-state research paradigm, Chinese American literature critics both in China and America are preoccupied with the “assimilation” of immigrants and their descendants in Chinese American literature texts, they argue that Chinese culture is the barrier for the immigrants to be fully assimilated into the mainstream society. But putting Chinese American literature under the context of globalization, these arguments seem inaccurate and out of date. This article examines the transnational practices and emotional attachments in Maxine Hong Kingston’s China Men and Amy Tan’s The Joy Luck Club to show that the identity in these two works are neither American nor Chinese, but transnational. Thus, Chinese American literature is not the writing of Chinese Americans’ Americanness, but a celebration of their transnationalism.

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Matloff, Robyn, Angela Lee, Roland Tang, and Doug Brugge. "The Obesity Epidemic in Chinese American Youth?: A Literature Review and Pilot Study." AAPI Nexus Journal: Policy, Practice, and Community 6, no. 1 (2008): 31–42. http://dx.doi.org/10.36650/nexus6.1_31-42_matloffetal.

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Despite nearly 12 million Asian Americans living in the United States and continued immigration, this increasingly substantial subpopulation has consistently been left out of national obesity studies. When included in national studies, Chinese-American children have been grouped together with other Asian Americans, Pacific Islanders or simply as “other,” yielding significantly lower rates of overweight and obesity compared to non-Asians. There is a failure to recognize the ethnic diversity of Asian Americans as well as the effect of acculturation. Results from smaller studies of Chinese American youth suggest that they are adopting lifestyles less Chinese and more Americans and that their share of disease burden is growing. We screened 142 children from the waiting room of a community health center that serves primarily recent Chinese immigrants for height, weight and demographic profile. Body Mass Index was calculated and evaluated using CDC growth charts. Overall, 30.1 percent of children were above the 85th we found being male and being born in the U .S. to be statistically significant for BMI > 85th percentile (p=0.039, p=0.001, respectively). Our results suggest that being overweight in this Chinese American immigrant population is associated with being born in the U.S. A change in public policy and framework for research are required to accurately assess the extent of overweight and obesity in Chinese American children. In particular, large scale data should be stratified by age, sex, birthplace and measure of acculturation to identify those at risk and construct tailored interventions.

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Nindyasmara, Ken Ruri. "NEGOTIATION OF IDENTITY IN DIASPORIC LITERATURE: A CASE STUDY ON AMY TAN’S THE HUNDRED SECRET SENSES AND LESLIE MARMON SILKO’S CEREMONY." Rubikon : Journal of Transnational American Studies 3, no. 1 (July 18, 2019): 57. http://dx.doi.org/10.22146/rubikon.v3i1.47838.

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Negotiation of identity has become an important issue because its never-ending process always relates to conflicts, differences and similarities. Chinese Americans and Native Americans are two distinct diasporic communities amongst other ethnic group in the U.S. As minorities, they experience prejudice, discrimination and exclusion from mainstream American culture and society. This research aims to reveal the negotiation of identity of Chinese Americans and Native Americans which is reflected on their literature. Literature is seen as the record of diasporic experience of both ethnic groups. This research is qualitative conducted under Post-Nationalist American Studies. Post-colonial, hegemony and representation theories are used to help the process of data analysis. The primary data is taken from The Hundred Secret Senses written by Amy Tan and Ceremony written by Leslie Marmon Silko. The secondary data are taken from books, journals, and internet sources. The finding of the research shows that Chinese Americans and Native Americans negotiate their identity by choosing or combining competing values. The construction of identity is done through the reenactment of ethnic root and the adaptation to mainstream American cultural values. Sense of belongingness, history and socio-cultural background become the determining factors of identity negotiation. In brief, they construct hybrid identity to survive and to counter American hegemony. Compared to Native Americans, Chinese Americans are more blending to mainstream American culture. However, both novels depict their hybrid identity. Keywords: identity negotiation, diasporic literature, diaspora communities, hegemony, hybrid identity

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Bogue, Ronald. "On the Superiority of Anglo-American Literature." Deleuze Studies 7, no. 3 (August 2013): 302–18. http://dx.doi.org/10.3366/dls.2013.0113.

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In Dialogues, Deleuze contrasts French and Anglo-American literatures, arguing that the French are tied to hierarchies, origins, manifestos and personal disputes, whereas the English and Americans discover a line of flight that escapes hierarchies, and abandons questions of origins, schools and personal alliances, instead discovering a collective process of ongoing invention, without beginning or determinate end. Deleuze especially appreciates American writers, and above all Herman Melville. What ultimately distinguishes American from English literature is its pragmatic, democratic commitment to sympathy and camaraderie on the open road. For Deleuze, the American literary line of flight is toward the West, but this orientation reflects his almost exclusive focus on writers of European origins. If one turns to Chinese-American literature, the questions of a literary geography become more complex. Through an examination of works by Maxine Hong Kingston and Tao Lin, some of these complexities are detailed.

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Ziqing, Zhang. "A Chinese Encounters Chinese American Literature." Amerasia Journal 34, no. 2 (January 2008): 109–24. http://dx.doi.org/10.17953/amer.34.2.ll67g2h57723473k.

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Kwon, Simona, Deborah Min, and Stella Chong. "Asian American Older Adults and Social Isolation: A Systematic Literature Review." Innovation in Aging 4, Supplement_1 (December 1, 2020): 328. http://dx.doi.org/10.1093/geroni/igaa057.1051.

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Abstract Asian Americans are the fastest growing racial and ethnic minority group in the United States, whose population is aging considerably. Previous studies indicate that social isolation and loneliness disproportionately affects older adults and predicts greater physical, mental, and cognitive decline. A systematic literature review using PRISMA guidelines was conducted to address this emerging need to understand the scope of research focused on social isolation and loneliness among the disparity population of older Asian Americans. Four interdisciplinary databases were searched: PubMed, CINAHL, PsycINFO, and AgeLine; search terms included variations on social isolation, loneliness, Asian Americans, and older adults. Articles were reviewed based on six eligibility criteria: (1) research topic relevance, (2) study participants aged >60 years, (3) Asian immigrants as main participants, (4) conducted in the United States, (5) published between 1995-2019, and (6) printed in the English language. The search yielded 799 articles across the four databases and 61 duplicate articles were removed. Abstracts were screened for the 738 remaining studies, 107 of which underwent full-text review. A total of 56 articles met the eligibility criteria. Synthesis of our review indicates that existing research focuses heavily on Chinese and Korean American immigrant communities, despite the heterogeneity of the diverse Asian American population. Studies were largely observational and employed community-based sampling. Critical literature gaps exist surrounding social isolation and loneliness in Asian American older adults, including the lack of studies on South Asian populations. Future studies should prioritize health promotion intervention research and focus on diverse understudied Asian subgroups.

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Liew, Tat-Siong Benny. "READING WITH YIN YANG EYES: NEGOTIATING THE IDEOLOGICAL DILEMMA OF A CHINESE AMERICAN BIBLICAL HERMENEUTICS." Biblical Interpretation 9, no. 3 (2001): 309–35. http://dx.doi.org/10.1163/156851501317072738.

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AbstractChinese Americans living in today's "postcolonial" North America are often confronted by various forms of neocolonialism. It is no exception for those working within the field of biblical studies. In order to publish and be recognized within the guild, Chinese Americans are often asked to make the "nonchoice" between forsaking their own culture and engaging in the production of some exotic "biblical tourist literature" for others to visit and "sightsee" in times of leisure. This article attempts to expose the oppressive binarism of—in Cornel West's terms—"faceless universalism" and "ethnic chauvinism," and explore how Chinese American Bible scholars may negotiate this ideological dilemma by reading from a marginal site/sight.

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Kangkang, Zhang. "Heart-Stimulating: Chinese Americans in Contemporary Chinese Literature." Chinese Studies in History 41, no. 3 (April 2008): 42–66. http://dx.doi.org/10.2753/csh0009-4633410303.

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Kalibatseva, Zornitsa, and Frederick T. L. Leong. "Cultural Factors, Depressive and Somatic Symptoms Among Chinese American and European American College Students." Journal of Cross-Cultural Psychology 49, no. 10 (September 29, 2018): 1556–72. http://dx.doi.org/10.1177/0022022118803181.

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This study seeks to fill a gap in the existing empirical literature about the relationship between somatic and depressive symptoms and their associations with cultural factors among Chinese American and European American college students. In particular, the study examined how three culturally relevant psychological constructs, self-construal, loss of face, and emotion regulation, associate with depressive and somatic symptoms among Chinese American and European American college students and if they can explain possible group differences in depressive symptoms. The sample consisted of 204 Chinese American and 315 European American college students who completed an online survey. Based on multiple regression analyses, European American students reported higher levels of somatic symptoms on the Patient Health Questionnaire–15 (PHQ-15) than Chinese Americans. There was no initial group difference in depressive symptoms based on Center for Epidemiologic Studies–Depression Scale (CES-D) scores. Correlations between depressive and somatic symptoms, independent and interdependent self-construal, and cognitive reappraisal and independent self-construal were stronger for European Americans than Chinese Americans. Somatic symptoms, loss of face, and expressive suppression were positively associated with depressive symptoms, whereas independent self-construal and cognitive reappraisal were negatively associated with depressive symptoms for both groups. When controlling for gender and somatic symptoms, being Chinese American and male was significantly and positively associated with depressive symptoms measured with the CES-D. These ethnic and gender differences in depressive symptoms were explained by independent self-construal, loss of face, cognitive reappraisal, and expressive suppression. Clinical implications include the incorporation of specific culturally relevant constructs and avoidance of race-, ethnicity-, and gender-based stereotypes to reduce health disparities in depression treatment.

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Leu, Shwuyi. "Exploring Bicultural Experiences: Responding to a Chinese American Young Adult Novel." Language and Literacy 12, no. 1 (October 16, 2010): 57. http://dx.doi.org/10.20360/g2mw2s.

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Reading and responding to ethnic literature that is reflective of one’s own experiences often has significant value for the younger members of the parallel cultures. This paper reports the results of the responses of young adult and adult Asian and Asian American readers to a Chinese American young adult novel set in the 1920’s. The findings suggest that (1) cultural background played a major role in reader response, (2) cross-cultural reading responses revealed readers’ ethnic identity development, especially when dealing with between-world situations, and (3) Chinese Americans continue to experience racial discrimination today. Implications for educators include the importance of critical literacy and the inclusion of multiethnic literature in the K-12 curriculum.

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Dissertations / Theses on the topic "American literature Chinese Americans in literature"

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Shen, Shuang. "Self, nations, and the diaspora re-reading Lin Yutang, Bai Xianyong, and Frank Chin /." access full-text online access from Digital Dissertation Consortium, 1998. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9820580.

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Chin, Jim Cheung. "Realism and the hierarchy of racial inclusion : representations of African Americans and Chinese Americans in post-Civil War literature and culture /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9403.

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Su, Suocai. "Inventing transnational Chinese American identities in Amy Tan's The Joy Luck Club, Shirley Geok-lin Lim's Among the white moon faces, and Shawn Hsu Wong's American knees." Virtual Press, 2004. http://liblink.bsu.edu/uhtbin/catkey/1301632.

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My dissertation investigates how Chinese American writers invent transnational Chinese American identities in the 1980s and 1990s. In particular, I focus on Amy Tan's The JoyLuck Club (1989), Shirley Geok-lin Lim's Among the White Moon Faces: An Asian American Memoir of Homelands (1996), and Shawn Hsu Wong's American Knees(1995). 1 argue that Tan, Lim, and Wong challenge the conventional ideas of a singular, pure, and fixed identity but instead create Chinese American identities in the post-1965 era as multiple, hybrid, and constantly changing to accommodate to an open, diverse, and multicultural America. Specifically, in Tan's work, by describing both the conflicts and connections between the Chinese mothers and their American horn daughters, she represents a group of Chinese American women who transcend their cultural, generational, and linguistic differences to achieve an identity that connects the West with the East. In Lim's work, by portraying the domestic and international movements of herself as an immigrant, she reveals the long and painful process of negotiating multiple cultures and identities that enables her to change from a Chinese Malaysian to a new Asian American woman. In Wong's work, by focusing on how the fourth- and fifthgeneration of Chinese and/or Asian American men and women negotiate racial, ethnic, gender, and sexual identities, Wong meditates on what the term Asian American means in the new age. Together the three works reflect the range, diversity, and invention of contemporary Chinese American identities by Chinese American writers in the new era.
Department of English

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Lee, Ken-fang. "Yellow skin, white masks : translating cultures in Chinese American literature." Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310669.

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Ng, Yor-ling Carly, and 吳若寧. "Representing Chineseness: the problem of ethnicity and sexuality in Chinese American female literature." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47753158.

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The potential confrontation of Oriental and Occidental values represents one of the most important topics of scholarship since the twentieth century. Within this debate, American-born Chinese female writers occupy a unique position in their preoccupation with the two seemingly irreconcilable cultures. On the one hand, their Western upbringings entices the distortion of China from an Orientalistic perspective, on the other hand, they find their desire to come to terms with their ethnic cultural heritage to be equally difficult to supplant. It is a dilemma which sparked conflicts even within the Chinese American community, and begs the redefinition of the Chinese American female identity. It is thus, by applying Simone de Beauvoir’s ethical notions about Self/Other relations to the writings of Chinese American female writers, I consider how subjectivity is not substantive but a situated experience of selfhood in movement, and argue that Chinese American female writers may still be internalizing and perpetuating oriental stereotypes in their works, when they too have started re-orienting and hence, re-orientalising China and their Chinese identity. The United States of America is to Chinese American women as alienated at times as China. Under the framework, I further consider the futility of disputing the dual identity of Chinese American female writers to the extent to which identity can be considered as an ambivalent and ambiguous notion that has a temporal element in it. As a writer writes first and foremost about his or her own singular experiences in relation to the world, this thesis tackles the above question by examining how elements of anguish, solitude, and death, as noted by Beauvoir, and that are often present in Chinese American female writers’ accounts of their singular experiences, connect them to others. Through the evocation of such elements to establish the connection between Self and Other, which constitutes the authenticity of self-expression as opposed to suppression of self-assertion, one’s struggle with separation and one’s own truth is represented. In this sense, it is not, the ultimate result or triumph of an individual’s struggle with unity or individuality that matters; but rather, the process of self-struggle that corresponds to the dignified human existence within Beauvoir’s philosophical framework. The three elements of situation anguish, death and solitude are dealt with in this project in the following context: in Chapter Two, Ann Mah’s anguish over Chinese and American food is examined in connotation to the relations of herself with others around her that coerces her to reflect upon her ethnic and cultural affiliations. In Chapter Three, death is explored through the discussion of the footbinding notion in which the death of the foot signifies the end of docile acceptance as well as the beginning of transformations. Solitude is elucidated in Chapter Four through Maxine Hong Kingston’s warrior woman conceptualization that adopts and later re-orientalises silence. In all three situations, I pay attention to the way re-orientalisation is achieved in the Chinese American female project of selfhood in movement towards the Other.
published_or_final_version
Chinese
Master
Master of Philosophy

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Tang, Fang. "Imagining home : literary fantasy in contemporary Chinese diasporic women's literature." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/52130/.

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This thesis explores the use of literary fantasy in the construction of identity and ‘home’ in contemporary diasporic Chinese women’s literature. I argues that the use of fantasy acts as a way of undermining the power of patriarchal values and unsettling fixed notions of home. In each of these four texts by Chinese diasporic women author, the authors or their protagonists describe different explorations of the search for home: a space where they can articulate their voices and desires. The notion of home for these diasporic Chinese women is much more complex than a simple feeling of nostalgia in response to a state of displacement and unhomeliness. The idea of home relates to complicated struggles to gain a sense of belonging, as experienced by marginalized subjects constructing their diasporic identities — which can best be understood as unstable, shifting, and shaped by historical conditions and power relations. Fantasy is seen as a literary mode in the corpus of this study, as described in Rosemary Jackson’s Fantasy: the Literature of Subversion (1981). Literary fantasy offers a way to rework ancient myths, fairytales, ghost stories and legends; it also subverts conventional narrative representation, and challenges the restricting powers of patriarchy and other dominant ideologies. Through a critical reading of four texts written by diasporic Chinese women, namely, Maxine Hong Kingston’s The Woman Warrior (1976); Adeline Yen Mah’s Falling Leaves Return to Their Roots: The True Story of an Unwanted Chinese Daughter (1997); Ying Chen’s Ingratitude (1995) and Larissa Lai’s When Fox is a Thousand (1995), this thesis aims to offer critical insights into how these works re-imagine a ‘home’ through literary fantasy which leads beyond the nationalist and Orientalist stereotypes; and how essentialist conceptions of diasporic culture are challenged by global geopolitics and cultural interactions.

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Jacobi, Kara Elizabeth. ""They Will Invent What They Need to Survive": Narrating Trauma in Contemporary Ethnic American Women's Fiction." Scholarly Repository, 2009. http://scholarlyrepository.miami.edu/oa_dissertations/229.

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"'They Will Invent What They Need to Survive': Narrating Trauma in Contemporary Ethnic American Women's Fiction" analyzes novels by Octavia Butler, Phyllis Alesia Perry, Toni Morrison, Amy Tan, Alice Walker, and Julia Alvarez through the lens of contemporary theories of trauma, tracing the ways in which survivors struggle to construct narratives that contain and make sense of their experiences. Many of the major theorists of trauma studies emphasize the impossibility of re-capturing traumatic events through creating narratives even while recognizing that the survivor's need to tell her story persists. In my project, however, I explore the ways in which the Kindred, Stigmata, Paradise, The Joy Luck Club, Sula, The Temple of My Familiar, and In the Time of the Butterflies extend theories that insist too readily on the survivor's inability to accurately or completely re-member by depicting characters who, despite difficulty, present narrative accounts of their painful memories. In my own readings of the texts, I emphasize that the complexities highlighted by these texts ultimately foster our deeper understanding of the traumatized subject and her attempts to empower herself through testimony.

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Amato, Jean M. "The representation of ancestral home and homeland in Chinese American fiction (1960s-1990s) /." view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3181080.

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Thesis (Ph. D.)--University of Oregon, 2005.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 307-317). Also available for download via the World Wide Web; free to University of Oregon users.

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ALVES, LEONARDO PACE. "ANALYSIS OF AMERICAN LITERATURE REGARDING THE CHINESE FOREIGN POLICY DURING THE 1980S." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2000. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=2646@1.

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CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO
A dissertação aborda a literatura estadunidense sobre a política externa chinesa durante a década de 1980. Seis autores são analisados no debate sobre as variáveis explicativas do comportamento internacional de Pequim através da categorização em três diferentes grupos: os especialista que trabalham com o nível de análise do Estado- nação;os que lidam com o nível de análise do sistema internacional e aqueles que incorporam os dois níveis anteriores.
The thesis works on the American literature regarding the Chinese foreign policy during the 1980s. Six authors are analyzed in a debate about the explicative variables of Peking-s international behavior. They are categorized according to three different groups: the ones focusing on the nation-state level of analysis; those who concentrate on the international system level of analysis, and finally, those who incorporate both levels.

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馬穎雯 and Wing-man Marina Ma. "The plural subject in The woman warrior: "Pangs of Love" and "Phoenix Eyes"." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B31627614.

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Books on the topic "American literature Chinese Americans in literature"

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Chinese American literature since the 1850s. Urbana: University of Illinois Press, 2000.

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Cheung, King-Kok. Chinese American Literature without Borders. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-44177-5.

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Positioning contemporary Chinese American literature in contested terrains. Nanjing Shi: Nanjing da xue chu ban she, 2004.

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Identity and history: Reading Chinese American literature. Xiamen: Xiamen University Press, 2004.

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Chinese American writers. Detroit: Gale Group, 2001.

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Raatma, Lucia. Chinese Americans. Chanhassen, Minn: Child's World, 2003.

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Bandon, Alexandra. Chinese Americans. New York: New Discovery Books, 1994.

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Gustaitis, Joseph Alan. Chinese Americans. New York: Marshall Cavendish Benchmark, 2010.

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Bryan, Nichol. Chinese Americans. Edina, Minn: Abdo Pub. Co., 2004.

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John, Wilson. Chinese Americans. Vero Beach, Fla: Rourke Corp., 1991.

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Book chapters on the topic "American literature Chinese Americans in literature"

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Cheung, King-Kok. "Introduction." In Chinese American Literature without Borders, 1–25. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-44177-5_1.

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Cheung, King-Kok. "(S)wordswoman versus (S)wordsman: Maxine Hong Kingston and Frank Chin." In Chinese American Literature without Borders, 29–66. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-44177-5_2.

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Cheung, King-Kok. "Manhood Besieged: Gus Lee and David Wong Louie." In Chinese American Literature without Borders, 67–99. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-44177-5_3.

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Cheung, King-Kok. "Masculine Mystique: Xu Zhimo 徐志摩, Younghill Kang, Pang-Mei Natasha Chang, and Anchee Min." In Chinese American Literature without Borders, 101–39. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-44177-5_4.

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Cheung, King-Kok. "Art, Spirituality, and Ren or the Ethics of Care: Shawn Wong, Li-Young Lee, and Russell C. Leong." In Chinese American Literature without Borders, 141–70. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-44177-5_5.

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Cheung, King-Kok. "In(ter)dependence in Chinese/American Life-Writing: Liang Qichao 梁启超, Hu Shi 胡适, Shen Congwen 沈从文, Maxine Hong Kingston, William Poy Lee, and Ruthanne Lum McCunn." In Chinese American Literature without Borders, 173–99. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-44177-5_6.

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Cheung, King-Kok. "Theorizing in Narrative Form: Bing Xin 冰心." In Chinese American Literature without Borders, 201–27. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-44177-5_7.

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Cheung, King-Kok. "(Im)migrant Writing, Moving Homelands: Ha Jin 哈金." In Chinese American Literature without Borders, 229–62. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-44177-5_8.

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Cheung, King-Kok. "Slanted Allusions: Marilyn Chin and Russell C. Leong." In Chinese American Literature without Borders, 263–94. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-44177-5_9.

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Zheng, Jianqing. "Richard Wright’s Haiku, Japanese Poetics, and Classical Chinese Poetry." In Cross-Cultural Visions in African American Literature, 23–43. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119123_2.

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Conference papers on the topic "American literature Chinese Americans in literature"

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Sun, Nannan. "Research of Confucianism in American Chinese Literature." In 2017 International Conference on Innovations in Economic Management and Social Science (IEMSS 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/iemss-17.2017.198.

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Zhu, Jingbo. "The Analysis of Several Chinese Cultural Symbols in Chinese-American Literature." In 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icesame-17.2017.14.

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"Research on Chinese Cultural Vocabulary based on Corpus of Contemporary American English." In 2018 International Conference on Culture, Literature, Arts & Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icclah.18.015.

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Tang, Tianqing. "Comparative Study of Chinese and Western Cultural Differences in British and American Literature." In Proceedings of the 2018 3rd International Conference on Education, E-learning and Management Technology (EEMT 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iceemt-18.2018.115.

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Xiang, Yanli. "A research into cultural identity construction in the history of the Chinese American literature." In 2016 4th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2016). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/ieesasm-16.2016.76.

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Lin, Qun, Kai Xia, Lihui Wang, and Liang Gao. "Research Progress of Cloud Manufacturing in China: A Literature Survey." In ASME 2013 International Manufacturing Science and Engineering Conference collocated with the 41st North American Manufacturing Research Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/msec2013-1168.

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Cloud manufacturing has been of considerable interest to Chinese academic researchers over the last decade. This paper presents a broad perspective of the research on cloud manufacturing in China. The topics studied mainly include design of cloud manufacturing architecture, resource and capability virtualization, combinatorial optimization of virtual resource and capability, design and collaboration of cloud manufacturing services, intelligent searching and matching method and trust evaluation. The present literature survey also includes two successful cases applying cloud manufacturing in China to verify the feasibility of the cloud manufacturing architecture and services. Potentially interesting directions for future research in this area are also identified.

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Wen, Ji, Xu Sun, Xuancheng Ren, and Qi Su. "Structure Regularized Neural Network for Entity Relation Classification for Chinese Literature Text." In Proceedings of the 2018 Conference of the North American Chapter of the Association for Computational Linguistics: Human Language Technologies, Volume 2 (Short Papers). Stroudsburg, PA, USA: Association for Computational Linguistics, 2018. http://dx.doi.org/10.18653/v1/n18-2059.

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Staiger, Jeff D. "The Forest, The Trees, The Bark, The Pith: An Intensive Look at the Circulation Rates of Primary Texts in Ten Major Literature Areas at the University of Oregon Libraries." In Charleston Library Conference. Purdue Univeristy, 2020. http://dx.doi.org/10.5703/1288284317145.

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This poster looks at the circulation rate for literary primary texts, which constitute a unique area of collecting in academic libraries: while they do not in most cases meet immediate research needs, it is assumed that libraries ought to acquire them, for reasons including future research needs, preservation of the cultural record, and the ability of members of the intellectual community to stay current, those these remain primarily tacit. The circulation trends of contemporary literary works in ten areas of literature (English, American, German, French, Italian, Spanish, Latin American, Chinese, Japanese, and Russian) over the past twenty years at the University of Oregon Knight Library are presented and the circulation turnover rate (CTR), for each of these subject areas are presented. Sample graphs allow for the comparison of circulation rates and numbers of books across time, and serve as examples of the utility of such visualizations of the numbers. The key question raised by the study is what makes a good CTR for a particular region of the collection? The poster concludes by summarizing the considerations that bear on the interpretation of the CTR as an index of how the collection is “working.”

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Shu, Xiangyu, Jinyang Zheng, and Binan Shou. "Experimental Investigation on Minimum Design Metal Temperature of Q345R Steel." In ASME 2013 Pressure Vessels and Piping Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/pvp2013-97763.

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Q345R is the most widely used material in manufacture of pressure vessels in China. It is recently permitted in ASME Code Case 2642 for the fabrication of pressure vessels with design temperature above −10°C without concern about the low stress conditions. However, it’s allowed to be used at above −20°C in Chinese standards. For understanding its properties under low temperature, a large amount of toughness test data of Q345R were collected from recent literature, and lots of Charpy V-notched (CVN) impact tests at a series of lower temperature were also conducted. Several Ductile-Brittle Transition (DBT) curves were drawn from the test results and some reference temperatures for DBT region and CVN energies at certain temperatures were obtained and discussed. Results show that its toughness at −20°C is much better than that required both in Chinese standards and American Codes. The reference temperature of Q345R was determined as −24.7°C by using a conservative statistical estimation. And It is suggested that the allowable Minimum Design Metal Temperature (MDMT) of this material in American codes should be extended to a lower region.

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Zhang, Hanyue. "Translation Study of British and American Literatures Based on Difference between Chinese and Western Cultures." In 2016 4th International Education, Economics, Social Science, Arts, Sports and Management Engineering Conference (IEESASM 2016). Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/ieesasm-16.2016.86.

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