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1
Beylier, Pierre-Alexandre. "Cross-border Life in an American Exclave: Point Roberts and the Canada–US Border." Borders in Globalization Review 2, no. 2 (2021): 38–51. http://dx.doi.org/10.18357/bigr22202119617.
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By applying a theoretical framework based on different models proposed in border studies literature, this article analyzes the morphological, functional, institutional and identity characteristics that make Point Roberts—an American exclave in the Pacific Northwest—a “cross-border town”. Using an online survey and face-to-face interviews, the author combines both quantitative and qualitative research methods in order to examine the forces that link Point Roberts and the Canadian city of Delta that lies across the Canada–US border. This paper highlights the specificities of this unique geographic configuration as well the challenges that the border represents.
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Caesar, Ann Hallamore. "About town: The city and the female reader, 1860–1900." Modern Italy 7, no. 2 (2002): 129–41. http://dx.doi.org/10.1080/1353294022000012934.
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SummaryThe period after Italian Unification saw a marked increase in the volume of publications, magazines and books intended specifically for a female readership which was made up of girls and married women. It also saw the rise of the professional woman writer and journalist. Drawing on two of the most popular genres, the novel (in particular the domestic novel) and conduct literature, this article examines their representations of the city and urban life. It notes that while the physical transformation of major towns and cities was bringing in its wake far-reaching changes to the experience of urban life, the literature for women treats the city as an almost entirely abstract entity with few distinctive characteristics. Instead, the focus of these writings is on the drawing up of rulebooks designed to enable women to negotiate urban life without bringing opprobrium to bear on themselves or their families
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Rygaard, Jette. "The city life of youths in Greenland." Études/Inuit/Studies 32, no. 1 (2009): 33–54. http://dx.doi.org/10.7202/029818ar.
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Abstract In traditional Greenlandic literature as among the critics of modern civilisation, modernisation and urbanisation correspond to alienation, loneliness, urban misery, and stress. On the other hand, more and more people try to get to the big cities. An urban centre like Nuuk seems to be a success. In contrast, the small remote settlements in Greenland continuously face major problems of social disorders and poverty because of extreme living costs and unemployment. In this article, life in the city is discussed through the eyes of youths from Nuuk and the rural East Greenlandic small town of Ittoqqortoormiit. The data come from three succeeding projects, CAM I-II-III, which included photos and texts from young Greenlanders between 10 and 20 years of age regarding themes such as “my school,” “my friends,” “my media,” and “my city.” An analysis of the material produced reveals that the views of these young people fit urban theories concerning life style and behaviour; rural dwellers submitting to a life with close connections and tranquillity opposite to the hectic city dwellers’ life in an urban area.
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Waterston, Elizabeth. "Town and Country in John Galt: A Literary Perspective." Articles 14, no. 1 (2013): 16–22. http://dx.doi.org/10.7202/1017878ar.
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John Galt, town-planner and novelist, differed from contemporary writers such as William Wordsworth in his response to nature and to urban life. As agent for the Canada Company, he had the chance in 1827 to put some of his theories about town building into practice. Four years later, his novel Bogel Corbet presented a fictional version of that experiment in urbanism. All Galt's writings about the founding of a town emphasize community rituals and unity. His hope was that his settlement would move through an ascending order from village to town to garrison to city. The actual town of Guelph was of course unable to satisfy his ideal; in Bogle Corbet he adopts an ironic tone at the expense of the little town. But Bogle Corbet has another importance: in its random form as well as in its tone it emphasizes discontinuity. It foreshadows later treatments of small town life as well as has antecedents in English and Scottish literature. Since Galt's time, the ironic sequence sketch has proved a very appropriate literary genre for reflecting the disharmony of small Canadian towns.
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Ty, Eleanor. "Asianfail in the City: Michael Cho’s Shoplifter." Asian Diasporic Visual Cultures and the Americas 4, no. 1-2 (2018): 45–64. http://dx.doi.org/10.1163/23523085-00401003.
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Michael Cho’s graphic novel Shoplifter is a fine example of “Asianfail,” where the heroine fails to excel as Asian North Americans are “supposed to.” Narratives of failure are either rare or untold in Asian North American literature because Asians are often stereotyped as the successful model minority. Yet Shoplifter is more than simply a story about a twenty-something woman’s search for identity. With its rich details and striking colours, Cho’s visual language suggests that the graphic novel is also about contemporary urban life: its strange beauty and darkness, its complexities and hollowness. Shoplifter is a narrative about the development of a young Asian North American woman as well as a tribute to—and critique of—big city life.
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Roberts, Kathryn S. "Our Town, the MacDowell Colony, and the Art of Civic Mediation." American Literary History 31, no. 3 (2019): 395–418. http://dx.doi.org/10.1093/alh/ajz025.
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Abstract Thornton Wilder’s Our Town (1938) has found unusual currency of late. In 2011, the play lent its name to a major funding program launched by the National Endowment for the Arts; in 2017, it appeared in the center of a popular podcast and was revived by a British theater company in the wake of a terrorist attack. These productions recognize what terms like middlebrow obscure: Our Town is a civic mediator, a performance that installs art at the center of community life and community at the center of art. Taking inspiration from Antoine Hennion’s sociology of music, this essay ventures into the archive to trace an unfamiliar origin story for Our Town, involving a turn-of-the-century writers’ colony, a Progressive-Era historical pageant, and Wilder’s self-understanding as both confirmed bachelor and “community man.” Through the trajectory of a single play, civic mediation emerges as a pervasive strategy and ethos of American cultural practice, connecting diverse media through time and space.
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Dumbe, Yunus, and Abdulkader Tayob. "Salafis in Cape Town in Search of Purity, Certainty and Social Impact." Die Welt des Islams 51, no. 2 (2011): 188–209. http://dx.doi.org/10.1163/157006011x573473.
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AbstractSalafism has become part of a public discourse in Cape Town since the last decade of the 20th century. Drawing on extensive interviews with a number of such Salafis and anti-Salafis, this article examines how this search was manifested and then negotiated within the local religious sphere of the city. This article confirms the view presented in the general literature that Salafism represented the aspiration of individuals who desired to chart an independent approach to Islamic practices. Nevertheless, by focussing attention on a number of individuals and measuring their successes, strategies and life-trajectories, the social dimension of Salafi practices is brought into sharp focus. Salafis were not only effective as lone figures who were prepared to break away from everybody; they were also involved in founding communities for their ideas. And in this regard, they could not escape the social contexts in which they found themselves.
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Weingrad, Michael. "Messiah, American Style: Mordecai Manuel Noah and the American Refuge." AJS Review 31, no. 1 (2007): 75–108. http://dx.doi.org/10.1017/s0364009407000499.
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For more than a century, his story has regularly exercised historical and literary imaginations alike. How could it be otherwise? Diplomat, playwright, journalist, politician, and visionary, Mordecai Manuel Noah (1785–1851) was an extraordinary individual. In the course of his life, he wrote and produced successful plays, fought a duel, established himself as a popular newspaper columnist, rescued enslaved American sailors during his tenure as U.S. consul in Tunis, published an important book on his travels in Europe and North Africa, influenced presidential elections through his editorship of major newspapers, and served as judge and port surveyor of New York City. He was easily the most prominent and influential Jew in the United States during the first half of the nineteenth century. Moreover, he has been described as the first public figure “to demand continuous recognition as both a devoted American and as a devoted Jew.”
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Frank, Jane. "Book culture, landscape and social capital: The case of Maleny." Queensland Review 23, no. 1 (2016): 35–48. http://dx.doi.org/10.1017/qre.2016.5.
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AbstractThe clustering of book culture in rural locales around the world is a growing phenomenon. Creative and cultural activity in these bookish communities enhances social capital, and their book-based economies contribute to sustainability. Maleny, in South-East Queensland's Sunshine Coast hinterland, has long been recognised as a centre for books, readers and writers. It is the home of two writers’ festivals,OutspokenandMaleny Celebration of Books. The community attracts city dwellers, and those who like to escape to the Blackall Ranges for relaxation, as well as people who choose to live a ‘slow’ life in the area. Onyx (2005) identified high levels of social capital. In this article, I consider the potential of Maleny to position itself as a ‘book town’. However, my findings confirm that, despite the community's reputation as a place of cultural consumption, prosperity is a hindrance to book town development.
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Ferguson, Laura E. "A Gateway without a Port: Making and Contesting San Francisco’s Early Waterfront." Journal of Urban History 44, no. 4 (2018): 603–24. http://dx.doi.org/10.1177/0096144218759030.
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In the mid-nineteenth century, San Franciscans transformed a muddy cove and trading outpost into an American town and then global port. In their rush to build a port and a city, they created a socially, politically, and materially unstable foundation for their rapidly growing urban waterfront. This article argues that the development and growth of early San Francisco cannot be understood apart from its waterfront in general and its role as a port in particular, contributing to a relatively small literature on the relationship between cities and their ports in urban history. Tracing the legal contests over the tidelands, material construction of piers, rise of a vice district, and clashes with vigilante justice, this article examines the creation of San Francisco as a gateway city. It suggests how historians might recover the dynamic, entangled, and at times violent histories hidden beneath the sediments of time along all urban commercial waterfronts.
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Świątkiewicz, Anna, Marcin Połom, and Krystian Puzdrakiewicz. "Changes in the Spatial Development of a Satellite Town under the Impact of a Metropolitan City—Evidence from Pruszcz Gdański (Poland)." Land 10, no. 8 (2021): 800. http://dx.doi.org/10.3390/land10080800.
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Nowadays, large cities are becoming troublesome to live in in many respects. Due to the high prices of real estate, they are not attractive to young people. The literature often presents analyses of the phenomenon of urban sprawl to suburbia, but the subject of the impact of a metropolitan city on the functioning and changes in spatial development of satellite towns is rarely discussed. This study attempts to describe and to determine factors conducive to this process by identifying, through participant observation, the potential phenomenon of the influence of Gdańsk as a city with metropolitan functions on Pruszcz Gdański, a town directly adjacent to it. The article uses two main groups of methods: (a) a comparative analysis of orthophotomaps from 2005–2020 which allowed for recreating the dynamics of housing development, supported by land mapping as part of field research; (b) a structured internet survey on a sample of 393 residents which allowed identifying the factors influencing the spatial development of Pruszcz Gdański and the perception of this phenomenon, as well as an in-depth interview with a group of 6 residents which allowed obtaining detailed information on the quality of life in Pruszcz Gdański and the factors that determine living in this town. The proximity of both cities and much lower real estate prices in Pruszcz Gdański, which still has most of the functions of an independent town, is beneficial to settling down of migrants from the core of the metropolis. This process particularly applies to young people of working age who cannot afford to buy a new flat in Gdańsk. Building new multi-family housing estates close to the border with Gdańsk has created a kind of new service band or, in a sense, a “town within a town”.
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Gui-fen, Lyu. "A Research on Public Space Planning of Rural Architecture Based on Villagers’ Perception: A Case Study of Xingjing Town, Xixia District, Yinchuan City, Ningxia Province." E3S Web of Conferences 283 (2021): 02039. http://dx.doi.org/10.1051/e3sconf/202128302039.
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In the context of rapid global urbanization, rural villagers’ demand for public space is increasing. This article understands the development of rural public space through the perception of villagers. Using literature research method, questionnaire survey method, field investigation method and other methods, the investigation results of villagers’ behavior in rural public spaces and villagers’ satisfaction were analyzed. The study found that the villagers’ demand for public space is mostly in terms of accessibility, good landscape, and good environment. The villagers hope that the town can have more public spaces to enrich life. Therefore, based on the conclusions of villagers’ perception survey and research, this article studies the planning and design strategies of rural architecture public spaces.
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Brera, Matteo. "Primo Bartolini and the “Eye-talians” of Nashville: Becoming American in the Athens of the South." Quaderni d'italianistica 38, no. 1 (2018): 11–36. http://dx.doi.org/10.33137/q.i..v38i1.31137.
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This essay describes how the Italians who settled in Nashville between the end of the nineteenth century and before the outburst of the First World War favoured first and foremost their occupational mobility thus prioritizing their integration in the economic fabric of a thriving city. Initially, they kept their cultural heritage alive but aimed to gain solid knowledge of the English language and American customs in order to apply for American citizenship as soon as possible, thus avoiding the severe discrimination endured by other Italian communities in southern states. Among the Italians of Nashville, Primo Bartolini stands out as a unique example of successful cultural and social hybridization and of the making of Italian American identity in Nashville and the South. Bartolini moved to Music City in 1908, after a short experience as a teacher in Indiana, and he was the first non-native of Tennessee to be drafted in 1917 to serve for his adoptive country during the First World War. A poet and a scholar, he wrote more than 300 poems on nostalgia, love, and patriotism. In these unpublished works, Bartolini shows how his identity progressively became Americanized: his writing style changed over time while still maintaining certain prosodic elements proper to his Italian culture and education. Bartolini’s experience, along with those of his compatriot who found their new home in Nashville, also confirms the integrating effect that the Great War had on Italians. Indeed, in the United States, a blend of old loyalties and the strong desire for acceptance and recognition drew the entire community into the public life of their adopted cities.
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P, Jushaini. "Exploring the Facts and Fantasies in Neal Town Stephenson’s ‘The Diamond Age: Or a Young Lady's Illustrated Primer’." SMART MOVES JOURNAL IJELLH 8, no. 3 (2020): 9. http://dx.doi.org/10.24113/ijellh.v8i3.10479.
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Literature enables people to think out of the box and connect with new ideas. At the same time, it takes us back and helps us know more about the life led by our ancestors. As a great foundation of life, literature fosters the overall development of the people and the society through inspiring stories, motivating tales and futuristic writings. We live in a world of technological advancements and Science Fiction stories are the profound ways to introduce extrapolation and speculation in literature. Built on a strong foundation of realistic concepts, sci-fi stories develop a futuristic world of limitless possibilities. Sci-fi stories take us to an exciting world where one witness unimaginable applications of science and technologies.
 Neal Town Stephenson is an American writer well-known for writing science fiction, cyberpunk and postcyberpunk stories. He belongs to a prestigious family of scientists and engineers. His father was a biochemistry professor and his paternal grandfather, a physics professor. After completing his studies from Boston University, he started working as an advisor for Blue Origin, a company specialized in developing spacecraft and space launch systems. Currently, he is serving as the chief futurist for Magic Leap. He also cofounded Subutai Corporation, a company dedicated to developing interactive fiction projects.
 The Diamond Age: Or, a Young Lady's Illustrated Primer is a postcyberpunk novel by Neal Town Stephenson. The novel’s protagonist is named Nell, who is a thete, meaning a person who is not a member of any of the phyles. The entire plot is set in a future nanotech world where three forms of tribes or phyles exist, known as the Han, the Neo-Victorian New Atlantis, and the Nippon. The Diamond Age details some of the applications of nanotechnology such as chevaline, smart paper, etc. This journal is an analysis of extrapolation and speculation used in the sci-fi novel, The Diamond Age, written with an aim to explore different facts and fantasies created by the author.
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Suparwoko, Woko, Wiryono Raharjo, and Ahmad Saifudin. "Islamic Values of the Northern Town Square of the Yogyakarta Sultanate." TATALOKA 22, no. 2 (2020): 271–86. http://dx.doi.org/10.14710/tataloka.22.2.271-286.
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Since the end of the 13th century during the era of the Majapahit Kingdom, the Public Square or town square has always become part of the kingdom. The square is a manifestation of public space, an integral part of the spatial layout of the royal capital. This concept was later adopted by cities in Indonesia, which provides an open space right in front of the palace or government office. Public squares as public spaces can play various roles in enhancing the quality of urban life, especially to express the social economic and environmental values. This paper aims to solely focus on the northern town square located inside the palace complex, especially by addressing the Islamic values of the northern town square of the Yogyakarta Sultanate using qualitative approaches in terms of its social economic and environmental aspects. Primary data were directly obtained from the research location by taking some photographs, field observation, and notes, while secondary data were derived from the literature and the Internet. The research suggests that the northern town square serves as the symbol and manifestation of not only the media to relate mankind to God but also the media to relate mankind to nature. In terms of mankind-to-God relation, the northern town square serves as a place for Eid prayers every year, including the Eid Fitr and the Eid Adha. Also, some annual events like the Sekaten are held every year to commemorate the birth of the Prophet Muhammad. The Sekaten Fun Fair to celebrate the birth of the Prophet highlights the Islamic values related to social economic and tourism activities. In the context of northern town square landscape, the element of 64-banyan trees around the northern town square symbolizes the age of the Prophet Muhammad. This tree concept has been successfully protected the environment around the northern town square and serves as a public open space in the city of Yogyakarta.
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Cohn, Naftali S. "The Complex Ritual Dynamics of Individual and Group Experience in the Temple, as Imagined in the Mishnah." AJS Review 43, no. 2 (2019): 293–318. http://dx.doi.org/10.1017/s0364009419000503.
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When the mishnaic authors narrated the Temple rituals of the past, they made choices in how to imagine the nuanced dynamics of actors, spaces, objects, and actions that make up the ritual enactments. These choices point to their understanding of how Temple ritual worked and what it accomplished. Taking an unusual feature of many of the Mishnah's Temple-ritual narratives—the shifting back and forth between singular and plural, or, between individual and group—as a starting point, this article argues that for the rabbis of the Mishnah, Temple ritual bound together every Israelite with the collective whole, while simultaneously allowing for individuality. Moreover, it created a sense of solidarity and belonging within multiple levels of Jewish collective life—the whole people, the local city or town, and the lineal groupings of Israelite, Levite, and priest. Similarities to mishnaic rules about prayer-centered rituals, moreover, suggest that the rabbis believed these functions of ritual continued even in the absence of the Temple.
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Koltun-Fromm, Ken. "Performing the Material Self: Mordecai Kaplan and the Art of Journal Writing." AJS Review 31, no. 1 (2007): 109–31. http://dx.doi.org/10.1017/s0364009407000244.
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Mordecai Kaplan's journals from 1913 to 1934 offer a window into the mind of a tormented and lonely Jewish thinker. As a pioneering theologian, sociologist, and teacher of American Judaism in the twentieth century, Kaplan (1881–1983) stood as a towering figure at the Jewish Theological Seminary in New York City, where he worked for a good deal of his very long life. Yet even with the publication of his groundbreaking work Judaism as a Civilization (1934) and his popular following, he felt marginalized and embattled throughout his life. To help manage and defend those professional conflicts, Kaplan turned to his journal to record his personal struggles and anxieties. These diary entries offer important clues to the ways he discovered and created an American Jewish identity through the art of journal writing.
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Židová, Diana. "Manifestations of Slovak and Rusyn Identity in Vasil Stefan Koban’s The Sorrows of Marienka and Excerpt from Michal." CLEaR 3, no. 1 (2016): 39–46. http://dx.doi.org/10.1515/clear-2016-0004.
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Abstract Vasil Stefan Koban (1918-2007) was an American writer of Slovak origin. His cultural identity is, however, somewhere between Rusyn and Slovak, but all his writings were published in Slovak journals such as Slovakia, or Almanac run by National Slovak Society. The Slovak translation of his only novel, The Sorrows of Marienka, was published in 2006 with the subtitle Púť Slovákov za lepším životom do Ameriky. The book is about the life of his mother Marienka who after marriage to Ivan Kinda emigrates from Jarabina to Conemaugh, an American coal mine town. Excerpt from Michal: Biography of a Galician Coal Miner, 1906-1933 is a revised version of the story in which Michal, Koban’s father and Marienka’s second husband, loses his leg in an accident and he must stay in a hospital for a year. In both stories Koban uses lots of Slovak words, but on the other hand, he mentions that Michal helped to build the Russian Orthodox Church of St. John the Baptist in Conemaugh with other Galicians, his natives, since he was born in Habowa. Although he considered himself to be of Slovak origin, Koban is enlisted under Carpatho-Rusyn Literature in The Greenwood Encyclopedia of Multiethnic American Literature. The article focuses on manifestations of Slovak and Rusyn identity in Koban’s two most notable literary works.
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Kornbluh, Andrea Tuttle. "Urban Culture: City sex: views of American women and urban culture, 1869 to 1990." Urban History 18 (May 1991): 60–83. http://dx.doi.org/10.1017/s0963926800015996.
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Urban women are provocative; their mere presence has frequently stimulated observers to label the relationship between women and urban culture problematic. As Mary P. Ryan recently noted, ‘To search for women in public is to subvert a longstanding tenent of the modern Western gender system, the presumption that social space is divided between the public and the private and that men claim the former while women are confined to the latter.’ What follows here is an examination of the changing discourse of the relationship between women and cities since the Civil War. Perhaps for the reason indicated by Ryan, few systematic surveys have been made of that literature. Only those works which explicitly posit a connection between women and urban culture are included here; it is not enough that the women described beincities, there must be some discussion of the interaction between the two. The term ‘culture’ is used in the anthropological sense – culture as a way of life. Many of the works reviewed here examine women who somehow deviate from the ‘ideal’ woman, who in the nineteenth century seemed to be a married Protestant middle-class non-employed mother. Thus they demonstrate abundant interest in prostitutes, immigrant women and wage-earning women, as well as in politically and sexually radical women.
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Bengisu, Elif. "Human History and Göbeklitepe." International Journal of Social, Political and Economic Research 7, no. 1 (2020): 1–10. http://dx.doi.org/10.46291/ijospervol7iss1pp1-10.
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Şanlıurfa is known as the lands of the dawn of civilization and is located in regions so called as “Fertile Crescent” in archeology literature. From primitive religions to monotheistic religions, all religions emerged in this region. The very first agricultural practices were performed in this region and writing was invented also in this region. The male sculpture, so called as “Urfa Man”, came across during the excavations made within the scope of “Balıklıgöl Landscape Project” in 1992 and sent to Urfa Museum, was dated back to circa 10.000 BC and recorded as the oldest naturalistic life-sized sculpture of a human in archeology literature. This sculpture proved that Balıklıgöl and surroundings in Urfa city center were settled toward the end of Paleolithic age about 12.000 years ago (10.000 BC). At the end of this age, humans left the hunter and nomadic lifestyle and passed into permanent settlements, they established the very first villages and initiated agricultural practices for the first time and became producer societies. This age is also known as the age in which primitive religions emerged for the first time. Therefore, Şanlıurfa has a great place in world culture in terms of history of religions, history of agriculture and faith tourism. In archaeological excavations conducted in Göbeklitepe close to city center under the chairmanship of Prof. Dr. Klaus Schmidt, the oldest temple of the world belonging to ends of Paleolithic Age dated back to 12.000 years ago (10.000 BC) was explored. Such an exploration proved that Şanlıurfa was the oldest center of the believers in the world. Before Göbekli Tepe, archaeological excavations were conducted in Nevali Çori of Hilvan Town and a square-planned temple of Neolithic Age dated back to 8.500-8.000 BC was explored. Therefore, Nevali Çori led up the Göbeklitepe excavations. In several archeological excavations conducted in Şanlıurfa region, schematic idols to which Chalcolithic and Old Bronze Age Societies worshipped were explored. Several violin-type idols depicting homiform gods explored in Titriş Höyük Necropolis of Bozova Town and exhibited in Şanlıurfa Museum.
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Zeng, Xiu. "A Study of the Reflection of Naturalism in the Heroine in Sister Carrie." Theory and Practice in Language Studies 11, no. 9 (2021): 1067–71. http://dx.doi.org/10.17507/tpls.1109.12.
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Sister Carrie is one of the greatest works composed by Theodore Dreiser, one of the representatives of naturalists in American literature at the beginning of the 20th century. Among numerous works of Theodore Dreiser, Sister Carrie enjoys a quite high literary status, and also meets with different comments after its publication. The novel mainly tells the personal experiences of a rural beautiful girl Carrie in the big city Chicago. Driven by natural desires and urban environment, she changes her social status and original values in the end. Naturalism is a scientific and literary approach employed here to depict the characters in the novel where a person's fate is decided or predetermined by impersonal forces of nature and environment beyond human control. The novel is an experiment where the author could discover and analyze the natural forces and survival laws that influence personal behaviors, emotion and fate. This paper introduces the origin, development and characteristics of naturalism in American literature, studies the effect of human weakness on their life, and makes clear the influences of environment on people’s way of thinking and way of life.
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Metzler Sawin, Mark. "The Lynching and Rebirth of Ned Buntline: Rogue Authorship during the American Literary Renaissance." Text Matters, no. 9 (December 30, 2019): 167–84. http://dx.doi.org/10.18778/2083-2931.09.10.
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Though largely unknown today, “Ned Buntline” (Edward Zane Carroll Judson) was one of the most influential authors of 19th-century America. He published over 170 novels, edited multiple popular and political publications, and helped pioneer the seafaring adventure, city mystery and Western genres. It was his pirate tales that Tom Sawyer constantly reenacted, his “Bowery B’hoys” that came to define the distinctive slang and swagger of urban American characters, and his novels and plays that turned an unknown scout into Buffalo Bill, King of the Border Men. But before “Ned Buntline” became a mainstay of the popular press, he had been on his way to becoming one of the nation’s highbrow literary elites. He was praised by the leading critics, edited an important literary journal, and his stories appeared in the era’s most prestigious publications. This study examines how and why “Ned Buntline” moved from prestigious to popular authorship and argues that the transformation was precipitated by one very specific event: in 1846, Edward Z. C. Judson was lynched. A close examination of Judson’s life, writing, and the coverage of him in the newspapers of the day (including the remarkable story of how he survived a lynching) demonstrates that the same issues that led to his lynching also led to his rebirth as a new kind of American author.
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Sozina, Elena K. "NIZHNY TAGIL IN THE URALS CONTEMPORARY POETRY. EKATERINA SIMONOVA." Ural Historical Journal 70, no. 1 (2021): 114–22. http://dx.doi.org/10.30759/1728-9718-2021-1(70)-114-122.
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This article focuses on the images of Nizhny Tagil in the contemporary poetry of the Urals. The phenomenon of “Nizhny Tagil poetic school” or “Nizhny Tagil renaissance” emerged in the early 2000s when young poets of Evgeny Turenko’s circle entered the poetry scene. This “school” lasted for about a decade but made a mark in the history of literature. The paradoxical imagery of the native city in its representatives’ poems stems from the fact that Nizhny Tagil is mostly portrayed as a “negative locus” or as a kind of “negative space”, in D. Davydov’s words. This is observed primarily in the poems of E. Turenko himself; in the poetry of his students, whenever the city is mentioned, it is shown from a negative perspective or altogether replaced by the town of Kushva. A different image of the city is presented in the poetry of Ekaterina Simonova, who also emerged from the Nizhny Tagil school and is now living in Ekaterinburg. The image of Tagil in her poems is closely connected to the themes of memory, family, and the lineage of the poetess, to which she feels a personal belonging. This is the reason why in her poetic world objects are so important; they keep traces not only of memories and past lives, but also the impressions of close people to whom she gives voice in her poems. Capturing the history of everyday life, Simonova creates poetic novellas in which life-stories of different people flow into one another. Nizhny Tagil here is portrayed as a place to which the lyrical heroine constantly returns, its mental map is revealed through the trajectory of the heroine’s movements and her constant peering into herself as the “other”. It exists in the achronic dimension, it is truly an “eternal city”, serving as a reference point during her encounters with other cities and people.
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Potočnik, Nataša. "Wendy Jones Nakanishi : an American resident in Japan, her life and work through the English language and literary creativity." Acta Neophilologica 45, no. 1-2 (2012): 63–85. http://dx.doi.org/10.4312/an.45.1-2.63-85.
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Wendy Jones Nakanishi is a professor of English Language and Comparative Cultures at a small private college located in the south of Japan: Shikoku Gakuin University in Kagawa prefecture. It is a life far removed from her roots. She grew up in a tiny town in the northwestern corner of Indiana and spent her childhood holidays at her grandparentsʼ farm in the central part of the state. She received graduate degrees in Indiana, in England and in Scotland and she also spent a year in France and half a year in Holland. Nakanishi has published widely in America, Japan and Europe. Her academic research ranges from eighteenth-century English literature to the analysis of contemporary Japanese and British authors to sociological topics related to Japan. She was an Associate Member of the Ruskin Programme, based at LancasterUniversity in England, and currently belongs to the Iris Murdoch Society of Japan. She has published a considerable body of academic work - critical monographs, articles and book reviews - and, in recent years, has embarked on writing short stories and Žcreative non-fictionʼ pieces based on her experience of living in Japan for the past twenty-seven years as an American 'ex-patʼ, as a university professor, and as the wife of a Japanese farmer and the mother of three sons. Her stories have been published in various literary magazines in Japan and abroad and reflect her Žlife storyʼ asa foreigner residing in that country. In this article, I will focus on her 'creative non-fictionʼ stories.
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Artemieva, Nadezhda G., and Victor S. Sorokin. "Jurchen Harvesting Equipment: A Case Study of the Walled Town of Shaiginskoe." Vestnik NSU. Series: History and Philology 20, no. 3 (2021): 66–77. http://dx.doi.org/10.25205/1818-7919-2021-20-3-66-77.
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Purpose. The article is dedicated to the research of harvesting tools that were excavated on the territory of the Shaiginskoe site. For the first time, the full statistics of the material are given, its new classification has been developed, and the data reveal the role of agriculture in life in the military-agricultural settlements of the State of East Xia. The Jurchens’ walled towns dating back to the period of the Eastern Xia State are qualified as military and agricultural settlements. Fortification structures of the sites imply their military functions, whereas findings of agricultural equipment affirm respective activities of the citizens. The agricultural implements excavated on the site of Shaiginskoe include hand-held tools typically used by the Jurchen people for harvesting cereal crops or cutting grass for hay. The article covers a complete statistic of the archaeological findings, provides a new type of their classification and demonstrates the scientists’ efforts to determine the specific features of social relations in military and agricultural settlements. Results. A total of 113 items have been found in the Shayginskoe settlement, which can be attributed to tools for harvesting. According to morphological features, they can be divided into species A – sickles and species B – scythes. Having analyzed the unearthed material, the authors conclude that the tools had a cross-purpose and their functions were not clearly separated. The Jurchens’ sickle appeared to be similar to the sickle-scythe used by the Manchus. They correspond to each other in size, shape and functionality. The only difference lies in a manner of fastening the blade to the handle. Conclusion. Judging by the number of agricultural equipment found in almost one in three dwellings of The Shaiginskoe fortification, it can be concluded that many residents of the city, to varying degrees, engaged in agriculture, supplemented by fishing and hunting, providing themselves with food, however agriculture played an important role in the economy of medieval fortifications of Primorye, and formed the basis of agricultural activity of the Jurchen.
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Abbas, Abbas. "Description of the American Community of John Steinbeck’s Adventure in Novel Travels with Charley in Search of America 1960s." PIONEER: Journal of Language and Literature 12, no. 2 (2020): 173. http://dx.doi.org/10.36841/pioneer.v12i2.738.
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This article aims at describing the social life of the American people in several places that made the adventures of John Steinbeck as the author of the novel Travels with Charley in Search of America around the 1960s. American people’s lives are a part of world civilizations that literary readers need to know. This adventure was preceded by an author’s trip in New York City, then to California, Connecticut, Rhode Island, New Hampshire, Massachusetts, Maine, New Jersey, Saint Lawrence, Quebec, Niagara Falls, Ohio, Chicago, Illinois, Michigan, North Dakota, the Rocky Mountains, Washington, the West Coast, Oregon, Arizona, New Mexico, Texas, New Orleans, Salinas, and again ended in New York. In processing research data, the writer uses one of the methods of literary research, namely the Dynamic Structural Approach which emphasizes the study of the intrinsic elements of literary work and the involvement of the author in his work. The intrinsic elements emphasized in this study are the physical and social settings. The research data were obtained from the results of a literature study which were then explained descriptively. The writer found a number of descriptions of the social life of the American people in the 1960s, namely the life of the city, the situation of the inland people, and ethnic discrimination. The people of the city are busy taking care of their profession and competing for careers, inland people living naturally without competing ambitions, and black African Americans have not enjoyed the progress achieved by the Americans. The description of American society related to the fictional story is divided by region, namely east, north, middle, west, and south. The social condition in the eastern region is dominated by beaches and mountains, and is engaged in business, commerce, industry, and agriculture. The comfortable landscape in the northern region spends the people time as breeders and farmers. The natural condition in the middle region of American is very suitable for agriculture, plantations, and animal husbandry. Many people in the western American region facing the Pacific Ocean become fishermen. The natural conditions from the plains and valleys to the hills make the southern region suitable for plantation land.
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Pick, Anat. "Film's Religious Algorithm." Paragraph 42, no. 3 (2019): 387–402. http://dx.doi.org/10.3366/para.2019.0313.
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This article explores Simone Weil's concept of ‘affliction’ and the black poetics of Saidiya Hartman and Fred Moten in relation to two nonfiction films: Artur Aristakisyan's Palms (1993) and Forough Farrokhzad's The House Is Black (1962). The films’ contentiousness springs from their provocative depictions of suffering, presented not as a social ill but as a defiant mode of being outside of institutional power. Supplanting the search for a cure with the search for salvation, the films transcend the socially-conscious logic of documentary in favour of a ‘religious algorithm’ of profound but recalcitrant weakness. As alternative ‘city symphonies’, Palms and The House Is Black's municipal visions complement Hartman and Moten's vivid accounts of insurgent black life in American cities.
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Murphy, Alexandra K. "The Suburban Ghetto: The Legacy of Herbert Gans in Understanding the Experience of Poverty in Recently Impoverished American Suburbs." City & Community 6, no. 1 (2007): 21–37. http://dx.doi.org/10.1111/j.1540-6040.2007.00196.x.
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Reports based on data collected from the 2000 U.S. Census reveal a dramatic transformation in the landscape of poverty and inequality in the United States in the 1990s. U.S. central city areas have witnessed considerable decreases in rates of poverty while, at the same time, suburbs have experienced significant increases in rates of poverty. Indeed, the outcome of this shift has resulted in demographic trends, quality of life issues, economic and social outcomes, and signs of physical deterioration that we often associate with deteriorating inner cities now being found in a number of American suburbs. Beyond basic demographic information, however, little is known about daily life in these areas. This paper explores the conceptual, analytical, and methodological contributions of Herbert Gans, specifically, his ethnographic study of the suburban community Levittown, for the study of these changes. The paper reviews the literature on suburban poverty in order to identify the ways in which Gans's work contributes to future suburban scholarship as students of the suburb grapple with trying to understand and examine this transformation and the impact that this suburban change has had on the daily lives of the poor living in these recently turned poor suburbs.
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Alsaedi, Shaima Muzher Abid Alreda. "Dystopian Reality in Frankenstein in Baghdad a novel by Ahmed Saadawi." Al-Adab Journal, no. 133 (June 15, 2020): 7–22. http://dx.doi.org/10.31973/aj.v0i133.606.
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Dystopian literature is important in old and modern literature. It depicts a world in which everything is imperfect, chaotic and distorted. It shows a nightmarish image yet it is true in some afflicted communities. It mainly deals with war, oppression and disastrous situations. Almost all the characteristics of dystopian literature are real in Ahmed Saadawi’s novel Frankenstein in Baghdad. These characteristics are real and tangible in the place where the events of the novel occurred. These characteristics are manifested in people’s fear from the government, the American troops and terrorism attacks. Also the unstable life that they are forced to adapt. In addition, the lack of freedom and independence create a huge gap between citizens and the government.
 Baghdad was devastated by many oppressive factors like: American annoying troops, terrorists’ explosions attacks, incompetent government highly officials, and militias’ sectarian attacks. The only imaginative tool of dystopia that Saadawi use is the creation of Whatsitsname. Saadawi tries to drag his readers’ attention to a magical-realistic world. All the other incidents are real and present in everyday life in Baghdad in 2005; like the unsafe capital, the disintegration of family members, the separated limps of victims. Saadawi virtually described the dark era in Baghdad at that time. The bloodshed, the torture and massive killing was overwhelming the city. 
 Dystopian fiction links elements of truth that is specific to the time in which it is written in with science or imaginary elements that represent the terrifying direction we are winding to. Frankenstein in Baghdad converses this classic formula: the dystopian fundamentals of the novel are not engrained in its hypothetical and mythical elements but rather in the very real, frightening violence that Baghdad witnessed in 2005.
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Scrocchi, Rafael Arreaza. "FROM PARIS TO ANGOSTURA: THE IMAGE OF THE LIBERATOR IN BETTY KAPLAN’S MINISERIES BOLÍVAR (1983)." ARTis ON, no. 7 (December 23, 2018): 45–56. http://dx.doi.org/10.37935/aion.v0i7.191.
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This study aims to explain the plot of the miniseries Bolívar (1983) by Venezuelan-American director, Betty Kaplan, from its beginning when Simón Bolívar is depicted in Paris, France in 1804, until the creation of Colombia in the Venezuelan city of Angostura in 1819. Fragmenting the scenes and the events related to the life and achievements of Simón Bolívar between 1804 and 1819, this article narrates all the matters proposed through the image of the Liberator and its context contrasting the plot with Bolivarian iconography, biography and literature in order to describe the events in which Bolívar is portrayed by Betty Kaplan. Furthermore, this article shares a series of original photographs from Betty Kaplan’s personal archive in order to illustrate the reader in a visual way.
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Stauffer, Andrew M. "Robert Browning and “The King is Cold”: A New Poem." Victorian Literature and Culture 26, no. 2 (1998): 465–73. http://dx.doi.org/10.1017/s1060150300002515.
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By February of 1858, the American abolitionist community had at least twice been exposed to a poem — attributed to Robert Browning — entitled “The King is Cold.” It appeared in January in the National Anti-Slavery Standard, a weekly newspaper published in New York City, and, one month later, it was reprinted in William Garrison's Boston paper, the Liberator. Yet aside from this brief record of publication, the poem has left no discernible traces, either before or since. The oddly one-sided (i.e., American) appearances of “The King is Cold” surely contributed to its being overlooked by generations of Browning scholars and editors, including such modern fugitive-hunters as Broughton, Honan, and Kelley. In fact, with a few notable exceptions, Browning scholarship has been reluctant to extend its efforts across the Atlantic. We still await an analysis of the poet's American transactions that would update the important research done by Louise Greer in the 1950s. For most of his life, Browning was much more popular in the United States than in England, and, as Greer puts it, “Browning must have known more Americans than any other English man of letters” (39). And, although their author never visited the United States, Browning's poems arrived by the 1840s, finding enthusiastic audiences that included such luminaries as Hawthorne, Lowell, Emerson, and Thomas Higginson. This Boston intellectual clique — transcendentalist, Unitarian, and abolitionist — recognized in Robert (and, more rapidly, in Elizabeth Barrett) the “brave translunary things that our first poets had” (Lowell qtd. in Greer 14). As the uncatalogued existence of “The King is Cold” suggests, the fruits of this special relationship remain incompletely gathered.
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DeYoung, Alan J. "The Status of American Rural Education Research: An Integrated Review and Commentary." Review of Educational Research 57, no. 2 (1987): 123–48. http://dx.doi.org/10.3102/00346543057002123.
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The history of American education has been primarily an urban history. School reform movements of the mid-19th century were targeted at the particular problems brought on by the Industrial Revolution. Early 20th-century school administrators, and later progressive educators, defined the majority of America’s educational problems in terms of school-based occupational and community living skills that city dwellers needed in modern America. Finally, school reforms of the 1950s–80s have been targeted primarily at such concerns as the plight of minorities in inner cities, national defense needs, and now occupational skills necessary to compete internationally. Such reforms have had the net effect of continuing the century-long bias of much educational policy, scholarship, and research toward urban-based issues and concerns. On the other hand, a variety of research and policy initiatives have emerged in rural America, typically sponsored by state departments of education in primarily rural regions of the country and by numerous grass-roots organizations. Similarly, there has begun to emerge an interesting yet diverse literature on issues and problems in rural education. Themes such as education for economic development, problems with achieving educational equity in rural America, issues in appropriate school size, the role of the school in community life, problems with the training and rewarding of professional staff in rural schools, and so forth have begun to draw serious attention from a new wave of rural education researchers. The purpose of the following literature review is to elaborate on historical and contemporary reasons why scholarship on rural education has been relatively underdeveloped in this country, to briefly survey current initiatives in emerging rural education scholarship, and to speculate on the possibilities and dilemmas this field faces in its future evolution.
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TAUSANOVITCH, CHRIS, and CHRISTOPHER WARSHAW. "Representation in Municipal Government." American Political Science Review 108, no. 3 (2014): 605–41. http://dx.doi.org/10.1017/s0003055414000318.
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Municipal governments play a vital role in American democracy, as well as in governments around the world. Despite this, little is known about the degree to which cities are responsive to the views of their citizens. In the past, the unavailability of data on the policy preferences of citizens at the municipal level has limited scholars’ ability to study the responsiveness of municipal government. We overcome this problem by using recent advances in opinion estimation to measure the mean policy conservatism in every U.S. city and town with a population above 20,000 people. Despite the supposition in the literature that municipal politics are non-ideological, we find that the policies enacted by cities across a range of policy areas correspond with the liberal-conservative positions of their citizens on national policy issues. In addition, we consider the influence of institutions, such as the presence of an elected mayor, the popular initiative, partisan elections, term limits, and at-large elections. Our results show that these institutions have little consistent impact on policy responsiveness in municipal government. These results demonstrate a robust role for citizen policy preferences in determining municipal policy outcomes, but cast doubt on the hypothesis that simple institutional reforms enhance responsiveness in municipal governments.
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György, Horváth. "Adalékok Kondor Béla sors-történetéhez." Művészettörténeti Értesítő 69, no. 2 (2021): 171–256. http://dx.doi.org/10.1556/080.2020.00011.
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In the course of my research in archives – in search of documents about the history of the Art Foundation of the People’s Republic (from 1968 Art Fund) – while leafing through the sea of files in the National Archives of Hungary (MNL OL) year after year, I came across so-far unknown documents on the life and fate of Béla Kondor which had been overlooked by the special literature so far.Some reflected the character of the period from summer of 1956 to spring 1957, more precisely to the opening of the Spring Exhibition. In that spring, after relieving Rákosi of his office, the HWP (Hungarian Workers’ Party, Hun. MDP) cared less for “providing guidance for the arts”, as they were preoccupied with other, more troublesome problems. In the winter/spring after the revolution started on 23 October and crushed on 4 November the echelon of the HSWP (Hungarian Socialist Workers’ Party, Hun. MSzMP) had not decided yet whether to strike a league with extreme leftist artistic groups or to pay heed to Memos Makris (Hun. Makrisz Agamemnon), the ministerial commissioner designing the reform of the artists’ association and organizing the Spring Exhibition and to leave the artists – so-far forced into the strait-jacket of socialist realism – alone. I found some documents which shed bright light on the narrow-mindedness of the dogmatic artistic policy trying to bend the artists toward its goals now with the whip, now with milk cake.I start the series of recovered documents with a ministerial file dated summer 1956 on the decision to purchase Kondor’s diploma work (the Dózsa cycle). The next piece of good news is a record of the committee meeting in February 1957 awarding Kondor a Derkovits scholarship. This is followed by ministerial letters – mirrors of the new artistic policy – by a changed, truly partyist scholarship committee which apparently revel in lecturing talented Kondor who was not willing to give up his sovereignty, so his works were often refused to be bought on state funds for museums.In addition to whip-lashing documents, I also present a few which offered some milk cake: a letter inviting him to a book illustrating competition called by the Petőfi Literary Museum and one commissioning him to make the sheets on the Heves county part of a “liberation album”.Next, I put forth a group of illumining documents – long known but never published in details: the files revealing the story of the large panels designed for the walls of the “Uranium city” kindergarten in Pécs and those revealing the preparations for the exhibition in Fényes Adolf gallery in 1960 and the causes of the concurrent tensions – including texts on decisions to hinder the publication of Lajos Németh’s catalogue introduction.The last group includes futile efforts by architects to get Kondor commissions for murals. They give information on three possible works. Another for Pécs again (this time with Tibor Csernus), for works for a “men’s hostel” and on the failure of the possibility. The other is about works for Kecskemét’s Aranyhomok Hotel, another failure. The third is about a glass window competition for a new modern hotel to be built in Salgótarján, to which Kondor was also invited, but the jury did not find his work satisfactory in spite of the fact that the officials representing the city’s “party and council” organs, and the powerful head of the county and town, the president of the county committee of the HSWP all were in favour of commissioning him.Mind you, the architects’ efforts to provide the handful of modern artists with orders for “abstract” works caused headache for the masterminds of controlled art policy, too. On the one hand, they also tried to get rid of the rigidity of the ideologically dogmatic period in line with “who is not against us, is with us”, the motto spreading with political détente, and to give room to these genres qualified as “decoration”. On the other hand, they did not want to give up the figurative works of socialist contents, which the architects wanted to keep away from their modern buildings. A compromise was born: Cultural Affairs and the Art Fund remained supporters of figurative works, and the “decorative” modern murals, mosaics and sculptures were allowed inside the buildings at the cost of the builders.Apart from architects, naturally there were other spokesmen in favour of Kondor (and Csernus and the rest of the shelved artists). In an essay in Új Irás in summer 1961 Lajos Németh simply branded it a waste to deprive Kondor of all channels except book illustration, while anonymous colleagues of the National Gallery guided an American curator to him who organized an exhibition of Kondor’s graphic works he had packed into his suitcase in the Museum of Modern Art in Miami.From the early 1963 – as the rest of the explored documents reveal – better times began in Hungarian internal and cultural politics, hence in Béla Kondor’s life, too. The beginning is marked by a – still “exclusive” – exhibition he could hold in the Young Artists’ Studio in January, followed by a long propitiatory article urging for publicity for Kondor by a young journalist of Magyar Nemzet, Attila Kristóf. Then, in December Kondor became the Grand Prix winner of the second Graphic Biennial of Miskolc.From then on, the documents are no longer about incomprehensible prohibitions or at time self-satisfying wickedness, but about exhibitions (the first in King Stephen Museum, Székesfehérvár), prizes (including the Munkácsy Prize in April 1965), purchases, the marvellous panel for the Grand Hotel on Margaret Island, the preparations for the Venice Biennale of 1968, the exhibition in Art Hall/Műcsarnok in 1970 and its success, and Kondor’s second Munkácsy Prize.Finally, I chanced upon a group of startling and sofar wholly unknown notes which reveals that Béla Kondor was being among the nominees for the 1973 Kossuth Prize. News of his death on 12 December 1972, documents about the museum deposition of his posthumous works and the above group of files close the account of his life.I wrote a detailed study to accompany the documents. My intention was not to explain them – as they speak for themselves – but to insert them in the life-story of Kondor, trying to find out which and how, to what extent contributed to the veering of his life-course and to possibilities of publicity for his works. I obviously included several further facts, partly in the main body of the text, and partly in footnotes. Without presenting them here, let me just pick one or two.Events around the 1960 exhibition kindled the attention not only of the deputy minister of culture György Aczél, but also of the Ministry of the Interior: as Anikó B. Nagy dug out, they asked for an agent’s report on who Kondor was, what role he was playing among young writers, architects, artists, the circle around Vigilia and the intellectuals in general. Also: what role did human cowardice play in banning the panels for the Pécs kindergarten, and how wicked it was – with regulations cited – to ask back the advance money from an artist already hardly making a living with the termination of the Der ko vits scholarship. Again: what turn did modern Hungarian architecture undergo in the early sixties to dare and challenge the still prevalent culture political red tape? It was also a special experience to track down and describe the preparations for the Hungarian exhibition of the Venice Biennial of 1968 and to see how much caution and manoeuvring was needed even in those milder years to get permission for Béla Kondor (in the company of Tibor Vilt and Ignác Kokas) to feature in the pavilion. Finally, it was informative to follow the routes of Kondor’s estate as state acquisitions and museum deposits after his death which foiled his Kossuth Prize.
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Wilson, Christopher P. "Broadway Nights: John Reed and the City." Prospects 13 (October 1988): 273–94. http://dx.doi.org/10.1017/s0361233300005305.
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Not so very long after John Butler Yeats prophesied that “fiddles” would be “tuning up” throughout American intellectual life in the years before World War I, the private musings of John Reed strike another, less hopeful set of notes. The lament emerges in an unpublished tale Reed wrote in 1913 entitled “Success,” about a poet named Alan Meredith, age twenty-two, who, like Reed, has just come from the country to New York to answer his vocation. “The whirling star of Literature revolves in the Big City,” Reed explains. “By force of gravitation the minor bards sooner or later fall within its orbit, and nine out of ten emit no sparks from that time forth.” Alan's project is an epic poem tentatively entitled New York, A Poem in Twelve Cantos-but he gets nowhere beyond his title. “You see,” Reed writes, “he was making the same mistake as you and I, when we heard the voice [of the city] for the first time and tried to translate it without knowing the language.” Reed elaborates:A poet writes about the things nearest to his heart-the things he does not actually know. As soon as he gains scientific knowledge of anything, the glamour is gone, and it is not mere stuff for the imagination. The bard of green fields and blossoms and running brooks is always a city man, and he who sings the Lobster Palaces and White Lights lives in Greenwich, Conn. Never do the stars seem so beautiful as to him who looks up between brownstone houses on a breathless night; all the magic of the city lies in the glow of lights on the sky seen thirty miles away.
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Wilson, Christopher P. "Broadway Nights: John Reed and the City." Prospects 13 (October 1988): 273–94. http://dx.doi.org/10.1017/s036123330000675x.
Full textAbstract:
Not so very long after John Butler Yeats prophesied that “fiddles” would be “tuning up” throughout American intellectual life in the years before World War I, the private musings of John Reed strike another, less hopeful set of notes. The lament emerges in an unpublished tale Reed wrote in 1913 entitled “Success,” about a poet named Alan Meredith, age twenty-two, who, like Reed, has just come from the country to New York to answer his vocation. “The whirling star of Literature revolves in the Big City,” Reed explains. “By force of gravitation the minor bards sooner or later fall within its orbit, and nine out of ten emit no sparks from that time forth.” Alan's project is an epic poem tentatively entitled New York, A Poem in Twelve Cantos-but he gets nowhere beyond his title. “You see,” Reed writes, “he was making the same mistake as you and I, when we heard the voice [of the city] for the first time and tried to translate it without knowing the language.” Reed elaborates:A poet writes about the things nearest to his heart-the things he does not actually know. As soon as he gains scientific knowledge of anything, the glamour is gone, and it is not mere stuff for the imagination. The bard of green fields and blossoms and running brooks is always a city man, and he who sings the Lobster Palaces and White Lights lives in Greenwich, Conn. Never do the stars seem so beautiful as to him who looks up between brownstone houses on a breathless night; all the magic of the city lies in the glow of lights on the sky seen thirty miles away.
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Molloy, Sylvia. "Afterword: The Buenos Aires Affair." PMLA/Publications of the Modern Language Association of America 122, no. 1 (2007): 352–56. http://dx.doi.org/10.1632/pmla.2007.122.1.352.
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When I Wrote My First Novel, En Breve Cárcel, I was Determined to Erase References to Space and Have All Action (If That is the apposite word) occur in a place devoid of particular markings, as close to abstraction as I could possibly make it. This rather pretentious gesture was destined to thwart any recognition by the reader, rendering the city—or, in this case, the cities—unrecognizable and therefore a little (but not excessively) uncanny. Then, toward the end of the novel, with an equally pretentious gesture, I identified those cities and arbitrarily revealed their names. One of those cities was Paris, where I had lived for many years, the second was Buffalo, where I had lived briefly, and the third city was Buenos Aires, where I was born and spent the first thirty-odd years of my life. Looking back, I think my desire to mask all three cities may have been less frivolous than it would appear. I suspect that I didn't want to identify Paris because it was too obvious as a place of exile, especially for a Latin American. Buffalo I preferred to avoid because, although I had spent some time there, it felt very much to me like Alfred Jarry's Poland—c'est à dire nulle part. Buenos Aires, I'm guessing now, was masked for reasons more complex: mainly, I think, because the city, which for a long time had been for me a more or less familiar and stationary construct, made out of manageable and no doubt embellished memories, was becoming more and more disquieting with every trip I took there. Political repression makes short shrift of auratic illusion. It is difficult to recognize a city, or what you remember of that city, when you see soldiers with machine guns on every corner.
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Zappen, James P. "New York City as Dwelling Place: Reinventing the American Dream in Steven Millhauser's Martin Dressler , Joseph O'Neill's Netherland , and Atticus Lish's Preparation for the Next Life." Journal of American Culture 39, no. 2 (2016): 151–64. http://dx.doi.org/10.1111/jacc.12528.
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KOUDELA, PÁL. "LITERARY SOCIETIES AND MODERNISM: THE SOCIAL COMPOSITION OF THE KAZINCZY CIRCLE IN KASSA AT THE TURN OF THE CENTURY." Hungarian Studies 33, no. 2 (2019): 185–215. http://dx.doi.org/10.1556/044.2019.33.2.1.
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Literary societies are in focus both of literary studies and social history.1 In particular, they played an important role in the modernization of Central Europe in the 19th century. Becoming widespread in this era, they helped develop a democratic2 political culture and disseminated literature to a wider audience. Hungarian historiography has depicted this period as one of large-scale social segregation and a fragmented middle class which refused to have any contact with the bourgeoisie,34 while Slovakian historians have emphasized the exclusion of Slovaks from elite society.5 Kassa (today Košice), which was then situated in northern Hungary and is now the largest city in eastern Slovakia, has, however, been recognized as a more complicated example that challenges these assumptions.6 For instance, the importance of local citizenry was preserved in the first half of the 19th century, in contrary to other cities in Hungary.7 The purpose of this article is to examine the composition of the most prominent social club of the town to provide fresh insights into the social history of Kassa in this period, and the larger processes shaping urban life in Central Europe in the period before the First World War. In particular, this article argues that a culture of both pluralism and exclusion was evident in the membership of Kassa’s Kazinczy Circle, and that their affiliations reveal a more complicated social network in the city, which both preserved communal solidarity during a period of rapid urbanization and encouraged the growth of modern democratic values.
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Stelmak, Maksim M., and Dmitry I. Petin. "Everyday Life of White–Guard Omsk in the Lens of American Camera (1919): Revisiting Attribution of a Little–Known Source." Herald of an archivist, no. 2 (2019): 357–74. http://dx.doi.org/10.28995/2073-0101-2019-2-357-374.
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In 2000s there appeared in the Internet video materials on the Civil War in Russia made by military journalists of the Allied Intervention. Most noteworthy of these is a newsreel made by the American military mission in January–February 1919. Of particular interest is it part shot in Omsk. Although it is of great informative value, the researchers have overlooked this historical newsreel; its analysis and scientific attribution have not been made. The authors have rectified this by conducting a study involving various historical sources, scientific literature and memoirs. The study has resulted in the description of buildings and places on the film in accordance with its video sequence. It also provides a detailed explanation on agencies housed in the buildings in 1919, when Admiral A. V. Kolchak’s government was in power, and on their current holders. Attribution of the American newsreel, which captured Omsk in 1919, allows to reconstruct daily life of this provincial city and once-upon-a-time capital of anti-Bolshevik Russia. The analysis highlights subjects that were of most interest to the American allies. The reel shows different sides of everyday life in White Omsk, of the Supreme ruler and of the refugees. At the same time, it provides some specific, yet important to historians, details of Omsk urbanism of a hundred years ago. Visual sources are rarely used by researchers of the Civil War. Thus, the publication is of immediate interest to military historians studying the Civil War and Allied Intervention, as well as experts in the history of Siberia, source studies, and history of everyday life.
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ΡΑΠΤΗΣ, ΚΩΣΤΑΣ. "ΑΣΤΙΚΕΣ ΤΑΞΕΙΣ ΚΑΙ ΑΣΤΙΚΟΤΗΤΑ ΣΤΗΝ ΕΥΡΩΠΗ, 1789-1914: ΠΡΟΣΑΝΑΤΟΛΙΣΜΟΙ ΤΗΣ ΣΥΓΧΡΟΝΗΣ ΙΣΤΟΡΙΟΓΡΑΦΙΑΣ". Μνήμων 20 (1 січня 1998): 211. http://dx.doi.org/10.12681/mnimon.675.
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<p>Kostas Raptis, Middle classes and middle class culture in Europe, 1789-1914: approaches in modern historiography</p><p>The history of the european middle classes from the late 18th to theearly 20th century is a very wide topic and relates to economic, social,political, gender and culture history. This essay gives a brief overviewof the main subjects regarding it. It draws mainly on (pioneer) germanspeaking,but also on english and french literature. Following the currentdebate, it points to the different social and economic groups making upthe so called ((Bürgertum», to their common characteristics, as well astheir specific culture, the ((Bürgerlichkeit)).More specifically this paper is concerned with the followin subjects:— the composition of the «Bürgertum» and the features of its maingroups (professionals, bourgeois of money and bourgeois of knowledge)— the relevant terminology in german, french and english language— the comparison between upper middle class and nobility— the social position and role of the lowermiddle classes— the relation of the bourgeoisie to liberalism and nationalism— the study of the history of the middle classes in the specific contextof a town or a city (as an urban phenomenon)— the position and role of middle class women in a bourgeois society— the middle class family— the bourgeois way of life and culture in general</p>
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Howlett, Patricia, and Charles F. Howlett. "A Silent Witness for Peace: The Case of Schoolteacher Mary Stone McDowell and America at War." History of Education Quarterly 48, no. 3 (2008): 371–96. http://dx.doi.org/10.1111/j.1748-5959.2008.00156.x.
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A 1964 television series, “Profiles in Courage,” based on the late President John F. Kennedy's Pulitzer prize-winning book, featured the life of Mary Stone McDowell, a quiet, yet strong, teacher. Within peace circles, McDowell was a well-known figure. It was not unusual to see her marching in peace demonstrations or handing out antiwar literature at street meetings in the rain, snow, sleet and hot days in the summer. It was not out of the ordinary to read her editorials urging war tax resistance and certainly not surprising to those who knew her to draw strength from her courage and convictions. Yet what captured the interest of the show's producers was the stand she took during World War I. This quiet, unassuming Phi Beta Kappa graduate from Swarthmore College, and Quaker public school teacher in New York City, became the first educator in American history to test the constitutionality of the newly enacted loyalty oaths on religious, rather than political, grounds.
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Goshin, Mikhail E., Olga V. Budarina, and Faina I. Ingel. "The odours in the ambient air: analysis of the relationship with the state of health and quality of life in adults residing in the town with food industries." Hygiene and sanitation 99, no. 12 (2021): 1339–45. http://dx.doi.org/10.47470/0016-9900-2020-99-12-1339-1345.
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Introduction. The article is devoted to studying atmospheric air pollution by industrial odours on the health, quality of life, and the occurrence of various somatic and emotional disorders in the population of neighboring residential areas. According to most abroad studies, a literature review showed different conditions mediated by “annoyance” of smell, a “predictor” of deviations in health status. Material and methods. The data for this study were obtained as a result of the survey of residents of the city with a population of about 50 thousand residents living at different distances from odour sources: coffee factory, bone meal factory, a sugar factory, and solid waste landfill. The distances from the primary sources ranged from 1500 m to > 5 km. Results. The analysis showed that odour pollution is one of the priority factors affecting residents’ health and quality of life. The frequency and intensity of specific odours in the atmospheric air, according to the results of the survey, decrease as respondents’ place of residence is removed from sources (from 1500 m to > 5 km), as well as the degree of their “annoyance” with odours (from 87.5% to 51.2%), remaining at a very high level at the farthest distances (over 5 km). Conclusion. Besides to the area of residence and, accordingly, the level of atmospheric air pollution by odours, extent of this “annoyance” can be influenced by concern of residents about possible impact of air pollution, particularly by odours, on health. It has been established that there is a certain category of residents (making up about one-third of the population) who tend to associate their health problems with the state of the environment and, mainly, with the presence of industrial odours. This group of respondents is characterized by a lower tolerance to odours and, at the same time, a higher frequency of upper respiratory tract diseases, allergies, cardiovascular, and some other diseases.
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Suarez Turriza, Tatiana De los Reyes. "Tropical Town and Other Poems (1918) de Salomón de la Selva: poemas panamericanos en tiempos de la Gran Guerra." Revista Valenciana, estudios de filosofía y letras, no. 22 (July 11, 2018): 101. http://dx.doi.org/10.15174/rv.v0i22.365.
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Tropical Town and Other Poems (1918) es el único poemario de Salomón de la Selva publicado en inglés, en el contexto de la Gran Guerra. Se le considera una obra de coyuntura entre dos culturas y tradiciones literarias. Este trabajo plantea la importancia de considerar su estudio en el ámbito de las letras hispánicas, entre otras razones, por su evidente relación con la tradición poética hispanoamericana. A partir del análisis crítico de los poemas, se evidencia la expresión de un discurso ideológico fundamentado en los ideales del panamericanismo, postura de implicaciones políticas que fue definitiva en la vida y obra del autor. Se analiza dicho discurso como una de las directrices temáticas que estructura y da unidad a la obra. Asimismo, se expone la calidad estética del poemario, a partir del análisis de algunos recursos poéticos.Tropical Town and Other Poems (1918) is the only collection of poems by Salomón de la Selva published in English, in the context of the Great War. It is considered a book that joins two cultures and two literary traditions. In this paper I underline the importance of studying De la Selva’s work inside of the Hispanic Literature because, among other reasons, it has an evident relationship with Hispanic American poetical tradition. Through the critical analysis of the poems, it is possible to perceive the expression of an ideological discourse based in the pan Americanism ideals—a doctrine that defined De la Selva’s work and life—. This paper studies such a discourse as one of the topics that structures and unites the author’s writing. At the same time, it analyses some of the poetical strategies, to show the aesthetic quality inherent to this collection of poems.
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Styhre, Alexander. "The invention of the shopping mall." Journal of Engineering, Design and Technology 17, no. 2 (2019): 283–99. http://dx.doi.org/10.1108/jedt-08-2018-0139.
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Purpose The economic system of competitive capitalism strives toward liquid markets wherein the cost for transacting is minimized. Liquidity is mostly addressed in association with abstract markets (e.g. the securities market), but also consumer markets are determined by liquidity concerns. The purpose of this paper is to examine the shopping mall concept, developed by the architect and social reformer Victor Gruen during the early 1950s, as a form of production of capitalist space, intended to reduce transaction costs. As an auxiliary benefit, Gruen envisioned the shopping mall as a cultural and civic center in the midst of the satellite town of suburbia, the new site of urban expansion during the post-war boom decades. Design/methodology/approach The paper reviews secondary literature on the historical development of the shopping mall as a consumer space. In addition, relevant economic and social science literature is referenced. Findings The architecture, design, ornamentation and day-to-day management of the shopping mall were premised on a consumerist way of life, ultimately serving as an all-too-visual index of the triumph of competitive capitalism in the cold war era. However, Gruen’s accomplishments were gradually compromised by the interest of money-minded developers and construction industry actors, and the shopping mall arguably never fulfilled the social and cultural function that Gruen anticipated. Regardless of such outcomes, the production of capitalist space as scripted by Gruen is still determining everyday life in consumer society, making Gruen a key figure, albeit only limitedly recognized, in the history of late modern society and in the capitalist economy. Originality/value The paper emphasizes the role of Victor Gruen in the post-Second World War period, being one of the most influential practitioners and social reformers in the era. Furthermore, the paper stresses how market liquidity is a key concern in Gruen’s project to create a communal space for the American suburban population in the era of the expanding welfare state.
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Romero Jódar, Andrés. "Bernard Cohen’s Snowdome: somewhere in a postmodern time." Revista Alicantina de Estudios Ingleses, no. 20 (November 15, 2007): 185. http://dx.doi.org/10.14198/raei.2007.20.10.
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Occidental societies, according to certain visions of a postmodern future as reflected in literature and arts, are heading towards a dystopian decadent world order. It is inside this perspective that I place the following essay with the aim to analyse the representation of Postmodernism and Postmodernity in Bernard Cohen’s experimental work, Snowdome. This novel can be conceived as a complex portrayal of contemporary existence and life in the city. By means of three different narrations and two stories separated by the unstable boundary of time, Cohen depicts contemporary Sidney from a nightmarish present of noise that leads to the complete isolation of the subject in a near future. The novel emphasises the multiplicity of information in contemporary society and the way in which that information becomes a constant noise flooding the city. The individual is unable to grasp a bit of that “pure reality” outside the simulacrum offered by the media and by the terrifying museum. Sidney and Australia become, in Cohen’s work, a prolongation of contemporary North-American invasive culture, based on the power of the TV screen and the falsehood of simulacrum, whereas individuals are plunged into a new time-space dimension which is placed somewhere in a postmodern time.
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Yousef A. M. Neyazi, Yousef A. M. Neyazi. "Urban Planning Information Systems and E-Government in Al-Madinah." journal of King Abdulaziz University Environmental Design Sciences 10, no. 1 (2016): 149–66. http://dx.doi.org/10.4197/env.10-1.6.
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. Since last two decades, information systems are widely adopted in all life aspects. In developed world, electronic systems been now shared by government’s firms and organizations using Shared- database for managing civic affaires for town, city or in some cases for country for development process worldwide. Moreover they are been adopted even in developing countries such Saudi Arabia in various local governments and Al-Madinah is one of those. These information systems are not applied for just administrative issues, but more for analytical and planning tasks. Such information systems those are used in urban planning are called 'Urban Information Systems' especially the Geographic Information Systems "GIS". This paper reviews literature of urban information systems through three levels: globally, regionally, and locally. Then how this will requires a reform of local governments and municipalities to gain form existing electronic technologies and governmental agencies and bodies, individuals, and public in integrating efforts in developments of cities. More over it explores the case of the project of Al-Madinah e-government'. At last the paper shows how GIS can be used for local planning for future projects, measures forecast, and policy setting. E-government project in Al-Madinah is the first one in Saudi, and will be applied in all over the rest cities. Urban information systems are promising huge capabilities and potentials for efficiency of urban planning in terms of: Public participation, electronic research for urban data, and supporting decision making.
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Ghauri, Qasim Javed, Muhammad Ehsan, Quratul Ain Shafique, Muhammad Zohaib Khalil, and Atta-ul Mustafa. "Description of Subjugated Woman in ZoraNaele Hurston’s “Their Eyes were Watching God”: A Feminist Analysis." Asian Journal of Humanity, Art and Literature 6, no. 2 (2019): 119–38. http://dx.doi.org/10.18034/ajhal.v6i2.357.
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This study aims to explore the subjugated woman in male dominant society in ZoraNaele Hurston’s novel “Their Eyes Were Watching God”. “Their Eyes Were Watching God” has become the most widely read and highly acclaimed novel in the canon of African-American Literature. One of the most important and enduring books of the twentieth century, “Their Eyes Were Watching God” brings to life a Southern love story with the wit and pathos found only in the writing of ZoraNeale Hurston. The novel follows the fortunes of Janie Crawford, a woman living in the black town of Eaton, Florida. This study spotlights how women live under social restrained destiny; where they suffer letdown, thwarting, dismay and mocking. Subjugation against women which transcends all natural, ethnic and class boundaries. Women are mistreated by patriarchy financially, politically, socially and mentally. Where there is patriarchy, the woman is the other. She's objectified and marginalized, characterized just by her distinction from “ale standard”. All women’s activist movement specifically advances social change and women’ equality. A woman is not considered an equal, but rather the other, and thus inferior to a man. All these problems and incidents are dangerous for women’s identity. The research deals with major aspects of hegemonic masculinity, and violence against women. This research will study the threats to female identity in the light of Lois Tyson’s feministic views.
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Sozina, Elena Konstantinovna. "“BETWEEN EUROPE AND ASIA.” ORIENTALIST NARRATIVES OF ALEXANDRA FUCHS: THE RHETORIC OF WRITING AND THE AUTHOR’S POSITION." Yearbook of Finno-Ugric Studies 14, no. 3 (2020): 465–75. http://dx.doi.org/10.35634/2224-9443-2020-14-3-465-475.
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The article discusses ethnographic essays and novellas in the poems by Alexandra Andreevna Fuchs. The wife of a famous professor Karl Fuchs, she was resident of Kazan, hosted a literary salon, which was frequented by many local and visiting writers and poets, and met with Alexander Pushkin during his stay in the town. Alexandra Fuchs became the first Russian ethnographer writer; she purposefully traveled to places where the Chuvash, Mari (Cheremis), and Udmurts (Votyaks) lived, and wrote essays about the life, daily routine, manners and customs of these peoples drawing on her personal observations. Her essays took the form of letters and were often accompanied by response letters from her husband. They were published in the Kazan magazine Zavolzhsky Muravey [Zavolzhsky Ant], in the regional newspaper Kazanskie gubernskie vedomosti [Kazan Provincial Gazette], as well as in a number of separate books. The article analyzes the rhetorical peculiarities and author’s position of Alexandra Fuks’ essay writing. The analysis also involves ethnographic-fiction novellas (poems) by A. Fuchs, taken, according to her, “from the Tatar tradition”: ‘Princess Habiba’, ‘Founding of the city of Kazan’, a comment to which was written by her husband. These works fit into the tradition of the “Eastern novella”, popular in Russia since the eighteenth century. Depicting the exotic life of ancient Tatars and the peoples neighboring Kazan, Alexandra Fuchs sought to reconcile the orientation of the region to the East with the Orthodox-Imperial ideology which (in her view) was more advanced and progressive. Her sympathies as the author lay with female characters who contradicted traditional Muslim customs. Alexandra Fuchs’ essays and tales played a considerable role in awakening the interest of a Russian reader to the peoples of the empire, which preceded the mid-19th century rise of ethnography in science and literature.
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Kubrin, Charis E. "“I See Death around the Corner”: Nihilism in Rap Music." Sociological Perspectives 48, no. 4 (2005): 433–59. http://dx.doi.org/10.1525/sop.2005.48.4.433.
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Rap is one of the most salient music genres of the late twentieth and early twenty-first centuries. Gangsta rap, in particular, with its focus on urban street life, has become a dominant means of expression within contemporary African American adolescent culture. As such, it speaks directly to issues of identity, culture, violence, and nihilism—themes that permeate recent research on inner-city black communities. Mostly ethnographic in nature, this work describes how structural disadvantage, social isolation, and despair create a black youth culture, or street code, that influences adolescent behavior. The current work builds on the community literature by exploring how the street code is present not only on “the street” but also in rap music. It addresses two important questions: (1) To what extent does rap music contain elements of the street code—and particularly nihilism—identified by Anderson (1999) and others? (2) How do rappers experience and interpret their lives, and how do they respond to conditions in their communities? These questions are explored in a content analysis of over four hundred songs on rap albums from 1992 to 2000.