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Journal articles on the topic 'American Masques'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

WORKING, LAUREN. "LOCATING COLONIZATION AT THE JACOBEAN INNS OF COURT." Historical Journal 61, no. 1 (2017): 29–51. http://dx.doi.org/10.1017/s0018246x16000595.

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AbstractBeyond charters, printed propaganda, and cosmographies, aspiring statesmen in Jacobean England engaged with Native Americans in commonplace books, poetry, court masques, and political debate. Rather than representing a remote ‘other’, this article contends that barristers and students of the law were fascinated by the perceived savagery of indigenous peoples because it allowed them to explore, interrogate, and define their own civility. The result was a cross-over between developing English articulations of their own behaviour and political responsibilities, and a rising enthusiasm for

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2

Smith. "Masque Americana." Edgar Allan Poe Review 16, no. 1 (2015): 126. http://dx.doi.org/10.5325/edgallpoerev.16.1.0126.

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3

Plâa, Monique. "La voluntad y la fortuna de Carlos Fuentes : au-delà du crime, le dévoilement des masques." América, no. 44 (May 1, 2014): 13–24. http://dx.doi.org/10.4000/america.599.

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4

Cook, Jonathan A. "Poe and the Apocalyptic Sublime." Religion and the Arts 23, no. 5 (2019): 489–515. http://dx.doi.org/10.1163/15685292-02305002.

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AbstractThis essay examines “The Masque of the Read Death,” one of Poe’s most allusive tales, as a striking example of the aesthetics of the apocalyptic sublime. Combining several key ideas from Burke’s Philosophical Enquiry into the Origins of our Ideas of the Sublime and Beautiful with numerous motifs from biblical apocalyptic symbolism, Poe’s “Masque” was specifically designed to create an effect of sublime terror in the reader. Basing his image of mass death on the cholera pandemic of 1832, which killed thousands of individuals in Europe and America, Poe created a historically grounded par

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5

Buday, Maroš. "From One Master of Horror to Another: Tracing Poe’s Influence in Stephen King’s The Shining." Prague Journal of English Studies 4, no. 1 (2015): 47–59. http://dx.doi.org/10.1515/pjes-2015-0003.

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Abstract This article deals with the work of two of the most prominent horror fiction writers in American history, namely Edgar Allan Poe and Stephen King. The focus of this study is put on the comparative approach while tracing the influence of Poe’s several chosen narratives in King’s novel called The Shining (1977). The chosen approach has uncovered that King’s novel embodies numerous characteristics, tendencies, and other signs of inspiration by Poe’s narratives. The Shining encompasses Poe’s tales such as “The Masque of the Red Death”, “The Fall of the House of Usher”, and “The Black Cat”

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Ismael, Zaid Ibrahim, and Sabah Atallah Khalifa Ali. "Opening the Box of Suffering, Unleashing the Evils of the World’: Pandora and her Representation in Nineteenth-Century American Poetry." JOURNAL OF LANGUAGE STUDIES 3, no. 4 (2023): 297–314. http://dx.doi.org/10.25130/jls.3.4.18.

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Nineteenth-Century American writers endeavored to establish adistinct literary tradition away from the dominant European canon,particularly after the War of Independence. They found in their newenvironment and local color a source of inspiration. Still, they alsodrew on Greek myths to comment on social issues and to frame theirworks within these legendary realities that are noted for theiruniversality and aesthetic nature. For instance, rewriting and allusionsto the myth of Pandora and her box can be found in the poemscomposed by both male and female American poets of the time. Thisresearch de

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7

Lamonde, Yvan. "La confiance en soi du pauvre : pour une histoire du sujet québécois." Pour une histoire du sujet québécois, no. 58 (February 28, 2012): 21–36. http://dx.doi.org/10.7202/1008116ar.

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Ce texte part d'une réflexion sur deux textes de Ralph Waldo Emerson et explore cette « confiance en soi » qui a rendu possible le penseur américain, The American Scholar, titre d'un texte culturellement fondateur. J'essaie de baliser l'histoire de cette « confiance en soi » au Québec et propose de voir dans les années 1930 un point tournant. Cette « confiance en soi » passe par la reconnaissance d'une pauvreté que Saint-Denys Garneau a identifiée, nommée et qui semble, à moi et à d'autres, le passage obligé de la découverte d'une « confiance en soi » qui ne masque pas la mémoire mais lui fait

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8

MARSHALL, TRISTAN. "THE TEMPEST AND THE BRITISH IMPERIUM IN 1611." Historical Journal 41, no. 2 (1998): 375–400. http://dx.doi.org/10.1017/s0018246x98007791.

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Recent moves by New Historicists to evaluate theatrical material from the early modern period have been at the expense of what historians would recognize as acceptable use of historical context. One of the most glaring examples of the dangers of taking a play out of such a proper context has been The Tempest. The play has had a great deal of literary criticism devoted to it, attempting to fit it into comfortable twentieth-century clothing in regard to its commentary on empire, at the expense of what the play's depiction of imperialism meant for the year 1611 when it was written. The purpose of

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9

Gutierrez-Dennehy, Christina Lynn. "To Blanch an Ethiop: Motifs of Blackness in The Tempest and Ben Jonson’s Masque of Blackness." Humanities 14, no. 6 (2025): 115. https://doi.org/10.3390/h14060115.

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In the period between 2021 and 2022 immediately following the COVID-19 lockdowns, there were 37 professional or academic productions of The Tempest in the United States. The play was by far the most produced of Shakespeare’s works in this timespan, and those 37 productions represent a 280% increase compared to 2019, in which there were 13 such productions. Considering The Tempest’s hyper-popularity within the context of the Black Lives Matter Movement and the birth of We See You White American Theatre’s calls for reform in 2020, this paper seeks to understand anew the way in which Shakespeare

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10

Barberá Pastor, Carlos. "Una visita de John Hejduk al Almudín de Valencia." ZARCH, no. 13 (September 28, 2019): 178–89. http://dx.doi.org/10.26754/ojs_zarch/zarch.2019133905.

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La investigación analiza la visita que el arquitecto John Hejduk realizó al edificio del Almudín de la ciudad de Valencia el 25 de octubre de 1980 junto a un grupo de profesores de la Escuela de Arquitectura. Ese mismo día, por la tarde, impartió una conferencia sobre la Masque, un proyecto que propondrá como la nueva propuesta que desarrollará durante los últimos años del siglo XX. El escrito tiene en cuenta el acontecimiento protagonizado por el sujeto como requisito imprescindible para entender el carácter efímero de las Masquesproyectadas indistintamente para cualquier ciudad. La investiga

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11

Joseph Helm, Matthew. "“Nathaniel Hawthorne’s Reframing of That ‘which Milton tells about’: Literary Influence and Blithedale’s Queer Masque”." Nathaniel Hawthorne Review 47, no. 2 (2021): 250–66. http://dx.doi.org/10.5325/nathhawtrevi.47.2.0250.

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ABSTRACT This article situates Nathaniel Hawthorne’s The Blithedale Romance (1852) within the debates around Fourierism, marriage, and Hawthorne’s literary legacy that took place in contemporary US magazines and periodicals in the mid-nineteenth century. In doing so, I rely on two notions of influence. First, while many periodicals regarded Hawthorne as a potential representative of a new national literature, they remained wary of the influence his unorthodox portrayals of marriage might have on readers and on the status of the nuclear family as the foundation of a sound society. Publications

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12

Dewi, Novita. "Contemplating COVID-19 through disease and death in three short stories by Edgar Allan Poe." Studies in English Language and Education 8, no. 2 (2021): 848–63. http://dx.doi.org/10.24815/siele.v8i2.19240.

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Wort-case scenarios depicted in literary works may function to mourn and warn people about the real situation, such as the spread of COVID-19 that has altered worldwide life drastically. This study offers a reflection on the current pandemic time through a close reading of selected American classic literary works. The imagination of fear, isolation, and mask-wearing in Edgar Allan Poe’s short stories is resonant with the new expressions of the COVID-19 pandemic. Three short stories by Poe, i.e., ‘The Masque of the Red Death’, ‘The Cask of Amontillado’, and ‘The Sphinx’ are chosen for examinati

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13

Birkle, Carmen. "Pandemics as the great levellers? Class, community and capital in US-American short stories." Short Fiction in Theory & Practice 12, no. 2 (2022): 141–53. http://dx.doi.org/10.1386/fict_00058_1.

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This article focuses on literature’s potential for healing – both medical and sociopolitical – in times of severe crisis such as the COVID-19 pandemic. Affect is an important literary tool to make people aware of social inequalities, in particular reading or writing short stories with the experience of a simultaneous real-life pandemic. Reading is an embodied act through which the reader enters into a dialogue with both the author and the text. Emotions emerge that are often more deeply stored in memory than the words as such, and that changes our perception of the world. This effect is also e

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14

Macchiarola, Viviana, Néstor Cecchi, and Rodolfo Fabricio Oyarbide. "Los procesos de curricularización de la extensión en universidades argentinas. Concepciones, valoraciones y sentidos." Masquedós - Revista de Extensión Universitaria 9, no. 12 (2024): 19. https://doi.org/10.58313/masquedos.2024.v9.n12.352.

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Desde la primera década de los años 2000, varias universidades públicas de América Latina y de Argentina inician un proceso de curricularización de la extensión a través de la implementación de Prácticas Sociales Educativas en sus diferentes denominaciones, en el marco de los idearios de Compromiso Social, Extensión Crítica e Integralidad. A partir de la importancia este movimiento instituyente, el Observatorio sobre Compromiso Social Universitario “Jorge Castro” del Centro de Estudios Sindicales y Sociales de la Agremiación Docente Universitaria Marplatense, realizó un estudio con los objetiv

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15

Kurth, Ernst-Norbert E. "American Idiom In Modern German Socio-linguistic Motives." Babel. Revue internationale de la traduction / International Journal of Translation 44, no. 3 (1998): 193–207. http://dx.doi.org/10.1075/babel.44.3.02kur.

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Abstract Due to post-war American cultural predominance and the aggressive expansion of English as a world language, countless English loan words have entered German through pop culture, advertising, technological transfer, and media language. In the course of this process, cultural and linguistic receptiveness reinforced each other. Increasingly, English terms are taken over that do not denote new realia, but compete with existing TL terms. Many of these predatory loan words get lexicalized. Today, there is a tendency to not translate English terms for new items and phenomena, and a general f

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16

Green, Toby. "ARCHITECTS OF KNOWLEDGE, BUILDERS OF POWER: CONSTRUCTING THE KAABU "EMPIRE", 16 TH -17 TH CENTURIES." Mande Studies 11, no. 1 (2009): 91–112. http://dx.doi.org/10.2979/mnd.2009.a873490.

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Abstract: This paper re-examines the history of the Kaabu Federation and the ways in which historians have construed it. A range of sources are examined, some of which are new to the study of Kaabu. These include published travel accounts, masking traditions in Casamance, data on the "ethnicities" of slaves in the Americas, and documents from the Arquivo Historico Ultramarino in Lisbon. The consideration of these sources supports the hypothesis that the notion of a Kaabu "empire" was a projection and legacy of the 20th-century European imperial project in Africa, and that much more complex dyn

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17

Warren, Vincent. "Yearning for the Spiritual Ideal: The Influence of India on Western Dance 1626–2003." Dance Research Journal 38, no. 1-2 (2006): 97–114. http://dx.doi.org/10.1017/s0149767700007403.

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Europeans have imagined India as a land of fabulous riches and exotic legends since the time of ancient Greece. In Greek mythology Dionysus, the god of passion and wine, was said to have come from India, and Alexander the Great's proudest achievement was arriving at the banks of the Indus. When, after 1498, explorers from Portugal, Holland, England, Denmark, and France began to establish trade links with the subcontinent, it seemed the legends were true; rare spices, silks, gold, and precious stones were transported to Europe and added fuel to already inflamed imaginations. The very name of th

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18

Given, Andrew D., James A. Mills, and Allan J. Baker. "Molecular Evidence for Recent Radiation in Southern Hemisphere Masked Gulls." Auk 122, no. 1 (2005): 268–79. http://dx.doi.org/10.1093/auk/122.1.268.

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Abstract Masked gulls are believed, on the basis of morphological and recent molecular work, to be a monophyletic group within the Laridae, but relationships of species within the group are not well resolved. We used sequence data from four mitochondrial DNA genes (ND2, ND5, ATPase6, and ATPase 8) totaling >3,600 base pairs to clarify relationships among the species and test competing hypotheses about their origin and biogeography. Monophyly of the masked gulls was confirmed. We also found strong support for a clade including all Southern Hemisphere masked gulls as well as a lone Northern H

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19

Editorial Collective, UnderCurrents. "Contributors." UnderCurrents: Journal of Critical Environmental Studies 18 (April 27, 2014): 60. http://dx.doi.org/10.25071/2292-4736/38554.

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Omer Aijazi is a PhD candidate in the Department of Educational Studies, University of British Columbia. His research examines place based, community led micro processes of social repair after natural disasters. His research destabilizes dominant narratives of humanitarian response and disaster recovery and offers an alternate dialogue based on structural change.Jessica Marion Barr is a Toronto artist, educator, and PhD candidate in Cultural Studies at Queen’s University. Her interdisciplinary practice includes installation, found-object assemblage, drawing, painting, collage, and poetry, focu

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20

Bigot, Kevin, Véronique Garambois, Nadia Vie, et al. "Abstract 5729: Imiqualines for pancreatic cancer: first-in-class potent and synergistic inhibitors of microtubule polymerisation." Cancer Research 83, no. 7_Supplement (2023): 5729. http://dx.doi.org/10.1158/1538-7445.am2023-5729.

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Abstract Background: The survival rate for patients with Pancreatic Ductal Adenocarcinoma (PDAC) is dramatically poor with a five-year survival rate less than 10%. The research of new treatments, which could complement the current therapeutic arsenal constituted by Gemcitabine, FOLFIRINOX (fluorouracile, leucovorin, irinotecan, oxaliplatin) and nab-paclitaxel, is a major challenge. Imiqualines are new original small heterocyclic chemical molecules based on the quinoxalinic moiety. Among these first in class compounds, the lead EAPB02303 (1) displays outstanding nanomolar activities comparable

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21

Moffitt, Andrea B., Jude Kendall, Joan Alexander, et al. "Abstract 5890: Personalized detection of circulating cell-free tumor DNA in gynecologic cancer." Cancer Research 85, no. 8_Supplement_1 (2025): 5890. https://doi.org/10.1158/1538-7445.am2025-5890.

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Abstract Endometrial and ovarian cancers are among the most common gynecologic malignancies in the U.S., with 5-year overall survival rates of 81% and 50% respectively. Ovarian cancer often presents late due to asymptomatic early stages and nonspecific symptoms in advanced stages. Few markers exist for early detection, and they lack the sensitivity and specificity needed for high-risk screening. Given the absence of informative protein blood biomarkers, cell-free DNA analysis has become a promising tool for early detection, treatment evaluation, and monitoring. However, previous studies of cir

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22

McNeil, Daniel. ""Are African Canadians Always and Only Marginals and Transients?" The Politics and Poetics of Fanon's Children." Southern Journal of Canadian Studies 5, no. 1 (2012). http://dx.doi.org/10.22215/sjcs.v5i1.287.

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Robin Winks's The Blacks in Canada (1971) is advertised as the only historical survey that covers all aspects of the Black experience in Canada, from the introductioon of slavery in 1628 to the first wave of Caribbean immigration in the 1950s and 1960s. However, its depiction of African Canadians as inauthentic Blacks and aberrant Canadians has been critiqued by intellectuals such as George Elliott Clarke. This paper draws on material from the Robin Winks archives at Yale University in order to substantiate Clarke's charges against the small-l liberal, American bias of Winks's account. In doin

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23

Mauffret, Blodwenn. "Le masque de Gorille dans le carnaval contemporain de Cayenne : résurgences et dépassements des monstruosités historiques." Amerika, no. 11 (December 23, 2014). http://dx.doi.org/10.4000/amerika.5527.

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24

Sánchez Auñón, Estefanía. "Romanticism in the North American Short Story." Cartaphilus. Revista de investigación y crítica estética 18 (January 13, 2021). http://dx.doi.org/10.6018/cartaphilus.456101.

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El Romanticismo fue un movimiento extremadamente influyente que surgió a finales del siglo 18 y que tuvo un gran impacto en varias áreas, incluida la literatura. Innumerables escritores han representado en sus obras características esenciales del Romanticismo como la representación de horror y emociones intensas, el uso de entornos naturales exóticos y salvajes, el nacionalismo, el individualismo, la mente humana, y el simbolismo, entre muchas otras. En este artículo, se muestra cómo el Romanticismo influyó, en concreto, la narrativa breve norteamericana analizando cinco obras: “Rip Van Winkle

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25

Mr., Sanjeev Kumar Bansal. "A Unique Collection of Literary Works Often Confused (Part-I)." May 28, 2013. https://doi.org/10.5281/zenodo.6874743.

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<em>After reading British, Indian , American & some Commonwealth literature, I found huge works scattered here and there in various books which sometimes confuses the readers/competitors  in the examination hall due to the inherent similarities in these titled works. To avoid this type of common confusion, I planned to search and arrange the important works first , their similarity wise and  their frequency wise and then I compiled an exhaustive list of these selected works to facilitate the learners to make clear cut distinction among the various titles of the literary works. My

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