Relevant bibliographies by topics / American music

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  1. Journal articles
  2. Dissertations / Theses
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Academic literature on the topic 'American music'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 March 2023

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Journal articles on the topic "American music"

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Volk, Terese M. "Folk Musics and Increasing Diversity in American Music Education: 1900-1916." Journal of Research in Music Education 42, no. 4 (December 1994): 285–305. http://dx.doi.org/10.2307/3345737.

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From 1900 to 1916, the demographic makeup of the United States changed radically due to the heavy influx of people from Southern and Eastern Europe, and the schools, in particular, felt the impact of this immigration. Many music educators, like their colleagues in general education, found themselves facing an increasingly multicultural classroom for the first time. As a result of their efforts to help Americanize their immigrant students, music educators gradually came to know and accept folk songs and dances from many European countries and to make use of musics from these countries in music
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Yoo, Hyesoo, Sangmi Kang, and Victor Fung. "Personality and world music preference of undergraduate non-music majors in South Korea and the United States." Psychology of Music 46, no. 5 (July 14, 2017): 611–25. http://dx.doi.org/10.1177/0305735617716757.

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We investigated contributors of undergraduate nonmusic majors’ preferences for world musics, specifically those from Africa, Asia, and Latin America. Drawing upon the reciprocal feedback model as a theoretical framework, we determined the extent to which predictor variables (familiarity with the music, personality, and music absorption) were related to music preference. Participants were 401 undergraduate nonmusic majors from South Korea ( n = 208) and the USA ( n = 183). Participants took an online survey via Qualtrics that included demographic information, the World Musics Preference Rating
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KURAGANO, LEAH. "Hawaiian Music and Oceanizing American Studies." Journal of American Studies 52, no. 04 (November 2018): 1163–72. http://dx.doi.org/10.1017/s0021875818001147.

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American studies has been dedicated to understanding cultural forms from its beginnings as a field. Music, as one such form, is especially centered in the field as a lens through which to seek the cultural “essence” of US America – as texts from which to glean insight into negotiations of intellectual thought, social relations, subaltern resistance, or identity formation, or as a form of labor that produces an exchangeable commodity. In particular, the featuring of folk, indigenous, and popular music directly responded to anxieties in the intellectual circles of the postwar era around America'
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Rasmussen, Anne K. "Made in America: Historical and Contemporary Recordings of Middle Eastern Music in the United States." Middle East Studies Association Bulletin 31, no. 2 (December 1997): 158–62. http://dx.doi.org/10.1017/s002631840003563x.

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Although Americans of Middle Eastern origin—be they of Arab, Turkish, Armenian, Sephardic Jewish, Assyrian, Greek, or Central Asian heritage—comprise one of the fastest growing groups in the United States, their music may seem invisible to the American musical connoisseur. Many of the recordings of Middle Eastern American musicians are produced and distributed within community networks. Walk into an Armenian grocer in Watertown, Massachusetts or into a Lebanese audio-video store in Dearborn, Michigan, and you will find hundreds of hours of music by Middle Eastern Americans for your listening p
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Dickinson, Peter. "American Music." Musical Times 130, no. 1757 (July 1989): 418. http://dx.doi.org/10.2307/1193457.

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Johnson, Bret. "American Music." Tempo 57, no. 226 (October 2003): 56–57. http://dx.doi.org/10.1017/s004029820330035x.

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LEES: Symphonies Nos. 2, 3 and 51; Etudes for piano and orchestra2. 1Staatsphilharmonie Rheinland-Pfalz c. Stephen Gunzenhauser, 2James Dick (pno), Texas Festival Orchestra c. Robert Spano. Albany TROY 564/565 (2-CDset).LEES: Passacaglia. PERSICHETTI: Symphony No 4. DAUGHERTY: Philadelphia Stories; Hell's Angels. Oregon Symphony c. James De Preist. Delos DE 3291.FLAGELLO: Symphony No. 1; Theme, Variations and Fugue; Sea Cliffs; Intermezzo. Slovak Radio Symphony Orchestra c. David Amos. Naxos 8.559148.HOVHANESS: Symphony No 22, City of Light1; Cello Concerto2. 2Janos Starker (vlc), Seattle Symp
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Beal, Amy C. "Negotiating Cultural Allies: American Music in Darmstadt, 1946-1956." Journal of the American Musicological Society 53, no. 1 (2000): 105–39. http://dx.doi.org/10.2307/831871.

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In the context of postwar and Cold War cultural politics, the Darmstädter Ferienkurse für Neue Musik set the stage for Germany's ambivalent reception of American music in the decades following World War II. This article weighs the catalytic role of American music in Darmstadt between 1946 and 1956; traces the relationships among U. S. cultural officers, German patrons, and representatives of American music in Darmstadt; and describes events in Darmstadt that led to a growing interest in American experimental music in West Germany. An English translation of Wolfgang Edward Rebner's 1954 Ferienk
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Paul, David C. "Consensus and Crisis in American Classical Music Historiography from 1890 to 1950." Journal of Musicology 33, no. 2 (2016): 200–231. http://dx.doi.org/10.1525/jm.2016.33.2.200.

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In the late nineteenth century American publishers began to answer a burgeoning demand for histories of classical music. Although some of the authors they contracted are well-known to scholars of music in the United States—most notably Edward MacDowell and John Knowles Paine—the books themselves have been neglected. The reason is that these histories are almost exclusively concerned with the European musical past; the United States is a marginal presence in their narratives. But much can be learned about American musical culture by looking more closely at the historiographical practices employ
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GABRIEL, JOHN. "There and Back Again: Zeitoper and the Transatlantic Search for a Uniquely American Opera in the 1920s." Journal of the Society for American Music 13, no. 2 (May 2019): 195–215. http://dx.doi.org/10.1017/s1752196319000075.

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AbstractThis article argues that in the late 1920s, the German genre of Zeitoper paradoxically became an essential component of the search for a new kind of uniquely American opera, resulting in a transatlantic cycle of mutual influence. This influence was possible because Germans and Americans alike saw the United States as the embodiment of modern life and technology. American producers and composers thus adapted German Zeitoper to bring it more in line with Americans’ self-image. I examine this dynamic by juxtaposing two German and two American Zeitopern, looking specifically at their engag
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SHADLE, DOUGLAS. "Nineteenth-Century Music." Journal of the Society for American Music 9, no. 4 (November 2015): 477–84. http://dx.doi.org/10.1017/s1752196315000401.

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Musicological research on nineteenth-century music blossomed during the 1970s. The surge was solidified with the founding of the journal 19th-Century Music in 1977, roughly a year after the establishment of the Sonneck Society and a decade before the appearance of AmeriGrove I. During this decade, the journal published seven articles on nineteenth-century American subjects (all on the United States, not other American regions or countries). By contrast, the official journal of the Sonneck Society, American Music, published nearly twice that number between 1983 and 1986 alone. Although this sim
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Dissertations / Theses on the topic "American music"

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Fernandez, Carlos. "American music / Cuban music: influences and connections." FIU Digital Commons, 2002. http://digitalcommons.fiu.edu/etd/3231.

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This thesis will demonstrate the effects of American music, specifically jazz, on the different styles of Cuban music. It will be presented chronologically, explaining decade by decade, how American music penetrated the Cuban culture in almost all musical genres.
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Olson, Ted S. "Anglo-American Gospel Music." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etsu-works/5516.

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Wise, Timothy Elbert. "Yodelling in American popular music." Thesis, University of Liverpool, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.428246.

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This is a study of yodelling as a musical and cultural signifier. A definition of yodelling and a typology useful for the description of the various yodel phenomena heard in English-language popular music are proposed. Yodelling is then considered in a chronological sequence, beginning with abstract yodel signs in European instrumental classical music where these tended to signify pastoralism, idealism, and other ideas relating to romantic conceptions of the self. A discussion of yodelling in light classical and popular music through the nineteenth century follows. The differing ideologies ass
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Speedie, Penelope Ann. "American operas on American themes by American composers : a survey of characteristics and influences /." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487758178236837.

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Taylor, Corey Michael. "Ambiguous sounds African American music in modernist American literature /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 253 p, 2009. http://proquest.umi.com/pqdweb?did=1654487481&sid=4&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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Nguyen, Jason R. "Staging Vietnamese America| Music and the performance of Vietnamese American identities." Thesis, Indiana University, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1546986.

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<p> This study examines how Vietnamese Americans perform identities that acknowledge their statuses as diasporic Vietnamese to construct and maintain specifically Vietnamese American communities. I argue that music, especially public forms of musical expression within mass media and locally staged cultural performances, is a crucial way for Vietnamese Americans across the diaspora to transmit markers of cultural knowledge and identity that give them information about themselves and the "imagined community" constructed through their linked discourses.</p><p> The argument is organized around t
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Williams, Zaneh M. "American Influence on Korean Popular Music." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/500.

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South Korea is internationally well known for its ethnic and cultural homogeneity, economic and technical success, and strong sense of nationalism. The peoples of South Korea have flourished economically after a series of colonizations, industrialization and political chaos. Over the past few decades, Korea has gained interest internationally for its entertainment industry through the Korean Wave (or Hallyu in Korean). Korean Wave is a term that refers to the increase in the popularity of South Korean culture since the late 1990’s due to Korean music, television shows and fashion. The Korean W
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Betz, Marianne. "Aspects of US-American Music: Introduction." Bärenreiter Verlag, 2012. https://slub.qucosa.de/id/qucosa%3A71894.

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Olson, Ted S. "African American Music in Southwest Virginia." Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/5514.

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Excerpt: African Americans have lived in Southwest Virginia since the early eighteenth century, and their traditions—their verbal folklore, customary folklife, and material culture—have long influenced cultural life in Southwest Virginia. African American music has been particularly impactful in the region, yet many people today are unaware of the extent of that influence.
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Payne, Alyson. "Creating music of the Americas in the Cold War Alberto Ginastera and the Inter-American Music Festivals /." Connect to this title online, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1165436117.

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Books on the topic "American music"

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Malone, Bill C. Southern music/American music. Lexington, KY: University Press of Kentucky, 2002.

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1952-, Stricklin David, ed. Southern music/American music. Lexington, Ky: University Press of Kentucky, 2003.

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Leibovitz, Annie. American music. London: Jonathan Cape, 2003.

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Mendelsohn, Jane. American music. New York: Alfred A. Knopf, 2010.

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American music. New York: Random House, 2003.

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Leibovitz, Annie. American music. New York: Random House, 2004.

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Martin, Chris. American music. Port Townsend, Wash: Copper Canyon Press, 2007.

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American music. New York: Vintage Contemporaries, 2011.

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American music. New York: Alfred A. Knopf, 2010.

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Mendelsohn, Jane. American music. New York: Alfred A. Knopf, 2010.

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Book chapters on the topic "American music"

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Dorf, Samuel N., Heather MacLachlan, and Julia Randel. "American Band Music." In Anthology to Accompany Gateways to Understanding Music, 238–42. New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003041542-39.

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Cornelius, Steven, and Mary Natvig. "Black American Music." In MusicA Social Experience, 70–101. 3rd ed. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003155812-7.

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Reichardt, Ulfried. "African American music in the Americas." In Sonic Politics, 44–50. Abingdon, Oxon ; New York, NY : Routledge, 2019. | Series: InterAmerican Research: Contact, Communication, Conflict ; ASHSER-1426: Routledge, 2019. http://dx.doi.org/10.4324/9780429423932-3.

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Krummel, D. W. "Vernacular Music." In Bibliographical Handbook of American Music, 113–26. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-09674-9_10.

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Krummel, D. W. "Sacred Music." In Bibliographical Handbook of American Music, 145–52. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-09674-9_12.

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Krummel, D. W. "Current Music." In Bibliographical Handbook of American Music, 35–53. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-09674-9_5.

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Krummel, D. W. "Concert Music." In Bibliographical Handbook of American Music, 97–111. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-09674-9_9.

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Dorf, Samuel N., Heather MacLachlan, and Julia Randel. "Early American Popular Music." In Anthology to Accompany Gateways to Understanding Music, 169–70. New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003041542-32.

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Dorf, Samuel N., Heather MacLachlan, and Julia Randel. "African American Religious Music." In Anthology to Accompany Gateways to Understanding Music, 232–33. New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003041542-36.

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Dorf, Samuel N., Heather MacLachlan, and Julia Randel. "American Popular Music Today." In Anthology to Accompany Gateways to Understanding Music, 487–91. New York : Routledge, 2021.: Routledge, 2020. http://dx.doi.org/10.4324/9781003041542-60.

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Conference papers on the topic "American music"

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Chang, Charles B., and Danielle Dionne. "Unity and diversity in Asian American language variation: Data from Chinese, Filipino, Korean, and Vietnamese Americans." In Fourth Vienna Talk on Music Acoustics. ASA, 2022. http://dx.doi.org/10.1121/2.0001669.

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White, Christopher Wm, Jeffrey Fulmer, Brian Cordova, Alexandria Black, Chloe Danitz, William Evans, Aidan Fischer, et al. "A new corpus of texture, timbre, and change in 20th-century American popular music." In Future Directions of Music Cognition. The Ohio State University Libraries, 2021. http://dx.doi.org/10.18061/fdmc.2021.0015.

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Ulhôa, Martha. "Southern currents: Some thoughts on Latin American popular music studies." In Situating Popular Musics, edited by Ed Montano and Carlo Nardi. International Association for the Study of Popular Music, 2012. http://dx.doi.org/10.5429/2225-0301.2011.34.

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Hishida, Hirotoshi, Yoshihiro Komatsu, Tomohiro Nomura, Yasuhiro Hishida, and Keiko Hishida. "Music Database for Earphone Hearing Loss Prevention and Music Therapy - American Musical Songs -." In 13th International Multi-Conference on Complexity, Informatics and Cybernetics. Winter Garden, Florida, United States: International Institute of Informatics and Cybernetics, 2022. http://dx.doi.org/10.54808/imcic2022.02.40.

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Huepe, C., R. F. Cadiz, and M. Colasso. "Generating music from flocking dynamics." In 2012 American Control Conference - ACC 2012. IEEE, 2012. http://dx.doi.org/10.1109/acc.2012.6315529.

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Grisé, Adam. "Music Education Through Cultural Immersion: Preservice Music Teachers' Experiences in a Caribbean-American Steel Band." In 2019 AERA Annual Meeting. Washington DC: AERA, 2019. http://dx.doi.org/10.3102/1442995.

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Blount, PJ, and Jake X. Fussell. "Musical Counter Narratives: Space, Skepticism, and Religion in American Music." In 52nd Aerospace Sciences Meeting. Reston, Virginia: American Institute of Aeronautics and Astronautics, 2014. http://dx.doi.org/10.2514/6.2014-0670.

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Florido, Irapuru, and Roberto Tadeu Raittz. "Hybrid Method for Automatic Music Labeling." In 2018 XLIV Latin American Computer Conference (CLEI). IEEE, 2018. http://dx.doi.org/10.1109/clei.2018.00038.

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Völkel, Thomas, Jakob Abeßer, Christian Dittmar, and Holger Großmann. "Automatic genre classification of Latin American music using characteristic rhythmic patterns." In the 5th Audio Mostly Conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1859799.1859815.

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Li, Fei, and Li Xu. "Research on the European and American Music Education Mode and Corresponding Influence on the Chinese Native Music Education." In 2015 Conference on Informatization in Education, Management and Business (IEMB-15). Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/iemb-15.2015.73.

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Reports on the topic "American music"

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Schneider, William. Music and Race in the American West. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5558.

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Mehegan, Laura, and G. Chuck Rainville. Music and Brain Health Among African American/Black Adults. Washington, DC: AARP Research, November 2020. http://dx.doi.org/10.26419/res.00387.004.

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Templeton, Patricia. Atomic tunes: The intersection of Lab science and popular music from 1945-1962 How American music was influenced by nuclear science. Office of Scientific and Technical Information (OSTI), October 2021. http://dx.doi.org/10.2172/1826489.

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Waldfogel, Joel. Bye, Bye, Miss American Pie? The Supply of New Recorded Music Since Napster. Cambridge, MA: National Bureau of Economic Research, March 2011. http://dx.doi.org/10.3386/w16882.

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Turner, Tom, and Nancy Hodges. Americana Music Festivals: An Ethnographic Exploration of the Experiential Consumptionscape. Ames: Iowa State University, Digital Repository, November 2015. http://dx.doi.org/10.31274/itaa_proceedings-180814-25.

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Turner, Tom, and Nancy Hodges. Exploring Outdoor Lifestyle Brands within the Americana Music Festival Marketplace. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-395.

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