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Books on the topic 'American Music Club (Musical group)'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Vaughan, Andrew. The Eagles: An American band. Sterling, 2010.

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2

Goldberg, Marv. More than words can say: The Ink Spots and their music. Scarecrow Press, 1998.

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3

Millner, Denene. Dreamgirls. HarperCollins, 2007.

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4

Grisham, Jack. An American demon: A memoir. ECW Press, 2011.

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5

Dan, Nadel, Rudick Nicole, Destroy All Monsters (Musical group), and Prism (Gallery), eds. Return of the repressed: Destroy All Monsters, 1973-1977. PictureBox, 2011.

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6

DeRogatis, Jim. Staring at sound: The true story of Oklahoma's fabulous Flaming Lips. Broadway Books, 2006.

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7

Dave, Marsh, and Rock Bottom Remainders (Musical group), eds. Mid-life confidential: The Rock Bottom Remainders tour America with three chords and an attitude. Viking, 1994.

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8

1947-, King Stephen, ed. Mid-life confidential. Hodder & Stoughton, 1994.

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9

Kahyaoğlu, Orhan. And dağları'ndan Anadolu'ya 'devrimci müzik' geleneği: "Sıyrılıp gelen" Grup Yorum. Nekitaplar, 2003.

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10

Body, Sean. Wish the World Away: Mark Eitzel & the American Music Club. SAF Publishing, 1999.

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11

Kernodle, Tammy, Horace Maxile, and Emmett Price, eds. Encyclopedia of African American Music. Greenwood, 2010. http://dx.doi.org/10.5040/9798400607752.

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African Americans' historical roots are encapsulated in the lyrics, melodies, and rhythms of their music. In the 18th and 19th centuries, African slaves, longing for emancipation, expressed their hopes and dreams through spirituals. Inspired by African civilization and culture, as well as religion, art, literature, and social issues, this influential, joyous, tragic, uplifting, challenging, and enduring music evolved into many diverse genres, including jazz, blues, rock and roll, soul, swing, and hip hop. Providing a lyrical history of our nation, this groundbreaking encyclopedia, the first of

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12

Contemporary musicians: Profiles of the people in music. Gale Group :Thomson Gale, 2004.

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13

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2001.

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14

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2003.

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15

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2003.

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16

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2002.

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17

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2004.

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18

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2002.

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19

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2003.

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20

Deremer, Leigh Ann. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2003.

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21

Contemporary musicians: Profiles of the people in music. Thomson/Gale, 2005.

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22

Buena Vista Social Club y el son cubano. Editorial José Martí, 2016.

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23

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2005.

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24

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2005.

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25

Pilchak, Angela M. Contemporary Musicians: Profiles Of The People In Music (Contemporary Musicians). Thomson Gale, 2005.

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26

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2004.

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27

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2005.

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28

Pilchak, Angela M. Contemporary Musicians: Profiles Of The People In Music (Contemporary Musicians). Thomson Gale, 2005.

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29

Pilchak, Angela M. Contemporary Musicians: Profiles of the People in Music (Contemporary Musicians). Thomson Gale, 2004.

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30

Metallica The Club Dayz Live Raw And Without A Photo Pit. ECW Press, 2009.

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31

Remain in Love: Talking Heads, Tom Tom Club, Tina. St. Martin's Press, 2020.

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32

Frantz, Chris. Remain in Love: Talking Heads, Tom Tom Club, Tina. St. Martin's Press, 2020.

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33

Frantz, Chris. Remain in Love: Talking Heads, Tom Tom Club, Tina. Macmillan Audio, 2020.

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34

Stanyek, Jason, and Jonathon Grasse. Milton Nascimento and lô Borges's the Corner Club. Bloomsbury Publishing Plc, 2020.

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35

Milton Nascimento and lô Borges's the Corner Club. Bloomsbury Publishing Plc, 2020.

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36

Cohen, Ronald D., and Rachel Clare Donaldson, eds. Blacklisting and Folk Developments, 1953–1954. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038518.003.0004.

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This chapter begins with a focus on Harry Smith (1923–1991), a beatnik eccentric artist, and experimental filmmaker who was responsible for the six-LP set called the Anthology of American Folk Music. The set featured commercial recordings of traditional rural musicians that had been made in the South during the 1920s and 1930s. The discussion then turns to the folk revival in Great Britain by the mid-1950s. While the Communist Party members represented one group contributing to the growing popularity of folk music and drew inspiration from the American performers such as the Almanac Singers, P

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37

author, Greenfield Robert, ed. Mother American night: My life in crazy times. 2018.

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38

Hook, Peter. The Haçienda: How not to run a club. 2014.

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39

Rimmer, Dave. Like Punk Never Happened: Culture Club and the New Pop. Faber & Faber, Limited, 2011.

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40

Rimmer, Dave. Like Punk Never Happened: Culture Club and the New Pop. Faber & Faber, Limited, 2011.

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41

Rimmer, Dave. Like Punk Never Happened: Culture Club and the New Pop. Faber & Faber, 1986.

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42

Buena Vista in the club: Rap, reggaetón, and revolution in Havana. Duke University Press, 2011.

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43

Bessman, Jim. Ramones: An American Band. Tandem Library, 1993.

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44

Bessman, Jim. Ramones: An American Band. St. Martin's Griffin, 1993.

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45

The Hacienda: How Not to Run a Club. Brand: Simon Schuster UK, 2009.

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46

Murphy, Clifford R., ed. Finding Community in the New England Country and Western Event. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038679.003.0005.

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This chapter examines how country and western musicians regularly navigate the frontier between self-expression and community expression, and such navigation is a defining characteristic of the folk medium of country and western music. In New England, this frontier occupies a space between a show and a dance—what is referred to as the country and western event, and which is a defining characteristic that distinguishes New England country and western from its other regional variations. At the country and western event, the performing group and the audience participate in negotiations between wh

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47

Beisel Hollenbach, Katie. The Business of Bobbysoxers. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197659182.001.0001.

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Abstract Using World War II Frank Sinatra fan communities in the United States as its primary case study, The Business of Bobbysoxers: Cultural Production in 1940s Frank Sinatra Fandom considers celebrity following, popular music culture, and fan productivity as windows on the lives of wartime female youth. Popular memory conjures up an image of typical American teen girls from the 1940s as “bobbysoxers”: largely white, hysterical devotees of Frank Sinatra, clad in bobby socks and saddle shoes, who—by pursuing a celebrity obsession in the midst of international crisis—drew scrutiny from much o

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48

Ribowsky, Mark. Ain't Too Proud to Beg: The Troubled Lives and Enduring Soul of the Temptations. Wiley & Sons, Incorporated, John, 2010.

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49

Ribowsky, Mark. Ain't Too Proud to Beg: The Troubled Lives and Enduring Soul of the Temptations. Wiley & Sons, Incorporated, John, 2010.

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50

Ribowsky, Mark. Ain't Too Proud to Beg: The Troubled Lives and Enduring Soul of the Temptations. Wiley & Sons, Incorporated, John, 2010.

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