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Books on the topic 'American Picaresque literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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1

Compton, Timothy G. Mexican picaresque narratives: Periquillo and kin. Lewisburg, Pa: Bucknell University Press, 1997.

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2

Road-book America: Contemporary culture and the new picaresque. Urbana: University of Illinois Press, 2000.

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3

Ordaz, Ramón. El pícaro en la literatura iberoamericana. México: Universidad Nacional Autónoma de México, Coordinación de Humanidades, Programa Editorial, 2000.

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4

Réécrire la littérature picaresque depuis l'Amérique hispanique: Une relecture des textes fondateurs. Paris: Honoré Champion, 2012.

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5

Reinhart, Werner. Pikareske Romane der 80er Jahre: Ronald Reagan und die Renaissance des politischen Erzählens in den USA (Acker, Auster, Boyle, Irving, Kennedy, Pynchon). Tübingen: Gunter Narr, 2001.

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6

Yovanovich, Gordana. Play and the picaresque: Lazarillo de Tormes, Libro de Manuel, and Match ball. Toronto: University of Toronto Press, 1999.

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7

Bukowski, Charles. Je t'aime, Albert et les autres nouvelles de Hot Water Music. [Paris]: Grasset, 1988.

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8

Hot Water Music. S. l: Black Sparrow Press, U.S., 1998.

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9

Bukowski, Charles. Hot Water Music. New York: HarperCollins, 2007.

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10

Esperanza's box of saints. New York: Scribner Paperback Fiction, 1999.

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11

Even cowgirls get the blues. Toronto: Bantam Books, 1993.

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12

Robbins, Tom. Even cowgirls get the blues. London: Bantam Books, 1991.

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13

Robbins, Tom. Even cowgirls get the blues. New York: Bantam Books, 2003.

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14

Even cowgirls get the blues. Toronto: Bantam Books, 1990.

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15

Robbins, Tom. Even cowgirls get the blues. New York: Bantam Books, 1990.

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16

Sayers, Peden Margaret, and González Echevarría Roberto, eds. Celestina. New Haven: Yale University Press, 2009.

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17

de, Miguel Martínez Emilio, ed. Comedia de Calisto y Melibea: Burgos 1499. [Salamanca, Spain]: Junta de Castilla y León, 1999.

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18

1919-1980, Marciales Miguel, ed. Celestina: Tragicomedia de Calisto y Melibea. Urbana: University of Illinois Press, 1985.

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19

Rojas, Fernando de. Celestina: Tragicomedia de Calisto y Melibea. Urbana: University of Illinois Press, 1985.

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20

1587-1658, Barth Kaspar von, and Fernández Enrique 1961-, eds. Pornoboscodidascalus Latinus (1624): Kaspar Barth's neo-Latin translation of Celestina. Chapel Hill: North Carolina Studies in the Romance Languages and Literatures, U.N.C. Department of Romance Languages, 2006.

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21

Rojas, Fernando de. Tragicomedia de Calisto y Melibea. Barcelona: Hermes Editora General, 1997.

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22

1891-, Simpson Lesley Byrd, ed. The celestina: A novel in dialogue. Berkeley, Calif: University of California Press, 2006.

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23

Comedia o tragicomedia de Calisto y Melibea. Madrid: Clásicos Castalia, 1991.

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24

Rojas, Fernando de. Celestina. New York: Penguin USA, Inc., 2009.

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25

Rojas, Fernando de. Celestina: Tragicomedia de Calisto y Melibea. Urbana: University of Illinois Press, 1985.

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26

Louise, Fothergill-Payne, Fernández Rivera Enrique, and Fothergill-Payne Peter, eds. Celestina comentada. Salamanca [Spain]: Ediciones Universidad de Salamanca, 2002.

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27

Sherman, Severin Dorothy, and Mabbe James 1572-1642?, eds. Celestina. Warminster, Wiltshire: Aris & Phillips, 1987.

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28

Lieve, Behiels, and Kish Kathleen V, eds. Celestina: An annotated edition of the first Dutch translation (Antwerp, 1550). Belgium: Leuven University Press, 2005.

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29

Rojas, Fernando de. Celestina: Or, the tragi-comedy of Calisto and Melibea. New York: Applause Theatre Book Publishers, 1986.

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30

Rojas, Fernando de. Tragicomedia de Calisto y Melibea: Valencia, Juan Joffre, 1514. [Valencia, Spain]: Alfons el Magnànim, Diputación de València, 1999.

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31

Rojas, Fernando de. Celestina. New York: Penguin Books, 2009.

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32

Fernando, Cantalapiedra Erostarbe, ed. Tragicomedia de Calisto y Melibea: V centenario, 1499-1999. Kassel: Edition Reichenberger, 2000.

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33

Ginés, Montserrat. The Southern inheritors of Don Quixote. Baton Rouge: Louisiana State University Press, 2000.

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34

Bellow, Saul. The adventures of Augie March. London: David Campbell, 1995.

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35

Saul, Bellow. The adventures of Augie March. New York: Penguin, 1996.

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36

Saul, Bellow. The adventures of Augie March. 5th ed. New York: Viking, 2003.

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37

Saul, Bellow. The adventures of Augie March. New York, N.Y: Penguin Books, 1999.

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38

Saul, Bellow. The adventures of Augie March. New York, N.Y: Penguin Books, 1999.

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39

Saul, Bellow. Przypadki Augie'ego Marcha. Warszawa: Państwowy Instytut Wydawniczy, 1990.

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40

Saul, Bellow. The adventures of Augie March. New York: Knopf, 1995.

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41

Saul, Bellow. The adventures of Augie March: A novel. London: Secker & Warburg, 1985.

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42

Saul, Bellow. The adventures of Augie March. London: Penguin Books, 2001.

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43

Robbins, Thomas. Even Cowgirls Get the Blues. Bantam Books, 1993.

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44

Even Cowgirls Get the Blues. New York: Random House Publishing Group, 2003.

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45

Even Cowgirls Get the Blues. New Millennium Audio, 1993.

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46

Robbins, Tom. Even Cowgirls Get the Blues. Oldcastle Books, Limited, 2001.

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47

Even Cowgirls Get the Blues. Bantam Books, 1994.

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48

Robbins, Tom. Sissy, Schicksalsjahre einer Tramperin. Even cowgirls get the blues. Rowohlt Tb., 1994.

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49

Robbins, Tom. Even Cowgirls Get the Blues. Phoenix Audio, 2006.

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50

Cooper, Stephen, and Clorinda Donato, eds. John Fante's Ask the Dust. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823287864.001.0001.

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Eight decades after Ask the Dust first appeared, John Fante’s Ask the Dust: A Joining of Voices and Views shows how and why the once-forgotten novel continues to earn its place among the signal works of twentieth-century world literature in our own moment of the twenty-first. Gathered here are twenty responses to the novel from a wide variety of contributors, both American and Italian, including scholars, journalists, filmmakers, creative writers, translators, archive workers, a musicologist, a choreographer, and an American Indian who discovered the book while incarcerated in a California maximum-security prison. In recognizing the novel’s enduring attractions and evolving critical challenges, editors Cooper and Donato have orchestrated the volume’s contents to address both academic audiences and the countless word-of-mouth fans who have made Ask the Dust a perennial international classic. With its array of essays, interviews, talks, memoirs, and correspondence—including an important letter by Fante, newly discovered and published here for the first time—the volume raises Fante studies to a commanding level of significance through its diversity of perspectives on the cornerstone of the author’s oeuvre. Italian American to its core, the picaresque brio of Ask the Dust resonates all the more profoundly today as readers debate, reinterpret, and embrace the abiding truths of Arturo Bandini’s struggle with immigrant dreams, ethnic tensions, romantic love, existential demons, and the better angels of his inherited Catholic faith against the backdrop of that “sad flower in the sand,” the Depression-era city of Los Angeles.
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