Relevant bibliographies by topics / American poet

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'American poet'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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Journal articles on the topic "American poet"

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Thomson, David E. "Lifespan development in the academy of American poets." Scientific Study of Literature 5, no. 1 (November 19, 2015): 83–98. http://dx.doi.org/10.1075/ssol.5.1.04tho.

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The present study investigated lifespan writing tendencies among members of the Academy of American Poets (N = 411). All original English language poems (N = 2,558) available on the Academy website during 2013 were included provided that each poet was represented by at least two poems. Correlations of the age in which each poet published each poem with established indicators of lifespan development were small to moderate (r’s from -.11 to .16). Contrary to lifespan development for expository and emotionally expressive writing, poets tended to employ past tense and use less emotionally valenced language as they aged. Multilevel analysis revealed no significant relationships between publishing age and maturation outcomes, although that process did indicate various curvilinear relations. I conclude by discussing the implications of automated text analysis on literary analysis of career development.
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Foust, Graham. "American Poet." Critical Quarterly 56, no. 4 (December 2014): 124. http://dx.doi.org/10.1111/criq.12152.

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Miller, Nicola. "Recasting the Role of the Intellectual: Chilean Poet Gabriela Mistral." Feminist Review 79, no. 1 (March 2005): 134–49. http://dx.doi.org/10.1057/palgrave.fr.9400206.

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The life and work of Gabriela Mistral, the first Latin American writer to be awarded the Nobel Prize for Literature in 1945, is examined as an example of how difficult it was for women to win recognition as intellectuals in 20th-century Latin America. Despite an international reputation for erudition and political commitment, Mistral has traditionally been represented in stereotypically gendered terms as the ‘Mother’ and ‘Schoolteacher’ of the Americas, and it has been repeatedly claimed that she was both apolitical and anti-intellectual. This article contests such claims, arguing that she was not only committed to fulfilling the role of an intellectual, but that she also elaborated a critique of the dominant male Latin American view of intellectuality, probing the boundaries of both rationality and nationality as constructed by male Euro-Americans. In so doing, she addressed many of the crucial issues that still confront intellectuals today in Latin America and elsewhere.
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Al-Douri, Hamdi. "الشعر الوثائقي: دراسة لقصيدة امريكية “احدهم فجر امريكة”." Al-Kitab Journal for Human Sciences 1 (October 3, 2020): 94–112. http://dx.doi.org/10.32441/kjhs.01.00.6.

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The modern age is prolific of literary movements and literary genres. Documentary poetry, which can be considered a new genre, combines both primary source material, such as war, political events, terrorism, people in detention and many other events with poetry. Amiri Baraka is a contemporary American poet whose poem "Somebody Blew up America" belongs to this genre. It records the September 11 blowing up of the Trade Centre from a perspective different from what the American propaganda and mass media tell the world. The recent paper attempts to shed light on Amiri Baraka's attitude towards this event, the reasons behind it, the real terrorists and the intentions behind this terrorist event according to this poem. The poet argues that the American government knew beforehand that the Trade Centre was going to be blown up and they took no action to prevent the catastrophe and, in this sense, they were partners in the crime. Furthermore, he accuses the Americans of blowing up the trade centre.The paper is divided into three sections and a conclusion. Section One is Introductory; it sheds light on documentary poetry, its characteristic features and practitioners. Section Two is a biographical note of Amiri Baraka paying special attention to his attitude to American politics based on domination, persecution and genocide. Section Three gives a detailed analysis of "Somebody Blew up America" as a documentary poem recording the September 11 blowing up of the Trade Centre with the aim of finding a pretext to invade other countries. The paper concludes that this event happened according to a well-made plan in cooperation with the American government and the CIA as partners.
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Mahdi, Amer Rasool. "“[I]t is a word unsaid”." Al-Adab Journal 1, no. 126 (September 15, 2018): 1–8. http://dx.doi.org/10.31973/aj.v1i126.3.

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This study attempts to trace the aesthetic of the act of naming in Walt Whitman’s poem “Song of Myself”. It tries, furthermore, to approach America as a geo-poetic concept and formation in the earlier American poetics of being. The literary geography of Whitman’s poetry might here be measured against the poeticity of the American con(text) or poetic dwelling, with all the nuances of the question of identity being implicated. The poet as a namer is the one who re-invents his linguistic-poetic gear to re-signify his existence in the act of renaming the second creation. Building on the Emersonian pseudo-philosophical premises, the poet Whitman thus sets himself the task of mapping out his Eden, or this terra incognita, by creating his textual geography and by Whitmanizing the American scene for that matter.
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BYER, R. H. "POET OF THE AMERICAN TRAGEDY." Essays in Criticism XLVI, no. 2 (April 1, 1996): 175–86. http://dx.doi.org/10.1093/eic/xlvi.2.175.

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Rashid, Frank D. "Transparent Eye, Voice Howling Within: Codes of Violence in Lawrence Joseph's Poetry." PMLA/Publications of the Modern Language Association of America 123, no. 5 (October 2008): 1611–20. http://dx.doi.org/10.1632/pmla.2008.123.5.1611.

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In the early quatrains of “Rubaiyat,” a poem in Lawrence Joseph's fourth book, into it, The poet adopts a curious perspective for an American poet of Arab ancestry who is intensely critical of American military aggression. Taking on the “eye” of the aggressor, he pulls up the “satellite image of a major / military target, a 3-D journey / into a landscape of hills and valleys.” He follows the lens as it zooms closer to the ground:Zoom in close enough—the shadowsof statues, the swimming pools of palaces …closer—a garden of palm trees,oranges and lemons, chickens, sheep. … (41)
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Al-Husseini, Sahar Abdul Ameer Haraj. "Graphematic Emblems in Selected Poems by John Hollander Sahar Abdul Ameer Haraj Al-Husseini." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES, no. 226(1) (September 1, 2018): 49–60. http://dx.doi.org/10.36473/ujhss.v0i226(1).172.

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Graphematic poem or shape poem or pattern poem, like any other poem, is a poem that discusses diverse and common subjects like love, idea, time and many other topics ; yet with a certain difference that is the subject is similar to the printed format of the text. To say that it presents a picture of certain familiar object that is similarly the subject of the poem. Such poems are likewise termed shaped verse. They are not new for they are part of a long convention that ranges from Alexandrian Greek poets to Lewis Carroll and beyond. John Hollander(1929 –2013) is an American poet who wrote pattern poetry with a variety of diverse themes . His Types of Shape (1969) offers twenty-five shaped poems in the convention of George Herbert, a seventeenth century English poet. Graphematic poems must also to a certain degree own their special self-reflective picture in so far as the shape as well as the content are concerned. They show a wide array of themes and Hollander's graphematic poems show fascinating investigates with unbending forms that undermine the authority of his writing. Hollander in uniting content and form supports creating one authoritative outcome in the field of poetry.
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Al-Husseini, Sahar Abdul Ameer Haraj. "Graphematic Emblems in Selected Poems by John Hollander Sahar Abdul Ameer Haraj Al-Husseini." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 226, no. 1 (September 1, 2018): 49–60. http://dx.doi.org/10.36473/ujhss.v226i1.172.

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Graphematic poem or shape poem or pattern poem, like any other poem, is a poem that discusses diverse and common subjects like love, idea, time and many other topics ; yet with a certain difference that is the subject is similar to the printed format of the text. To say that it presents a picture of certain familiar object that is similarly the subject of the poem. Such poems are likewise termed shaped verse. They are not new for they are part of a long convention that ranges from Alexandrian Greek poets to Lewis Carroll and beyond. John Hollander(1929 –2013) is an American poet who wrote pattern poetry with a variety of diverse themes . His Types of Shape (1969) offers twenty-five shaped poems in the convention of George Herbert, a seventeenth century English poet. Graphematic poems must also to a certain degree own their special self-reflective picture in so far as the shape as well as the content are concerned. They show a wide array of themes and Hollander's graphematic poems show fascinating investigates with unbending forms that undermine the authority of his writing. Hollander in uniting content and form supports creating one authoritative outcome in the field of poetry.
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Viner, C. B. "The Formal Deviant: The Innovative Features of E. E. Cummings’s ‘next to of course god america i’." Westcliff International Journal of Applied Research 3, no. 1 (November 1, 2019): 17–21. http://dx.doi.org/10.47670/wuwijar201931cbv.

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This article explores the modernist American poet, E. E. Cummings, and his experimentations with the traditional sonnet form in poetry. E. E. Cummings was an influenced by cubism and used the principles of this form to stylize his poetry. He changed the nature of the sonnet form, as seen in his political poem and satire, ‘Next of course god america i’, which this article will explore through close reading and literary analysis.
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Dissertations / Theses on the topic "American poet"

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Chaltain, Sam. ""The Poet, the Poem, and the People": Etheridge Knight's American Counterpoetics." W&M ScholarWorks, 1999. https://scholarworks.wm.edu/etd/1539626201.

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Hand, Angela René. "Francis Hopkinson : American poet and composer /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9983125.

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Wilson, Robert Neal. "The American poet : a role investigation /." New York : Garland, 1990. http://catalogue.bnf.fr/ark:/12148/cb355378740.

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Austin, Kelly. "A poet of the Americas Neruda's translations of Whitman and North American translations of Neruda /." Diss., Restricted to subscribing institutions, 2005. http://proquest.umi.com/pqdweb?did=1003847081&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Williams, Anna. "Skribent i Svensk-Amerika Jakob Bonggren, journalist och poet /." Uppsala : Avdelningen för litteratursociologi vid Litteraturvetenskapliga institutionen, 1991. http://catalog.hathitrust.org/api/volumes/oclc/24993464.html.

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Ohki, Hitomi. "American Poet Emily Dickinson Set to Music by 20th Century Composers." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3869.

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When singers perform art songs, how many of them, especially students, learn about the poem and poet behind the lyrics? It might be that a number of singers focus on composers, however not poets. Even in concert programs, it is common to only write the composer’s name. I am one of the singers that has learned lyrics in the last minute before a concert or an examination. I will experiment with changing my learning process and see if that makes any difference when performing the art song.  The purpose of this study is also to focus on the poet Emily Dickinson. Furthermore, to find out about the music of composers from the 20th century onwards using Dickinson’s poems. I choose Aaron Copland’s song cycle “Twelve Poems of Emily Dickinson”.  Finally, I will perform the work and demonstrate if there is a difference in the singing interpretation by studying not only the music but also the poems behind the lyrics. “Who is Emily Dickinson?” The study explores this question first. After researching 100 songs using her poems, I chose three composers, Aaron Copland, Libby Larsen and Niccolò Castiglioni. Thereafter, “Bind me - I can still sing” of Larsen and “Dickinson-Lieder” of Castiglioni is mentioned. Furthermore, the song cycle “Twelve Poems of Emily Dickinson” by Copland is analyzed deeply to find out more about the piece and why the composer was inspired by Dickinson. It was discovered that one is able to understand the piece deeply, knowing not only about the life of the composer, but also the poet leads to a better understanding of the work. From the singer’s point of view, the level of expression and singing performance has improved after researching the poet Emily Dickinson.  The study concludes knowing deeply about the poet that there is no doubt how important the poem is when understanding and interpreting art song.

Soprano: Hitomi Ohki

Piano: Anders Kilström

Aaron Copland (1900-1990)

Twelve Poems of Emily Dickonson

1, Nature, the gentlest mother

2, There came a wind like a bugle

3, Why do they shut me out of Heaven?

4, The world feels dusty

5, Heart, we will forget him!

6, Dear March, come in!

7, Sleep is supposed to be

8, When they come back

9, I felt a funeral in my brain

10, I've heard an organ talk sometimes

11, Going to Heaven!

12, The Chariot

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Lindeen, Karilyn. "Walt Whitman and the American Civil War: from Wound Dresser to Good Gray Poet." Thesis, Kansas State University, 2016. http://hdl.handle.net/2097/32590.

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Master of Arts
Department of History
Charles W. Sanders, Jr.
Today, Walt Whitman is considered a famous nineteenth-century American poet. At the outbreak of the American Civil War however, he was underrated and underappreciated by American readers. Three editions of his book of poetry, Leaves of Grass, were not received well by American readers and his future in writing looked bleak. This was despite the fact that Whitman’s literary friend, Ralph Waldo Emerson, wrote an encouraging review of the first edition, which Whitman included in the second and third iterations. Ironically, Whitman’s career made a turn for the better when his brother, George Washington Whitman, was reported to be among the wounded or killed in the Battle of Fredericksburg on December 13, 1862. A dedicated family man, Whitman immediately boarded a train in New York and headed for Falmouth, Virginia, to check on his brother’s wellbeing. Whitman visited several makeshift hospitals before coming across Chatham Mansion, the temporary Union Hospital Headquarters. He saw at the base of a tree a pile of human limbs that had been tossed out of a first floor window following amputations. The scene was horrific and he paused to record what he saw in his diary. This experience forever changed Whitman the man and Whitman the poet and the transformation was evident in his subsequent writing, as Whitman first took on the persona of what I have designated as the Wound Dresser and years after the war the Good Gray Poet. This evolution changed the public perception of Whitman, and it occurred in phases. The initial phase was before the war, his work was considered obscene among American society due to his previous publications. The second transformation in Whitman was initiated by fear of personal loss when his brother was listed among the wounded and dead at Fredericksburg and the sight of the amputated limbs at Chatham Mansion. Had Whitman been exposed to the war slowly over time, the effect might not have been so profound, but Chatham was an earth shattering event in his life, as he admitted. The third phase was the result of daily exposure for years to the wounded and dying in the hospitals. He developed a personal connection with the men and was determined to stay with them, despite direct orders from hospital doctors that he should return home for his own physical and emotional recovery. His experience in the hospitals had transformed from a middle aged healthy man to a frail and brittle shell, evident in photographs of him during these years. The final phase was marked by the transformation in his writing. It was in this phase that Whitman created the most memorable and remarkable Civil War poetry that is still celebrated today. It was this poetry that caused American’s to revere him as the “Good Gray Poet.”
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Cannella, Wendy. "Fireplaces: The Unmaking of the American Male Domestic Poet (Frost, Stevens, Williams, and Stephen Dunn)." Thesis, Boston College, 2011. http://hdl.handle.net/2345/2161.

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Thesis advisor: Paul Mariani
The fireplace has long stood at the center of the American home, that hearth which requires work and duty and which offers warmth and transformation in return. Fireplaces: The Unmaking of the American Male Domestic Poet takes a look at three major twentieth-century men whose poetry manifests anxieties about staying home to "keep the fire-place burning and the music-box churning and the wheels of the baby's chariot turning," as Wallace Stevens described it (L 246), during a time of great literary change when their peers were widely expatriating to Europe. Fireplaces considers contemporary poet Stephen Dunn as an inheritor of this mottled Modernist lineage of male lyric domesticity in the Northeastern United States, a tradition rattled by the terrorist events of September 11, 2001 after which Dunn leaves his wife and family home to remarry, thus razing the longstanding domestic frame of his poems. Ultimately Fireplaces leaves us with a question for twenty-first century verse--can a male poet still write about home? Or has the local domestic voice been supplanted at last by a placeless strain of lyric
Thesis (PhD) — Boston College, 2011
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: English
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Dimirouli, Foteini. "Cavafy hero : literary appropriations and cultural projections of the poet in English and American literature." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:84ca6361-a26c-4269-82da-4deb4b0c4664.

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The present thesis examines the way E.M. Forster, Lawrence Durrell, W.H. Auden, Stephen Spender, Joseph Brodsky, and James Merrill appropriated C.P. Cavafy in writings that were disseminated and consumed amongst culturally dominant literary circles, and which eventually determined the Greek-Alexandrian poet’s international reputation. I aim to contribute a new perspective on Cavafy, by evading the text-based tradition of reception studies, and proposing an alternative method of discussing the production of Cavafy's canonical status. Inspired by Pierre Bourdieu's sociological theory, I view literary canonization as involving a variety of factors at play beyond creative achievement: in particular, relationships of 'authorial consecration' whereby writers create and circulate cultural capital through their power to legitimize other artists. The critical and fictional texts I analyse perform readings of Cavafy's poetry alongside imaginative portrayals of the poet's life and personality. I take this complementary relationship - between the image of the poet each author projects and their reading of his work - as a starting point to explore the broader ideas of aesthetics and authorial subjectivity that inform the renderings of Cavafy generated by prominent literary figures. Rather than passive recipients of influence, these figures are considered as active agents in the production of 'Cavafy narratives', appropriating the poet according to their own agendas, while also projecting onto him their own position within the cultural field. Eventually, Cavafy becomes a point of insight into the multiplicity of networks and practices involved in the production of cultural currency; in turn, the study of the construction of Cavafy's authorial identity sheds light on the cumulative processes that have defined the way the poet is read and perceived to the present day. This duality of perspective is essential to a study concerned with the cultural contexts framing the poet's steady rise to international fame throughout the 20th century.
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Blalock, Stephanie Michelle. "Walt Whitman at Pfaff's Beer Cellar: America's Bohemian poet and the contexts of Calamus." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/2047.

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Focusing on the three-year period from 1859 to 1862 during which the poet Walt Whitman frequented Pfaff's Beer Cellar on Broadway in New York, this dissertation examines how the barroom and its unique clientele shaped the poet's life and writings. This project demonstrates that Pfaff's functioned as an American saloon and a popular salon and argues that the communities of beer cellar regulars Whitman joined there made Pfaff's the most significant social and literary space of his career. Whitman's participation in two social and intellectual communities at Pfaff's was vital to his literary production before and during the Civil War. While Whitman prepared the 1860 edition of Leaves of Grass for publication, he joined a group of writers and artists at the beer cellar--a group now recognized as the first American Bohemians. Later, he became a central figure in the "Fred Gray Association," a little-known group of young Pfaffians. This dissertation shows that Whitman's membership in the Bohemian coterie influenced his writing and revision of his homoerotic Calamus poems, first published in Leaves of Grass (1860). It also reveals that Whitman's time with the Fred Gray members served as a foreground for his volunteer work in Washington's wartime hospitals, where he not only attempted to recreate the beer cellar environment as best he could under terrible conditions, but he also continued to practice the theories of affection he put forth in Calamus . By studying Whitman's years at Pfaff's through an interdisciplinary approach that draws on methodologies ranging from cultural studies and literary history to gender and sexuality studies, this dissertation makes significant contributions to several fields of literary study. In addition to offering a fuller understanding of Whitman's literary production at Pfaff's, it contributes to biographical studies of the poet by drawing connections between his personal and professional transitions from temperance writer to bar-hopping Bohemian, and, finally, from a Pfaffian poet to a hospital volunteer. This study also adds to the history of sexuality by places Whitman's Calamus poems, which are counted among his most sexually radical, in the context of nineteenth-century debates concerning gender and sexuality. It also explores the counter-cultural communities that formed at Pfaff's and illuminates how Whitman's writing is intertwined with the space of the barroom and his relationships to its inhabitants. Finally, this dissertation illustrates how underground networks respond to the larger social and cultural milieus that they both exist within and position themselves against.
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Books on the topic "American poet"

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Greene, Carol. Emily Dickinson: American poet. Chicago: Children's Press, 1994.

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Alice, Walker. Langston Hughes: American poet. New York: Amistad, 2002.

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The poet. London: Orion Books, 1996.

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Lehr, Wagner Heather, ed. Langston Hughes: Poet. Philadelphia: Chelsea House, 2005.

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Rummel, Jack. Langston Hughes: Poet. New York: Chelsea Ho., 1988.

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Langston Hughes: African-American poet. Chanhassen, MN: Child's World, 2003.

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ill, Hanna Cheryl, ed. Phillis Wheatley, poet. Cleveland: Modern Curriculum Press, 1993.

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McKissack, Pat. Langston Hughes: Great American poet. Berkeley Heights, NJ: Enslow Publishers, 2002.

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Fredrick, McKissack, and Biegel Michael David ill, eds. Langston Hughes: Great American poet. Hillside, N.J., U.S.A: Enslow Publishers, 1992.

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Phillis Wheatley: African American poet. New York: Rosen Pub. Group, 2004.

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Book chapters on the topic "American poet"

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Barrington, Candace. "Flying with the Poet." In American Chaucers, 93–116. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1007/978-1-137-10748-0_4.

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Spencer, Eleanor. "Robert Lowell: Protean Poet." In American Poetry since 1945, 40–54. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1057/978-1-137-32447-4_3.

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Spanos, William V. "Robert Creeley, Quintessential Postmodern American Poet." In On the Ethical Imperatives of the Interregnum, 107–17. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-47871-5_9.

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Golding, Alan. "American Poet-Teachers and the Academy." In A Concise Companion to Twentieth-Century American Poetry, 55–74. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470757680.ch3.

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Gill, Jo. "The “Poet Laureate” of Suburbia." In The Poetics of the American Suburbs, 73–106. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137340238_4.

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Keller, Lynn, and Cristanne Miller. "Feminism and the Female Poet." In A Concise Companion to Twentieth-Century American Poetry, 75–93. Oxford, UK: Blackwell Publishing Ltd, 2008. http://dx.doi.org/10.1002/9780470757680.ch4.

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Paryz, Marek. "Postcolonial Whitman: The Poet and the Nation in the 1855 Preface to Leaves of Grass." In The Postcolonial and Imperial Experience in American Transcendentalism, 153–77. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137012180_7.

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CRAWFORD, ROBERT. "Men, Women, and American Classrooms." In The Modern Poet, 223–66. Oxford University Press, 2004. http://dx.doi.org/10.1093/acprof:oso/9780199269327.003.0006.

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Pavese, Cesare. "Interpretation of Walt Whitman, Poet." In American Literature, 117–41. Routledge, 2017. http://dx.doi.org/10.4324/9781315082585-11.

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Faggen, Robert. "Melville the Poet." In The Cambridge Companion to American Poets, 104–18. Cambridge University Press, 2015. http://dx.doi.org/10.1017/cco9781316403532.009.

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Conference papers on the topic "American poet"

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Glaab, Thomas, Claus Vogelmeier, Hendrik Schmidt, Maureen Rutten-van Mölken, Kai Michael Beeh, Klaus Rabe, and Leonardo Fabbri. "Seasonal Distribution Of Exacerbations In The Poet-COPD; Study." In American Thoracic Society 2011 International Conference, May 13-18, 2011 • Denver Colorado. American Thoracic Society, 2011. http://dx.doi.org/10.1164/ajrccm-conference.2011.183.1_meetingabstracts.a3726.

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Tsvetkov, Yuriy, and Natalia Urusova. "EXPLICATION OF THE "TOTAL EFFECT" IN PRE-REVOLUTIONARY TRANSLATIONS OF POE'S POEM " THE RAVEN"." In ЯЗЫК. КУЛЬТУРА. ПЕРЕВОД = LANGUAGE. CULTURE. TRANSLATION. Science and Innovation Center Publishing House, 2019. http://dx.doi.org/10.12731/lct.2019.37.

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The article studies pre-revolutionary translations of "The Raven" by S. A. Andreevsky, L. I. Palmin, Dm. Merezhkovsky, K. Balmont and V. Bryusov. Only the last three of these translators were able to convey to the reader the main idea of "The Raven" by E. A. Poe, set out by the American poet in the" Philosophy of Composition" (1846).
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Glaab, Thomas, Susanne Stowasser, Kai-Michael Beeh, Leonardo M. Fabbri, Klaus F. Rabe, Hendrik Schmidt, and Claus Vogelmeier. "Effect Of Covariates On Time To First Exacerbation In The POET-COPD® Study." In American Thoracic Society 2012 International Conference, May 18-23, 2012 • San Francisco, California. American Thoracic Society, 2012. http://dx.doi.org/10.1164/ajrccm-conference.2012.185.1_meetingabstracts.a4446.

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Glaab, Thomas, Claus Vogelmeier, Klaus Rabe, Kai Michael Beeh, Hendrik Schmidt, Maureen Rutten-van Mölken, Susanne Stowasser, and Leonardo Fabbri. "Tiotropium Reduces Exacerbations Versus Salmeterol Irrespective Of Baseline ICS Treatment In The Poet-COPD; Study." In American Thoracic Society 2011 International Conference, May 13-18, 2011 • Denver Colorado. American Thoracic Society, 2011. http://dx.doi.org/10.1164/ajrccm-conference.2011.183.1_meetingabstracts.a1600.

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Little, Andrew S., Varun R. Kshettry, Marc Rosen, Ryan Rehl, Timothy Haegen, Mindy R. Rabinowitz, Gurston Nyquist, et al. "Postoperative Oral Antibiotics and Sinonasal Outcomes following Endoscopic Transsphenoidal Surgery for Pituitary Tumors (POET) Study: A Multicenter, Prospective, Randomized, Double-Blinded, Placebo-Controlled Study." In Special Virtual Symposium of the North American Skull Base Society. Georg Thieme Verlag KG, 2021. http://dx.doi.org/10.1055/s-0041-1725251.

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Sanders, Susan. "Shopping, Surfing, and Sightseeing: Lessons from the City of Choice, Branson, Missouri." In 1995 ACSA International Conference. ACSA Press, 1995. http://dx.doi.org/10.35483/acsa.intl.1995.47.

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Branson, the largest in the cluster of small towns in the southwestern section of Missouri has become the fastest growing, particularly in terms of greatest tax revenue, in the state as well as the Number One Coach Destination for American vacationers and the Number Two Vacation Destination in America, just behind Disney World in Orlando and just ahead of the Mall of America in Minneapolis. 4500 miles from Lisbon, nestled in the foothills of the Ozark Mountains, the once sleepy little town of Branson, with an actual population 3706, is now the “country music capital of the universe,” as so stated in 1991 by Morley Safer on the Number One news show “60 Minutes.” This presentation will examine Branson, Missouri as an emblematic “City of Choice” in which the future public realm in America is designed by and constructed with an architecture of entertaining leisurely delights and an urban space confined to the interior of the automobile which seem to embody and epitomize our post-industrial desires as we search for “souvenirs of experience.” If, the apparent “success” of Disney World, Mall of America and Las Vegas portend of a society that regards shopping as a cultural engagement, leisure as a means of self-definition and history as a passive theme-park experience, then one can propose that Americans love to shop, surf and sightsee. It will be the assumption of this paper that Americans love to shop, to shop in the traditional sense; to surf as it applies and extends shopping, thereby making it the most pervasive paradigm for the exercise of choice; and to sightsee as it is a spectator activity similar to TV watching and auto-driving in America.
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Corrales, Julian Javier, Hugo Alberto García, Mauricio Gallego Silva, and Elkin Gerardo Avila. "Study for the Determination of Seismic Hazard for the Ocensa Oil Pipeline." In ASME 2015 International Pipeline Geotechnical Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/ipg2015-8538.

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The Andes mountain range crosses South America from South to North, is created by the subduction of the Nazca plate beneath the South American plate, this situation generates a high seismic and volcanic activity which have been decisive in shaping the relief of the continent. The OCENSA pipeline crosses the Andes Mountains on its way to transport crude from the oil fields of the eastern plains to the port of Coveñas on the Caribbean Sea. Therefore for the integrity department of Ocensa the assessment of seismic hazard is among one of its priorities. In this paper the results of the study in Ocensa for determination of seismic hazard for the pipeline and its major facilities are presented.
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Kovalchuk, Lidia. "Revealing Hidden Senses In American Political Advertising." In III PMMIS 2019 (Post mass media in the modern informational society) "Journalistic text in a new technological environment: achievements and problems". Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.08.02.18.

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Stanca, Nicoleta. "Resistance and Assimilation in the Irish-American Melting Pot." In DIALOGO 2020. Dialogo, 2020. http://dx.doi.org/10.18638/dialogo.2020.7.1.2.

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Gerasimenko, I. V., and A. S. Rydchenko. "Reflection of culture in American political discourse." In XXV REGIONAL SCIENTIFIC CONFERENCE STUDENTS, APPLICANTS AND YOUNG RESEARCHERS. Знание-М, 2020. http://dx.doi.org/10.38006/907345-63-8.2020.128.134.

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The article examines certain phenomena, concepts, objects that are inherent in the cultures of different peoples, they are associated with clear historical, geographical, socio-political and other conditions of their existence. The authors analyzed the pre-election, inaugural and post-election types of political speeches of Donald Trump and Barack Obama and described the features of the manifestation of cultural values in the speeches of these politicians. An analysis of the material shows that the speeches of political figures directly reflect the cultural values of the people.
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Reports on the topic "American poet"

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Galenson, David. Literary Life Cycles: The Careers of Modern American Poets. Cambridge, MA: National Bureau of Economic Research, July 2003. http://dx.doi.org/10.3386/w9856.

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Smith, Scott E. Protecting American Physical Security in the Post-Cold War Period. Fort Belvoir, VA: Defense Technical Information Center, November 1990. http://dx.doi.org/10.21236/ada437881.

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Oorlog, Katie, and Amrut Sadachar. Globally-Sourced or American-Made Apparel: Post-election Consumers' Preferences. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1910.

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Kathleen Farley, Kathleen Farley. How do post-industrial landscapes affect American Woodcock breeding success? Experiment, November 2016. http://dx.doi.org/10.18258/8542.

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Culkin, Rodger T. Post-Cold War Wargaming and the American Military Leadership Challenge. Fort Belvoir, VA: Defense Technical Information Center, March 1999. http://dx.doi.org/10.21236/ada389166.

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Hoff, Michael J. The American-Israeli Relationship Relevance in a Post-Cold War Environment. Fort Belvoir, VA: Defense Technical Information Center, April 2003. http://dx.doi.org/10.21236/ada420168.

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Chavaz, Matthieu, and Andrew Rose. Political Borders and Bank Lending in Post-Crisis America. Cambridge, MA: National Bureau of Economic Research, November 2016. http://dx.doi.org/10.3386/w22806.

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Crowther, Alexander. Civil-Military Relations in Post Cold War Central America. Fort Belvoir, VA: Defense Technical Information Center, April 2003. http://dx.doi.org/10.21236/ada415112.

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Moskos, Charles. The American Soldier after the Cold War: Towards a Post-Modern Military? Fort Belvoir, VA: Defense Technical Information Center, October 1998. http://dx.doi.org/10.21236/ada354194.

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Snow, Donald M. Third World Conflict and American Response in the Post-Cold War World. Fort Belvoir, VA: Defense Technical Information Center, March 1991. http://dx.doi.org/10.21236/ada234652.

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