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Relevant bibliographies by topics / American poetry – 19th century

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Academic literature on the topic 'American poetry – 19th century'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Journal articles on the topic "American poetry – 19th century"

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Abushihab, Ibrahim. "A Stylistic Analysis of Arab-American Poetry: Mahjar (Place of Emigration) Poetry." Journal of Language Teaching and Research 11, no. 4 (2020): 652. http://dx.doi.org/10.17507/jltr.1104.17.

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The present paper represents an attempt to focus upon analyzing and describing the major features of Arab American poetry written by prominent Arab poets who had arrived in America on behalf of millions of immigrants during the 19th century. Some of who wrote in English and Arabic like Ameen Rihani (1876-1940); Khalil Gibran (1883-1931) and Mikhail Naimy (1889-1988). Others wrote in Arabic like Elia Abumadi (1890-1957). Most of their poems in Mahjar (place of emigration) reveal nostalgia, their love to their countries and their ancestors and issues relating to Arab countries. The paper analyzes some of their poems based on linguistic, grammatical, lexical and rhetorical levels.

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Satorno, Marla Do Vale. "Urban scenarios in Walt Whitman’s poetry." Babel: Revista Eletrônica de Línguas e Literaturas Estrangeiras 7, no. 1 (2017): 28–35. http://dx.doi.org/10.69969/revistababel.v7i1.3626.

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One of the most striking features in 19th century poetry is the scenes of astonishing industrial progress, the development of the cities, the people who rush around, either working or just living their lives. Such urban scenarios are constant images in poems of this period. American poet Walt Whitman is also one of the poets who conveys urban movement through his poetry. With these characteristics as a starting point, the purpose of this article is to focus on the urban images in Whitman’s poetry, analyzing the poetry of the cities. Closely linked to Baudelaire’s flâneur, Whitman also observes city life from a contemplative point of view. In poems like City of Ships, I Hear America Singing, Crossing the Brooklyn Ferry, among others, Whitman sings of city life, its constant movement, its people and its landscapes. Focusing on the poet’s observation of urban life in the nineteenth century, this article also intends to make a link between the 19th Century idea of modernity and Whitman’s poems. A small selection of poems from Leaves of Grass which highlights these characteristics was chosen to be the focus of this analysis.

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Scheyer, Lauri, and Zanyar Kareem Abdul. "THE FUNCTION OF POETRY IN THE MODERN WORLD: A CASE STUDY OF WALT WHITMAN AND AUDRE LORDE’S POEMS." Language Literacy: Journal of Linguistics, Literature, and Language Teaching 6, no. 2 (2022): 245–50. http://dx.doi.org/10.30743/ll.v6i2.5226.

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Lyric poetry has historically referred to a genre that we think of as brief, musical, and personal as well as subjective. This article addresses the role of lyric poetry in the modern world, and how critical analysis enables us to better appreciate the potential impact of poetry today. Specifically, we will offer brief contrastive assessments of two landmark exemplars of American poets, Walt Whitman and Audre Lorde. These two figures demonstrate some of the varied ways of the American poetry tradition. We compare Walt Whitman, a canonical white male poet from the 19th century, with an equally important 20th century African American woman poet, Audre Lorde. These American poets differ in historical periods, sex, race, and other factors, yet both uphold the conventional functions of lyric poetry and prove its continuing relevance to a global readership. The results show that as the reflection of human life, poetry could represent honesty, realism, democracy and even power.

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Raza, Aqeel, and Nurjis Zahra. "Exploring the Metaphorical Significance of Death in Emily Dickinson's poem 'Because I Could Not Stop for Death' and Its Influence on 19th-Century American Poetry." Indonesian Journal of Interdisciplinary Research in Science and Technology 2, no. 2 (2024): 147–58. http://dx.doi.org/10.55927/marcopolo.v2i2.7966.

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This research embarks on an exploration of the nuanced and evolving metaphorical representations of death within 19th-century American poetry focus on Emily Dickinson's poem 'Because I Could Not Stop for Death. The methodology integrates close textual analysis with historical contextualization, shedding light on the broader sociocultural landscape that influenced poetic expressions of death. By scrutinizing metaphorical intricacies, symbolism, and linguistic choices, the study aims to elucidate how Dickinson's portrayal of death diverges or aligns with the works of her peers. Moreover, it endeavors to discern underlying societal attitudes towards mortality, providing a comprehensive understanding of the intricate interplay between poetic representation and cultural dynamics in 19th-century American literature. In examining the metaphorical evolution of death in poetry, this research not only contributes to literary scholarship but also unveils broader insights into the cultural zeitgeist of the time, thereby enriching our understanding of the intricate relationship between poetic expression and societal perceptions of mortality.

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Korchagin, Kirill M. "Bureau “Transatlantic”: French and US Poets on Rendezvous." Literature of the Americas, no. 12 (2022): 261–73. http://dx.doi.org/10.22455/2541-7894-2022-12-261-273.

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Since the middle of the 19th century, American literature has been perceived by French poets as a kind of Other, at the same time alien and attractive, capable of teaching the experience of liberation, which the French poets themselves lack. Nevertheless, the situation is more familiar when other poets of the world are looking for inspiration in French poetry. French poetry for American modernists of the first quarter of the 20th century was synonymous with everything that expands the horizons of literature. At the same time, the reverse situation, when French poetry is saturated with outside influences, in particular, American ones, is studied much worse. Abigail Lang's book tries to fill this gap, considering the transformations that the new, “post-Surrealist” French poetry is experiencing under the impression of the new American poetry. The book is divided into three chapters: the first one deals with the reception of objectivism since the 1970s to the present, the second one deals with the problem of the “transatlantic” poetic community, which manifests itself in various forms and genres, and, finally, the third one tells about the “speech turn,” which, from the author's point of view, takes place in French poetry of recent decades.

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Petrosyan, Gayane. "The Theme of Death and Eternity in Emily Dickenson’s Poetry." Armenian Folia Anglistika 4, no. 1-2 (5) (2008): 112–19. http://dx.doi.org/10.46991/afa/2008.4.1-2.112.

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The poetry of the world-renowned poetess Emily Dickenson received general acclaim in the fifties of the previous century, 70 years after her death. This country-dwelling lady who had locked herself from the surrounding world, created one of the most precious examples of the 19th century American poetry and became one of the most celebrated poets of all time without leaving her own garden.Her soul was her universe and the mission of Dickenson’s sole was to open the universe to let the people see it. Interestingly, most of her poems lack a title, are short and symbolic. The poetess managed to disclose the dark side of the human brain which symbolizes death and eternity.

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Zhukov, Vladislav, and Anastasia Smirnova. "Cognitive technologies in cluster of identification of irrational images of Romanticism and symbolism." E3S Web of Conferences 244 (2021): 05037. http://dx.doi.org/10.1051/e3sconf/202124405037.

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The main goal of the project is to use cognitive technologies to create an author’s, metaphorical, temporal system model of images of modern jewelry using the linguo-combinatorial method in the implementation of retro styles - locally stable structures of the design landscape represented by the cultural code of the irrational eidos of poetry and prose of North American symbolism and romanticism of the mid-19th century..

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Leyda, Julia, and Maria Sulimma. "Pop/Poetry: Dickinson as Remix." Arts 12, no. 2 (2023): 62. http://dx.doi.org/10.3390/arts12020062.

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In its meticulous, freewheeling adaptation of the life and work of celebrated poet Emily Dickinson, the television series Dickinson (Apple TV+, 2019–2021) manifests a twenty-first-century disruption of high and low culture afforded by digital media, including streaming video and music platforms. This article argues that the fanciful series models a mixed-media, multimodal aesthetic form that invites a diverse range of viewers to find pleasure in Dickinson’s poetry itself and in the foibles of its author, regardless of their familiarity with the literary or cultural histories of the US American 19th century. Dickinson showcases creator Alena Smith’s well-researched knowledge of the poet and her work, while simultaneously mocking popular (mis)conceptions about her life and that of other literary figures such as Walt Whitman and Sylvia Plath, all set to a contemporary soundtrack. This analysis of Dickinson proposes to bring into conversation shifting boundaries of high and low culture across generations and engage with critical debates about the utility of the popular (and of studies of the popular) in literary and cultural studies in particular.

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Pastorková, Marieta. "A linguisitc picture of the world: conceptualization of the human body in the poetry of Emily Dickinson." NOVÁ FILOLOGICKÁ REVUE 15, no. 1 (2024): 15–24. http://dx.doi.org/10.24040/nfr.2023.15.1.15-24.

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The paper focuses on the linguistic picture of the body in the poetry of Emily Dickinson, a 19th-Century American poet. The aim is to provide a coherent linguistic picture of the body of Dickinson’s lyric subject and to reconstruct the way she conceptualized and portrayed its physical appearance with regard to the artist’s perception of the self. This research is focused on cognitive ethnolinguistics, the methodology utilizes analytic and interpretative techniques with emphasis on the cognitive definition reconstruction and facet parametrization. The research sample consists of the selected poems in which the poet refers to the body of her lyric subject. This research has allowed for the identification of the following facets into which the conceptualization of Dickinson’s perception of the body can be categorized: 1) the perspective of the body as a spirit-encompassing vessel; 2) the body as a reflection of the social oppression experienced by women in the nineteenth century; 3) the facet of the body size, and 4) the ephemerality of the physical body. The identified facets overlap to some extent, but together they form a unified picture which reveals certain aspects of cognitive metaphor theory, such as the conceptual metaphor of a container. This unified picture also reveals literary and linguistic reflections of socio-cultural aspects of the 19th-Century America such as the tendency to diminish the female lyric subject.

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Bonilla Navarro, José Francisco. "Tendencias temáticas y discursivas de la poesía centroamericana del siglo XIX (Trends in Topics and Discourse in 19th-Century Central American Poetry)." LETRAS 2, no. 60 (2017): 45. http://dx.doi.org/10.15359/rl.2-60.2.

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El estudio es una exploración histórica sobre algunos aspectos del desarrollo de la poesía centroamericana a lo largo del siglo XIX, como parte de un proyecto más amplio para la recuperación documental y comentada, de una importante manifestación del género lírico, escasamente tratado por la crítica. Se describe la recopilación El Parnaso centroamericano (1882), del que se hacen observaciones sobre sus criterios de selección, la temática predominante, y las tendencias estético-discursivas de los poemas recogidos: poesía panegírica, poesía patriótica, poesía amorosa, metapoesía.The study is a historical exploration of certain aspects in the development of Central American poetry during the 19th century. It was carried out as part of a larger project for the recovery and analysis of documents corresponding to a significant manifestation in the genre of poetry which has been somewhat overlooked by literary critics. A description is provided of El Parnaso centroamericano (1882), with a commentary on selection criteria, the predominant issues, and the esthetic discourse tendencies of the poems collected: panegyric poetry, patriotic poetry, love poetry, and metapoetry.

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Dissertations / Theses on the topic "American poetry – 19th century"

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Riley, Peter. "Moonlighting in Manhattan : American poets at work 1855-1930." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610494.

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Hanson, Jeffrey Allan. "SAVING APPEARANCES." Ohio University / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1172593287.

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Laffey, Seth Edward. "The Letters of Edwin Arlington Robinson: A Digital Edition (1889-1895)." Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1499369594701871.

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Fiorussi, André. "Inundação musical: a música da poesia modernista hispano-americana." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8145/tde-26062013-094151/.

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A tese investiga possíveis funções históricas da formulação e do uso de categorias poéticas relacionadas à música na poesia modernista hispano-americana, a partir da leitura e análise de poemas selecionados principalmente de Rubén Darío (1867-1916) e Julio Herrera y Reissig (1875-1910) e de textos críticos, teóricos, programáticos e narrativos que participam da primeira recepção histórica do modernismo. Divide-se em cinco capítulos que organizam os resultados de cinco frentes de investigação: aspectos da relação entre os poetas modernistas e a arte musical; papel da musicalidade na modernização do idioma poético castelhano; técnicas rítmicas e harmônicas e funções do efeito musical em diversos poemas modernistas; relação entre a música do modernismo e a ascensão oitocentista da música à condição de meta e metáfora da poesia; particularidades do aporte à música na poesia de Herrera y Reissig.<br>This PhD dissertation investigates the possible historical functions of the formulation and use of poetical categories related to music in the Hispanic-American Modernist poetry, beginning with the reading and analyses of selected poems mainly those of Rubén Darío (1867-1916) and Julio Herrera y Reissig (1875-1910) and of critical, theoretical, programmatic and narrative texts that participate in the first historical reception of Modernism. The dissertation is divided into five chapters that organize the results of five domains of investigation: specific aspects of the relation between the Modernist poets and musical art; the role of musicality in the modernization of the Spanish poetic idiom; rhythmical and harmonic techniques and functions of the musical effects in diverse Modernist poems; the relation between the music of Modernism and the rise of music, in the 19th century, to the condition both of goal and metaphor for poetry; the particularities of the recourse to music in the poetry of Herrera y Reissig.

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Boulton, Lauren. "Free Women: Fairytales From A Lumbertown Brothel." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1436914200.

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Ziegler, Christopher Taylor. "Jeffersonianism and 19th century American maritime defense policy." [Johnson City, Tenn. : East Tennessee State University], 2003. http://etd-submit.etsu.edu/etd/theses/available/etd-1110103-111416/unrestricted/ZieglerC120103a.pdf.

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Thesis (M.A.)--East Tennessee State University, 2003.<br>Title from electronic submission form. ETSU ETD database URN: etd-1110103-111416. Includes bibliographical references. Also available via Internet at the UMI web site.

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Martin, Michael Sean. "Imaginative Thanatopsis: Death and the 19th-Century American Subject." Diss., Temple University Libraries, 2009. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/41295.

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English<br>Ph.D.<br>In my dissertation, I intend to focus on the way that supernaturalism was produced and disseminated as a cultural category in 19th-century American fiction and non-fiction. In particular, my argument will be that 19th-century authors incorporated supernaturalism in their work to a large degree because of changing death practices at the time, ranging from the use of embalming to shifts in accepted mourning rituals to the ability to record the voices of the dead, and that these supernatural narratives are coded ways for these authors to rethink and grapple with the complexities of these shifting practices. Using Poe's "A Tale of Ragged Mountains" (1844) and Narrative of Arthur Gordon Pym (1838), Alcott's Little Women (1868), Hawthorne's House of the Seven Gables (1851), Melville's Moby-Dick (1851), Brockden Brown's Weiland (1798), Phelps' short fiction, Shaker religious writings, and other texts, I will argue that 19th-century narration, instead of being merely aligned with an emerging public sphere and the development of oratory, relied heavily on thanatoptic or deceased narrators, the successive movement of the 18th-century British graveyard poets. For writers who focused on mesmerism and mesmerized subjects, the supernatural became a vehicle for creating a type of "negative freedom," or coded, limitless space from which writers such as Margaret Fuller and Harriet Martineau could imagine their own death and do so without being scandalous. The 19th-century Shaker "visitations," whereby spirits of the dead were purported to speak through certain Shaker religionists, present a unique supernatural phenomenon, since this discrete culture also engaged with coded ways for rethinking death practices and rituals through their supernatural narratives. Meanwhile, such shifting cultural practices associated with death and its rituals also lead, I will argue, to the development of a new literary trope: the disembodied child narrator, as used first in Brockden Brown's novel and then in Melville's fiction, for example. Finally, I will finish my dissertation with a chapter that, while also considering how thanatoptic narrative is used in literary supernaturalism, will focus more on spaces, mazes, and, to use Benjamin's term in The Arcades Project (tran. 1999), arcades that marked 19th-century culture and architecture and how this change in space - and subsequent thanatoptic geography in 19th-century fiction - was at least partially correlated to shifting death practices. I see this project as contributing to 19th-century American scholarship on death practices and literature, including those by Ann Douglas, Karen Sanchez-Eppler and Russ Castronovo, but doing so by arguing that the literary mechanism of supernaturalism and the gothic acted as categories or vehicles for rethinking and reconsidering actual death practices, funeral rituals, and related haunted technology (recordings, daguerreotypes) at the time.<br>Temple University--Theses

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Thompson, Aaron Michael. "Poetry of the Slavophiles: Tracing Slavophile Philosophy Through 19th-Century Poetics." Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/579060.

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This is the second part of an overview of the cultural history of Slavophiles, a term applicable to those ascribing to the traditional values, especially in relation to the philosophical treatises written by Aleksey Khomyakov, Ivan Kireevsky, and their contemporaries from 1839 to the middle 1860s. Having established the troika of themes at the treatises' foundation—the Russian state and Tsar, the Russian Orthodox Church, and the hierarchical governmental mir and sociocultural obshchina constructions present in history—I examine the philosophical, theological, and anthropological realities of poems by Khomyakov, Nikolai Yazykov, and Fyodor Tyutchev. My primary focus is on Tyutchev, a philosopher-poet and lifetime Slavophile who is known for many works which fall outside of this investigation. I will uncover and discuss how Khomyakov and Kireevsky's ideas are conveyed through the semiotics, rhetoric, and specific poetics of three decades of Tyutchev's oeuvre. In the end, I find that Tyutchev transversed through three phases, beginning with a personal construction of Slavdom or the Slavic obshchina , creating a relationship between Slavic and universally true good, and concluding with the development of the correlation between Western and evil. The final part of the Slavophile overview will the existing sociopolitical remnants of Slavophile ideologies in the 21st century.

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Lind, Joshua. "Desire and Subjectivity in Twentieth Century American Poetry." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/17889.

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Many studies of American poetry view modernism as an eruption of formal and technical innovations that respond to momentous cultural and political changes, but few attempt to consider the flow and restriction of desire among these changes. This dissertation argues that American modernist poets construct models of desire based on the rejection of sensual objects and a subsequent redirection of desire toward the self and the creative mind. In addition, these models of desire result in a conception of subjects as whole, discrete, and isolated. In the first chapter, I distinguish between Walt Whitman's sensualist model of desire and Emily Dickinson's intellectualist mode that defers satisfaction. I contend that Ezra Pound, Wallace Stevens, T. S. Eliot, and H.D. (Hilda Doolittle) develop from Dickinson's perspective of deferred satisfaction to an outright rejection of physical desire. The manner and implications of this reorganization of desire differ among these poets, as do the poetic techniques they utilize, but underlying these differences is a related refusal to pursue objects of sensual pleasure. Pound withdraws desire from the world by turning objects into static images; desire is then able to flourish in the creative mind. Stevens allows the imagination to remake the world, creating manifold abstractions for subjects who otherwise reject sensuality. The second chapter provides a close reading of Eliot's The Waste Land to show how the presentation of sexual futility leads to a poetic experience of separation as a means of spiritual reformation. The third chapter reads H.D.'s Trilogy as a contemplation of the destruction of World War II and the persistent, unified self that outlasts it. Rather than interacting with this devastated world, H.D. insists that desire must be redirected toward the effort of spiritual redemption. In the fourth chapter, Elizabeth Bishop begins to question the deliberate rejection of the world. She sees a world that reasserts itself and imagines a subject who, though still yearning for unity, must admit an inescapably physical environment. The conclusion considers how postwar American poets continue to dissolve the subject and release desire into the world, emphasizing the present moment rather than a lasting, unified self.

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Jung, Sandro. "The poetic fragment in the long eighteenth century." Thesis, University of Wales Trinity Saint David, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.683194.

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Books on the topic "American poetry – 19th century"

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1954-, Wolosky Shira, ed. Major voices: 19th century American women's poetry : selected poems. Toby Press, 2003.

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DeSimone, Erika, and Fidel Louis. Voices Beyond Bondage: An Anthology of Verse by African Americans of the 19th Century. NewSouth Books, 2014.

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C, Work James, ed. Prose & poetry of the American West. University of Nebraska Press, 1991.

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Olson, Steven. The prairie in nineteenth-century American poetry. University of Oklahoma Press, 1994.

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1819-1891, Melville Herman, Tuckerman Frederick Goddard 1821-1873, Robinson Edwin Arlington 1869-1935, and Bean Jonathan, eds. Three American poets: Melville, Tuckerman and Robinson. Penguin, 2003.

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R, Sherman Joan, ed. African-American poetry of the nineteenth century: An anthology. University of Illinois Press, 1992.

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1960-, Ramazani Jahan, Ellmann Richard 1918-, and O'Clair Robert, eds. The Norton anthology of modern and contemporary poetry. 3rd ed. W.W. Norton, 2003.

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1947-, Walker Cheryl, ed. American women poets of the nineteenth century: An anthology. Rutgers University Press, 1992.

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Janet, Gray, ed. She wields a pen: American women poets of the nineteenth century. University of Iowa Press, 1997.

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L, Haralson Eric, and Hollander John, eds. Encyclopedia of American poetry. Fitzroy Dearborn, 1998.

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Book chapters on the topic "American poetry – 19th century"

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Gilbert, Roger. "Contemporary American Poetry." In A Companion to Twentieth-Century Poetry. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470998670.ch46.

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Green, Michael D., and Theda Perdue. "Native-American History." In A Companion to 19th-Century America. Blackwell Publishers Inc., 2007. http://dx.doi.org/10.1002/9780470998472.ch16.

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Brekus, Catherine A. "Interpreting American Religion." In A Companion to 19th-Century America. Blackwell Publishers Inc., 2007. http://dx.doi.org/10.1002/9780470998472.ch23.

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Shott, Brian. "The 19th Century Irish American Press." In Social Justice, Activism and Diversity in U.S. Media History. Routledge, 2023. http://dx.doi.org/10.4324/9781003299738-23.

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Belohlavek, John M. "American Expansion, 1800-1867." In A Companion to 19th-Century America. Blackwell Publishers Inc., 2007. http://dx.doi.org/10.1002/9780470998472.ch8.

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Semonche, John E. "American Law in the Nineteenth Century." In A Companion to 19th-Century America. Blackwell Publishers Inc., 2007. http://dx.doi.org/10.1002/9780470998472.ch7.

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Hertel, Ralf, and Peter Hühn. "19th Century Middle to Late: Victorianism." In English Poetry in Context: From the 16th to the 21st Century. Erich Schmidt Verlag GmbH & Co. KG, 2022. http://dx.doi.org/10.37307/b.978-3-503-20511-0.04.

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Spencer, Eleanor. "Sylvia Plath in the Early Twenty-First Century." In American Poetry since 1945. Macmillan Education UK, 2016. http://dx.doi.org/10.1057/978-1-137-32447-4_7.

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Hollander, Elizabeth. "The Model in 19th-Century Anglo-American Literature." In Dictionary of Artists' Models. Routledge, 2013. http://dx.doi.org/10.4324/9781315063119-2.

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Larsen, Kristine. "Delia Woodruff Godding (1812–61): Poetry and Perseverance." In The Women Who Popularized Geology in the 19th Century. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64952-8_7.

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Conference papers on the topic "American poetry – 19th century"

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Slatin, John M. "Twentieth-century American poetry." In the 6th annual international conference. ACM Press, 1988. http://dx.doi.org/10.1145/358922.358944.

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Anisimov, Andrei. "GOTHIC FICTION TRADITIONS IN THE 19TH CENTURY AMERICAN LITERATURE." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s27.060.

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Wei, Pang. "American Landscape Art Trend in the Early 19th Century." In 2021 International Conference on Education, Language and Art (ICELA 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220131.127.

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YANG, YONG-QING. "AN APPRECIATION OF ELIZABETH BISHOP OF LATE TWENTIETH CENTURY." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35672.

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As the important works in American literature, those works of late twentieth century play a very important role. The works of female poet Elizabeth Bishop reflect dramatically contrasting attitudes toward the subject of poetry and its cultural roles. Bishop thinks that she is capable of acquiring unmediated access to the truth of history. Through her large number of works, we can sense her unique language features and impressed images.

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Ward Randolph, Adah. "A Struggle: African American Educational Strivings in 19th-Century Columbus, Ohio." In 2024 AERA Annual Meeting. AERA, 2024. http://dx.doi.org/10.3102/2113506.

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Polonskaya, Olesya, Tatiana Kushnareva, and Valeriya Pribytkova. "Peculiarities Of Interethnic Conflicts Mainstreaming In American Literature Of The 19th Century." In International Conference on Language and Technology in the Interdisciplinary Paradigm. European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.12.94.

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Galily, Daniel. "The theory of nineteenth-century American pragmatism." In 9th International e-Conference on Studies in Humanities and Social Sciences. Center for Open Access in Science, Belgrade - Serbia, 2023. http://dx.doi.org/10.32591/coas.e-conf.09.11105g.

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The purpose of this overview is to give a short introduction to the ideas and activities of nineteenth-century American pragmatism theory for a philosophy conference at the BEN Science Institute in Bulgaria. Pragmatism is a philosophical theory that sees thought as a tool and device for predicting, solving problems and planning action. The philosophy of pragmatism addresses the practical consequences of ideas by examining them in the light of human experience, so that the truth of a claim is determined by practical results and the utility it serves. Pragmatism began in the United States around 1870 by Charles S. Pierce. In addition to Peirce, philosophers such as William James and John Dewey who were members of the “Metaphysical Club” held at Cambridge University in the late 19th century (where the theory was formulated) helped to develop its principles. By reviewing the theory of pragmatism, we must concentrate on the Pragmatic Maxim, the rule for clarifying ideas, which for both Peirce and James, was the core of pragmatism. Another important idea in the theory is Skepticism and fallibilism. This idea claims, according to Pierce, that we should try to doubt propositions and keep them only if they are with absolutely certainty and there is no way to doubt them. The test of certainty, as Peirce points out, lies in the individual mind: trial by doubt is something each must do for himself, and the examination of our beliefs is guided by reflection on hypothetical possibilities: we cannot trust our perceptual beliefs. For example, because we cannot rule out the possibility that they were created by a dream or by evil scientists manipulating our minds. The more we try to avoid errors, the more likely we are to miss truths; And the more effort we put into searching for truths, the more likely we are to introduce errors. The doubt method may make sense in the special case where enormous weight is given to avoiding mistakes, even if it means losing truth. Once we recognize that we are making a practical decision about the relative importance of two good options, the Cartesian strategy no longer seems the only rational one. Inquiry, as already suggested, is pragmatic accounts of the normative standards to which we must act in arriving at beliefs about the world cast in terms of how we can conduct inquiries in a disciplined, self-controlled manner. That is, our ability to think about external things and constantly improve our understanding of them is based on our experience. It would be wrong to conclude that pragmatism is limited to the United States or that the only important pragmatist thinkers were Peirce, James, and Dewey. Richard Rorty has described his philosophy as “pragmatist” on several occasions - what pragmatists teach us about truth, he tells us, is that there is nothing very systematic or constructive to say about truth at all.

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Themelis, Nickolas J. "Changes in Public Perception of Role of Waste-to-Energy for Sustainable Waste Management of MSW." In 19th Annual North American Waste-to-Energy Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/nawtec19-5439.

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In the last ten years, public and government perceptions of waste-to-energy have changed considerably. Most people who bothered to visit waste management facilities recognize that landfilling can only be replaced by a combination of recycling and thermal treatment with energy recovery. During the same period, the Earth Engineering Center (EEC) of Columbia University research and public information programs have concentrated on advancing all means of sustainable waste management in the U.S. and abroad. The results of EEC research are exemplified in the graphs of the Hierarchy of Waste Management and the Ladder of Sustainable Waste Management of nations; in this paper, the latter has also been used to compare the waste management status of the fifty states of the Union. This paper also describes how the European Union has directed that thermally efficient treatment of MSW is equivalent to recycling. The rapid growth of WTE in this century is exemplified by the hundreds of new WTE plants that have been built or are under construction, most with, government assistance as in the case of other essential infrastucture. The need for concerted action by concerned scientists and engineers around the world has led to the formation of the Global WTERT Council. By now there are sister organizations of EEC and WTERT in Brazil, Canada, China, France, Germany, Greece (SYNERGIA) and Japan. Others are being formed in other countries.

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Gillmer, Thomas. "1800 AD High Speed Marine Vehicles - 1800 AD." In SNAME 22nd American Towing Tank Conference. SNAME, 1989. http://dx.doi.org/10.5957/attc-1989-013.

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The political situation in the U.S. in these first years of the 19th century was, on a smaller scale, much like subsequent situations, even today. The administration of Thomas Jefferson had trouble with Mediterranean mid-East terrorists working out of Libyia, pirating and taking American hostages. A naval squadron was sent to stabilize the matter. Otherwise, there was much pressure to cut down the defense budget and decommission all but ten active warships… which was done.

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Plekh, O. A. "“Dear sir Mikhailo Matveyevich ...”: letters to the director-general of the Russian-American company M. M. Buldakov in the first quarter of the 19th century." In Current Challenges of Historical Studies: Young Scholars' Perspective. Novosibirsk State University, 2020. http://dx.doi.org/10.25205/978-5-4437-1110-2-89-98.

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Reports on the topic "American poetry – 19th century"

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Acemoglu, Daron, Jacob Moscona, and James Robinson. State Capacity and American Technology: Evidence from the 19th Century. National Bureau of Economic Research, 2016. http://dx.doi.org/10.3386/w21932.

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Karimi, Linda. Implications of American missionary presence in 19th and 20th century Iran. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.1826.

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Hockensmith, Charles D. American millstones similar to the French burr: 19th century attempts to find substitutes. Universitat de Lleida. Departament d'Història. Secció d'Arqueologia, Prehistòria i Història Antiga, 2019. http://dx.doi.org/10.21001/rap.2019.extra-4.18.

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Stevens, Madison, Elizabeth Lunstrum, Jamie Faselt, et al. Buffalo Reading List. Boise State University, Albertsons Library, 2023. http://dx.doi.org/10.18122/environ.9.boisestate.

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Welcome to this reading list on buffalo, also known as bison. The list gathers together literature focused on buffalo to support ongoing efforts to restore this iconic species to its keystone cultural and ecological role. Once the thundering heartbeat of Turtle Island or the North American continent, buffalo were nearly exterminated by the end of the 19th century in the course of westward colonial expansion and settlement. Today, across the continent, Indigenous Nations are at the forefront of initiatives to bring buffalo back to their homelands. Conservation practitioners, researchers, parks and government officials, and bison ranchers join Tribal communities to play key roles in advancing a place for buffalo.

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Gutiérrez Rodríguez, Encarnación. Entangled Migrations The Coloniality of Migration and Creolizing Conviviality. Maria Sibylla Merian International Centre for Advanced Studies in the Humanities and Social Sciences Conviviality-Inequality in Latin America, 2021. http://dx.doi.org/10.46877/rodriguez.2021.35.

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This Working Paper discusses entangled migrations as territorially and temporally entangled onto-epistemological phenomena. As a theoretical-analytical framework, it addresses the material, epistemological and ethical premises of spatial-temporal entanglements and relationality in the understanding of migration as a modern colonial phenomenon. Entangled migrations acknowledges that local migratory movements mirror global migrations in complex ways, engaging with the analysis of historical connections, territorial entrenchments, cultural confluences, and overlapping antagonistic relations across nations and continents. Drawing on European immigration to the American continent and specifically to Brazil in the 19th century, this argument is tentatively developed by discussing two opposite moments of entangled migrations, the coloniality of migration and creolizing conviviality. To do this, the paper engages first with the theoretical framework of spatial-temporal entanglements. Second, it approaches the coloniality of migration. Finally, it briefly discusses creolizing conviviality.

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Tweet, Justin S., Vincent L. Santucci, Kenneth Convery, Jonathan Hoffman, and Laura Kirn. Channel Islands National Park: Paleontological resource inventory (public version). National Park Service, 2020. http://dx.doi.org/10.36967/nrr-2278664.

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Channel Island National Park (CHIS), incorporating five islands off the coast of southern California (Anacapa Island, San Miguel Island, Santa Barbara Island, Santa Cruz Island, and Santa Rosa Island), has an outstanding paleontological record. The park has significant fossils dating from the Late Cretaceous to the Holocene, representing organisms of the sea, the land, and the air. Highlights include: the famous pygmy mammoths that inhabited the conjoined northern islands during the late Pleistocene; the best fossil avifauna of any National Park Service (NPS) unit; intertwined paleontological and cultural records extending into the latest Pleistocene, including Arlington Man, the oldest well-dated human known from North America; calichified “fossil forests”; records of Miocene desmostylians and sirenians, unusual sea mammals; abundant Pleistocene mollusks illustrating changes in sea level and ocean temperature; one of the most thoroughly studied records of microfossils in the NPS; and type specimens for 23 fossil taxa. Paleontological research on the islands of CHIS began in the second half of the 19th century. The first discovery of a mammoth specimen was reported in 1873. Research can be divided into four periods: 1) the few early reports from the 19th century; 2) a sustained burst of activity in the 1920s and 1930s; 3) a second burst from the 1950s into the 1970s; and 4) the modern period of activity, symbolically opened with the 1994 discovery of a nearly complete pygmy mammoth skeleton on Santa Rosa Island. The work associated with this paleontological resource inventory may be considered the beginning of a fifth period. Fossils were specifically mentioned in the 1938 proclamation establishing what was then Channel Islands National Monument, making CHIS one of 18 NPS areas for which paleontological resources are referenced in the enabling legislation. Each of the five islands of CHIS has distinct paleontological and geological records, each has some kind of fossil resources, and almost all of the sedimentary formations on the islands are fossiliferous within CHIS. Anacapa Island and Santa Barbara Island, the two smallest islands, are primarily composed of Miocene volcanic rocks interfingered with small quantities of sedimentary rock and covered with a veneer of Quaternary sediments. Santa Barbara stands apart from Anacapa because it was never part of Santarosae, the landmass that existed at times in the Pleistocene when sea level was low enough that the four northern islands were connected. San Miguel Island, Santa Cruz Island, and Santa Rosa Island have more complex geologic histories. Of these three islands, San Miguel Island has relatively simple geologic structure and few formations. Santa Cruz Island has the most varied geology of the islands, as well as the longest rock record exposed at the surface, beginning with Jurassic metamorphic and intrusive igneous rocks. The Channel Islands have been uplifted and faulted in a complex 20-million-year-long geologic episode tied to the collision of the North American and Pacific Places, the initiation of the San Andreas fault system, and the 90° clockwise rotation of the Transverse Ranges, of which the northern Channel Islands are the westernmost part. Widespread volcanic activity from about 19 to 14 million years ago is evidenced by the igneous rocks found on each island.

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Struthers, Kim. Natural resource conditions at Fort Pulaski National Monument: Findings and management considerations for selected resources. National Park Service, 2023. http://dx.doi.org/10.36967/2300064.

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The National Park Service (NPS) Water Resources Division’s Natural Resource Condition Assessment (NRCA) Program initiated an NRCA project with Fort Pulaski National Monument (FOPU) in 2022. The purpose of an NRCA is to synthesize information related to the primary drivers and stressors affecting natural resource conditions at a park and to report conditions for natural resource topics selected by park managers. Resource conditions are evaluated as either a condition assessment or a gap analysis, depending on data availability. For FOPU’s NRCA, managers selected salt marsh, shorebirds, Eastern oyster (Crassostrea virginica), and butterflies as the focal resources. FOPU is comprised of two islands in coastal Georgia, McQueens and Cockspur, which are separated by the Savannah River near its confluence with the Atlantic Ocean. Cockspur Island contains the 19th century masonry fort, Fort Pulaski, and the monument’s visitor services and facilities and is primarily constructed with dredge material from the Savannah River. McQueens Island is almost entirely salt marsh habitat and most of its area is eligible federal wilderness, containing one of Georgia’s oyster recreational harvest areas (RHAs), Oyster Creek RHA. Both McQueens and Cockspur islands are designated as a National Oceanic and Atmospheric Administration Marine Protected Area (MPA), underscoring FOPU’s natural resource significance. Riverine, freshwater, and estuarine wetlands cover 83.81% of FOPU, with the latter accounting for almost 99% of all monument wetlands. Persistently emergent vegetation of smooth cordgrasses (Spartina spp.) and unconsolidated shore represent the dominant wetland types. McQueens Island estuarine wetlands were evaluated for 11 functions and were rated primarily as high functioning, except for the wetland north of Highway 80, where the causeway has altered its ability to function properly. The wetland west of the Highway 80 bend is composed of unconsolidated material so was rated as moderately functioning in carbon sequestration, retention of sediments, and shore stabilization. In contrast, the unconsolidated shore wetland in the Oyster Creek RHA, where the highest concentration of FOPU’s oysters occurs, were rated high for all expected wetland functions. In 2013, over 75% of the total oyster area from within four of Georgia’s RHAs was in the Oyster Creek RHA. A spectral analysis of oyster density in Oyster Creek RHA, comparing 2013 and 2018 images, reported an increase in the high-density class, a decrease in the moderate-low class, and an increase in the no oyster class, with the latter likely a function of how oyster areas were drawn between the images. A successful 2013 enhanced reef project in Oyster Creek RHA reported a pre-enhancement oyster area of 2.68 m2 (28.8 ft2) that increased to 894.2 m2 (0.22 ac) of oysters by 2018. FOPU’s extensive salt marsh habitat and beaches provide critical food sources and habitat for shorebirds in the Atlantic Flyway, especially during the pre-breeding season. The American Oystercatcher (Haematopus palliates), Whimbrel (Numenius phaeopus), and the federally threatened rufa subspecies of Red Knot (Calidris canutus rufa) are identified as high priority species in the flyway and have been observed on Cockspur Island during the Manomet International Shorebird Surveys (2019–2022) at FOPU. The USFWS (2023) is seeking additional critical habitat designation, which will include Cockspur Island, for the rufa subspecies of Red Knot, whose estimated population abundance trend is declining throughout its entire range. FOPU’s non-wetland, upland habitat is primarily located on Cockspur Island and supports vegetation that can serve as host, roost and/or nectar plants for pollinators, especially butterflies. Cedar–Live Oak–Cabbage Palmetto (Juniperus virginiana var. silicicola–Q. virginiana–Sabal palmetto) Marsh Hammock and Cabbage Palmetto Woodland contain the most diversity of beneficial butterfly plants. While a comprehensive butterfly inventory is needed, fall migration surveys have recorded three target species of the Butterflies of the Atlantic Flyway (BAFA): monarch (Danaus plexippus), gulf fritillary (Agraulis vanillae), and cloudless sulphur (Phoebis sennae). Collectively, FOPU’s natural resources are affected by the sea level, which has risen by 0.35 m (1.15 ft) from 1935 to 2022. Hardened shorelines, such as causeways or armored structures, are identified as the greatest threat to the salt marsh habitat’s ability to migrate upland with continued sea level rise. Erosion along Cockspur Island’s north shore is an ongoing issue and FOPU managers have been working with the U.S. Army Corps of Engineers to develop solutions to address the erosion, while also creating habitat for shorebirds. Several agencies routinely monitor for water and sediment pollution in and around FOPU, which, if managed collectively, can inform landscape-level management actions to address drivers that are influencing resource conditions at the ecosystem level.

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