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Journal articles on the topic 'American poetry (collections), 19th century'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

Budrewicz, Aleksandra. "„Poezje polsko-amerykańskie” Pawła Gawrzyjelskiego (1882)." Prace Literackie 61 (February 15, 2023): 67–82. http://dx.doi.org/10.19195/0079-4767.61.5.

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The article is devoted to the literary achievement of Paweł Gawrzyjelski (1844?–1889), the author of a volume of poetry Odgłos z za morza. Poezye polsko-amerykańskie [Sounds from overseas. Polish-American poems] (Chicago 1882). This collection discusses some questions related to psychological and ethical problems of the Polish people in the USA in the 19th century. The content of the volume is presented in the context of other poetry published in “Gazeta Polska w Chicago” [Polish Daily in Chicago] between 1870 and 1890 (this is where Gawrzyjelski’s work was published for the ﬁrst time). “Gazet

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Arianto, Tomi. "NATIONAL ROMANTICISM IN WALT WHITMAN POEMS." Lire Journal (Journal of Linguistics and Literature) 2, no. 1 (2018): 14–20. http://dx.doi.org/10.33019/lire.v2i1.18.

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Romanticism is often misunderstood as something genuine love and merely about romance. In fact, romanticism is an understanding of great ideas that also be delivered great ideas. The development of Romanticism delivered a new orientation that called National Romanticism by maintaining the freedom of individual, sovereignty, and independent of human rights. This study took data from three Walt Whitman poems; Patriotic, War Democracy, and Poem of America. Researcher was using the concept of interpretation to explore the meaning of poetry and the influence of romanticism in Whitman poetry. Resear

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Abushihab, Ibrahim. "A Stylistic Analysis of Arab-American Poetry: Mahjar (Place of Emigration) Poetry." Journal of Language Teaching and Research 11, no. 4 (2020): 652. http://dx.doi.org/10.17507/jltr.1104.17.

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The present paper represents an attempt to focus upon analyzing and describing the major features of Arab American poetry written by prominent Arab poets who had arrived in America on behalf of millions of immigrants during the 19th century. Some of who wrote in English and Arabic like Ameen Rihani (1876-1940); Khalil Gibran (1883-1931) and Mikhail Naimy (1889-1988). Others wrote in Arabic like Elia Abumadi (1890-1957). Most of their poems in Mahjar (place of emigration) reveal nostalgia, their love to their countries and their ancestors and issues relating to Arab countries. The paper analyze

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Scheyer, Lauri, and Zanyar Kareem Abdul. "THE FUNCTION OF POETRY IN THE MODERN WORLD: A CASE STUDY OF WALT WHITMAN AND AUDRE LORDE’S POEMS." Language Literacy: Journal of Linguistics, Literature, and Language Teaching 6, no. 2 (2022): 245–50. http://dx.doi.org/10.30743/ll.v6i2.5226.

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Lyric poetry has historically referred to a genre that we think of as brief, musical, and personal as well as subjective. This article addresses the role of lyric poetry in the modern world, and how critical analysis enables us to better appreciate the potential impact of poetry today. Specifically, we will offer brief contrastive assessments of two landmark exemplars of American poets, Walt Whitman and Audre Lorde. These two figures demonstrate some of the varied ways of the American poetry tradition. We compare Walt Whitman, a canonical white male poet from the 19th century, with an equally

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Ūsaitytė, Jurgita. "Personal Collections of Texts from the Second Half of the 19th Century along with Their Historical Context." Tautosakos darbai 55 (June 25, 2018): 107–33. http://dx.doi.org/10.51554/td.2018.28501.

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The subject of the article comprises Lithuanian collections of texts from the second half of the 19th century, compiled by individuals of peasant origins and preserved at the Lithuanian Folklore Archives. The research involves over 40 of such collections, in which part or majority of the inscriptions consist of poetic pieces: personal poetic compositions or folksongs chiefly selected from printed sources of the time. The analysis in the article focuses on the contents of these texts, describing various components of their repertoire, attempting at establishing and identifying the sources, from

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Peric, Djordje. "The life and forgotten poetry collections of Danica-Zorka Raskovic." Prilozi za knjizevnost, jezik, istoriju i folklor, no. 81 (2015): 129–46. http://dx.doi.org/10.2298/pkjif1581129p.

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The paper discusses a little-known Serbian poetess from the second half of the 19th century, Danica-Zorka Raskovic (1849-1910). Based on archival research and a lot of new information, it also features her compiled biography. All her poetical works which she wrote between ages 17 and 19 are presented in the text. They include: Eulogy (Slavopoj, two collections, 1866, 1867), Euphony (Milosplet, 1868) and Elegy (Tugospev, 1868). The last book, Elegy, composed as an integral work, is an attempt at writing an epic. Eulogy celebrates the 50th anniversary of the Principality of Serbia (1815-1865), g

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Satorno, Marla Do Vale. "Urban scenarios in Walt Whitman’s poetry." Babel: Revista Eletrônica de Línguas e Literaturas Estrangeiras 7, no. 1 (2017): 28–35. http://dx.doi.org/10.69969/revistababel.v7i1.3626.

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One of the most striking features in 19th century poetry is the scenes of astonishing industrial progress, the development of the cities, the people who rush around, either working or just living their lives. Such urban scenarios are constant images in poems of this period. American poet Walt Whitman is also one of the poets who conveys urban movement through his poetry. With these characteristics as a starting point, the purpose of this article is to focus on the urban images in Whitman’s poetry, analyzing the poetry of the cities. Closely linked to Baudelaire’s flâneur, Whitman also observes

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Raza, Aqeel, and Nurjis Zahra. "Exploring the Metaphorical Significance of Death in Emily Dickinson's poem 'Because I Could Not Stop for Death' and Its Influence on 19th-Century American Poetry." Indonesian Journal of Interdisciplinary Research in Science and Technology 2, no. 2 (2024): 147–58. http://dx.doi.org/10.55927/marcopolo.v2i2.7966.

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This research embarks on an exploration of the nuanced and evolving metaphorical representations of death within 19th-century American poetry focus on Emily Dickinson's poem 'Because I Could Not Stop for Death. The methodology integrates close textual analysis with historical contextualization, shedding light on the broader sociocultural landscape that influenced poetic expressions of death. By scrutinizing metaphorical intricacies, symbolism, and linguistic choices, the study aims to elucidate how Dickinson's portrayal of death diverges or aligns with the works of her peers. Moreover, it ende

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Korchagin, Kirill M. "Bureau “Transatlantic”: French and US Poets on Rendezvous." Literature of the Americas, no. 12 (2022): 261–73. http://dx.doi.org/10.22455/2541-7894-2022-12-261-273.

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Since the middle of the 19th century, American literature has been perceived by French poets as a kind of Other, at the same time alien and attractive, capable of teaching the experience of liberation, which the French poets themselves lack. Nevertheless, the situation is more familiar when other poets of the world are looking for inspiration in French poetry. French poetry for American modernists of the first quarter of the 20th century was synonymous with everything that expands the horizons of literature. At the same time, the reverse situation, when French poetry is saturated with outside

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Perger, Gyula. "Somogy megyei népdalok és gyermekjátékok egy Győrött őrzött kéziratban." Kaposvári Rippl-Rónai Múzeum Közleményei, no. 1 (2013): 299–304. http://dx.doi.org/10.26080/krrmkozl.2013.1.299.

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The folk poetry of Somogy County have been known by the public from the end of the 18th century. After the initial sporadic publications the methodical collecting work of the folk-songs and children’s games started at the end of the 19th centu-ry. Béla Vikár introduced a considerable part of the folk traditions of the region in a complete volume of the Hungarian Folklore Collection series. In the 20th century a great number of collec-tions and monographs were dedicated to this topic, however, a part of the unpublished collections were unfortunately lost. The presently published folklore collec

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Jackson, Virginia, and Yopie Prins. "LYRICAL STUDIES." Victorian Literature and Culture 27, no. 2 (1999): 521–30. http://dx.doi.org/10.1017/s1060150399272178.

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THE VICTORIAN POETESS has become as important a figure in the late twentieth century as she was in the late nineteenth — perhaps because she seems now, as then, to have lapsed into the obscurity of literary history. In recent years feminist critics have been interested in reclaiming a tradition of nineteenth-century popular poetesses whose verse circulated broadly on both sides of the Atlantic. A spate of new anthologies, annotated editions, and critical collections (as well as texts now available on-line) has reintroduced supposedly lost women poets into the canon of Victorian poetry. Indeed,

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Göçmengil, Gönenç. "A brief history of natural history museums in the Ottoman Empire." Geological Curator 11, no. 5 (2021): 375–84. http://dx.doi.org/10.55468/gc1506.

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Natural history collections and museums made their appearance in the Ottoman in late 19th century through various attempts to build collections through field excursions, donations and exchanges among researchers, individuals and institutions around the world. Among them, the Imperial Medical School of the Ottoman Empire, schools of the American Board of Commissioners for Foreign Missions (ABCFM) and other American educational groups and French colleges stand out with their vast collections from various parts of the Ottoman Empire and beyond. While these museums were created and built by eminen

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Petrosyan, Gayane. "The Theme of Death and Eternity in Emily Dickenson’s Poetry." Armenian Folia Anglistika 4, no. 1-2 (5) (2008): 112–19. http://dx.doi.org/10.46991/afa/2008.4.1-2.112.

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The poetry of the world-renowned poetess Emily Dickenson received general acclaim in the fifties of the previous century, 70 years after her death. This country-dwelling lady who had locked herself from the surrounding world, created one of the most precious examples of the 19th century American poetry and became one of the most celebrated poets of all time without leaving her own garden.Her soul was her universe and the mission of Dickenson’s sole was to open the universe to let the people see it. Interestingly, most of her poems lack a title, are short and symbolic. The poetess managed to di

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Dominguez, Patricia Buck, and Joe A. Hewitt. "A Public Good: Documenting the American South and Slave Narratives." RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 8, no. 2 (2007): 106–24. http://dx.doi.org/10.5860/rbm.8.2.285.

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Documenting the American South (DAS) is an electronic publishing program of the University of North Carolina Library that provides public access to primary source materials related to Southern history, literature, and culture from the colonial period through the first decades of the twentieth century.1 It includes mainly nineteenth- and early twentieth-century published texts, with large numbers of autobiographies, biographies, essays, travel accounts, poetry, diaries, letters, and memoirs. It also offers a few titles published in the seventeenth and eighteenth centuries, and some manuscripts,

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Leyda, Julia, and Maria Sulimma. "Pop/Poetry: Dickinson as Remix." Arts 12, no. 2 (2023): 62. http://dx.doi.org/10.3390/arts12020062.

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In its meticulous, freewheeling adaptation of the life and work of celebrated poet Emily Dickinson, the television series Dickinson (Apple TV+, 2019–2021) manifests a twenty-first-century disruption of high and low culture afforded by digital media, including streaming video and music platforms. This article argues that the fanciful series models a mixed-media, multimodal aesthetic form that invites a diverse range of viewers to find pleasure in Dickinson’s poetry itself and in the foibles of its author, regardless of their familiarity with the literary or cultural histories of the US American

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Zochios, Stamatis. "Sakharov, Kireevsky, Afanasyev and others: Stravinsky in the context of Russian folkloristics." Muzikologija, no. 34 (2023): 19–31. http://dx.doi.org/10.2298/muz2334019z.

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This article focuses on the studies and collections of folk songs and tales that formed the main source of inspiration for Igor Stravinsky during the Russian period of his work. To do this, I begin with a brief analysis of the evolution of folkloristics mainly during the 19th century and the construction of science with clearer, mainly national and patriotic goals and methods, as well as the use of folk literature and poetry by the artists of the time. It was in this field that Stravinsky was active, although in the case of his own modern approach, it is difficult to answer whether the motivat

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Zhukov, Vladislav, and Anastasia Smirnova. "Cognitive technologies in cluster of identification of irrational images of Romanticism and symbolism." E3S Web of Conferences 244 (2021): 05037. http://dx.doi.org/10.1051/e3sconf/202124405037.

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The main goal of the project is to use cognitive technologies to create an author’s, metaphorical, temporal system model of images of modern jewelry using the linguo-combinatorial method in the implementation of retro styles - locally stable structures of the design landscape represented by the cultural code of the irrational eidos of poetry and prose of North American symbolism and romanticism of the mid-19th century..

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Charina, O. I. "Local Features of Ballads in Northeast Siberia: Plots of ‘The Mother-in-Law Held Captive by Her Son-in-Law’ and ‘Prince Volkonsky and the Gatekeeper’." Nauchnyi dialog 12, no. 6 (2023): 285–306. http://dx.doi.org/10.24224/2227-1295-2023-12-6-285-306.

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This article aims to clarify the characteristics of the ballad genre among other works in Northeast Siberia (in Yakutia and a separate settlement in the Magadan region). It examines the local features of ballad song variants recorded from long-time residents of Northeast Yakutia. The source materials used are texts published in the collections “Folklore of Russian Ustye” (1986) and “Russian Epic Poetry of Siberia and the Far East” (1991). The article presents ballad songs of Russian settlers from the lower reaches of the Indigirka River and the Kolyma River basin. Recordings by D. I. Melikov a

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Balmatova, Tatiana M. "Russian Chastushka (Ditties) vs Spanish Flamenco Verses: the Experience of Typological Comparison." Studia Litterarum 8, no. 1 (2023): 348–63. http://dx.doi.org/10.22455/2500-4247-2023-8-1-348-363.

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The fate of folk genres can be completely different in different peoples and historical periods: some disappear without a trace in the manuscripts, others reach the later epochs on the pages of a small number of surviving books and others develop, go out into great stages and conquer entire countries. This is the destiny of flamenco which consists of three elements, that is music, poetry and dance and became the cultural practice of southern Spain during the 19th century. In that same century in Russia, the genre of chastushka was formed. Like the flamenco couplets, it flourished in the vulner

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Velilaeva, Lilia R. "AMERICAN AND SCOTTISH TOPOSES IN SCOTTISH EMIGRATIONAL POETRY OF THE 19th CENTURY USA: COMPARATIVE ANALYSIS." Bulletin of the Moscow State Regional University (Russian philology), no. 3 (2020): 79–84. http://dx.doi.org/10.18384/2310-7278-2020-3-79-84.

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Shin Kyung-Sook. "The Characteristics of 『Seongakwonjo Gagok(聲樂元祖歌曲)』, as Collections of Poems of the Later 19th Century". Korean Classical Poetry Studies 29, № ll (2010): 209–34. http://dx.doi.org/10.32428/poetry.29..201011.209.

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Newcorab, Sally. "The Ideas of A.G. Werner and J. Hutton in America." Earth Sciences History 9, no. 2 (1990): 96–107. http://dx.doi.org/10.17704/eshi.9.2.vwv66j323567vv13.

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American geologists of the early 19th century became proficient in field and laboratory work. They read widely and were in contact with other American geologists as well as those in Europe. In the first 20 years of the century lectures in mineralogy and geology were begun, study collections formed, and laboratories and equipment became available. The ideas of James Hutton on igneous origin for rocks, and those of Abraham Gottlob Werner on rock deposition from water solution or suspension, were part of the reasoning of geologists working in America. Those geologists, as exemplified by T. Cooper

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Tummino, Annie. "The Personal Papers of American Sailors, 1890s–1940s." Archivaria, no. 93 (June 9, 2022): 100–133. http://dx.doi.org/10.7202/1089688ar.

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Personal papers in the archives at Maritime College, State University of New York, document the lives of alumni from the school’s founding in 1874 through the early decades of the 20th century. Journals, diaries, memoirs, and reminiscences located in these collections provide evidence of what it was like to work on a ship, far from home, travelling to foreign lands. In this article, I explore first-hand accounts of maritime life by Van Horne Morris, my maternal grandfather and a 1938 graduate of the Massachusetts Nautical School (now known as Massachusetts Maritime Academy), and several alumni

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Bonilla Navarro, José Francisco. "Tendencias temáticas y discursivas de la poesía centroamericana del siglo XIX (Trends in Topics and Discourse in 19th-Century Central American Poetry)." LETRAS 2, no. 60 (2017): 45. http://dx.doi.org/10.15359/rl.2-60.2.

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El estudio es una exploración histórica sobre algunos aspectos del desarrollo de la poesía centroamericana a lo largo del siglo XIX, como parte de un proyecto más amplio para la recuperación documental y comentada, de una importante manifestación del género lírico, escasamente tratado por la crítica. Se describe la recopilación El Parnaso centroamericano (1882), del que se hacen observaciones sobre sus criterios de selección, la temática predominante, y las tendencias estético-discursivas de los poemas recogidos: poesía panegírica, poesía patriótica, poesía amorosa, metapoesía.The study is a h

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Shcherbak, N. F., and A. I. Gerus. "Transcendentalism, Network Concepts and American Poetry." Discourse 6, no. 1 (2020): 106–20. http://dx.doi.org/10.32603/2412-8562-2020-6-1-106-120.

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Introduction. The paper aims at describing the philosophy of transcendentalism as viewed by 19th century American philosopher Ralph Emerson, one of its founders and, above all, the direct application of this framework to the contemporary view of network concepts introduced as a state-of the art paradigm of cultural and social development, often viewed as directly applicable to the study of social processes as well as literary texts.Methodology and sources. The chosen methodology includes the structural semantic study of Emerson’s texts and the analysis of the view of contemporary philosophers

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Samardžija, Snežana. "But, here comes Ljutica Bogdan: History and tradition in interpretations of a biography." Kultura, no. 174-175 (2022): 51–75. http://dx.doi.org/10.5937/kultura2275051s.

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Among the songs from Vuk's collections, Ljutica Bogdan is best known as an opponent of Kraljević Marko. However, multiple lyrical-epic adaptations of international motives are connected to his name and family relations. In addition, older generations of scholars of Serbian oral poetry have sought to recognize the historical background from which Bogdan's character developed. On this occasion, a review of such approaches was presented. After the literary-historical synthesis, poems about Ljutica Bogdan were analyzed (older records, Vuk's corpus, material printed during the 19th century). The ty

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Martin, Michael S. "The Lost Acadians and the Louisiana Homeland: 19th-Century American Poetry and Prose Portrayals of Exile." CEA Critic 81, no. 3 (2019): 254–58. http://dx.doi.org/10.1353/cea.2019.0032.

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Kempe, Deborah, Deirdre E. Lawrence, and Milan R. Hughston. "Latin American art resources north of the border: an overview of the collections of the New York Art Resources Consortium (NYARC)." Art Libraries Journal 37, no. 4 (2012): 5–14. http://dx.doi.org/10.1017/s0307472200017673.

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The New York Art Resources Consortium (NYARC), consisting of The Frick Art Reference Library and the libraries of the Brooklyn Museum and the Museum of Modern Art (MoMA), houses significant collections of material on Latin American art that document the cultural history of Mexico, Central America, the Caribbean and South America, as well as the foundation of New York City as an epicenter of US Latino and Latin American cultural production since the 19th century. Ranging from historic archeological photographs to contemporary artists’ books, the holdings of the NYARC libraries are varied in the

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Titarenko, Svetlana D. "The Metamorphosis of Mannerism in Russian Poetry at the Turn of the 19th–20th Centuries: Valery Bryusov and Nikolay Gumilev." Studia Litterarum 8, no. 2 (2023): 182–99. http://dx.doi.org/10.22455/2500-4247-2023-8-2-182-199.

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This article is dedicated to the insufficiently studied topic concerning comparative analysis of European mannerism and neo-mannerist tendencies in Russian modernist poetry. The basis of this analysis is formed by ideas of Ernst Robert Curtius regarding mannerism as a constant theme in European literature and classic art history studies (Max Dvořák, Erwin Panofsky) and modern philological studies dedicated to this style of the 16th century. The article examines the poems from early poetry collections by Valery Bryusov, such as “Juvenilia” (1892–1894), “Chefs d’oeuvre” (1894–1896), “Mе eum esse

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Bator, Magdalena. "‘What Mrs Fisher knows about cooking’ - on the titles of early American cookbooks." Language Value 16, no. 1 (2023): 23–41. http://dx.doi.org/10.6035/languagev.7224.

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The proposed article aims to examine the strategies used by American women cookbook writers to attract the intended audience to their collections. The study is based on 19th-century cookbooks published in the United States; earlier collections, although available in the US were published in and brought from Britain. Written for and, in many cases, by housewives, the analysed cookbooks show, on the one hand, how the authors tried to convince the prospective reader of their expertise and knowledge. On the other hand, a certain degree of intimacy with the reader was to draw the reader’s attention

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GÖKGÖZ, Turgay. "LITERATURE AND CULTURAL ENVIRONMENT IN BEYRUT IN THE 19TH CENTURY." RIMAK International Journal of Humanities and Social Sciences 3, no. 1 (2021): 297–310. http://dx.doi.org/10.47832/2717-8293.1-3.23.

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Throughout history, Beirut has been the habitat of different religions and nations. The people of various nations are made up of Christians and Muslims. Today, it is seen that languages such as Arabic, French and English are among the most spoken languages in Lebanon, where Beirut is located. Looking at Beirut in the 19th century, it was seen that colonial powers such as Britain and France were a conflict area, and at the same time it was one of the centers of Arab nationalism thought against the Ottoman Empire. During the occupation of Mehmet Ali Pasha, missionary schools were allowed to open

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GÖKGÖZ, Turgay. "LITERATURE AND CULTURAL ENVIRONMENT IN BEYRUT IN THE 19TH CENTURY." RIMAK International Journal of Humanities and Social Sciences 3, no. 1 (2021): 297–310. http://dx.doi.org/10.47832/2717-8293.1-3.23.

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Throughout history, Beirut has been the habitat of different religions and nations. The people of various nations are made up of Christians and Muslims. Today, it is seen that languages such as Arabic, French and English are among the most spoken languages in Lebanon, where Beirut is located. Looking at Beirut in the 19th century, it was seen that colonial powers such as Britain and France were a conflict area, and at the same time it was one of the centers of Arab nationalism thought against the Ottoman Empire. During the occupation of Mehmet Ali Pasha, missionary schools were allowed to open

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Riman, Kristina, and Helena Pavletić. "Poetske, tematske i leksičke značajke uglazbljene dječje poezije 19. stoljeća na primjeru tekstova Ljudevita Varjačića." Magistra Iadertina 14, no. 2 (2020): 87–102. http://dx.doi.org/10.15291/magistra.3148.

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In the second half of the 19th century, children’s poems were mostly published in periodicals and poem collections. Until now less attention has been devoted to the poems that had been set to music and included in the songbooks published in the late 19th century. Ljudevit Varjačić was the acclaimed author of children’s verses used for song lyrics. He is known as a particularly prolific collaborator of the Smilje magazine, whose songs were often set to music. Among other things, he also published “Lira”, a songbook with music notation for male and female school youth, and his poems were set to

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Sidoní López and Hanane Belali. "Native American Theater: A Concise History." Miscelánea: A Journal of English and American Studies 54 (December 15, 2016): 93–111. http://dx.doi.org/10.26754/ojs_misc/mj.20166882.

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This paper provides a concise and brief history of Native American theater from its beginnings in indigenous oral traditions to its consolidation in the 21st century. To start with, the essay will deal with the origins of American Indian theater in Native oral traditions through storytelling and its performance. The paper will then explore the dark period of Native American drama during the emergence of Native American writing in the 18th and 19th centuries. In like manner, the essay will deal with the emergence of contemporary Native American theater as a genre during the second part of the 2

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Gyul, Elmira, and Tereza Hejzlarová. "Amulet as Jewel, Jewel as Amulet Uzbek, Tajik, and Karakalpak Amulet Cases Using the Example of Museum Collections." Annals of the Náprstek Museum 43, no. 1 (2022): 27–51. http://dx.doi.org/10.37520/anpm.2022.003.

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The study presents amulet cases of the Uzbeks, Tajiks, and Karakalpaks from the late 19th century until the early 20th century taking example from the collections of the State Museum of Arts of Uzbekistan, Samarkand State Museum-Reserve, State Museum of Applied Art and History of Crafting of the Republic of Uzbekistan and National Museum – Náprstek Museum of Asian, African and American Cultures, Czech Republic. In particular, the types and forms of amulet cases, material, processing technique, ornament, and the resulting ethnic and local specifics are analysed. The study aims to differentiate

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송안나. "Characteristic Aspects of Compiling Collections of Songs and Changes of Music from the Late-18th Century to the Early-19th Century -Subjecting Garambon Chungguyeongeon(靑丘詠言)-". Korean Classical Poetry Studies 37, № ll (2014): 275–303. http://dx.doi.org/10.32428/poetry.37..201411.275.

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Franceschelli, Giorgio, and Mirco Musolesi. "DeepCreativity: measuring creativity with deep learning techniques." Intelligenza Artificiale 16, no. 2 (2022): 151–63. http://dx.doi.org/10.3233/ia-220136.

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Measuring machine creativity is one of the most fascinating challenges in Artificial Intelligence. This paper explores the possibility of using generative learning techniques for automatic assessment of creativity. The proposed solution does not involve human judgement, it is modular and of general applicability. We introduce a new measure, namely DeepCreativity, based on Margaret Boden’s definition of creativity as composed by value, novelty and surprise. We evaluate our methodology (and related measure) considering a case study, i.e., the generation of 19th century American poetry, showing i

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Pastorková, Marieta. "A linguisitc picture of the world: conceptualization of the human body in the poetry of Emily Dickinson." NOVÁ FILOLOGICKÁ REVUE 15, no. 1 (2024): 15–24. http://dx.doi.org/10.24040/nfr.2023.15.1.15-24.

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The paper focuses on the linguistic picture of the body in the poetry of Emily Dickinson, a 19th-Century American poet. The aim is to provide a coherent linguistic picture of the body of Dickinson’s lyric subject and to reconstruct the way she conceptualized and portrayed its physical appearance with regard to the artist’s perception of the self. This research is focused on cognitive ethnolinguistics, the methodology utilizes analytic and interpretative techniques with emphasis on the cognitive definition reconstruction and facet parametrization. The research sample consists of the selected po

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Li, Na. "A Stylistic Analysis into the Art of Deviation as Stylistic Features of Dickinson’s Poem “I Heard a Fly Buzz -When I Died”." Journal of Education and Educational Research 5, no. 1 (2023): 28–32. http://dx.doi.org/10.54097/jeer.v5i1.11555.

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Emily Dickinson is one of the most outstanding and influential American poets of the 19th century. Her poem “I Heard a Fly Buzz -When I Died” is told from a perspective of narrator who is near her death. As a typical modernist poet, Dickinson’s poems have prominent modernist characteristics. Her poetry language deviates from the norm, not limited to the language norms, forming a unique foregrounding effect from different levels such as phonetic level (the repetition of diphthong, flow, nasal, and iambic tetrameter and iambic trimeter), graphological level (the frequent use of capital words and

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Makarova, E. A. "The Book Publishing in the Pre-revolutionary Irkutsk: On the “Cultural Nest” Problem." Studies in Theory of Literary Plot and Narratology, no. 1 (2019): 50–62. http://dx.doi.org/10.25205/2410-7883-2019-1-50-62.

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The paper focuses on the literary and publishing situation in Irkutsk in the second half of the 19th – early 20th centuries viewed as the combination of factors that gave grounds for N. K. Piksanov to introduce the concept of “cultural nest” into the academic parlance. The concept conjugates three stable elements: “a certain group of actors, constant activity and disciples.” The Irkutsk literary and art collections are analyzed from an interdisciplinary perspective that allows direct transfer of research methods from one academic field to another. In this case, historical and literary criticis

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Nastulczyk, Tomasz. "What did remain of the worn out editions? The collections of the local and foreign libraries as the base for research of the Polish popular books of the second half of the 19th century (a case study of selected religious and didactic publications)." Z Badań nad Książką i Księgozbiorami Historycznymi 13 (December 26, 2019): 163–76. http://dx.doi.org/10.33077/uw.25448730.zbkh.2019.162.

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The paper offers an insight into the poor state of preservation of the Polish popular publications of the second half of the 19th century, based on systematic queries for the new edition of the Estreicher family Bibliografia Polska XIX stulecia (Polish Bibliography of the 19th century). The queries revealed that many of the editions in question are now completely lost, and quite often the only one or two survived copies can be found either abroad or in small local libraries/museums. The discussed examples include several popular books by the Roman Catholic bishop, Szymon Marcin Kozłowski; the

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Lupanova, Yevgenia. "A “Wise Measuring Banner” or the Artillery “Chetverogranetz” (Four-Sided Meter Stick): Revisiting the Attribution of “Peter I’s Half-Arshin” from the State Hermitage Collections." Voprosy istorii estestvoznaniia i tekhniki 43, no. 4 (2022): 806. http://dx.doi.org/10.31857/s020596060023072-1.

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The article offers a substantiated attribution of “Peter I’s half-arshin”, a foursided ruler from the State Hermitage collections (accessory number ТХ-1252). This attribution is grounded in its comparison with similar items from the collections of the Lomonosov Museum (Museum of Anthropology and Ethnography of Russian Academy of Sciences, the Kunstkamera), the History of Sciences Museum in Oxford, and the National Museum of American History. Several written historical sources such as the 17th – early 18th century artillery manuals (M. O. Rodigaevskii’s “Statute of Martial, Cannon, and Other Ma

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Tamari, Steve, and Leila Hudson. "Historical Research and Resources in Damascus." Middle East Studies Association Bulletin 30, no. 1 (1996): 10–17. http://dx.doi.org/10.1017/s0026318400032983.

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Damascus has a long and distinguished history as a center for scholars and scholarship. The Umayyad Mosque has been a hub for Muslim scholars since the first Islamic century. Under the Ayyubids and Mamluks, a flurry of madrasa-building brought professional scholars to Damascus from all corners of the Muslim world. During the late 19th and early 20th centuries in Damascus, many scattered manuscript collections were consolidated into the National Library, housed in the Mamluk-era Madrasa al-Zahiriyya, the pride of Syrian scholars in the age of Arab nationalism. With French rule in 1920 came an a

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Běhalová, Štěpánka. "Kramářské tisky jako specifický doklad knižní kultury 18. a 19. století. Fond kramářských tisků Muzea Jindřichohradecka." Acta Musei Nationalis Pragae – Historia litterarum 66, no. 3-4 (2021): 80–100. http://dx.doi.org/10.37520/amnpsc.2021.019.

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This book-science study focuses on chapbooks, the development of research on this specific cultural phenomenon and the related collection activities, presented by the example of the collection of chapbooks housed in the Museum of the Jindřichův Hradec Region. Chapbooks have already been of scientific and collecting interest since the end of the 19th century. Extensive projects have recently been prepared with the aim of processing and providing access to the collections of memory and academic institutions. Bibliologically, a chapbook is defined as a small multi-page print, usually in octavo, d

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Buivytė, Giedrė. "Shifting Emotional Expression in Lithuanian Love Songs." Tautosakos darbai 63 (July 20, 2022): 105–22. http://dx.doi.org/10.51554/td.22.63.05.

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The article focuses on social and cultural background of the shifts taking place in the stylistics and contents of Lithuanian love songs. Applying theoretical assumptions from the field of history of emotions, the author analyzes shifting expression of emotions in folksongs on the topic of love. The subject of the article embraces love songs that spread from the 19th to the first half of the 20th century and were shaped not only by the folklore tradition, but also by Lithuanian and foreign poetry of the time, and by popular romances. These compositions differ in terms of poetic quality, displa

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Ioannou, Stella, David Hunt, and Maciej Henneberg. "Five Cases of Dental Anomalies Attributable to Congenital Syphilis from Early 20th Century American Anatomical Collections." Dental Anthropology Journal 30, no. 1 (2018): 25–37. http://dx.doi.org/10.26575/daj.v30i1.24.

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Specific dental abnormalities are considered pathognomonic of congenital syphilis (CS); however, European physicians recognized their variation during the late 19th to mid 20th centuries. Observations of syphi-lis-related dental abnormalities in American individuals from similar time periods are made to determine types of variation among the American population.From a survey of the Smithsonian Institution’s National Museum of Natural History anatomical human skeletal collection, five individuals demonstrated dental characteristics consistent with CS (P00011R, P219398, P000707, P000679, and P00

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Trombold, John. "Américo Paredes's Development of a Border Outlaw." Prospects 24 (October 1999): 249–59. http://dx.doi.org/10.1017/s0361233300000363.

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In their considerations of Chicanola border poetry and narrative, Gloria Anzaldúa, Guillermo Gómez-Peña, and José David Saldívar have suggested that the cultural condition of the border writer addresses central concerns of contemporary American culture and what one can regard — as I try to do here — as its aspiring cultural outlaws. In the context of their postmodern approaches to culture the notion of the American frontier outlaw has a rather archaic ring, for such an identity recalls 19th–century constructions of self and an underlying belief in individual agency. Even in the 1930s the figur

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Vo, Nhon Van. "TRANSLATED LITERATURE IN COCHINCHINA IN THE LATE 19th CENTURY AND IN THE EARLY 20th CENTURY." Science and Technology Development Journal 13, no. 1 (2010): 5–12. http://dx.doi.org/10.32508/stdj.v13i1.2099.

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Being colonized by France, Cocochina (the South of Vietnam) was the region where Western literature was introduced into earlier than the North. Truong Minh Ky was considered the first translator of Western literature in Vietnam. His earliest works of translation appeared in 1884. By the early 20th century, introduced to Vietnamese readers were Western literary works not only of French origin but also of British, American and Russian origins; not only poetry, prose but also drama. In the late 19th century, many writers such as Truong Vinh Ky, Huynh Tinh Cua were interested in Chinese literature

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Šeļa, Artjoms, Petr Plecháč, and Alie Lassche. "Semantics of European poetry is shaped by conservative forces: The relationship between poetic meter and meaning in accentual-syllabic verse." PLOS ONE 17, no. 4 (2022): e0266556. http://dx.doi.org/10.1371/journal.pone.0266556.

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Recent advances in cultural analytics and large-scale computational studies of art, literature and film often show that long-term change in the features of artistic works happens gradually. These findings suggest that conservative forces that shape creative domains might be underestimated. To this end, we provide the first large-scale formal evidence of the association between poetic meter and semantics in 18-19th century European literatures, using Czech, German and Russian collections with additional data from English poetry and early modern Dutch songs. Our study traces this association thr

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Talivee, Elle-Mari. "The Beginning of Estonian City Writing – a Bird’s-Eye Overview." Interlitteraria 16, no. 2 (2011): 464–82. http://dx.doi.org/10.12697/il.2011.16.2.6.

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“The city is a state of mind,” observed the American urban sociologist Robert Ezra Park (Bennett et al. 2008: 35). The mapper of several literary cities, the Nobel Prize winner Orhan Pamuk, concludes in his memoir about his home town Istanbul that, instead of the southern sun, it is the warmth of people that glows around this city. Nowadays Estonia is mainly characterized as an urbanized country. Although the city was for some authors a happy space as early as in the 19th century, beginning with C. R. Jakobson, it was generally common practice to disapprove of the city and city life in 19th ce

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