Relevant bibliographies by topics / American poetry New England

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'American poetry New England'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "American poetry New England"

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Regan, Stephen. "North of Boston: Models of Identity, Subjectivity and Place in the Poems of Robert Frost." Articles, no. 51 (October 31, 2008): 0. http://dx.doi.org/10.7202/019262ar.

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Abstract Although the titles of Robert Frost’s collections of poetry, including North of Boston, appear to ground his work in a precise location and a known community, the poems themselves belie any secure sense of geography and any secure sense of attachment. Many of the poems were, in fact, composed in Buckinghamshire and Gloucestershire shortly before the outbreak of the First World War, and they reveal an acute awareness of British, as well as American, literary traditions and ideals. This essay looks at how Frost created the New England of his poems, subtly establishing lines of continuity with British and American Romanticism while simultaneously harbouring profound philosophical doubts about inherited models of poetic subjectivity and imagination. The place of poetry, for Frost, is seen to be a place in which the play of mind is, itself, the most pressing subject matter.
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van der Woude, Joanne. "Indians and Antiquity: Subversive Classicism in Early New England Poetry." New England Quarterly 90, no. 3 (September 2017): 418–41. http://dx.doi.org/10.1162/tneq_a_00626.

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Two exceptional colonial poems, Thomas Morton's version of the events around his Maypole at Merrymount and Benjamin Tompson's epics on King Philip's War, are heavily classical, especially in their descriptions of Native Americans. The essay examines the advantages that the use of classical comparisons have over the more common tropes of Biblical typology.
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Taylor, Ellen. "Ornithological Passions of American Poet Celia Thaxter." Ecozon@: European Journal of Literature, Culture and Environment 12, no. 1 (February 7, 2021): 138–52. http://dx.doi.org/10.37536/ecozona.2021.12.1.3831.

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American poet Celia Leighton Thaxter (1835 – 1894) was shaped by both environmental beauty and destruction she witnessed in her New England community. As a woman who spent much of her life on a small wind-swept island, she was educated by seasons and migrations that later informed her work. A brief education among Boston’s literary elite launched her creative career, where she focused on her local ecology. At that time, over-hunting and newly fashionable plumed hats and accessories had created a serious possibility of avian decimation. By creating awareness of humans’ culpability for birds’ endangerment, Thaxter’s work evoked public sympathy and contributed to social and political change. This essay applies ecofeminist and cultural analyses to Thaxter’s work written as part of the 19th century bird defense movement, by examining the emotional rhetoric employed and activism implied in her poems and prose about birds, specifically: “The Kittiwakes,” “The Wounded Curlew,” and “The Great Blue Heron: A Warning.” Little attention has been paid to Thaxter’s didactic poems which use birds as subjects to instruct children and adults about the fragility of birdlife and to warn of humans’ destructive behaviors. These works illustrate Thaxter’s ecological sensibility and her use of emotion and reason to communicate an ecological message. Her poetry and prose about birdlife fortified the budding Audubon Society and contributed to the birth of the environmental movement. We can learn from such poetic activism, from attention to nature turned commodity, and the dangers of depleting finite resources. In our global environmental crisis, we recognize the interwoven relationships between birds and humans. Perhaps poems can help stymie our current ecological trajectory.
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Su, Yujie. "Dark Energy in Robert Frost’s Poems." Theory and Practice in Language Studies 6, no. 7 (July 1, 2016): 1372. http://dx.doi.org/10.17507/tpls.0607.06.

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Robert Frost is regarded as one of the most distinguished American poets in the twentieth century. His work usually realistically describes the rural life in New England in the early twentieth century and conveys complex social and philosophical themes. But his personal life was plagued with grief and loss, which is also reflected in his poems, and the dark energy distinguishes Robert Frost’s poems, frequently conveyed in the use of lexical words like dark and its derivatives or synonyms, woods, snow, night, and so on. The present study starts with the survey of the lexical representations of dark energy used in Robert Frost’s poems, which are collected in The Oxford Book of American Poetry, and the other poems listed on the website which are not collected in the book but written by Robert Frost[1], aiming to gain more understanding of the great poet’s contemplation involving human and nature.
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Gwiazda, P. "Shifting Ground: Reinventing Landscape in Modern American Poetry; Abandoned New England: Landscape in the Works of Homer, Frost, Hopper, Wyeth, and Bishop." American Literature 76, no. 1 (March 1, 2004): 199–201. http://dx.doi.org/10.1215/00029831-76-1-199.

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Caldwell, Patricia. "Why Our First Poet Was a Woman: Bradstreet and the Birth of an American Poetic Voice." Prospects 13 (October 1988): 1–35. http://dx.doi.org/10.1017/s0361233300005226.

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Anne Bradstreet has come a long way since John Harvard Ellis hailed her over a century ago as “the earliest poet of her sex in America.” Today, more justly, we view Bradstreet simply as “the first authentic poetic artist in America's history” and even as “the founder of American literature.” At the same time, a more sensitive criticism is looking anew at Bradstreet's personal drama as a woman in the first years of the New England settlement: her life as a wife, as mother of eight children, as a frontier bluestocking (though still, in many critics' eyes, “restless in Puritan bonds”), and even as a feminist in the wilderness. Feminist critics in particular have revitalized our understanding of Bradstreet and her work by probing her subtle “subversion” of patriarchal traditions, both theological and poetical, and by placing her among contemporary 17th-Century women writers, making her no longer a phenomenon on the order of Doctor Johnson's dancing dog, but finally a participating voice in her age.
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Caldwell, Patricia. "Why Our First Poet Was a Woman: Bradstreet and the Birth of an American Poetic Voice." Prospects 13 (October 1988): 1–35. http://dx.doi.org/10.1017/s0361233300006670.

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Anne Bradstreet has come a long way since John Harvard Ellis hailed her over a century ago as “the earliest poet of her sex in America.” Today, more justly, we view Bradstreet simply as “the first authentic poetic artist in America's history” and even as “the founder of American literature.” At the same time, a more sensitive criticism is looking anew at Bradstreet's personal drama as a woman in the first years of the New England settlement: her life as a wife, as mother of eight children, as a frontier bluestocking (though still, in many critics' eyes, “restless in Puritan bonds”), and even as a feminist in the wilderness. Feminist critics in particular have revitalized our understanding of Bradstreet and her work by probing her subtle “subversion” of patriarchal traditions, both theological and poetical, and by placing her among contemporary 17th-Century women writers, making her no longer a phenomenon on the order of Doctor Johnson's dancing dog, but finally a participating voice in her age.
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Bakratcheva, Albena. "‘Higher Laws’ and ‘Divine Madness’: Transnational and Translocal Configurations of Quixotic In/Sanity in the American Renaissance." Review of International American Studies 13, no. 2 (December 31, 2020): 87–101. http://dx.doi.org/10.31261/rias.9827.

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The New England Transcendentalists deliberately chose a position which by definition did not belong to what was to them the common “prosaic mood” (Thoreau) of their time. Their choice was the result of representatively romantic discontent with their contemporary reality and, at the same time, through the vigorous drive of the Puritan spiritual leadership, it was essentially anachronistic. The sophisticated delight of identifying with such a doubly anomalous nonconformist ideal only intensified the need for counterbalancing the prosaic sanity of the real world with a wished-for poetic insanity, or “madness from the gods” (Emerson). Such “madness by romantic identification” whose “features have been fixed once and for all by Cervantes” (Foucault), naturally caused “Quixotic confusion” between reality and imagination and the substitution of the true with the fabulous. Though peculiarly intensified in the former Puritan context and in the context of ‘Americanness’ in which the nineteenth century New England intellectuals placed it, the problem was far from being merely a local, New England-centered, phenomenon. This paper argues that in their ‘in/sane’ Quixotic quest for perfection, which caused a series of personal failures, the New England Transcendentalists were remarkably faithful saunterers in a blessed place that, to them, was both America and, at the same time, the all-encompassing perennial—translocal and transnational—world, inviting them to establish what Emerson called “an original relation to the universe.”
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Bakratcheva, Albena. "‘Higher Laws’ and ‘Divine Madness’: Transnational and Translocal Configurations of Quixotic In/Sanity in the American Renaissance." Review of International American Studies 13, no. 2 (December 31, 2020): 87–101. http://dx.doi.org/10.31261/rias.9827.

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The New England Transcendentalists deliberately chose a position which by definition did not belong to what was to them the common “prosaic mood” (Thoreau) of their time. Their choice was the result of representatively romantic discontent with their contemporary reality and, at the same time, through the vigorous drive of the Puritan spiritual leadership, it was essentially anachronistic. The sophisticated delight of identifying with such a doubly anomalous nonconformist ideal only intensified the need for counterbalancing the prosaic sanity of the real world with a wished-for poetic insanity, or “madness from the gods” (Emerson). Such “madness by romantic identification” whose “features have been fixed once and for all by Cervantes” (Foucault), naturally caused “Quixotic confusion” between reality and imagination and the substitution of the true with the fabulous. Though peculiarly intensified in the former Puritan context and in the context of ‘Americanness’ in which the nineteenth century New England intellectuals placed it, the problem was far from being merely a local, New England-centered, phenomenon. This paper argues that in their ‘in/sane’ Quixotic quest for perfection, which caused a series of personal failures, the New England Transcendentalists were remarkably faithful saunterers in a blessed place that, to them, was both America and, at the same time, the all-encompassing perennial—translocal and transnational—world, inviting them to establish what Emerson called “an original relation to the universe.”
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Peiu, Anca. "The Frost in Faulkner: Walls and Borders of Modern Metaphor." Acta Universitatis Sapientiae, Philologica 10, no. 1 (October 1, 2018): 75–88. http://dx.doi.org/10.2478/ausp-2018-0005.

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AbstractMy paper discusses the dialogue between Robert Frost’s verse and William Faulkner’s works: from the first poems he published as a young writer, especially in his debut volume The Marble Faun (1924), to The Hamlet (1940), an acknowledged novel of maturity. Three world-famous poems: “Birches,” “Mending Wall,” “Nothing Gold Can Stay” will represent here Frost’s metaphorical counterpart. The allegorical borders thus crossed are those between Frost’s lyrical New England setting and the Old South of Faulkner’s Yoknapatawpha diegesis; between (conventional patterns of) Romanticism and Modernism – in both writers’ cases; between poetry and prose; between “live metaphor” and “emplotment” (applying Paul Ricoeur’s theory of “semantic innovation”); between (other conventional patterns of) regionalism and (actual) universality. Frost’s uniqueness among the American modern poets owes much of its vital energy to his mock-bucolic lyrical settings, with their dark dramatic suggestiveness. In my paper I hope to prove that Frost’s lesson was a decisive inspiration for Faulkner, himself an atypical modern writer. If Faulkner’s fiction is pervaded by poetry, this is so because he saw himself as a “poet among novelists.” Faulkner actually started his career under the spell of Frost’s verse – at least to the same extent to which he had once emulated the spirit of older and remoter poets, such as Keats or Swinburne.
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Dissertations / Theses on the topic "American poetry New England"

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Lemaire, Candice. "Esthétique de l’écart dans l’œuvre poétique de Robert Frost." Thesis, Toulouse 2, 2012. http://www.theses.fr/2012TOU20130.

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Du recueil A Boy’s Will (1913) au recueil In the Clearing (1962), l’œuvre du poète américain Robert Frost (1874-1963) déploie sa réflexion sur le concept d’écart, et le présente comme principe majeur de son esthétique et de sa stratégie d’écriture. Utilisant une approche fondée sur la micro-lecture des poèmes, cette thèse entend mettre en lumière la richesse d'une thématique frostienne qui permet de repenser la dialectique entre centre et marge à différents niveaux d'analyse : cette dialectique semble à l’œuvre non seulement dans la représentation poétique des espaces nord-américains mais aussi dans le rapport des textes à l'espace métaphorique du canon, ainsi que dans l'ambiguë mise en scène du sujet dans son rapport aux espaces intime, social et politique. Nous souhaitons montrer que le poète et les personae multiples qu’il adopte au fil des recueils privilégient un positionnement détaché, qui n’est ni complètement au centre ni complètement à l’écart, mais pour ainsi dire dans l’écart. Cette position de léger retrait, à la fois sereine et équilibriste, dessine ainsi un triple autoportrait du poète. Il fait le portrait d’un artiste chez qui la tension entre tradition et modernité, entre formes fixes et libre expérimentation, relève d'une position compliquée et féconde, qui permet à Frost de se situer à la fois à l'intérieur et légèrement à l'écart du genre de la poésie pastorale ; d'autre part, il esquisse le portrait « bougé » d'un sujet en mouvement au sein du paysage de Nouvelle-Angleterre, sujet que des tentatives d’ancrage dans certains territoires installent dans une position de voisinage méfiant avec son prochain, à la fois contre les autres et tout contre eux. Enfin, l’œuvre laisse apparaître en filigrane l’autoportrait d’un Américain utilisant la stratégie de l’écart dans l’habile mise en scène de sa propre iconisation
From the collection A Boy’s Will (1913) to the collection In the Clearing (1962), the works of American poet Robert Frost (1874-1963) can be viewed as a reflection on the concept of deviation, presenting it as a major principle in his aesthetics and writing strategy. This doctoral dissertation provides a close reading of many poems, with a view to highlighting the highly seminal quality of the Frostian theme of the slight deviation, which allows one to rethink the dialectic between the center and the margins at different levels of analysis. This dialectic appears not only in the poetic representation of North American space, but also in the established connection between the texts and the metaphorical space of the canon, as well as in the ambiguous presentation of the poetic figure in relation to the intimate, social or political spheres. We wish to show that the poet together with the multiple personae that he uses in the collected poems, favor a specific vantage point, a detached position which is neither in the center nor completely in the margin, but rather within the limits delineated by some deviation. This slightly withdrawn position, which is both dispassionate and perilous, sketches out a triple self-portrait of the poet. It is the self-portrait of an artist for whom the tension between tradition and modernity, between fixed forms and free poetic experiments, creates a complicated but fertile position which allows Frost to position himself both within, and slightly on the margin of, the genre of pastoral poetry. Frost's poems also depict the portrait of a moving poetic figure in the New England landscape, a figure who is put, because of his attempts at settling in certain territories, in a situation where neighbors are both aware and wary of each other. Lastly, the poems could be regarded as the self-portrait of an American posturing as a marginal figure in the skillful staging of his own iconization
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Gable, Nicolette. "The Search for a New England Character: Change, the Town, and the Wilderness in Timothy Dwight's "Travels in New England and New York"." W&M ScholarWorks, 2010. https://scholarworks.wm.edu/etd/1539626611.

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Mayo-Bobee, Dinah. "New England Federalists: Widening the Sectional Divide in Jeffersonian America." Digital Commons @ East Tennessee State University, 2017. http://a.co/82Y1HDA.

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Introduction: the "gloomy night of democracy": Federalist opposition to the Three-Fifths Clause -- 1. "Have these Haytians no rights?": restricting maritime commerce to safeguard slavery (1805-1806) -- 2. "Indissolubly connected with commerce": nonimportation, southern sectionalism, and the defense of New England -- 3. "Squabbles in Madam Liberty's family": Jefferson's embargo and the causes of Federalist extremism (1807-1808) -- 4. "O grab me!": the justification for disunion (1808-1809) -- 5. "Sincere neutrality": war, moderates, and the Federalists Party's decline (1810-1820) -- Epilogue: Old Romans: Federalist activism and the antislavery legacy (1820-1865).
https://dc.etsu.edu/etsu_books/1123/thumbnail.jpg
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Martin, Richard. "Perspectives on interconnection : the new American writing reviewed." Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311410.

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Hills, Alison Macbeth. "Practical confusion aesthetic perception in antebellum New England writing /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=2026918791&sid=2&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Demeo, Anna. "Hemigrapsus Sanguineus (Asian Shore Crab) as Predator of Juvenile Homarus Americanus (American Lobster)." Fogler Library, University of Maine, 2005. http://www.library.umaine.edu/theses/pdf/DemeoA2005.pdf.

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Wright, Derand Errol. "The Kitchen of Tomorrow and Other Space-Time Anomalies." OpenSIUC, 2012. https://opensiuc.lib.siu.edu/theses/807.

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Erekson, Keith A. "American Prophet, New England Town: The Memory of Joseph Smith in Vermont." BYU ScholarsArchive, 2002. https://scholarsarchive.byu.edu/etd/4669.

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In December 1905, a large granite monument was erected at the birthplace of Joseph Smith on the one hundredth anniversary of his birth. This thesis relates the history of the Joseph Smith Memorial Monument from its origins through its construction and dedication. It also explores its impact on the memory of Joseph Smith in the local, Vermont, and national context. I argue that the history of the Joseph Smith Memorial Monument in Vermont is the story of the formation and validation of the memory of Joseph Smith as an American Prophet.Nineteenth century Mormons remembered a variety of individual memories of Joseph Smith that were aggregated through reminiscences, hymns, and commemorations into three dominant collective memories: Joseph Smith as prophet, martyr, and Vermont schoolboy. During the first decade of the twentieth century, these three memories of Joseph Smith were filtered through the social, religious, and political interests and concretized into the Joseph Smith Memorial Birthplace Monument. The dedication of the Joseph Smith Monument on 23 December 1905 and the messages presented at the site by Junius F. Wells over the next five years shaped a broader interpretation of Joseph Smith as an American Prophet.The impact of the monument in Vermont is examined through a case study of Royalton, Vermont. Vermont's past had been aggregated into a tradition emphasizing the virtue, patriotism, and individuality of Vermonters, and Royalton residents responded to the Joseph Smith Monument by concretizing their own memory of Royalton as a typical New England town through monuments, a town history, and an annual town holiday. Competing memories of an American Prophet and the New England town collided during construction of the Royalton Memorial Library in 1922, and settlement of Royalton's division over the definition of a New England Town validated the memory of Joseph Smith as an American Prophet. Throughout the twentieth century, the memories of an American Prophet and New England Town accommodated each other. Vermont's validation of the memory of Joseph Smith as an American Prophet represents a national transformation in the memory of Joseph Smith.
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Watkin, David Watkin. "In the process of poetry : the New York School and the avant-garde." Thesis, Queen's University Belfast, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.287397.

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Morse, Andrew. ""A new discipline of vision" : the synthesis of poetic and scientific epistemologies in contemporary speculative verse /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3102180.

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Thesis (Ph. D.)--University of Oregon, 2003.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 232-241). Also available for download via the World Wide Web; free to University of Oregon users.
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Books on the topic "American poetry New England"

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E, Hambrick-Stowe Charles, and Taylor Edward 1642-1729, eds. Early New England meditative poetry. New York: Paulist Press, 1988.

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A New England scrapbook: A journey through poetry, prose, and pictures. New York: HarperCollins, 1994.

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New England landscape history in American poetry: A Lacanian view. Amherst, NY: Cambria Press, 2011.

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The work of self-representation: Lyric poetry in colonial New England. Chapel Hill: University of North Carolina Press, 1991.

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Edwin Arlington Robinson: Stages in a New England poet's search. Lewiston: E. Mellen Press, 1987.

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Child. Over the river and through the wood: The New England boy's song about Thanksgiving day. Somerville, Mass: Candlewick Press, 2011.

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The friendship of two New England poets, Robert Frost and Robert Francis: A lecture presented at the Robert Frost Farm in Derry, New Hampshire. Lewiston [N.Y.]: Edwin Mellen Press, 2009.

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Blumenthal, Anna Sabol. The New England oblique style: The poetry of Ralph Waldo Emerson, Emily Dickinson, and Edwin Arlington Robinson. New York: Peter Lang, 1998.

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New England as poetic landscape: Henry David Thoreau and Robert Frost. Frankfurt am Main: Peter Lang, 2003.

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New England weather: Poems. Lewiston, NY: Mellen Poetry Press, 1997.

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Book chapters on the topic "American poetry New England"

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Daniels, Bruce C. "Introduction: New England, Puritans, and American History." In New England Nation, 1–8. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137025630_1.

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Modarelli, Michael. "Christianography in New England." In The Transatlantic Genealogy of American Anglo-Saxonism, 103–52. First edition. | New York : Routledge/Taylor & Francis Group, 2019. | Series: Routledge studies in cultural history ; 64: Routledge, 2018. http://dx.doi.org/10.4324/9780429434648-4.

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Spencer, Eleanor. "‘Singularly rich’: Donald Allen’s The New American Poetry 1945–1960." In American Poetry since 1945, 205–21. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1057/978-1-137-32447-4_12.

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Tarlo, Harriet. "‘The New Comes Forward’: Anglo-American Modernist Women Poets." In Teaching Modernist Poetry, 58–76. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230289536_5.

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Murray, Molly. "Conversion and Poetry in Early Modern England." In A New Companion to English Renaissance Literature and Culture, 407–22. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444319019.ch69.

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Cohen, Michael C. "Whittier, Holmes, Lowell, and the New England Tradition." In The Cambridge History of American Poetry, 259–81. Cambridge University Press, 2014. http://dx.doi.org/10.1017/cho9780511762284.015.

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Wasley, Aidan. "A Way of Happening." In The Age of Auden. Princeton University Press, 2011. http://dx.doi.org/10.23943/princeton/9780691136790.003.0002.

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This chapter argues that Auden's extensive and largely unexplored impact on the post-war generation of American poets helped not only to define the terms by which these younger poets framed their own work and careers, but also offered a new and influential model for understanding what it meant to write poetry in America after World War II and after Modernism. In particular, Auden's redefinition of his own poetic identity following his emigration from England helped to shape American poetry in terms of what Auden called “the burden of choice”: How to select an inheritance from the myriad possibilities opened up in the wake of Modernism's shattering of notions of a unified native tradition. By framing his post-1939 poetry as “a way of happening,” Auden inaugurated a poetic vision of post-Modernist America as an open, inclusive text defined not in terms of shared ideals of national, ideological, or historical inheritance, but by the freedom, and necessity, to choose among the kaleidoscopic range of formal, cultural, or transnational poetic identities made available by the collapse of those earlier ideals.
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Wasley, Aidan. "Auden in “Atlantis”." In The Age of Auden. Princeton University Press, 2011. http://dx.doi.org/10.23943/princeton/9780691136790.003.0001.

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This chapter first details W. H. Auden's arrival in New York in January 1939. His emigration from England, and his arrival in America marked a crucial moment in twentieth-century literary history, when the heir apparent to T. S. Eliot as the dominant presence in British poetry abandoned his English career and retraced Eliot's own path back across the Atlantic to start anew. The impact of that moment, and Auden's subsequent American career, are still being felt in American poetry seven decades later. The chapter then discusses his poem “Atlantis,” where he invokes the myth of the lost utopia, to illustrate what he calls “a poetic vision” of art's capacity for moral instruction, even as it recognizes its limitations.
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Giles, Paul. "Augustan American Literature: An Aesthetics of Extravagance." In The Global Remapping of American Literature. Princeton University Press, 2011. http://dx.doi.org/10.23943/princeton/9780691136134.003.0002.

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This chapter examines the Augustan tradition in American literature, arguing that it should not be seen as confined to the world of belles lettres. It suggests that Augustan American literature involves the creative entanglement of potentially contradictory narratives, and the peculiar power of its art derives from its sense of being deliberately out of place, of transgressing the boundaries of civil convention in the interests of exploration and extravagance. The chapter explores the relationship between plantations and the aesthetics of extravagance by offering a critique of Cotton Mather's Magnalia Christi Americana, which describes an increasing sense toward the end of the seventeenth century of the importance of geography, of the position of New England in relation to the rest of the world. It also analyzes the poetry of Phillis Wheatley, Timothy Dwight, and Richard Alsop.
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Gordon, Charlotte. "“The First Shall Be Last”: Apology and Redemption in the Work of the First New England Poets, Anne Bradstreet and Edward Taylor." In The Cambridge Companion to American Poets, 10–23. Cambridge University Press, 2015. http://dx.doi.org/10.1017/cco9781316403532.002.

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Conference papers on the topic "American poetry New England"

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Susuki, Yoshihiko, Igor Mezic, and Takashi Hikihara. "Global swing instability in the New England power grid model." In 2009 American Control Conference. IEEE, 2009. http://dx.doi.org/10.1109/acc.2009.5160374.

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Rich, Anna, Laila Tata, Roz Stanley, David Baldwin, and Richard Hubbard. "National Survival From Lung Cancer Surgery In England." In American Thoracic Society 2010 International Conference, May 14-19, 2010 • New Orleans. American Thoracic Society, 2010. http://dx.doi.org/10.1164/ajrccm-conference.2010.181.1_meetingabstracts.a5144.

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Kloog, Etai, Brent A. Coull, Antonella Zanobetti, Petros Koutrakis, and Joel Schwartz. "Acute And Chronic Effects Of Particles On Hospital Admissions In New-England." In American Thoracic Society 2012 International Conference, May 18-23, 2012 • San Francisco, California. American Thoracic Society, 2012. http://dx.doi.org/10.1164/ajrccm-conference.2012.185.1_meetingabstracts.a2316.

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Roy, Sudipta, and Julia McAdam. "The Utilisation Of PET Scan In The Evaluation Of Lung Cancer In A District General Hospital In England, United Kingdom." In American Thoracic Society 2010 International Conference, May 14-19, 2010 • New Orleans. American Thoracic Society, 2010. http://dx.doi.org/10.1164/ajrccm-conference.2010.181.1_meetingabstracts.a4389.

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Cooper Boemmels, Jennifer, Jean Crespi, Thomas H. Fleming, and Laura E. Webb. "EARLY CRETACEOUS POSTRIFT EVOLUTION OF THE EASTERN NORTH AMERICAN MARGIN: INSIGHTS FROM THE NEW ENGLAND-QUEBEC IGNEOUS PROVINCE." In GSA Annual Meeting in Phoenix, Arizona, USA - 2019. Geological Society of America, 2019. http://dx.doi.org/10.1130/abs/2019am-336121.

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Leyakathali Khan, Shahul, Hassan Burhan, and David Lawrence. "A SURVEY OF AWARENESS ABOUT OBSTRUCTIVE SLEEP APNOEA SYNDROME AMONG GENERAL MEDICAL TRAINEES AND CONSULTANTS Wirral University Teaching Hospital NHS, Arrowe Park Hospital, England, UK." In American Thoracic Society 2010 International Conference, May 14-19, 2010 • New Orleans. American Thoracic Society, 2010. http://dx.doi.org/10.1164/ajrccm-conference.2010.181.1_meetingabstracts.a5075.

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Lobato, Mark N., Kelley Bemis, Sharon Sharnprapai, Jennifer Cochran, Allison Stratton, Alfonso Rodriguez, and Andrew Tibbs. "Civil Surgeons' Tuberculosis Testing And Referral Practices Of Persons Adjusting Their Status To Become Permanent Residents Of The United States - New England, 2011." In American Thoracic Society 2012 International Conference, May 18-23, 2012 • San Francisco, California. American Thoracic Society, 2012. http://dx.doi.org/10.1164/ajrccm-conference.2012.185.1_meetingabstracts.a3255.

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Chesser, Noel P. "Options and Strategies for Waste to Energy Facility Energy Sales in Deregulated Markets." In 16th Annual North American Waste-to-Energy Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/nawtec16-1913.

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Many US Municipal Waste to Energy (WTE) plants entered into long term electric sales contracts with their local utilities for the electricity generated. These legacy contracts will be expiring over the next few years. With the advent of electric deregulation, the energy markets are vastly different and WTEs now have many more options to optimize the value of the energy generated from their facilities. There are even some options available for WTE’s located in regulated markets. A well developed energy sales strategy and execution can make a significant difference in the value realized from the WTE energy generated. To understand the options available to WTE’s it is first helpful to have a basic understanding of the power markets. In markets that are deregulated, there exists two primary markets, the hourly market were prices are set by the regional independent system operator (ISO) such as PJM or NYISO and the forward markets which offer fix rates for energy delivered some time in the future. The hourly market prices are highly transparent (posted on ISO’s web site) and are based on the marginal cost of fuel used to meet the last increment of demand during that hour. In the Mid-Atlantic, New York and New England prices are typically driven by the price of natural gas and to a lesser extent fuel oil and coal. The forward markets are driven by counterparties who are willing to offer fixed prices in return for risk premiums added to the price to cover their price risk. Forward market pricing is not as transparent and requires knowledge of the market, knowledge and experience with the major buyers and sellers and multiple price bids. Options for WTEs facilities now include sales directly to the ISO, sales to wholesale buyers (generally 1–5 years), sales to local utilities and power authorities, sales directly to the local municipality and sales to large local commercial/industrial users of energy. The option selected should be consistent with a well defined energy sales strategy. The strategy should incorporate a price risk profile, budget and funding requirements/objectives, facility operating risk profile, credit risk, local considerations, and risk management timeframe. The mechanisms required to execute the above options vary and involve different approaches, contract structures, licenses, memberships, risks and rewards. There are qualified independent energy consultants that can assist WTEs in understanding the markets, developing energy sales strategies and execution thereof to help ensure the value of the energy generated is optimized.
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Viselli, Anthony, Nathan Faessler, and Matthew Filippelli. "Analysis of Wind Speed Shear and Turbulence LiDAR Measurements to Support Offshore Wind in the Northeast United States." In ASME 2018 1st International Offshore Wind Technical Conference. American Society of Mechanical Engineers, 2018. http://dx.doi.org/10.1115/iowtc2018-1003.

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This paper presents wind speed measurements collected at 40m to 200m above sea-level to support the New England Aqua Ventus I 12 MW Floating Offshore Wind Farm to be located 17km offshore the Northeast United States. The high-altitude wind speed data are unique and represent some of the first measurements made offshore in this part of the country which is actively being developed for offshore wind. Multiple LiDAR measurements were made using a DeepCLiDAR floating buoy and LiDARs located on land on a nearby island. The LiDARs compared favorably thereby confirming the LiDAR buoy measurements. Wind speed shear profiles are presented. The measurements are compared against industry standard mesoscale model outputs and offshore design codes including the American Bureau of Shipping, American Petroleum Institute, and DNV-GL guides. Significant variation in the vertical wind speed profile occurs throughout the year. This variation is not currently addressed in offshore wind design standards which typically recommend the use of only a few values for wind shear in operational and extreme conditions. The mean wind shears recorded were also higher than industry recommended values. Additionally, turbulence measurements made from the LiDAR, although not widely accepted in the scientific community, are presented and compared against industry guidelines.
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Dwyer, Mark G., Anthony M. Viselli, Habib J. Dagher, and Andrew J. Goupee. "Experimental Verification of ABS Concrete Design Methodology Applied to the Design of the First Commercial Scale Floating Offshore Wind Turbine in the United States." In ASME 2017 36th International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/omae2017-62461.

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The abundance of consistent high strength winds off the world’s coastlines and the close proximity to dense population centers has led to development of innovative marine structures to support wind turbines to capture this energy resource. Off the US coast, 60% of the offshore wind lies in deep water (greater than 60m) where the development of Floating Offshore Wind Turbine (FOWT) hull technology will likely be required in lieu of fixed bottom technology such as jacket structures. The United States National Renewable Energy Laboratory (NREL) and the offshore wind community commonly refer to 60m as the transition point between fixed bottom structures and floating structures due to economic reasons. Floating wind turbines deployed in the harsh offshore marine environment require the use of materials that are cost-effective, corrosion resistant, require little maintenance and are highly durable. This has led the University of Maine to develop a concrete hull technology called VolturnUS for full-scale 6MW FOWTs. In this work, experimental testing was conducted to verify the performance of the concrete under operational, serviceability, and extreme loading conditions as required by the American Bureau of Shipping Guide for Building and Classing Floating Offshore Wind Turbines. The testing included structural testing sub-components of the hull and served as experimental verification of American Bureau of Shipping (ABS) concrete design methodology which is currently approved and being used to design the first commercial scale FOWTs in the United States. Two 6MW wind turbines supported on VolturnUS concrete hulls will be used for the New England Aqua Ventus I project. The project is planned to be deployed and connected to the grid by 2019 in the Northeast U.S. and is funded by the US Department of Energy.
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Reports on the topic "American poetry New England"

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Costanzo, Dino G. 2009 New England American College of Sports Medicine Conference. Fort Belvoir, VA: Defense Technical Information Center, January 2010. http://dx.doi.org/10.21236/ada604083.

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Ward, Jeffrey S., and Mark J. ,. eds Twery. Forestry Across Borders: Proceedings of the New England Society of American Foresters 84th Winter Meeting. Newtown Square, PA: U.S. Department of Agriculture, Forest Service, Northeastern Research Station, 2004. http://dx.doi.org/10.2737/ne-gtr-314.

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Kenefic, Laura S., and Mark J. ,. eds Twery. Changing Forests - Challenging Times: Proceedings of the New England Society of American Foresters 85th Winter Meeting. Newtown Square, PA: U.S. Department of Agriculture, Forest Service, Northeastern Research Station, 2005. http://dx.doi.org/10.2737/ne-gtr-325.

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Burkett, Tonia. Black Women's Health: A Content Analysis of the Journal of the American Medical Association, the American Journal of Public Health, and the New England Journal of Medicine (1989-1998). Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.3037.

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MCDONALD, R. J. PROCEEDINGS OF THE 2003 NATIONAL OILHEAT RESEARCH ALLIANCE TECHNOLOGY SYMPOSIUM, HELD AT THE 2003 NEW ENGLAND FUEL INSTITUTE CONVENTION AND 30TH NORTH AMERICAN HEATING AND ENERGY EXPOSITION, HYNES CONVENTION CENTER, PRUDENTIAL CENTER, BOSTON, MASSACHUSETTS, JUNE 9 - 10, 2003. Office of Scientific and Technical Information (OSTI), June 2003. http://dx.doi.org/10.2172/812517.

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