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Journal articles on the topic 'American poetry – Translations into Greek (Modern)'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

Nogueras Valdivieso, Enrique J., and Lourdes Sánchez Rodrigo. "Els poetes com a traductors: Kavafis en català, Kavafis en castellà." Zeitschrift für Katalanistik 7 (July 1, 1994): 117–29. http://dx.doi.org/10.46586/zfk.1994.117-129.

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This essay examines the translations made by poets of the poetry of the modern Greek writer Konstantinos Kavafis. The authors decide between technical and lyrical translations; Greek culture played a crucial role in the development of the latter. The differences between the two types of translation are methodological and aesthetic. The "poet-translator" always remains a poet and must therefore be careful not to change the original text too far. The most important Kavafis translations by the poets J. M. Álvarez (into Spanish) and Carles Riba (into Catalan) are compared; they are based on variou

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Padel, Ruth. "Homer's Reader: A reading of George Seferis." Proceedings of the Cambridge Philological Society 31 (1985): 74–132. http://dx.doi.org/10.1017/s0068673500004764.

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The reader I have in mind is a poet. My immediate interest is the example he provides of a writer's relationship with her or his reading. My aim is double: to suggest both that Homer illuminates the work of the later poet and that the later poetry can function as an interpretation of Homer which offers even to a scholar valuable ways of reading the epics, especially the Odyssey. Accordingly, I shall usually offer translations both of the modern and of the ancient Greek, since not all classicists know modern Greek intimately and those who study modern Greek do not always know the ancient langua

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Freydberg, Bernard. "Hearkening to Thalia: Toward the Rebirth of Comedy in Continental Philosophy." Research in Phenomenology 39, no. 3 (2009): 401–15. http://dx.doi.org/10.1163/008555509x12472022364163.

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AbstractThis paper discloses and furthers the rebirth of comedy in Continental philosophy in three stages. The first treats Greek comedy, bringing forth the comic contours in Plato and exploring the philosophical content of Aristophanic comedy. The second examines certain German encounters with comedy, from the staid Wieland translations of Aristophanes through the thoughtful discussions of Schiller, Hegel, and Nietzsche. The third investigates twentieth-century American comedy and its connection to American Continental philosophy, and includes a close analysis of the Marx Brothers' Horsefeath

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ZINOVIEVA, ALEXANDRA YU. "THE POETICS OF RESERVE: ON GREEK MODERNISTS (IN MEMORY OF IRINA IGOREVNA KOVALJOVA)KOVALJOVA I.I. IN CAVAFY’S WORKSHOP AND OTHER STUDIES OF GREEK MODERNISM. M.: MGU, 2006. 200 P.KOVALJOVA IRINA. MY POETS. SELECTED TRANSLATIONS FROM ENGLISH AND GREEK. M.: ITAKA - KOMMENTARII, 2006. 108 P." Lomonosov Journal of Philology, no. 2, 2023 (May 1, 2023): 225–32. http://dx.doi.org/10.55959/msu0130-0075-9-2023-47-2-17.

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Theimportant part of critical works and poetic translations of the poet and philologist Irina Igorevna Kovaljova (1961-2007), who worked at the Department of Classical Studies of the Faculty of Philology (MSU), is devoted to the understanding of Greek poetical modernism, as well as to presenting it to Russian readers. The books published in the course of the last year of I.I. Kovaljova’s life reveal a mature view of such poets as C.P. Cavafy, G. Seferis, M. Sachtouris. I.I. Kovaljova studies the distance between the word said and unsaid in Cavafy’s poems, reflects on Seferis’s attitude towards

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Oborneva, Zinaida E., та Natalya V. Savel’eva. "Ιnterpretations to Tetrastichae sententiae by Gregory the Theologian in Anthologion (1660): Text and its Greek source". Vestnik of Saint Petersburg University. Language and Literature 19, № 2 (2022): 353–62. http://dx.doi.org/10.21638/spbu09.2022.209.

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The article examines the work of Arseniy Grek, a corrector of the Moscow Printing Yard (Pechatniy dvor), on the translation of interpretations to the poetic sententiae by Gregory the Theologian; these verses and comments to them were published in 1660 as part of the Moscow collection Anthologion. These scholias are written on the margins of the manuscript to the poems of Gregory the Theologian do not find analogues among the known interpretations. A comparative analysis of the translations of verses and commentaries allowed us to draw a conclusion about the creative approach of Arseniy Grek. T

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Al-Zubbaidi, Asst Prof Dr Haitham K. Eidan. "Dramatizing Modern American and Arabic Poetry A Study in Selected Poems by Kenneth Koch and Yousif Al-Sayegh." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 58, no. 4 (2019): 95–118. http://dx.doi.org/10.36473/ujhss.v58i4.1021.

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The interrelatedness of drama and poetry introduces one of the most exceptionally robust examples of trans-genre literature. It is further characterized by a deep-rooted tradition that dates back to ancient Greek and Roman drama, as well as a sense of circumstantial and ad hoc necessity-driven, age-oriented adaptability. The present paper assumes that this well-established sensitive relation of poetry and drama rests upon some circumstantial time-specific cultural forces or motivators that impact the ebb and flow, the expansion-contraction movements which are directly related to the temporal n

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Kornieva, Zoia, Iryna Borbenchuk, and Yuliia Baklazhenko. "TRANSLATION AND TEACHING OF CLASSICAL ANCIENT GREEK LITERATURE IN UKRAINE: CULTURAL INFLUENCE AND HISTORICAL DIMENSION." Advanced Education 11, no. 23 (2023): 4–13. http://dx.doi.org/10.20535/2410-8286.295381.

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The article studies the translation of the Ancient Greek literature into Ukrainian as an important and historically conditioned process that influenced the translation tradition in Ukraine. The authors trace the history of translation dating from the period of Kyivan Rus to modern times by applying linguistic, chronological and thematic approaches. As a result of the conducted study the authors define main directions and trends of assimilation of the classical Ancient Greek literature by the Ukrainian context through translation in its cultural and historical dimension, as well as characterize

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Stanciu, Christina. "Strangers in America: Yiddish Poetry at the Turn of the Twentieth Century and the Demands of Americanization." College English 76, no. 1 (2013): 59–83. http://dx.doi.org/10.58680/ce201324196.

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Recent translations of American Yiddish poetry into English have made an important chapter in American culture accessible both to the English scholar and to the literature student. Bringing together the work of two important literary groups of predominantly male poets with the work of one of the best-known female poets in Yiddish—whose aesthetic concerns overlapped with those of Euro-American modernism—I argue that the linguistic and aesthetic choices of Yiddish poetry in America not only bridge the distance between two geographies (the Old and New Worlds), but also forge a cultural scene for

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Karnad, Girish. "Performance, Meaning, and the Materials of Modern Indian Theatre." New Theatre Quarterly 11, no. 44 (1995): 355–70. http://dx.doi.org/10.1017/s0266464x00009337.

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Girish Karnad is not only India's leading playwright, and a practitioner across the performing arts in all that nation's media, but the first contemporary Indian writer to have achieved a major production in a regional American theatre – Naga-Mandala, seen at the Guthrie Theatre in July 1993. The following interview was recorded on the occasion of that production, and ranges widely not only over Karnad's own work and its circumstances, but the situation and problems of the Indian theatre today, and its ambivalent relationship alike to its classical and its colonial past, and to the contemporar

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Nilova, Anna. ""POETICS" OF ARISTOTLE IN RUSSIAN TRANSLATIONS." Проблемы исторической поэтики 19, no. 4 (2021): 7–39. http://dx.doi.org/10.15393/j9.art.2021.9822.

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The article presents an overview of the existing translations of Aristotle's “Poetics”, characterizes the features of each of them. In the preface to his translation of Aristotle's “Poetics”, V. Zakharov characterized the work of the Greek philosopher as a “dark text.” Each translation of this treatise, which forms the basis of European and world literary theory, is also its interpretation, an attempt to interpret the “dark places.” The first Russian translation of “Poetics” was made by B. Ordynsky and published in 1854, however, the Russian reader was familiar with the contents of the treatis

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IN, Soo-Bong. "The Reception of African American Literature in the Poetry of Han Heuk-Gu." K-Culture·Story Contents Reasearch Institute 6 (January 30, 2025): 127–43. https://doi.org/10.56659/kcsc.2025.01.127.

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Korean American literature, when viewed in the context of modern Korean literature, appears relatively modest in both volume and influence on the Korean literary scene compared to Korean literature from Japan or China. Han Heuk-gu, a first-generation Korean American immigrant fluent in both Korean and English, was a rare figure during the colonial era who engaged in both creative writing and translation while experiencing life as an international student in the United States. During his time in the U.S., Han Heuk-gu produced a diverse range of works, including poetry, fiction, essays, critique

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Γεωργακάκη, Ε. "A young student translates ancient Greek drama: a passage of Euripides’ Phoenissai translated by Alexandros Rizos Rangavis (1824)." Kathedra, no. 18(1) (May 15, 2024): 101–16. http://dx.doi.org/10.52607/26587157_2024_18_101.

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Το μελέτημα αναφέρεται στη μεταφραστική άσκηση που ανέθεσε στον φοιτούντα στο Ελληνικό Σχολείο της Οδησσού, Αλέξανδρο Ρίζο Ραγκαβή, ο δάσκαλός του Κωνσταντίνος Βαρδαλάχος, στο πλαίσιο μεταφραστικών δοκιμών στους αρχαίους κλασικούς. Ο Ραγκαβής επέλεξε ένα απόσπασμα από τις Φοίνισσες του Ευριπίδη, το οποίο χώρισε σε τρεις σκηνές και το μετέφρασε σε ομοιοκατάληκτο δεκαπεντασύλλαβο στίχο. Ένα μετάφρασμα, που φανερώνει τη φιλότιμη προσπάθεια του νεαρού Αλέξανδρου να αποδώσει τη δραματική ποίηση σε μέτρο, σε αντίθεση με την καθοδήγηση του δασκάλου του, Κ. Βαρδαλάχου, ο οποίος συντασσόταν με την απόδ

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Jawad, Areej Muhammad, and Rana Jabir Obed. "The New Penelopean Poetics: A Feminist Reassessment of the Victimization of Women in Edna St. Vincent Millay’s ‘‘The Ballad of the Harp-Weaver’’ and ‘‘An Ancient Gesture’’." Kufa Journal of Arts 1, no. 25 (2016): 47–60. http://dx.doi.org/10.36317/kaj/2015/v1.i25.6293.

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The Greeks have a certain authority, for they are the source of the Western traditions of poetry, philosophy, and science. The figure of Penelope in the Homeric epic can be seen as a symbol not only for woman’s trials in general but also for the trials of the woman artist in a man’s world. This study explores the penelopean myth as ideological tool of patriarchal system and it argues that gender stereotypes set in Greek myths have been recreated later by the modern American poet, Edna St. Vincent Millay. Encouraged by the feminist movement, Millay revised and rewrote the penelopean myth highli

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Hardwick, Lorna. "'Murmurs in the Cathedral': The Impact of Translations from Greek Poetry and Drama on Modern Work in English by Michael Longley and Seamus Heaney." Yearbook of English Studies 36, no. 1 (2006): 204–15. http://dx.doi.org/10.1353/yes.2006.0041.

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Sherman, William E. B. "In the Garden of Language: Religion, Vernacularization, and the Pashto Poetry of Arzānī in the Sixteenth and Seventeenth Centuries." Afghanistan 5, no. 1 (2022): 122–47. http://dx.doi.org/10.3366/afg.2022.0086.

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This article presents translations and analyses of some of the earliest known examples of Pashto literature: the poems of a figure known as Mullā Arzānī. The Pashto ghazals of Arzānī reflect a Sufi and messianic religio-cultural milieu in which Pashto is understood to be a divine language. An exploration of Arzānī’s poetry and Arzānī’s understanding of his own language use presents a strong challenge to the overly deterministic role that notions of “Pashtun identity” have played in Euro-American understandings of Pashto literature. Arzānī’s use of Pashto aimed not to express Pashtun ethnic ide

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Andoková, Marcela, and Róbert Horka. "Persuasive Function of Sound Figures in Augustine’s Homilies on the Psalms of Ascents and Their Translation into Modern Languages." Vox Patrum 85 (March 15, 2023): 149–66. http://dx.doi.org/10.31743/vp.14557.

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Augustine’s sermons and exegetical homilies have been recently studied by modern scholars not only from the point of view of their contents but also their rhetorical form. This is true especially in those cases where we deal with authentic speeches reflecting the language culture of his audience. One of the most characteristic features of Augustine’s homiletic style is antithetic parallelism which occurs frequently in his homilies on Psalms and results from the author’s own way of thinking. Here we do not deal that much with the biblical parallelism of thought, present in the Hebrew poetry, pa

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Романова, Г. И. "ТЕРМИН ОБРАЗ: К ИСТОКАМ ЛИТЕРАТУРОВЕДЧЕСКОЙ ТРАДИЦИИ (ПО «ПИСЬМАМ РУССКОГО ПУТЕШЕСТВЕННИКА» Н. М. КАРАМЗИНА»)". Русистика и компаративистика, № 13 (24 червня 2019): 8–19. http://dx.doi.org/10.25688/2619-0656.2019.13.01.

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В статье речь идет о начальном этапе использования слова образ как литературоведческого понятия в произведениях писателей XVIII в. На основе сравнительного анализа словарей XIX в. установлено, что это слово могло обозначать и формальные, и содержательные аспекты явлений. Показаны особенности использования данного слова в книге Н. М. Карамзина Письма русского путешественника, где оно встречается и в переводах цитируемых светских текстов западноевропейских писателей, и в описаниях явлений культа The article deals with the initial stage of using the word image as the term of the literary criticis

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Burmistrov, Sergey L. "On One Intercultural Parallel in the Philosophy of Language: Humboldt, Emerson, Bhartrhari." Vestnik Tomskogo gosudarstvennogo universiteta, no. 458 (2020): 60–71. http://dx.doi.org/10.17223/15617793/458/7.

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The aim of the study was to reveal the cause of the noteworthy resemblance between Wilhelm von Humboldt’s view of the nature of language, the conception of poetry in American Romanticism, and the philosophy of language in early Vedānta (Bhartṛhari, 5th century AD) that demonstrates a non-accidental affinity of the views on the associations of language and poetry between Indian and Western cultures. Five tasks were set for solving the problem: (1) to reveal the basic principles of Humboldt’s conception of language; (2) to explicate the basic traits of Ralf Emerson’s views on the nature of poetr

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Abbey, Tristan. "In the Shadow of the Palms: The Selected Works of David Eugene Smith." Perspectives on Science and Christian Faith 75, no. 2 (2023): 135–37. http://dx.doi.org/10.56315/pscf9-23abbey.

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IN THE SHADOW OF THE PALMS: The Selected Works of David Eugene Smith by Tristan Abbey, ed. Alexandria, VA: Science Venerable Press, 2022. xii + 155 pages, including a Glossary of Biosketches. Paperback; $22.69. ISBN: 9781959976004. *David Eugene Smith (1860-1944) may not be a household name for readers of this journal, but he deserves to be better known. An early-twentieth-century world traveler and antiquarian, his collaboration with publisher and bibliophile George Arthur Plimpton led to establishing the large Plimpton and Smith collections of rare books, manuscripts, letters, and artefacts

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Gätje, Helmut. "Arabische Lexikographie Ein Historischer Überblick." Historiographia Linguistica 12, no. 1-2 (1985): 105–47. http://dx.doi.org/10.1075/hl.12.1-2.06gat.

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Summary The first part of the article (Sect. 1–6), an earlier version of which appeared in 1964, constitutes a survey of medieval Arabic lexicography, which resulted in the conlusion that the works of these lexicographers could not be used, according to modern standards, as primary sources for lexical studies of Arabic, as has frequently been done up to now. It is characteristic of medieval Arabic lexicography that it was limited to the study of Classical Arabic, the literary language of Islamic society until the end of the tenth century. The beginnings of Arabic lexicography date back to the

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Шарма Сушіл Кумар. "Indo-Anglian: Connotations and Denotations." East European Journal of Psycholinguistics 5, no. 1 (2018): 45–69. http://dx.doi.org/10.29038/eejpl.2018.5.1.sha.

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A different name than English literature, ‘Anglo-Indian Literature’, was given to the body of literature in English that emerged on account of the British interaction with India unlike the case with their interaction with America or Australia or New Zealand. Even the Indians’ contributions (translations as well as creative pieces in English) were classed under the caption ‘Anglo-Indian’ initially but later a different name, ‘Indo-Anglian’, was conceived for the growing variety and volume of writings in English by the Indians. However, unlike the former the latter has not found a favour with th

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Dr., Gaurav Gaud. "The Role of English Language and Literature in Cultivating Students' Language Skills." Educational Resurgence Journal 8, no. 1 (2025): 42–50. https://doi.org/10.5281/zenodo.14723177.

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Abstract Many non-native and native speakers all around the world have proven that English is an international language. It is sometimes referred to as the global language since it is the primary means of communication across countries. In our nation, the usage of English as a common language play an essential role in education. English learners must place strong emphasis on the use of communication. The ultimate goal of language instruction is to improve communication skills. Pragmatics is the method in which meaning is transferred through communicating, and linguistic skill is regarded as an

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Päll, Janika. "Uusklassikaline luuletraditsioon varauusaja Tallinnas ja Tartus / Humanist Greek and Neo-Latin poetry in Early Modern Tallinn and Tartu." Methis. Studia humaniora Estonica 13, no. 16 (2017). http://dx.doi.org/10.7592/methis.v13i16.12452.

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Teesid: Käesolev artikkel käsitleb uusklassikalist luulet ehk luulet, mis tärkab humanistliku hariduse pinnalt ja on loodud nn klassikalistes keeltes ehk vanakreeka ja ladina keeles. Artikli esimene pool toob välja paar üldist probleemi varauusaja poeetika käsitlemises nii Eestis kui mujal. Teises osas esitatakse alternatiivina mõned näited (autoriteks G. Krüger, H. Vogelmann, L. Luden, O. Hermelin ja H. Bartholin) Tartu ja Tallinna uusklassikalisest luulest värsstõlkes koos poeetika analüüsidega, avalikkusele tundmata luuletuste puhul esitatakse ka originaaltekstid. SUMMARYThis article discus

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Pilter, Lauri. "Jüri Talvet maailmaluule tõlgendajana / Jüri Talvet’s Interpretations of World Poetry." Methis. Studia humaniora Estonica 14, no. 17/18 (2017). http://dx.doi.org/10.7592/methis.v14i17/18.13211.

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Teesid: Tartu Ülikooli maailmakirjanduse professori, luuletaja, kirjandusteadlase ja hispaaniakeelse kirjanduse spetsialisti Jüri Talveti tõlketegevuse viljade hulka kuulub luulet ja proosat nii sajandeid vanast Hispaania klassikast kui ka 20. sajandil või tänapäeval romaani keeltes või inglise keeles loodud teostest. Käesolev artikkel keskendub sellele, kuidas professor Talvet on tõlgendanud luule ja poeetika, kuid ka kirjandusajaloo, iseäranis barokk-kirjanduse alaseid küsimusi oma kirjandusteaduslikes esseedes. Vaadeldakse ka tema tõlketegevuse mahtu ja tõlketöö põhimõtteid. Jüri Talvet (bo

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Curran, Bev. "Portraits of the Translator as an Artist." M/C Journal 4, no. 4 (2001). http://dx.doi.org/10.5204/mcj.1923.

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The effects of translation have been felt in the development of most languages, but it is particularly marked in English language and literature, where it is a highly charged topic because of its fundamental connection with colonial expansion. Britain shaped a "national" literary identity through borrowing from other languages and infected and inflected other languages and literatures in the course of cultural migrations that occurred in Europe since at least the medieval period onward. As Stephen Greenblatt points out in his essay, "Racial Memory and Literary History," the discovery that Engl

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Chia, Philip S. "Das geheimnisvolle Wort ‘Michtam’." Verbum et Ecclesia 45, no. 1 (2024). http://dx.doi.org/10.4102/ve.v45i1.3159.

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The mysterious word “Michtam”: The Hebrew word מִכְתָּם appears six times in the Hebrew Bible and it only occurs in the book of Psalms at the beginning of the chapter (16:1, 56:1, 57:1, 58:1, 59:1, 60:1). This Hebrew word has been understood differently. For instances, PONS Kompaktwörterbuch Althebräisch (2015) leaves it untranslated, while the other sources translate מִכְתָּם as inscription, prayer, or song. Two of the most notable Hebrew lexica, and Theological Wordbook of the Old Testament (TWOT), state that the meaning of מִכְתָּם is unknown. Modern English Bible translations also differ i

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Fomeshi, Behnam. "'The Female Rumi' and Feminine Mysticism: 'God's Weaver' by Parvin Iʿtisami". 1 вересня 2021. https://doi.org/10.1080/13530194.2021.1971513.

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Parvin Iʿtisami (1907–1941), the first important twentieth-century woman poet of Iran, was well versed in classical Persian poetry. Her knowledge of English language and education at the American school for girls as well as her father’s translations from foreign literature contributed to her appreciation of modern ideas, including women’s rights. Unlike some of her contemporaries in the early twentieth century who tried to revolutionize the form of Persian poetry, she expanded the potentiality of poetic language in its traditional forms. Iʿtisami’s profound knowledge of

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Stievermann, Jan. "Cotton Mather’s Biblical Enlightenment: Critical Interrogations of the Canon and Revisions of the Common Translation in the Biblia Americana (1693–1728)." Journal of the Bible and its Reception, March 27, 2024. http://dx.doi.org/10.1515/jbr-2023-0023.

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Abstract While there exists a robust scholarship on the cultural influences and public uses of the Bible in early American history, the historical development of biblical scholarship in America remains relatively understudied. The prevalent view suggests that biblical scholarship in America had its critical awakening with the importation of German Higher Criticism to northeastern divinity schools in the nineteenth century. This essay makes a corrective intervention by looking at Cotton Mather’s unpublished Biblia Americana (1693–1728), the first comprehensive Bible commentary to be authored in

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Ayoub, Ramy. "The Global Influence of Rap From Africa to the World." Global Influence of Rap: From Africa to the World, December 6, 2016. https://doi.org/10.5281/zenodo.15505510.

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<strong>The Global Influence of Rap: From Africa to the World</strong>   By Ramy Ayoub Dec. 2016, Mombasa, Kenya.   <strong>The Global Influence of (Rap) Rhythm and Poetry: From Africa to the World</strong> As rap music evolved in the Bronx during the 1970s and 1980s, it quickly transcended its local origins, gaining traction across the United States and around the world. Yet, the genre’s deeper roots trace back over a thousand years, shaped by a rich history of cultural exchange long before it emerged on the streets of New York. Beginning in the early centuries of trans-Sahara

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Rolls, Alistair. "The Re-imagining Inherent in Crime Fiction Translation." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1028.

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Introduction When a text is said to be re-appropriated, it is at times unclear to what extent this appropriation is secondary, repeated, new; certainly, the difference between a reiteration and an iteration has more to do with emphasis than any (re)duplication. And at a moment in the development of crime fiction in France when the retranslation of now apparently dated French translations of the works of classic American hardboiled novels (especially those of authors like Dashiell Hammett, whose novels were published in Marcel Duhamel’s Série Noire at Gallimard in the decades following the end

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Felski, Rita. "Critique and the Hermeneutics of Suspicion." M/C Journal 15, no. 1 (2011). http://dx.doi.org/10.5204/mcj.431.

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Anyone contemplating the role of a “hermeneutics of suspicion” in literary and cultural studies must concede that the phrase is rarely used—even by its most devout practitioners, who usually think of themselves engaged in something called “critique.” What, then, are the terminological differences between “critique” and “the hermeneutics of suspicion”? What intellectual worlds do these specific terms conjure up, and how do these worlds converge or diverge? And what is the rationale for preferring one term over the other?The “hermeneutics of suspicion” is a phrase coined by Paul Ricoeur to captu

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Hutcheon, Linda. "In Defence of Literary Adaptation as Cultural Production." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2620.

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   Biology teaches us that organisms adapt—or don’t; sociology claims that people adapt—or don’t. We know that ideas can adapt; sometimes even institutions can adapt. Or not. Various papers in this issue attest in exciting ways to precisely such adaptations and maladaptations. (See, for example, the articles in this issue by Lelia Green, Leesa Bonniface, and Tami McMahon, by Lexey A. Bartlett, and by Debra Ferreday.) Adaptation is a part of nature and culture, but it’s the latter alone that interests me here. (However, see the article by Hutcheon and Bortolotti for a discussi

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Emilio Faroldi. "The architecture of differences." TECHNE - Journal of Technology for Architecture and Environment, May 26, 2021, 9–15. http://dx.doi.org/10.36253/techne-11023.

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Following in the footsteps of the protagonists of the Italian architectural debate is a mark of culture and proactivity. The synthesis deriving from the artistic-humanistic factors, combined with the technical-scientific component, comprises the very root of the process that moulds the architect as an intellectual figure capable of governing material processes in conjunction with their ability to know how to skilfully select schedules, phases and actors: these are elements that – when paired with that magical and essential compositional sensitivity – have fuelled this profession since its orig

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Franks, Rachel. "Cooking in the Books: Cookbooks and Cookery in Popular Fiction." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.614.

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Introduction Food has always been an essential component of daily life. Today, thinking about food is a much more complicated pursuit than planning the next meal, with food studies scholars devoting their efforts to researching “anything pertaining to food and eating, from how food is grown to when and how it is eaten, to who eats it and with whom, and the nutritional quality” (Duran and MacDonald 234). This is in addition to the work undertaken by an increasingly wide variety of popular culture researchers who explore all aspects of food (Risson and Brien 3): including food advertising, food

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Tsiris, Giorgos, and Enrico Ceccato. "Our sea: Music therapy in dementia and end-of-life care in the Mediterranean region." Approaches: An Interdisciplinary Journal of Music Therapy 12, no. 2 (2020). http://dx.doi.org/10.56883/aijmt.2020.174.

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OPENING Welcome to this special feature of Approaches, which was inspired by the 1st Mediterranean Music Therapy Meeting. Organised by the Giovanni Ferrari Music Therapy School of Padua, with the support of the Italian Association of Professional Music Therapists (AIM) and the Italian Confederation of Associations and Music Therapy Schools (CONFIAM), this event took place on 22nd September 2018 in Padua, Italy. Reflecting the theme of this meeting, Dialogue on Music Therapy Interventions for Dementia and End-of-Life Care: Voices from Beyond the Sea, this special feature aims to raise awa

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Carroll, Richard. "The Trouble with History and Fiction." M/C Journal 14, no. 3 (2011). http://dx.doi.org/10.5204/mcj.372.

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Historical fiction, a widely-read genre, continues to engender contradiction and controversy within the fields of literature and historiography. This paper begins with a discussion of the differences and similarities between historical writing and the historical novel, focusing on the way these forms interpret and represent the past. It then examines the dilemma facing historians as they try to come to terms with the modern era and the growing competition from other modes of presenting history. Finally, it considers claims by Australian historians that so-called “fictive history” has been best

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