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Books on the topic 'American Portrait miniatures'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 February 2023

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1

Hall, Audrey. American miniatures. Philadelphia, Pa. (1806 Chestnut St., Philadelphia 19103): Schwarz, 1990.

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2

E, Strickler Susan, and Gibson Marianne E, eds. American portrait miniatures: The Worcester Art Museum collection. Worcester, Mass: The Museum, 1989.

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3

Johnson, Dale T. American portrait miniatures in the Manney collection. New York: Metropolitan Museum on Art, 1990.

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4

Dix, Eulabee. Eulabee Dix portrait miniatures: An American Renaissance. [Washington, D.C.]: National Museum of Women in the Arts, 1994.

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5

Frank, Robin Jaffee. Love and loss: American portrait and mourning miniatures. New Haven, Conn: Yale University Art Gallery, 2000.

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6

Julie, Aronson, and Wieseman Marjorie E, eds. Perfect likeness: European and American portrait miniatures from the Cincinnati Art Museum. New Haven: Yale University Press, 2006.

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7

New York. American portrait miniatures in the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 2010.

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8

New York. American portrait miniatures in the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, 2010.

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9

Danly, Susan. Facing the past: Nintheenth century portraits from the collection of the Pennsylvania Academy of Fine Arts. New York: American Federation of Arts, 1992.

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10

New York. European miniatures in the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1996.

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11

1875-1931, Stanton Lucy M., Ladis Andrew 1949-, and Georgia Museum of Art, eds. The art of Lucy May Stanton. [Athens]: Georgia Museum of Art, University of Georgia, 2002.

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12

Metropolitan Museum of Art (New York, N.Y.), ed. Modern design in the Metropolitan Museum of Art, 1890-1990. New York: The Museum, 1990.

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13

Strickle. American Portrait Miniatures. Worcester Art Museum, 1989.

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14

Johnson, Dale T. American Portrait Miniatures: In the Manney Collection. Abrams, Inc., 1991.

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15

Aiken, Carol, and Dale T. Johnson. American Portrait Miniatures in the Manney Collection. Yale University Press, 2012.

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16

American portrait miniatures in the Manney collection. Metropolitan Museum of Art, 1990.

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17

Aiken, Caron, and Dale T. Johnson. American Portrait Miniatures in the Manney Collection. Yale University Press, 2000.

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18

Love and Loss : American Portrait and Mourning Miniatures. Yale University Art Gallery, 2000.

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19

Frank, Robin Jaffe. Love and Loss: American Portrait and Mourning Miniatures. Yale University Press, 2000.

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20

Love and Loss: American Portrait and Mourning Miniatures. Yale University Art Gallery, 2000. http://dx.doi.org/10.37862/aaeportal.00078.

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21

Wieseman, Marjorie E., and Julie Aronson. Perfect Likeness: European and American Portrait Miniatures from the Cincinnati Art Museum. Yale University Press, 2006.

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22

Wieseman, Marjorie E., and Julie Aronson. Perfect Likeness: European and American Portrait Miniatures from the Cincinnati Art Museum. Yale University Press, 2006.

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23

Facing the Past: Nineteenth-Century Portraits from the Collection of the Pennsylvania Academy of the Fine Arts. Pennsylvania Academy of the Fine, 1992.

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24

Fowler, Betty Alice, Lucy M. Stanton, and Andrew Ladis. The Art of Lucy May Stanton: Essays. Georgia Museum of Art, 2003.

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25

Rufus Porter's Curious World: Art and Invention in America, 1815-1860. Pennsylvania State University Press, 2019.

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26

Miller, R. Craig. Modern Design in the Metropolitan Museum of Art, 1890-1990. Yale University Press, 2013.

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27

Waugh, Carol-Lynn Rossel. Petite Portraits: Miniature Dolls by Contemporary American Doll Artists. Bookthrift Co, 1987.

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28

Lippert, Amy K. DeFalco. From the Cradle to the Grave: Visualizing the Life Cycle. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190268978.003.0005.

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Abstract:

Images were so bound up with the concept of mortality, and such potent reminders of the unceasing and irreversible onslaught of time, that they soon came to play a critical role as markers along the key junctures of both individual and family lifespans in nineteenth-century America. They commemorated births, deaths, and everything in between. The residents of a far-flung city like San Francisco were all the more reliant on two-dimensional substitutes for their absent kin. Painted portraits and miniatures had previously served similar functions as documentation of significant events or achievements, but only as mediated by an artist’s hand, with a limited replication and distribution capacity, and primarily for a small upper echelon of the population. It was fitting that photography, the most democratic of all media, should preserve memories of loved ones after their demise—death being among the most democratic of life experiences.

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