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Books on the topic 'American post war art history'

Author: Grafiati

Published: 4 June 2021

Last updated: 19 February 2022

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1

Remaking the conquering heroes: The social and geopolitical impact of the post-war American occupation of Germany. Palgrave, 2001.

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2

Cosmopoulos, Michael B. Experiencing war: Trauma and society from ancient Greece to the Iraq War. Ares Publishers, 2007.

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3

Irish Museum of Modern Art (Kilmainham, Dublin, Ireland), ed. Post-war American art: The Novak/O'Doherty collection. Irish Museum of Modern Art/Áras nua Ealaíne na hÉireann, 2010.

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4

1960-, Stange Raimar, ed. International art galleries: Post-war to post-millennium. DuMont, 2005.

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5

Grosenick, Uta. International art galleries: Post-war to post-millennium. DuMont, 2005.

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6

Stanley, Bob. Match day: Football programmes, post-war to Premiership. Fuel, 2006.

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7

Ratcliff, Carter. The fate of a gesture: Jackson Pollock and post-war American art. Farrar, Straus, Giroux, 1996.

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8

Campbell, Louise. Coventry Cathedral: Art and architecture in post-war Britain. Clarendon Press, 1996.

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9

Blinderman, Barry. Post-hypnotic. University Galleries, Illinois State University, 1999.

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10

Khidekel, Regina. It's the real thing: Soviet and post-Soviet sots art and American pop art. Frederick R. Weisman Art Museum, 1998.

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11

Repression and realism in post-war American literature. Palgrave Macmillan, 2011.

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12

Romjue, John L. American Army doctrine for the post-Cold War. Military History Office, United States Army Training and Doctrine Command, 1996.

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13

Thomas Bernhard's comic materialism: Class, art, and "socialism" in post-war Austria. Peter Lang, 2012.

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14

Post-war Italian cinema: American intervention, Vatican interests. Routledge, 2008.

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15

Wandor, Michelene. Post-War British Drama. Taylor & Francis Group Plc, 2004.

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16

La retorica dell'arte contemporanea: Collis & Milazzo e la svolta post-neo-concettuale dell'arte negli anni '80. Campanotto, 2011.

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17

The art of war in an asymmetric world: Strategy for the post-cold war era. Continuum International Pub. Group, 2012.

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18

1952-, Deacon Deborah A., ed. American women artists in wartime, 1776-2010. McFarland & Company, Inc., 2011.

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19

Ethell, Jeffrey L. World War II nose art in color. Motorbooks International, 1993.

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20

Thompson, Mary Emma. Let's look for industry in Illinois post offices. Mary Emma Thompson, 2008.

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21

Thompson, Mary Emma. Let's look for farming in Illinois post offices. Mary Emma Thompson, 2008.

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22

Lloyd, Bill, and Sheppard Kaufman. The American presidents: 1945-2010, post war & contemporary United States. Disney Educational Productions, 2010.

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23

Mazur, Zygmunt. The representation of history in post-war American fiction (1945-1980). Uniwersytet Jagielloński, 2001.

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24

Parisi, Philip. The Texas Post Office murals: Art for the people. Texas A&M University Press, 2003.

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25

New American design: Products and graphics for a post-industrial age. Rizzoli, 1988.

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26

Vinton, David K. Topic: The U.S.₋Liberian dollar parity : its post₋war economic implications. University of Liberia, 1993.

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27

Carrying the war to the enemy: American operational art to 1945. University of Oklahoma Press, 2011.

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28

The birth of love: Dus̆an and Voitre Marek, artist brothers in Czechoslovakia and post-war Australia. Moon Arrow Press, 2008.

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29

M, Campbell John. War paint: Fighter nose art from WWII & Korea. Motorbooks International, 1990.

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30

Schubert, Frank N. Other than war: The American military experience and operations in the post-Cold War decade. Joint History Office, Office of the Chairman of the Joint Chiefs of Staff, 2013.

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31

Alford, Kenneth D. The spoils of World War II: The American military's role in the stealing Europe's treasures. Carol Pub. Group, 1994.

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32

Opting out: Deviance and generational identities in American post-war cult fiction. Rodopi, 2012.

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33

Thompson, Mary Emma. Let's look for transportation in Illinois post offices. Mary Emma Thompson, 2010.

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34

Alford, Kenneth D. The spoils of World War II: The American military's role in the stealing of Europe's treasures. Carol Pub. Group, 1994.

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35

1943-, Snow Donald M., ed. The eagle's talons: The American experience at war. Air University Press, 1988.

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36

Kaplan, Martin. Warners' war: Politics, pop culture & propaganda in wartime Hollywood. Norman Lear Center Press, 2004.

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37

M, Thomas Adam, Dixon Gallery and Gardens, and Katonah Museum of Art, eds. Bold, cautious, true: Walt Whitman and American art of the Civil War era. Dixon Gallery and Gardens, 2009.

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38

Dickson, Paul. War slang: American fighting words and phrases since the Civil War. 3rd ed. Dover Publications, 2011.

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39

Ragsdale, Lyn, and Jerrold G. Rusk. The Post-War Period: 1946–1972. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190670702.003.0007.

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Abstract: The chapter considers nonvoting after World War II, a unique electoral period in American history with the lowest nonvoting rates of any period from 1920–2012. The post-war period also boasts the highest economic growth rate of any of the four periods, coupled with the early days of television which transformed politics in the 1950s. In general, economic growth and the introduction of television move nonvoting rates downward. The chapter also considers in detail the struggles leading to the Voting Rights Act of 1965 and the law’s impact on nonvoting rates among African Americans. It

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40

Abramson, Ralph. Modern American art and post World War II anti-communism. 1985.

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41

Hoffmann, Jens, Sylvia Martin, Barbara Hess, et al. International Art Galleries: Post-War to Post-Millennium. Dumont Literatur und Kunst Verlag, 2006.

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42

Reading Reconstruction: Sherwood Bonner and the Literature of the Post-Civil War South. LSU Press, 2019.

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43

Müller, Timo. The African American Sonnet. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496817839.001.0001.

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Some of the most famous African American poems are sonnets: Claude McKay’s “If We Must Die,” Countee Cullen’s “Yet Do I Marvel,” Gwendolyn Brooks’s “First fight. Then fiddle.” Few readers realize that these poems come from a rich tradition of more than a thousand sonnets written by African American poets over a century and a half. The African American Sonnet: A Literary History traces this forgotten tradition from the nineteenth century to the present. Based on extensive archival research, the study demonstrates that closer attention to the sonnet modifies our understanding of key developments

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44

Brown, Katherine A. Your Country, Our War. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190879402.001.0001.

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This book reviews how news intersects with international politics and discusses the global power and reach of the U.S. news media, especially within the context of the post-9/11 era. It is based on years of interviews conducted between 2009 and 2017, in Kabul, Washington, and New York. The book draws together communications scholarship on hegemony and the U.S. news media’s relationship with American society and the government (i.e. indexing and cascading; agenda-building and agenda-setting; framing; and conflict reportage) along with how national bias and ethnocentrism are fixed phenomena in i

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45

Ultra Baroque: Aspects of Post Latin American Art. Museum of Contemporary Art, San Diego, 2000.

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46

Art and the American Civil War. Taylor & Francis Group, 2016.

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47

Museum, Smithsonian American Art, and Metropolitan Museum of Art (New York, N.Y.), eds. The Civil War and American art. Smithsonian American Art Museum, 2012.

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48

The Fate of a Gesture: Jackson Pollock and Post-War American Art. Farrar, Straus and Giroux, 1996.

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49

Post-Impressionism to World War II (Blackwell Anthologies in Art History). Blackwell Publishing Limited, 2005.

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50

Lewer, Debbie. Post-Impressionism to World War II (Blackwell Anthologies in Art History). Blackwell Publishing Limited, 2005.

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