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1

Huntsperger, David W. Procedural Form in Postmodern American Poetry. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230106109.

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2

Foster, Edward Halsey. Postmodern poetry: The Talisman interviews. Talisman House, 1994.

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3

The Arcadia project: North American postmodern pastoral. Ahsahta Press, 2012.

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4

Style and authenticity in postmodern poetry. University of Missouri Press, 1986.

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5

Overheard voices: Address and subjectivity in postmodern American poetry. Routledge, 2005.

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6

Conte, Joseph Mark. Unending design: The forms of postmodern poetry. Cornell University Press, 1991.

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7

Huntsperger, David. Procedural form in postmodern American poetry: Berrigan, Antin, Silliman, Hejinian. Palgrave Macmillan, 2010.

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8

Huntsperger, David W. Procedural form in postmodern American poetry: Berrigan, Antin, Silliman, Hejinian. Palgrave Macmillan, 2010.

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9

name, No. Assembling alternatives: Reading postmodern poetries transnationally. Wesleyan University Press, 2003.

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10

Procedural form in postmodern American poetry: Berrigan, Antin, Silliman, and Hejinian. Palgrave Macmillan, 2010.

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11

Tuma, Keith. Fishing by obstinate isles: Modern and postmodern British poetry and American readers. Northwestern University Press, 1998.

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12

Politics and form in postmodern poetry: O'Hara, Bishop, Ashbery, and Merrill. Cambridge University Press, 1995.

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13

Comens, Bruce. Apocalypse and after: Modern strategy and postmodern tactics in Pound, Williams, and Zukofsky. University of Alabama Press, 1995.

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14

The still performance: Writing, self, and interconnection in five postmodern American poets. University Press of Virginia, 1989.

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15

The American avant-garde tradition: William Carlos Williams, postmodern poetry, and the politics of cultural memory. Bucknell university Press, 1997.

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16

S, Baumlin James, and Knickerbocker Eric, eds. A postmodern scrapbook: Jim W. Corder on living and dying in West Texas. Moon City Press, 2008.

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17

Midcentury quartet: Bishop, Lowell, Jarrell, Berryman, and the making of a postmodern aesthetic. University Press of Virginia, 1999.

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18

De Zordo, Ornella, ed. Saggi di anglistica e americanistica. Firenze University Press, 2010. http://dx.doi.org/10.36253/978-88-6453-022-2.

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Saggi brings together the results of the research activity carried out in 2008 on the PhD course in English and American Studies (Department of Modern Philology, University of Florence). The seven contributions relate to the theatre, narrative, poetry, autobiographical writing and correspondence, and range from the Renaissance up to the present day, offering critical perspectives that go from the analysis of the postmodern identity to the phenomenon of rewriting, from reception theories to comparative studies, and from literary topography to computational linguistics. The heterogeneity of the
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19

Đurić, Dubravka. Poezija teorija rod: Moderne i postmoderne američke pesnikinje. Orion art, 2009.

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20

Modern poetry after modernism. Oxford University Press, 1997.

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21

Reichardt, Ulfried. Innenansichten der Postmoderne: Zur Dichtung John Ashberys, A. R. Ammons', Denise Levertovs und Adrienne Richs. Königshausen & Neumann, 1991.

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22

1946-, Hoover Paul, ed. Postmodern American poetry: A Norton anthology. Norton, 1994.

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23

Postmodern American Poetry: A Norton Anthology. W. W. Norton, 1994.

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24

Postmodern American Poetry: A Norton Anthology. W. W. Norton, 2013.

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25

Hoover, Paul. Postmodern American Poetry: A Norton Anthology. W. W. Norton & Company, 1994.

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26

1939-, Frank Robert J., and Sayre Henry M. 1948-, eds. The Line in postmodern poetry. University of Illinois Press, 1988.

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27

Keniston, Ann. Overheard Voices: Address and Subjectivity in Postmodern American Poetry. Taylor & Francis Group, 2014.

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28

Dialects of the tribe : postmodern American poets and poetry. Nacogdoches, TX : Stephen F. Austin State University Press,, 2012.

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29

1956-, Finch Annie, and Schultz Susan M. 1958-, eds. Multiformalisms: Postmodern poetics of form. Textos Books, 2008.

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30

Hoover, Paul. Classroom Guide to Accompany Postmodern American Poetry: A Norton Anthology. R.S. Means Company, 1994.

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31

Hoover, Paul. Classroom Guide to Accompany Postmodern American Poetry: A Norton Anthology. R.S. Means Company, 1994.

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32

1959-, Huk Romana, ed. Assembling alternatives: Reading postmodern poetries transnationally. Wesleyan University Press, 2003.

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33

Golston, Michael. Poetic Machinations: Allegory, Surrealism, and Postmodern Poetic Form. Columbia University Press, 2015.

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34

Golston, Michael. Poetic Machinations: Allegory, Surrealism, and Postmodern Poetic Form. Columbia University Press, 2015.

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35

The testimonies of Russian and American postmodern poetry: Reference, trauma, and history. 2015.

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36

Keniston, Ann. Overheard Voices: Address and Subjectivity in Postmodern American Poetry (Literary Criticism and Cultural Theory). Routledge, 2006.

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37

Politics and Form in Postmodern Poetry: O'Hara, Bishop, Ashbery, and Merrill (Cambridge Studies in American Literature and Culture). Cambridge University Press, 2009.

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38

Shamma, Yasmine. Spatial Poetics. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198808725.001.0001.

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Emphatically coming after the enthusiastic, dexterous, and avant-garde First Generation New York School poets, the Second Generation New York School poets Ted Berrigan, Alice Notley, Ron Padgett, and Joe Brainard engaged with highways and byways of both the poetic line and Manhattan’s grid. These poets lived in and wrote from alternative domestic spaces—untidy, disordered, congested apartments in downtown New York City. This study argues that the forms of their poems are accordingly untraditional, highlighting how New York School stanzas often take on the contours of these spaces, becoming lin
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39

(Editor), Donald Allen, and George F. Butterick (Editor), eds. The Postmoderns: The New American Poetry Revised. Grove Press, 1994.

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40

John, Beverley, Aronna Michael, and Oviedo José, eds. The postmodernism debate in Latin America. Duke University Press, 1995.

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