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Journal articles on the topic 'American Postmodernism'

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Published: 4 June 2021

Last updated: 1 February 2022

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1

Manning, Susan. "Reggie Wilson and the Traditions of American Dance." TDR/The Drama Review 59, no. 1 (March 2015): 12–24. http://dx.doi.org/10.1162/dram_a_00425.

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The significance of Reggie Wilson’s research-to-performance method within the canons of American dance arises from the way his distinctive approach confounds critical categories, blurring the divide between Black Dance and black postmodernism. Is his work too postmodernist for advocates of Black Dance and too Black for advocates of postmodernism?

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2

Matei, Alexandru. "Post-modern-east ou comment peut-on être « post-moderniste sans post-modernité » et sans Lyotard ?" Interlitteraria 26, no. 1 (August 31, 2021): 324–39. http://dx.doi.org/10.12697/il.2021.26.1.22.

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The Post-Modern East, or How Can We Be ‘Post-Modern without Postmodernity’ and without Lyotard? Despite the idea of the universality of ‘postmodernism’ as a new stage in the Western World, it is now clear that the term was coined, launched, adopted or rejected differently in different places, along local historical lines. Hence, we have not only an American and a European postmodernism, but also an East European postmodernism, what we shall call the Post-Modern East. We delineate its characteristics based on a survey that looked at how East European cultures adopted and discussed postmodernism around the moment that their socialist regimes were collapsing. We focus the analysis on a particular but synthetising version of the ‘postmodern’, specifically that of Lyotard. We hold that Lyotard is one of the few intellectuals who succeeded in thinking of politics, sociology, epistemology and aesthetics as tying together to form ‘postmodernity’; and that a few European intellectuals were ready to think of ‘postmodernity’ an epistemic challenge, beyond the distinction between soft and hard sciences. A fortiori, Eastern European cultures seized ‘postmodernism’ as an American fetish and identified the breakdown of totalitarianism as the achievement of happy ‘postmodernisation’. Thirty years later, these countries have realised that by embracing a certain version of ‘postmodern’, as they had done by the end of the 1980s, was generally a mimetic utopian gesture that needs revaluation.

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3

Savvas, Theophilus, and Christopher K. Coffman. "American fiction after postmodernism." Textual Practice 33, no. 2 (February 7, 2019): 195–212. http://dx.doi.org/10.1080/0950236x.2018.1505322.

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Khan, Mehwish Ali, and Fouzia Rehman Khan. "Intertextual Elements Highlighting the Postmodernist Features of Tangled (2010)." Global Language Review IV, no. II (December 30, 2019): 50–58. http://dx.doi.org/10.31703/glr.2019(iv-ii).08.

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The present study focuses on one of the contemporary American fairy tale movies to analyze the postmodernist aspects present in these movies. The researcher has selected the movie Tangled released in 2010 for this purpose, it is a remake of the famous fairy tale Rapunzel recorded by famous fairy tale writers, Jacob and Wilhelm Grimm. One of the most prominent patterns of analyzing the movies through the lens of postmodernism is the framework by Kevin Paul Smith, in his book The Postmodern Fairytale, Folkloric Intertexts in Contemporary Fiction. He has presented eight elements of intertextuality to examine the intertextual elements of the older fairy tales present in contemporary literature (2007). Analysis reveals these eight elements in Tangled (2010) that are evident in traces of postmodernity in the movie.

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5

Lushnikova, Galina I., and Tatiana Yu Osadchaia. "CONTAMINATION OF POSTMODERNIST AND POST-POSTMODERNIST TENDENCIES IN THE WORKS BY J. FRANZEN." Philological Class 26, no. 2 (2021): 200–211. http://dx.doi.org/10.51762/1fk-2021-26-02-17.

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The study focuses on the manifestation of the main literary trends – postmodernism and post-postmodernism – in the novels of the contemporary American writer J. Franzen, which has determined the purpose of the paper – to identify, characterize and analyze the leading features of the new literary tendencies that have obtained original interpretation in the writer’s literary creative activity. The article gives a brief overview of philosophical, cultural and literary criticism studies of both home and foreign scholars, which describe the vectors of development of the literary process at the present stage, pose various hypotheses with reference to the definition of these vectors, characterize them and suggest new terms for their nomination. The postmodernist and post-postmodernist tendencies are explored on the concrete material of the novels The Corrections and Purity by J. Franzen, in which they receive original interpretation and serve the purpose of impersonating the author’s ideas, unfolding the main themes, creating the characters and expressing the narration modality. The key method of research used in this paper is the method of interpretive analysis, which involves identifying content and semantic dominants and interpreting a work of fiction within a certain literary context, determining the inclusion of this work in the system of current literary movements and trends. The interpretive analysis of the works under investigation revealed various tendencies typical for the literary process of the post-postmodern era on the whole, the most important of which are the following: no clear distinction between postmodernism and post-postmodernism; realization and sophisticated interaction of elements of such new trends as metamodernism, cosmodernism, digimodernism, and automodernism. The results of the study can be used in literary analysis of modern fiction, and specifically in research works of different levels and in teaching at philological faculties of universities. The study argues that the novels by J. Franzen demonstrate the specific features of postmodernism and post-postmodernism, which reject the postmodernist principles and at the same time follow them, return to the realistic traditions and actualize new literary tendencies.

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6

Sloan, De Villo. "The Decline of American Postmodernism." SubStance 16, no. 3 (1987): 29. http://dx.doi.org/10.2307/3685195.

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7

Chiquete, Daniel. "LATIN AMERICAN PENTECOSTALISMS AND WESTERN POSTMODERNISM." International Review of Mission 92, no. 364 (January 2003): 29–39. http://dx.doi.org/10.1111/j.1758-6631.2003.tb00380.x.

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8

JAMES, SAMUEL. "LOUIS MINK, “POSTMODERNISM”, AND THE VOCATION OF HISTORIOGRAPHY." Modern Intellectual History 7, no. 1 (February 26, 2010): 151–84. http://dx.doi.org/10.1017/s1479244309990308.

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This essay reconstructs the intellectual development of the philosopher of history Louis O. Mink Jr, in order to illuminate the philosophical background to “postmodernism” in American historical epistemology. From around 1970, Mink was a prominent and influential defender of the view that historical narratives were imaginative constructions rather than representations of past actuality. This has since been understood as a characteristically postmodern view. Mink's wider sensibility, however, is better described as modernist than postmodernist. The crucial context for his philosophy was a hostility to “positivism” going back to his graduate years at Yale, and his epistemological views were of a piece with a defence of historical understanding as both distinctive and valuable. In both respects Mink was influenced by the philosophy of R. G. Collingwood, while he was himself an important influence on Hayden White. Mink's case therefore helps bridge the gap between interwar and later twentieth-century versions of Anglophone historical contructivism, while drawing attention to some cultural contexts in which the development of both modernist and postmodernist views of historiography must be understood.

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Garcia-Moreno, Laura, John Beverley, Jose Oviedo, Desiderio Navarro, George Yudice, Jean Franco, and Juan Flores. "Situating Knowledges: Latin American Readings of Postmodernism." Diacritics 25, no. 1 (1995): 63. http://dx.doi.org/10.2307/465365.

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10

Damon, Maria, and Aldon Lynn Nielsen. "Black Chant: Languages of African-American Postmodernism." Chicago Review 44, no. 1 (1998): 138. http://dx.doi.org/10.2307/25304258.

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11

Daniels, T. Tilden. "Michel Butor'sMobile: Modernism, Postmodernism, and American Art." Symposium: A Quarterly Journal in Modern Literatures 62, no. 2 (July 2008): 99–112. http://dx.doi.org/10.3200/symp.62.2.99-112.

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12

Vogel, H. Ph, and A. I. van Wakeren. "Discussion on Postmodernism in Latin American History." Itinerario 19, no. 2 (July 1995): 125–43. http://dx.doi.org/10.1017/s0165115300006835.

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The wonders of the computer age continue to amaze us. Much of what is purportedly new commands only scant interest, as we zap through inter-space. Sometimes, however, something worthwhile catches the eye and we read attentively. Not too long ago, we downloaded the following thread from the H-LATAM discussion list. The discussion that is reprinted below deals with the perennial question plaguing historians: how to find the right combination of facts and theory. We hope that our readers will enlighten themselves with this lively debate.

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13

Thomas, Lorenzo, and Aldon Lynn Nielsen. "Black Chant: Languages of African-American Postmodernism." African American Review 34, no. 1 (2000): 157. http://dx.doi.org/10.2307/2901193.

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Gery, John, and Aldon Lynn Nielsen. "Black Chant: Languages of African-American Postmodernism." American Literature 70, no. 4 (December 1998): 915. http://dx.doi.org/10.2307/2902408.

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15

English, Daylanne K. "Postmodernism, Urbanism, and African American Literary Studies." Contemporary Literature 46, no. 2 (2005): 358–62. http://dx.doi.org/10.1353/cli.2005.0023.

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McHale, Brian. "Afterword: Reconstructing Postmodernism." KANT Social Sciences & Humanities, no. 3 (July 2020): 52–59. http://dx.doi.org/10.24923/2305-8757.2020-3.6.

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Brian McHale begins his reflections on postmodernism with the words of Steve Katz, who metaphorically described the onset of a once-new era, bringing everyone "out into the air" and imagining how the color of the traffic light changed and at the same time "in different cities, we crossed the street." This idea so delighted McHale that he "brought" people to the streets not only in different cities, but on all continents, anticipating the planetary advance of postmodernism. The author examines the mechanism of emergence and ways of spreading postmodernism, linking these processes with the global economy and its cultural consequences. The role of the experience of occupation, resistance and survival in shaping the aesthetics of Olympians, surftionists, the influence of magical realism and the Latin American boom on postmodernism, as well as the interpenetration of Western European and Asian postmodern literature. Forecast where we'll be tomorrow: planetary, post-postmodernism, postmodernism - we have to do it yourself.

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17

Peterson, Nancy J. "History, Postmodernism, and Louise Erdrich's Tracks." PMLA/Publications of the Modern Language Association of America 109, no. 5 (October 1994): 982–94. http://dx.doi.org/10.2307/462966.

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The deconstruction of history by poststructuralists and some philosophers of history has occurred at the moment when women and indigenous peoples have begun to write their own historical accounts. Louise Erdrich's historical novel, Tracks, brings into focus the necessity and the difficulties of writing Native American history in a postmodern epoch. The novel addresses two crucial issues: the referential value of history (If it is impossible to know the past fully, is it impossible to know the past at all?) and the status of history as narrative (If history is just a story, how is it possible to discriminate between one story and another?). Erdrich's novel suggests the need for indigenous histories to counter the dominant narrative, in which the settling of America is “progress,” but also works toward a new historicity that is neither a simple return to historical realism nor a passive acceptance of postmodern historical fictionality.

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18

McClure, Chris. "Homeless and at Home in America: Evidence for the Dignity of the Human Soul in Our Time and Place." Canadian Journal of Political Science 41, no. 1 (March 2008): 222–24. http://dx.doi.org/10.1017/s0008423908080219.

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Homeless and at Home in America: Evidence for the Dignity of the Human Soul in Our Time and Place, Peter Augustine Lawler, South Bend IN: St. Augustine's Press, 2007, pp. 229, index.“We Americans are the most homeless and the most at home people of the West today” (1). This is the central paradox of Peter Augustine Lawler's latest book, Homeless and at Home in America. It is a collection of essays (some previously published elsewhere) on a wide variety of topics, from Rod Dreher's Crunchy Cons and bioethics to Casablanca and Tocqueville. The chapters, though, fit well together and are linked by a set of related themes. The book, written in Lawler's usual engaging and often humorous style, presents a fascinating argument from one of the chief proponents of what he calls the “‘crowd’ of American faith-based, non-libertarian, Strauss influenced thinkers” (Stuck with Virtue, Wilmington: ISI Books, 2005, viii). This group is part of a growing school of thought Lawler refers to as “conservative postmodernism—postmodernism rightly understood” (134), which “is associated with Aleksandr Solzhenitsyn and American literary Thomists such as Marion Montgomery, Walker Percy, and Flannery O'Connor” (135). Tocqueville is one of their favorite authors. This line of thought is a reaction against modernity for its failure to comprehend what it means to be truly human, that is, as creatures that occupy the “middle class” between beasts and God.

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19

Wenzel, Sarah G. "Literary Research and American Postmodernism: Strategies and Sources." Reference Reviews 31, no. 8 (October 16, 2017): 12–20. http://dx.doi.org/10.1108/rr-06-2017-0129.

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20

Bogason, Peter. "Postmodernism and American Public Administration in the 1990s." Administration & Society 33, no. 2 (May 2001): 165–93. http://dx.doi.org/10.1177/00953990122019721.

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21

Burn, Stephen J. "Late Postmodernism: American Fiction at the Millennium (review)." MFS Modern Fiction Studies 52, no. 1 (2006): 231–34. http://dx.doi.org/10.1353/mfs.2006.0017.

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22

Nilges, M. "The Presence of Postmodernism in Contemporary American Literature." American Literary History 27, no. 1 (October 22, 2014): 186–97. http://dx.doi.org/10.1093/alh/aju065.

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23

Abootalebi, Hassan. "Postmodern Narrative Techniques in Robert Coover’s Collection; Pricksongs & Descants." International Letters of Social and Humanistic Sciences 52 (May 2015): 70–75. http://dx.doi.org/10.18052/www.scipress.com/ilshs.52.70.

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The modes of narration in postmodernist fiction are not identical with those of modernists and realists. They contravene readers’ expectations, making them most often astounded and baffled. This study sets out to discuss some of the techniques used by the American writer Robert Coover in his story collection; Pricksongs & Descants (1969) which are associated with postmodernist fiction. These strategies including metafictional techniques, fragmentation, ontological concern, and temporal distortion, will in the subsequent sections of this paper be explicated and elucidated. In this regard, the term postmodernism will be first defined and elaborated, and then some of the salient features of Coover’s selected work stated above, will be examined in order to demonstrate the title-mentioned claim. Not all the stories of the collection will in this study be provided an analysis of, but those which are of greater significance and are noticeable in incorporating postmodern strategies.

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24

Siddiqui, Dilnawaz A. "Postmodernism and Islam:." American Journal of Islam and Society 10, no. 4 (January 1, 1993): 538–45. http://dx.doi.org/10.35632/ajis.v10i4.2477.

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According to postmodemists, modemists have passed their intentional,planned, and personal assertions as laws to justify their oppression,injustice, terrorism, and exploitation of the poor peoples of the world forseveral centuries. A cursory look at the record of Euro-American colonialismand neocolonialism across the globe bears out this fact One canthink of their laws, totalitarian state regulations, the Nixon and Carterdoctrines, and many recent resolutions of the raped United Nations as examplesof personal beliefs and desires, even whims, justified as laws.Paradoxically, the secular fundamentalist tradition of postmodernismitself has justified its own free-wheeling metanarrative as a revolt againstall traditionalism without distinguishing between lasting and fleeting societal values. Sardar and Davies, in their Distorted Imagination (1990),illustrated this phenomenon by referring to Salman Rushdie's pornographic writings, such as The Satanic Verses. This characteristic confusionof postmcxiernism can be partly tmderstood by the mission of one ofits founders (Habennas), which was to complete the Wlfinished businessof western modernism: a noble cause of enlightenment rooted in "objectivescience, universal morality, and autonomous art according to theirinner logic." Baring the civil autonomy of art, tirades against objectivityand the universality of modernism and its morality are considered thevery backbone of postmodernism.Ahmed's book is an excellent expose of this paradox of postmodernismas it relates to Islam. The quixotic western beliefs about, attitude towards, and treatment of Islam and Muslims as the new perceived enemiesare part of its central theme. He sees for Islam, in its fresh encotmter withthe West and its powerful propagandist media, many problems and a promise. Keeping his tradition of critical self-evaluation, he points out manyweaknesses of the Muslims and their present leadership. The promise, hefeels, lies in the openness of the postmodernist and in the proven survivabilityof Islam's universal principles.The book features six chapters preceded by a preface and followedby exhaustive references and the two usual indexes. Ahmed states in thepreface that this book is an attempt to understand the present times interms of their prospects and promises, and that his arguments are basedlargely on his south Asian background, which may be impressionisticwithout necessarily being chronological or sequential. In reality, it is acompendium of cogent proofs exposing the illogical nature of the imagesand impressions of Muslims and Islam constructed by the global media ...

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25

Klinkowitz, Jerome, and Alan Nadel. "Containment Culture: American Narratives, Postmodernism, and the Atomic Age." American Literature 68, no. 4 (December 1996): 875. http://dx.doi.org/10.2307/2928161.

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Dubey, Madhu. "Contemporary African American Fiction and the Politics of Postmodernism." NOVEL: A Forum on Fiction 35, no. 2/3 (2002): 151. http://dx.doi.org/10.2307/1346181.

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Beuka, Robert, and Robert Rebein. "Hicks, Tribes, and Dirty Realists: American Fiction after Postmodernism." Yearbook of English Studies 34 (2004): 347. http://dx.doi.org/10.2307/3509570.

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Browne, Nick. "American narrative studies of film: Between formalism and postmodernism." Quarterly Review of Film Studies 10, no. 4 (September 1985): 341–46. http://dx.doi.org/10.1080/10509208509361278.

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29

McCormick, Adrienne. "Is This Resistance? African American Postmodernism in Sarah Phillips." Callaloo 27, no. 3 (2004): 808–28. http://dx.doi.org/10.1353/cal.2004.0128.

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30

Wilson, Ron. "Darkly Perfect World: colonial adventure, postmodernism, and American noir." Historical Journal of Film, Radio and Television 31, no. 3 (September 2011): 446–48. http://dx.doi.org/10.1080/01439685.2011.598013.

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31

Engelhardt, Tom, and Alan Nadel. "Containment Culture: American Narratives, Postmodernism, and the Atomic Age." Journal of American History 83, no. 3 (December 1996): 1076. http://dx.doi.org/10.2307/2945766.

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32

Adams, Timothy Dow, and Robert Rebein. "Hicks, Tribes, and Dirty Realists: American Fiction after Postmodernism." South Atlantic Review 67, no. 4 (2002): 124. http://dx.doi.org/10.2307/3201664.

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33

Hogue, W. Lawrence. "Book Review: Black Chant: Languages of African-American Postmodernism." MFS Modern Fiction Studies 44, no. 2 (1998): 398–402. http://dx.doi.org/10.1353/mfs.1998.0036.

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34

Martín-Párraga, Javier. "Miguel de Cervantes’s Don Quixote and John Barth’s The Sot-Weed Factor: A Deconstructive Reading." Open Cultural Studies 1, no. 1 (November 27, 2017): 333–41. http://dx.doi.org/10.1515/culture-2017-0030.

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Abstract Miguel de Cervantes’s Don Quixote is one of the earliest and most influential novels in the history of Western literature. John Barth’s The Sot-Weed Factor, published almost three centuries later, can be considered as one of the most seminal postmodern novels ever written in the English language. The goal of this paper is to examine Cervantes’s influence on John Barth in particular and in American postmodernism from a more general point of view. For the Spanish genius’ footsteps on American postmodernism, a deconstructive reading will be employed. Consequently, concepts such as deconstruction of binary opposites, the role of the subaltern or how the distinction between history and story are paramount to both Cervantes and Barth will be used.

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35

Rosa, William E. "Healthcare Decision-Making of African-American Patients: Comparing Positivist and Postmodern Approaches to Care." Nursing Science Quarterly 32, no. 2 (March 19, 2019): 140–47. http://dx.doi.org/10.1177/0894318419826255.

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Healthcare decision-making (HCDM) may be a potentially challenging time for any person. When considered against the backdrop of being a minority, experiencing disparate care based on racial bias, and confronting the implications of advanced serious illness, the practices and processes of HCDM become increasingly complex. The purpose of this paper is to consider the HCDM of African-American patients with advanced serious illness through the lens of positivism and postmodernism and to make the argument that postmodern nursing is the ideal ethical and equitable approach to HCDM. Postmodernism reengages nurses to consider HCDM of African-American patients with advanced serious illness as an individualized, contextualized, whole-person process, requiring all ways of knowing. A postmodern nursing approach may promote sustainable and human-centered health interventions that will reposition an often marginalized group to the center of practice, policy, and research progress.

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36

Shahid, Sameen, and Arooba Khurram. "A Postmodern Reading of Don DeLillo’s Short Stories." Journal of Communication and Cultural Trends 3, no. 1 (June 7, 2021): 1–13. http://dx.doi.org/10.32350/jcct.31.01.

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The focus of this paper is to study how different techniques are incorporated in the postmodern fiction to present the multiplicity of meaning and subjectivity of the reality. For this purpose, the researcher has selected American novelist and short story writer Donald Richard DeLillo’s short stories “The Itch” and “Coming. Sun. Mon. Tues”. The researcher has analyzed the selected works using the theoretical frameworks provided by Fredric Jameson, Linda Hutcheon and Henri Bergson. The theoretical insights of the selected theorists help understand the subjective reality of the postmodernism. Textual analysis has been used as a method to study the selected fictional work. Postmodernism is critical of certain foundational conventions of philosophy, specifically, the Enlightenment thinking, as it symbolizes the pursuit of reason and logic. On the other hand, it focuses on the personalization and subjectivity in the construction of truth and worldviews. The rejection of objective reality gives way to multiple realities and subjectivity. American fiction, in the second half of the twentieth century, has been influenced by postmodernism to a great extent. The analyzed short stories provide a good postmodern reading since they cover a range of features that are relatable in the postmodern world.

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Jessica Lang. "Holocaust Impiety in Jewish American Literature: Memory, Identity, (Post-) Postmodernism." Philip Roth Studies 14, no. 2 (2018): 96. http://dx.doi.org/10.5703/philrothstud.14.2.0096.

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38

Rollins, Peter C., and John Limon. "Writing after War: American War Fiction from Realism to Postmodernism." Journal of American History 82, no. 3 (December 1995): 1175. http://dx.doi.org/10.2307/2945133.

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39

Zanderer, Leo. "Popular Culture, Childhood, and the New American Forest of Postmodernism." Lion and the Unicorn 11, no. 2 (1987): 7–33. http://dx.doi.org/10.1353/uni.0.0290.

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40

Gilbert, Andrew. "Book review: North American Critical Theory after Postmodernism: Contemporary Dialogues." Thesis Eleven 123, no. 1 (August 2014): 132–35. http://dx.doi.org/10.1177/0725513614542209.

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March-Russell, Paul. "In the American Grain? Nature, Postmodernism, and William H. Gass." ISLE: Interdisciplinary Studies in Literature and Environment 24, no. 3 (2017): 514–28. http://dx.doi.org/10.1093/isle/isx039.

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42

Farmbry, Kyle. "Postmodernism Rightly Understood: The Return to Realism in American Thought." Administrative Theory & Praxis 23, no. 2 (June 2001): 299–303. http://dx.doi.org/10.1080/10841806.2001.11643526.

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Walker, Joseph S. "Hicks, Tribes and Dirty Realists: American Fiction After Postmodernism (review)." MFS Modern Fiction Studies 48, no. 2 (2002): 490–92. http://dx.doi.org/10.1353/mfs.2002.0044.

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Ismail, Yusuf. "Postmodernisme dan Perkembangan Pemikiran Islam Kontemporer." Jurnal Online Studi Al-Qur an 15, no. 2 (July 31, 2019): 235–48. http://dx.doi.org/10.21009/jsq.015.2.06.

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Modernism and postmodernism were born from mainland Europe and America. This philosophical thought penetrated religious issues. Postmodernism was born as an attempt to understand social conditions and phenomena, the term postmodernism appeared for the first time in literature in 1939. In the context of religion, Postmodernism in its aim so that religious understanding does not fall into the system of totalitarian interpretation in a religious context and the context of social systems, economics, culture, and politics. The topic of Postmodernism in this paper is presented based on its actuality and to stimulate our thinking which is generally still oriented to modern or even traditional concepts. By studying this relatively new concept we will be confronted with the basic question of which philosophical thinking results have correlation values and relevance to the development and demands of contemporary society, not which ones are theoretically correct. The statement confirms the relativity of reason. The realm of absolute truth is not in humans, absolute truth is from and belongs to God. Keywords: Postmodernism, Contemporary Islam, Moderism Abstrak Modernisme dan postmodernisme lahir dari daratan Eropa dan Amerika Pemikiran filosofis ini merambah ke persoalan keagamaan. Postmodernime lahir sebagai usaha memahami kondisi dan fenomena sosial, istilah postmodernisme muncul untuk pertama kalinya dalam sastra pada tahun 1939. Dalam konteks keagamaan, Postmodernisme dalam bertujuannya agar faham keagamaan tidak jatuh pada sistem tafsir totaliter tunggal dalam konteks keagamaan dan dalam konteks sistem sosial, ekonomi, budaya dan politik. Topik Postmodernisme dalam tulisan ini disajikan berdasarkan pada aktualitasnya dan guna merangsang pemikiran kita yang pada umumnya masih berorientasi pada konsep-konsep modern atau bahkan tradisional. Dengan mempelajari konsep yang relatif baru ini kita akan dihadapkan pada pertanyaan dasar tentang hasil pemkiran filsafat yang manakah yang mempunyai nilai korelasi dan relevansi dengan perkembangan dan tuntutan masyarakat kontemporer, bukan yang manakah yang benar secara teoritis an sich. Pernyataan tersebut menegaskan relativitas kebenaran nalar. Wilayah kebenaran mutlak bukan ada pada manusia, Kebenaran mutlak adalah dari dan milik Tuhan. Kata kunci: Postmodernisme, Modernisme, Pemikiran Islam

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Boynukalın, Azize Reva. "VALERY HEGARTY ENSTALASYONLARINDA KÜLTÜREL BELLEĞİN YAPISÖKÜMÜ." e-Journal of New World Sciences Academy 15, no. 4 (October 31, 2020): 278–92. http://dx.doi.org/10.12739/nwsa.2020.15.4.d0266.

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Valerie Hegarty, who is an American artist, scrutinizes the fundamental notions of history and the heritage of American art. She aims to reverse the relationships among the sign, signifier and signified in the space arrangements that she deals with the politics of America, revisionism, nationalism and regional deformation. With deconstruction that is the critical discourse of postmodernism, Hegarty both questions the colonialism that is the development policy of American legend and she improves reading alternatives against the suppression of cultural memory. Her exhibitions entitled as "Alternative Histories" and "American Berserk" was evaluated by literature review using qualitative research method. These exhibitions present a new perspective to audience by focussing on U.S.A. and internal dynamics of the current political climate with an icon breaking approach. In this article, within the scope of Hegarty’s installations it is dealt with the devaluation of cultural memory signs, and relationship between “visible” and “reality”.

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Causey, Matthew, and Philip Auslander. "Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance." Theatre Journal 47, no. 1 (March 1995): 155. http://dx.doi.org/10.2307/3208824.

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Kaye, Nick, and Philip Auslander. "Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance." TDR (1988-) 38, no. 2 (1994): 181. http://dx.doi.org/10.2307/1146340.

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Fredman, Stephen. "Form and Experience: Williams, Dewey, and the Origins of American Postmodernism." William Carlos Williams Review 32, no. 1-2 (2016): 33–52. http://dx.doi.org/10.1353/wcw.2016.0003.

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Coffman, Christopher K. "Feverish fictions: William T. Vollmann and American literary history after postmodernism." Textual Practice 33, no. 2 (August 13, 2018): 245–62. http://dx.doi.org/10.1080/0950236x.2018.1509270.

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Browne, Ray B. "American Fiction: Modernism?Postmodernism, Popular Culture, and Metafiction by Jaroslav Kusnir." Journal of American Culture 30, no. 3 (September 2007): 334. http://dx.doi.org/10.1111/j.1542-734x.2007.00561.x.

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