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Journal articles on the topic 'American Prose poetry'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Nguyen, Truong Thanh. "Watermark: Vietnamese American Poetry and Prose." Journal of Asian American Studies 2, no. 1 (1999): 105–7. http://dx.doi.org/10.1353/jaas.1999.0003.

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Sexton, Elaine. "Poetry." Ploughshares 51, no. 1 (2025): 184. https://doi.org/10.1353/plo.2025.a957345.

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Abstract: The Spring 2025 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares "the Triton among minnows." The Spring 2025 Issue, edited by Peggy Schumaker, features poetry and prose by Naomi Shihab Nye, Felicia Zamora, Tim Seibles, Lena Khalaf Tuffaha, Lia Purpura, Sonja Livingston, Marjorie Sandor, and more.

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Grace, Stephen. "13Poetics." Year's Work in Critical and Cultural Theory 27, no. 1 (2019): 242–60. http://dx.doi.org/10.1093/ywcct/mbz013.

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Abstract This review is divided into three sections. The first, ‘Poet-Critics and Criticizing Poets’, considers the accounts of poetry traced in Robert Hass’s A Little Book on Form: An Exploration of the Formal Imagination of Poetry and Don Paterson’s The Poem: Lyric, Sign, Metre. The second section, ‘(Dis)embodied Sound’, examines the different ways that Peter Robinson and Angela Leighton (themselves both prominent critics and poets) approach sound in poetry in The Sound-Sense of Poetry and Hearing Things: The Work of Sound in Literature, while the third section, ‘Hybrids and Remnants’, explo

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Metzidakis, Stamos. "Introduction: New Anglo-American Approaches to French Prose Poetry." L'Esprit Créateur 39, no. 1 (1999): 3–4. http://dx.doi.org/10.1353/esp.2010.0436.

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5

Kornev, V. A., and O. V. Murashkina. "The Gaucho Archetype in the Artistic Culture of Latin America." Язык и текст 11, no. 1 (2024): 65–73. http://dx.doi.org/10.17759/langt.2024110106.

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<p>The article examines the role of representatives of a specific ethnic group of inhabitants of the South American steppes-Pampas &mdash; pastoralists-Gaucho nomads in the formation, formation and development of national Spanish-American literature based on its genres such as oral folk art, lyrical and epic poetry, drama, realistic and psychological novel. The existence of this ethnic type can be traced back to 1775, but the process of turning a Spanish shepherd into a half-breed Gaucho is still largely unclear. The formation of Gaucho literature can serve as an example of the emerg

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Wise, Dennis Wilson. "Poul Anderson and the American Alliterative Revival." Extrapolation: Volume 62, Issue 2 62, no. 2 (2021): 157–80. http://dx.doi.org/10.3828/extr.2021.9.

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Although Poul Anderson is best known for his prose, he dabbled in poetry all his life, and his historical interests led him to become a major—if unacknowledged— contributor to the twentieth-century alliterative revival. This revival, most often associated with British poets such as W. H. Auden, J. R. R. Tolkien, and C. S. Lewis, attempted to adapt medieval Germanic alliterative meter into modern English. Yet Anderson, a firmly libertarian Enlightenment-style writer, imbued his alliterative poetry with a rationalistic spirit that implicitly accepted (with appropriate qualifications) a narrative

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Cornejo Ubillús, M. A. "Classic Russian Poetry in Spanish: An Essay on the Experience and Problems of Translation." Cuadernos Iberoamericanos 12, no. 4 (2025): 13–34. https://doi.org/10.46272/2409-3416-2024-12-4-13-34.

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It is thanks to translation, which is a challenging yet indispensable task, that Russian literature has come to be well known among the peoples of Latin America and has had a positive influence on their culture and spiritual development. Readers have been able to enjoy and appreciate many prose works by great Russian writers in Spanish. On the contrary, Russian poetry, which has also appealed to the Latin American audience, has not become as popular as the prose. Readers have had access to works by few Russian poets, with some of these poems translated from French or English. It is only recent

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Silva, Reinaldo. "The Ethnic Impulse in Frank X. Gaspar's Poetry and Fiction." Ethnic Studies Review 28, no. 1 (2005): 39–58. http://dx.doi.org/10.1525/esr.2005.28.1.39.

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Although a compelling and award-winning voice in contemporary American literature, the work of Frank Xavier Gaspar (1946-) has not received the attention it deserves. Apart from an article by Alice R. Clemente,(1) to my knowledge, there are no other scholarly publications touching upon his writings, all of which published in the course of the last seventeen years. While his work appeals to all audiences in the United States of America and even abroad — Portugal in particular — his poems dealing with issues related to his ancestral culture and ethnic background are the ones which have sparked t

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Pratt, Lloyd. "Early American Literature and Its Exclusions." PMLA/Publications of the Modern Language Association of America 128, no. 4 (2013): 983–88. http://dx.doi.org/10.1632/pmla.2013.128.4.983.

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James Allen, the author of an “epic poem” entitled “Bunker Hill,” of which but a few fragments have been published, lived in the same period. The world lost nothing by “his neglect of fame.”—Rufus Griswold, The Poets and Poetry of AmericaAcross several of his influential anthologies of american literature, rufus griswold—nineteenth-century anthologist, poet, and erstwhile editor of Edgar Allan Poe—offers conflicting measures of what we now call early American literature. In The Prose Writers of America, for example, which first appeared in 1847 and later went into multiple editions, Griswold o

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10

Klutse, Logan. "Emerging Writer's Contest Winner: Poetry." Ploughshares 49, no. 4 (2023): 184–86. http://dx.doi.org/10.1353/plo.2023.a917723.

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Abstract: The Winter 2023-24 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares "the Triton among minnows." The Winter 2023-24 Issue, edited by Ladette Randolph, features poetry and prose by Richard Bausch, Jesse Lee Kercheval, Ian Stansel, Ariana Benson, Rebecca Morgan Frank, Marie Howe, and more.

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Millionshchikova, Tatiana. "POETRY AND PROSE BY BORIS PASTERNAK AS INTERPRETED BY AMERICAN SLAVISTS." RZ-Literaturovedenie, no. 4 (2021): 94–108. http://dx.doi.org/10.31249/lit/2021.04.07.

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The review considers the American and Russian Slavic studies on diverse aspects of the poetry and the prose by Boris Pasternak. L.S. Flaishman focuses on the early period of the Boris Pasternak creative work, on the autobiographical motifs in the poem «August» and on the first publication of poems from the novel «Doctor Zhivago» - «Stichi is Rossii» ( Poems from Russia ) in the journal «Grani» ( Facets ). K.V. Polivanov and K.M.F. Platt discuss the revolution theme in the poems by Pasternak included into his poetical cycle «Bolezn’» ( Disease ). A.K. Zholkovsky draws parallels between Pasterna

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Canale, D. J. "S. Weir Mitchell’s Prose and Poetry on the American Civil War." Journal of the History of the Neurosciences 13, no. 1 (2004): 7–21. http://dx.doi.org/10.1080/09647040490885466.

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Paravisini-Gebert, Lizabeth. "A Pan-American Life: Selected Poetry and Prose of Muna Lee." Review: Literature and Arts of the Americas 40, no. 1 (2007): 197–99. http://dx.doi.org/10.1080/08905760701262626.

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Hopkins, David. "To Be or Not to Bop: Jack Kerouac's On The Road and the culture of bebop and rhythm 'n' blues." Popular Music 24, no. 2 (2005): 279–86. http://dx.doi.org/10.1017/s0261143005000474.

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The appearance of On the Road in 1957 signalled the emergence of a new movement in American literature, soon to be called the Beat Generation (Kerouac 1957). Along with Allen Ginsberg's ‘Howl’ of 1956, Kerouac's work brought a new awareness of an intellectual counter-culture bubbling under the conservative surface of 1950s America. The content of these writers' poetry and prose, with its open and honest depiction of hetero-, homo-, and bisexual activity, drug abuse, petty crime, and social deviance was enough to create a sensation, but it is the style that gives the works their permanence and

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Milton, John R. "Prose and Poetry of the American Wes ed. by James C. Work." Western American Literature 26, no. 3 (1991): 239–43. http://dx.doi.org/10.1353/wal.1991.0148.

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Scott, Clive, and Steven Monte. "Invisible Fences: Prose Poetry as a Genre in French and American Literature." Modern Language Review 98, no. 3 (2003): 813. http://dx.doi.org/10.2307/3738400.

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Zhukov, Vladislav, and Anastasia Smirnova. "Cognitive technologies in cluster of identification of irrational images of Romanticism and symbolism." E3S Web of Conferences 244 (2021): 05037. http://dx.doi.org/10.1051/e3sconf/202124405037.

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The main goal of the project is to use cognitive technologies to create an author’s, metaphorical, temporal system model of images of modern jewelry using the linguo-combinatorial method in the implementation of retro styles - locally stable structures of the design landscape represented by the cultural code of the irrational eidos of poetry and prose of North American symbolism and romanticism of the mid-19th century..

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18

MILLER, BONNY H. "Augusta Browne: From Musical Prodigy to Musical Pilgrim in Nineteenth-Century America." Journal of the Society for American Music 8, no. 2 (2014): 189–218. http://dx.doi.org/10.1017/s1752196314000078.

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AbstractAugusta Browne Garrett composed at least two hundred piano pieces, songs, duets, hymns, and sacred settings between her birth in Dublin, Ireland, around 1820, and her death in Washington, D.C., in 1882. Judith Tick celebrated Browne as the “most prolific woman composer in America before 1870” in her landmark study American Women Composers before 1870. Browne, however, cast an enduring shadow as an author as well, publishing two books, a dozen poems, several Protestant morality tracts, and more than sixty music essays, nonfiction pieces, and short stories. By means of her prose publicat

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Boll, Tom. "Penguin Books and the Translation of Spanish and Latin American Poetry, 1956–1979." Translation and Literature 25, no. 1 (2016): 28–57. http://dx.doi.org/10.3366/tal.2016.0236.

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This article accounts for the social interactions that gave rise to Penguin's translation of Spanish and Latin American Poetry during the 1950s, 60s, and 70s. Drawing on the Actor-Network Theory of Bruno Latour, it traces the editorial discussions that led to the adoption and abandonment of different translation policies: the dual-language subseries of the Penguin Poets, which employed prose translation; and the verse translation of the Penguin Modern European and Latin American Poets. Often regarded as an institution, Penguin is revealed as a focal point for conflicting initiatives that came

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Polosina, Natalia K. "Secrets of Vertical Art. Oxford Lectures on Poetry by Simon Armitage." Literature of the Americas, no. 16 (2024): 434–44. http://dx.doi.org/10.22455/2541-7894-2024-16-434-444.

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A Vertical Art. On Poetry is a collection of essays in literary criticism by Simon Armitage, Poet Laureate of Great Britain, who based them on a series of his lectures delivered as Oxford Professor of Poetry. The framework of the book is a practice-oriented theory of poetry as a “vertical art” applied to reading a wide range of British and American authors mostly from the mid-20th century up to the present day, but reaching from time to time into the literary past. “Verticality” is a quality of poetic form that is actively engaging reader’s imagination and perception. It implies a demand for i

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Markova, Elena A. "Poetry by Louise Glück, translated by Ekaterina Dies: “Wanderer Persephone” from the Poetry Collection “Averno”." Polylinguality and Transcultural Practices 18, no. 4 (2021): 468–80. http://dx.doi.org/10.22363/2618-897x-2021-18-4-468-480.

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In this paper weve tried to analyze the translation of L. Glck poem about Persephone (poetry collection Averno), carried out by Ekaterina Dais. A brief outline of literary work of Louise Glck is given. Using the method of hermeneutic commentary, the leitmotifs of her poetic and prose works are characterized. Understanding these motives is an important stage in the pre-text work, since the complex codes (often implicative) presented in poems about Persephone cannot be adequately deciphered without prior knowledge, and, therefore, it is not possible to evaluate the efforts of the translator, the

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Ku, Taehun. "Olson, Physics and 'objectism.'." British and American Language and Literature Association of Korea 146 (September 30, 2022): 1–18. http://dx.doi.org/10.21297/ballak.2022.146.1.

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Olson, Physics and 'objectism.' This paper examines how the American poet Charles Olson was influenced by the discoveries of modern physics in his poetry and prose. Einstein's physics demanded a change in our imaginative picture of the world and poets were attracted to such his concepts as the loss of absolute space and time. Olson's seminal essay “Projective Verse” advances methods of understanding poetry which draws from Einstein's special theory of relativity. In addition, this paper discusses the ways Olson drew from quantum mechanics in writing his poetic theories by focusing on “uncertai

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Bohn, W. "Review: Invisible Fences: Prose Poetry as a Genre in French and American Literature." French Studies 56, no. 4 (2002): 556. http://dx.doi.org/10.1093/fs/56.4.556.

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Delville, Michel. "Invisible Fences: Prose Poetry as a Genre in French and American Literature (review)." Modernism/modernity 8, no. 4 (2001): 705–6. http://dx.doi.org/10.1353/mod.2001.0081.

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Bongers, Anna. "Remembering the Beginning: “All Electrons Are (Not) Alike” by Rosmarie Waldrop." aspeers: emerging voices in american studies 6 (2013): 25–39. http://dx.doi.org/10.54465/aspeers.06-04.

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Through a close reading of “All Electrons Are (Not) Alike,” the opening poem of Rosmarie Waldrop’s latest collection of prose poetry, Driven to Abstraction (2010), this paper shows how the poem deconstructs history and memory through criticism of language. Retelling the narration of the conquest of the Americas, “All Electrons Are (Not) Alike” calls into question the beginning of what was to become US American national identity. Putting Waldrop’s poem in the broader context of transnational criticism, I argue that its deconstructive poetic and philosophical use of language contributes to the t

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Suo, Juan Juan, and Yan Cang Li. "Similarities between Wordsworth and Emerson in Romantic Literature." Advanced Materials Research 179-180 (January 2011): 368–73. http://dx.doi.org/10.4028/www.scientific.net/amr.179-180.368.

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In the history of English and American literature, Romantic Period is so important that cannot be ignored by people. A lot of good writers appeared and their famous works (especially in the field of poetry and prose) were produced. Though many differences between Great Britain and America exist, and the thoughts of writers between the two countries are so different, they have some common senses of Romanticism. This should not be forgotten. In order to point out this problem deeply, we have to pay an attention to the history background of the two countries, to the author’s biography and to the

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Käck, Elin. "A Spatiotemporal Collage Aesthetic: Poets and Poetry in Siri Hustvedt's Memories of the Future." Journal of Modern Literature 47, no. 2 (2024): 82–97. http://dx.doi.org/10.2979/jml.00020.

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Abstract: In the structurally and thematically elaborate novel Memories of the Future (2019), Siri Hustvedt foregrounds the relationship between poetry and the novel. Two poets stand out as especially important to matters of plot, theme, and narrative: the modernist avant-garde poet Elsa von Freytag-Loringhoven and the New York School poet John Ashbery. These poets belong to different, but similarly pivotal moments in the evolution of American literature, one being a prescient—now recognized as iconic—modernist and the other an established, leading postmodernist. Despite their many differences

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Qaisi, Zainab Al, and Wafa Awni Al Khadra. "The Thirdspace of Resistance Literature in Naomi Shihab Nye’s “1935” and Hala Alyan’s “Hijra”." Theory and Practice in Language Studies 13, no. 9 (2023): 2263–70. http://dx.doi.org/10.17507/tpls.1309.12.

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This paper examines the poetry of the two Palestinian American poets, Naomi Shihab Nye and Hala Alyan within the concept of the “thirdspace” of resistance literature. With this premise in mind, the study uses Edward Soja’s concept of “thirdspace” (1998) to examine the poetry of Naomi Shihab Nye and Hala Alyan as an articulation of “resistance poetry” exemplified in Ghassan Kanafani’s book entitled Resistance Literature in Occupied Palestine 1948-1966 (1966). The poem itself, as a form, is an imagined geography constructed by the poet’s personal and collective memories that build up his/her spa

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Lau, Jennifer Junwa. "Agency and Creativity in Exclusionist North America: Chinese Overseas Student Writings of Chen Hengzhe and Xie Fuya (1919–1926)." Journal of Chinese Overseas 20, no. 2 (2024): 160–82. http://dx.doi.org/10.1163/17932548-12341514.

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Abstract Already on American soil, many Chinese student travelers sought to use their time to explore and turn their experiences into published works and travelogues. As a result, these routes and the writings that accompany them demonstrate a spectrum of Chinese experiences in North America during the Exclusion Era. The Chinese narrators in the writings of elite overseas Chinese students Chen Hengzhe (陈衡哲; 1890–1976) and Xie Fuya (谢扶雅; 1892–1991) carve a minor subjectivity through prose and poetry respectively that contributes to critical global history. Their voices are a creative vocalizati

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Martínez Serrano, Leonor María. "The Audible Light of Words: Mark Strand on Poetry and the Self." ES Review. Spanish Journal of English Studies, no. 39 (December 14, 2018): 255–80. http://dx.doi.org/10.24197/ersjes.39.2018.255-280.

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The aim of this paper is to look at American poet Mark Strand’s thinking about what poetry is all about, as expressed in his poetry collections and prose works, especially in The Monument (1978), a book of “notes, observations, rants, and revelations” about literary immortality, but also a meditation on “the translation of a self, and the text as self, the self as book”; in The Continuous Life (1990), a collection of luminous pieces on various aspects of the literary enterprise, including reading, translation and the multitude of selves making up the self; and in The Weather of Words: Poetic I

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McCloskey, Donald. "Ancients and Moderns." Social Science History 14, no. 3 (1990): 289–303. http://dx.doi.org/10.1017/s0145553200020812.

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The battle between narrative history and social scientific history, which has broken out again in the pages of the American Historical Review, is a new battle of ancients and moderns. Like many battles of the books, it is deeply foolish and tends to bring the reading of books into disrepute.It is the old battle of the sciences against art, poetry, and the humanities, refought in history as analysis against narrative, model against story, number against word. The official battle was joined in the seventeenth century. Plato banished poets from the Republic, of course, but his notion that science

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Richards, Stephanie. "AN OVERVIEW OF PUSHKIN STUDIES IN THE USA: 2005—2019." Vremennik Pushkinskoi Komissii 34 (2020): 68–77. http://dx.doi.org/10.31860/0236-2481-2020-34-68-77.

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This article offers a brief survey of Pushkin studies coming out of the United States in the last 15 years. Having surveyed over 150 books, chapters, and articles, the author identifies which works by Pushkin have been written about, the various themes discussed, and the methodologies employed in recent American Pushkin studies. Ranging from established to young scholars, the survey includes works on the poetry, prose, and drama of Pushkin, touching on all the major studies that have come out since 2005.

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Mankovskaya, N. B. "The Emotional Sphere of a Romantic Hero in an Artistic and Aesthetic Perspective." Art & Culture Studies, no. 1 (March 2025): 10–33. https://doi.org/10.51678/2226-0072-2025-1-10-33.

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The article reveals the influence of the emotional sphere of a romantic hero on the generation of innovations of the artistic and aesthetic nature — romantic drama, psychological prose, philosophical poetry, metaphysical writing, as well as premonitions of innovations in different types and genres of art — existentialist reflections, thrillers, suspense, postmodern irony, the techniques of theatre within theatre, and the principle of interactivity, which received a response in the 20th-21st centuries. The article analyses the spectrum of romantic experiences that has a lifepurpose character an

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Kodimer, Melinda, and J. Donnie Snyder. "Literary Portraits: An Anthology of Modern American Prose and Poetry for Students of English." TESOL Quarterly 24, no. 4 (1990): 738. http://dx.doi.org/10.2307/3587127.

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Meredith, Howard, and Joseph Bruchac. "Returning the Gift: Poetry and Prose from the First North American Native Writers' Festival." World Literature Today 69, no. 2 (1995): 410. http://dx.doi.org/10.2307/40151310.

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Boyd, Melba Joyce. "Requiem for Naomi Long Madgett." Langston Hughes Review 29, no. 1 (2023): 77–90. http://dx.doi.org/10.5325/langhughrevi.29.1.0077.

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ABSTRACT “Requiem for Naomi Long Madgett” opens with Madgett’s funeral, expressed in poetry in poetic prose. “Requiem” captures prominent moments in the last weeks of one of the most productive and influential literary figures in American culture, as it reflects on her legacy as a poet and a publisher. Madgett met Langston Hughes when she was a student at Lincoln University. He was so impressed with her poetry that he read one of her poems during his poetry reading, and he continued to mentor her literary development. The article considers this impact on Madgett’s career and contains a critica

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Nienow, Matthew. "Just Across the Wheel From You." Ploughshares 49, no. 4 (2023): 155. http://dx.doi.org/10.1353/plo.2023.a917710.

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Abstract: The Winter 2023-24 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares "the Triton among minnows." The Winter 2023-24 Issue, edited by Ladette Randolph, features poetry and prose by Richard Bausch, Jesse Lee Kercheval, Ian Stansel, Ariana Benson, Rebecca Morgan Frank, Marie Howe, and more.

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Costanzo, Gerald. "Customer Appreciation Day." Ploughshares 49, no. 4 (2023): 49. http://dx.doi.org/10.1353/plo.2023.a917678.

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Abstract: The Winter 2023-24 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares "the Triton among minnows." The Winter 2023-24 Issue, edited by Ladette Randolph, features poetry and prose by Richard Bausch, Jesse Lee Kercheval, Ian Stansel, Ariana Benson, Rebecca Morgan Frank, Marie Howe, and more.

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Wallis, Jesse. "The War That Starts With M." Ploughshares 49, no. 4 (2023): 183. http://dx.doi.org/10.1353/plo.2023.a917722.

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Abstract: The Winter 2023-24 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares "the Triton among minnows." The Winter 2023-24 Issue, edited by Ladette Randolph, features poetry and prose by Richard Bausch, Jesse Lee Kercheval, Ian Stansel, Ariana Benson, Rebecca Morgan Frank, Marie Howe, and more.

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Ackerman, Stephen. "I Watched a Box Kite Swoon." Ploughshares 49, no. 4 (2023): 25–27. http://dx.doi.org/10.1353/plo.2023.a917670.

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Abstract: The Winter 2023-24 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares "the Triton among minnows." The Winter 2023-24 Issue, edited by Ladette Randolph, features poetry and prose by Richard Bausch, Jesse Lee Kercheval, Ian Stansel, Ariana Benson, Rebecca Morgan Frank, Marie Howe, and more.

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Howe, Marie. "The Forest." Ploughshares 49, no. 4 (2023): 111. http://dx.doi.org/10.1353/plo.2023.a917697.

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Abstract: The Winter 2023-24 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares "the Triton among minnows." The Winter 2023-24 Issue, edited by Ladette Randolph, features poetry and prose by Richard Bausch, Jesse Lee Kercheval, Ian Stansel, Ariana Benson, Rebecca Morgan Frank, Marie Howe, and more.

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Lee, Mary Dean. "Earth Day." Ploughshares 49, no. 4 (2023): 60–61. http://dx.doi.org/10.1353/plo.2023.a917683.

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Abstract: The Winter 2023-24 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares "the Triton among minnows." The Winter 2023-24 Issue, edited by Ladette Randolph, features poetry and prose by Richard Bausch, Jesse Lee Kercheval, Ian Stansel, Ariana Benson, Rebecca Morgan Frank, Marie Howe, and more.

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Gama, Majda. "East: West." Ploughshares 49, no. 4 (2023): 74. http://dx.doi.org/10.1353/plo.2023.a917689.

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Abstract: The Winter 2023-24 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares "the Triton among minnows." The Winter 2023-24 Issue, edited by Ladette Randolph, features poetry and prose by Richard Bausch, Jesse Lee Kercheval, Ian Stansel, Ariana Benson, Rebecca Morgan Frank, Marie Howe, and more.

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Calhoun, Kenneth. "Breadshow." Ploughshares 49, no. 4 (2023): 32–46. http://dx.doi.org/10.1353/plo.2023.a917675.

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Abstract:

Abstract: The Winter 2023-24 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares "the Triton among minnows." The Winter 2023-24 Issue, edited by Ladette Randolph, features poetry and prose by Richard Bausch, Jesse Lee Kercheval, Ian Stansel, Ariana Benson, Rebecca Morgan Frank, Marie Howe, and more.

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Schlaifer, Stephanie Ellis. "Humans for Scale." Ploughshares 49, no. 4 (2023): 160. http://dx.doi.org/10.1353/plo.2023.a917713.

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Abstract:

Abstract: The Winter 2023-24 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares "the Triton among minnows." The Winter 2023-24 Issue, edited by Ladette Randolph, features poetry and prose by Richard Bausch, Jesse Lee Kercheval, Ian Stansel, Ariana Benson, Rebecca Morgan Frank, Marie Howe, and more.

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Bausch, Richard. "The Widow's Tale." Ploughshares 49, no. 4 (2023): 9–24. http://dx.doi.org/10.1353/plo.2023.a917669.

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Abstract:

Abstract: The Winter 2023-24 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares "the Triton among minnows." The Winter 2023-24 Issue, edited by Ladette Randolph, features poetry and prose by Richard Bausch, Jesse Lee Kercheval, Ian Stansel, Ariana Benson, Rebecca Morgan Frank, Marie Howe, and more.

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Vine, Ryan. "Sea Glass." Ploughshares 49, no. 4 (2023): 182. http://dx.doi.org/10.1353/plo.2023.a917721.

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Abstract:

Abstract: The Winter 2023-24 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares "the Triton among minnows." The Winter 2023-24 Issue, edited by Ladette Randolph, features poetry and prose by Richard Bausch, Jesse Lee Kercheval, Ian Stansel, Ariana Benson, Rebecca Morgan Frank, Marie Howe, and more.

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48

Gibbons, Reginald. "Slender River." Ploughshares 49, no. 4 (2023): 88. http://dx.doi.org/10.1353/plo.2023.a917692.

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Abstract:

Abstract: The Winter 2023-24 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares "the Triton among minnows." The Winter 2023-24 Issue, edited by Ladette Randolph, features poetry and prose by Richard Bausch, Jesse Lee Kercheval, Ian Stansel, Ariana Benson, Rebecca Morgan Frank, Marie Howe, and more.

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Lin, Mengyin. "Emerging Writer's Contest Winners: Fiction." Ploughshares 49, no. 4 (2023): 209–11. http://dx.doi.org/10.1353/plo.2023.a917728.

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Abstract:

Abstract: The Winter 2023-24 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares "the Triton among minnows." The Winter 2023-24 Issue, edited by Ladette Randolph, features poetry and prose by Richard Bausch, Jesse Lee Kercheval, Ian Stansel, Ariana Benson, Rebecca Morgan Frank, Marie Howe, and more.

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Stewart-White, Lolita. "Body as Despair." Ploughshares 49, no. 4 (2023): 165. http://dx.doi.org/10.1353/plo.2023.a917717.

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Abstract:

Abstract: The Winter 2023-24 Issue. Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and now provides readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares "the Triton among minnows." The Winter 2023-24 Issue, edited by Ladette Randolph, features poetry and prose by Richard Bausch, Jesse Lee Kercheval, Ian Stansel, Ariana Benson, Rebecca Morgan Frank, Marie Howe, and more.

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