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Relevant bibliographies by topics / American Psycho by Bret Easton Ellis / Dissertations / Theses

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Dissertations / Theses on the topic 'American Psycho by Bret Easton Ellis'

Author: Grafiati

Published: 11 December 2022

Last updated: 26 January 2023

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1

Silva, Luciano Cabral da. "The fourfold serial killer in Bret Easton Elliss American Psycho." Universidade do Estado do Rio de Janeiro, 2015. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=8749.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>Patrick Bateman, o protagonista narrador do romance American Psycho (1991), de Bret Easton Ellis, confunde por ser rico, bonito e educado e, ao mesmo tempo, torturador, assassino e canibal. Mas esta personalidade antagônica não o torna singular. O que o particulariza são as quatro faces que ele apresenta ao longo de sua narrativa: (1) ele consome mercadorias e humanos, (2) compete para ter reconhecimento, (3) provoca horror por suas ações, e (4) não é um narrador confiável. Sendo um yuppie (termo popular usado nos Estados Unidos

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2

von, Seth Oscar. "Psykopaten i garderoben : En queer läsning av Bret Easton Ellis American Psycho." Thesis, Södertörns högskola, Institutionen för kultur och lärande, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-21456.

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The novel American Psycho was first published in 1991. It recieved harsh criticism and was viewed as a work of heterosexism, misogyny and pointless violence. Despite the criticism, the protagonist, a wealthy serial killer yuppie namned Patrick Bateman, fascinated the readers. He hides his monstrosity behind a façade of heteronormativity, but this essay shows that the norms in American Psycho are fragile. Batemans relationships are shallow, his identity is constructed out of traditional masculinitynorms and even though he’s homophobic there’s a homoerotic undertone in the text, as well as gothi

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3

Simon, Alaina R. "Satire and Sympathy in American Psycho." University of Toledo Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1355508133.

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4

Andersson, Jim. "Psykopatfabriken : Maskulinitetskonstruktioner i Iain Banks The Wasp Factory och Bret Easton Ellis American Psycho." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-302290.

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5

Fredriksson, Sophia. "Abandon All Hope : An Analysis of American Psycho." Thesis, Högskolan Dalarna, Engelska, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:du-6391.

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6

Alt, Constanze. "Zeitdiagnosen im Roman der Gegenwart Bret Easton Ellis' American Psycho, Michel Houellebecqs Elementarteilchen und die deutsche Gegenwartsliteratur." Berlin Trafo, 2009. http://d-nb.info/992353327/04.

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7

Wadström, Simon. "Anteckningar från en skyskrapa : En studie av Fjodor Dostojevskijs Anteckningar från ett källarhål och Bret Easton Ellis American Psycho." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-150993.

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8

Ghita, Cristina. "Pastiche and Abjection in American Psycho." Thesis, Malmö högskola, Fakulteten för kultur och samhälle (KS), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-23314.

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9

Rymajdo, Kamila. "Why is everyone not falling in love? : love and sex in the neoliberal era as seen through the lens of Bret Easton Ellis' 'Less Than Zero', 'The Rules of Attraction', 'The Informers' and 'American Psycho'." Thesis, Kingston University, 2016. http://eprints.kingston.ac.uk/37788/.

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Notions of love and sex are rewritten by every era but this essay concerns itself with the period of 1980s and 90s neoliberalism, as seen through the texts that make up the early oeuvre of Bret Easton Ellis, namely 'Less Than Zero', 'The Rules of Attraction', 'The Informers', 'American Psycho' and their film adaptations. I began my research by examining various notions of love, from Plato all the way to the 90s pop culture classic 'Clueless' (dir. Amy Heckerling, 1995), and eventually narrowed my focus to three distinct and opposing theories, which I will describe as romantic love, love as use

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10

Weissenberg, Clare. "This is not an exit : reading Bret Easton Ellis." Thesis, University of Essex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.361020.

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11

Nystrand, Alexander. "Patrick Bateman, Violence and Consumption: Bret Easton Ellis’s American Psycho." Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-7875.

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This essay investigates how Bret Easton Ellis portrays Patrick Bateman as a projection of American society, in order to criticize consumerism and capitalism in his novel American Psycho. By applying Marxist theory, this essay examines Bateman's consumption patterns and class-consciousness using key Marxist terms. This essay investigates the relationship between Bateman and his commodities, through the Marxist concept of value. Furthermore, this essay suggests that Bateman's consumption pattern creates his identity and that Bateman's lust for consumption has no boundaries. Bateman quenches his

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12

Stone, Ben. "Royal palms: Exploring 1980s neoliberal characterisation through Foucauldian power and discourse." Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/132603/1/Benjamin_Stone_Thesis.pdf.

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This practice-led novel and exegesis explores the characterisation of an anecdotal 1980s Wall Street junket on Queensland's Gold Coast in terms of Foucauldian power and discourse. Problematising the subject's decentred ontology implied by the life sciences, Foucault's theories are adapted to illustrate characterisation as a site of discursive interpellation and contest in neoliberal fiction. Decentred, the subject as a scape of discursive practice reveals the struggle between 'personal discourse' and the organisational power of corporations. This has implications not only for character intenti

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13

Annesley, James. "Blank fiction : culture, consumption and the contemporary American novel." Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321347.

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14

Lundberg, Robin. "Unreliable narration in Bret Easton Ellis's American Psycho and Jeff Lindsay's Darkly Dreaming Dexter." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-34929.

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This essay focuses on the character Patrick Bateman in American Psycho by Bret Easton Ellis and his unreliability as a narrator and compares it to the unreliable narration of the character Dexter Morgan in Darkly Dreaming Dexter by Jeff Lindsay. These characters' respective unreliability is analyzed from the perspective of six types of unreliability suggested by James Phelan and Mary Patricia Martin: misreporting, misreading, misregarding, underreporting, underreading and underregarding. The result of the analysis is that while Patrick shows proof of being an unreliable narrator with respect t

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15

Hardie, Michael L. "Using Hamlet and Peter Pan: Family Issues, Ghosts, and Memory in Bret Easton Ellis's Lunar Park." ScholarWorks@UNO, 2016. http://scholarworks.uno.edu/td/2233.

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16

Lutton, Alison Mary. "Authorship and the production of literary value, 1982-2012 : Bret Easton Ellis, Paul Auster, J.T. LeRoy, and Tucker Max." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:3aa64675-73a2-42a8-be24-cb75f034e9de.

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Definitions of celebrity authorship and material textuality at the turn of the twenty-first century have predominantly emphasised the implicitly negative aspects of contemporary developments in the literary marketplace. Particularly prominent are arguments that the practice of authorship has become subject to homogenisation by the matrix of celebrity in which successful writers are now expected to function; and, further, that the changing nature of texts themselves and the ways in which they are marketed is eroding the implicitly superior position traditionally held by literature in the cultur

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17

Eigeartaigh, Aoileann N. "'I shop, therefore I am' : consumerism and the mass media in the novels of Thomas Pynchon, Don DeLillo, Bret Easton Ellis and Douglas Coupland." Thesis, University of Edinburgh, 2001. http://hdl.handle.net/1842/1790.

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This thesis argues that consumerism and the mass media wield an unparalleled influence over contemporary North American society, and that these forces constitute the primary means through which identity is constituted. The historical and theoretical developments that have led to the foregrounding of these forces are outlined in the introduction - developments, it is argued, that are intrinsically connected to the social upheava1 that characterized America in the late 1960's and early 1970's, while their presence in and effects on the fiction of four contemporary North American writers - Thomas

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18

Chan, Suet Ni. "In the periphery of the margin: white masculinity in contemporary American fiction /Chan Suet Ni." HKBU Institutional Repository, 2017. https://repository.hkbu.edu.hk/etd_oa/351.

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My thesis discusses male identity in contemporary culture in relation to work by Bret Easton Ellis and Chuck Palahniuk. Such work reflects the problems, anxieties, and dilemmas of the masculine subject in American culture. The characters in my six selected texts, namely, Ellis' Less Than Zero, American Psycho, and Glamorama, and Palahniuk's Fight Club, Survivor, and Choke, symbolize a generation with no discernible future. Each male protagonist finds himself in a place of no time and no meaning because image and illusion have supplanted essence. These characters combat culture-prevalent emptin

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19

Grivas, Steven. "Invasive cultures: American culture in Bret Easton Ellis' American psycho." 1999. http://repository.unimelb.edu.au/10187/7130.

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"Invasive cultures: American culture in Bret Easton Ellis’ American psycho” proposes that Ellis' small body of fictional works can be read as active critiques of American culture, detailing the ways in which this culture informs the current condition of American society in recent times. The larger intent of this thesis is to delineate and examine the relays between American culture, the forces of capitalism that underlie them, and their significant bearing on the social behaviour, personal expression and psychology of Ellis’ characters, who often directly assimilate and embody its characterist

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20

Messier, Vartan P. "Canons of transgression : shock, scandal, and subversion from Matthew Lewis' The Monk to Bret Easton Ellis' American psycho /." 2004. http://grad.uprm.edu/tesis/messiervartan.pdf.

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21

Kuon, Ludwig [Verfasser]. "René Girard und die Wahrheit des Romans : der mimetische Konflikt als Handlungsschema in den Romanen von Bret Easton Ellis, American Psycho (1991), Michel Houellebecq, Elementarteilchen (1996), und Vladimir Sorokin, Der himmelblaue Speck (1999) / vorgelegt von Kuon, Ludwig." 2006. http://d-nb.info/980698979/34.

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22

Sheikh, Nabeela. "Missing-in-action : the American cipher in Bret Easton Ellis and Douglas Coupland." Thèse, 2005. http://hdl.handle.net/1866/17581.

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23

Pereira, Cristina Santos. "Raymond Carver e Bret Easton Ellis : paisagens ficcionais emergentes de um “newly envisioned world"." Master's thesis, 2007. http://hdl.handle.net/10400.2/551.

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Dissertação de Mestrado em Estudos Americanos apresentada à Universidade Aberta<br>Assistimos a uma multiplicidade de desafios lançada por esta nova era de finais do século XX: a inconsistência de uma sociedade mediatizada, os instantes fragmentários, a alienação individual, a coexistência constante com a ambiguidade, a ausência da melhor solução, em soma, os próprios questionamentos existenciais e sociais. A leitura da ficção de Raymond Carver e Bret Easton Ellis implica a veiculação do seu newly envisioned world, no qual os fragmentos do real são combinados enquanto construto consensual da

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24

Knight, Mary Leslie. "Sympathy for the Devil: Volatile Masculinities in Recent German and American Literatures." Diss., 2011. http://hdl.handle.net/10161/3830.

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<p>This study investigates how an ambivalence surrounding men and masculinity has been expressed and exploited in Pop literature since the late 1980s, focusing on works by German-speaking authors Christian Kracht and Benjamin Lebert and American author Bret Easton Ellis. I compare works from the United States with German and Swiss novels in order to reveal the scope - as well as the national particularities - of these troubled gender identities and what it means in the context of recent debates about a "crisis" in masculinity in Western societies. My comparative work will also highlight the w

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25

Loughran, Colin. "American Impotence: Narratives of National Manhood in Postwar U.S. Literature." Thesis, 2012. http://hdl.handle.net/1807/42531.

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“American Impotence” investigates a continuity between literary representations of masculinity and considerations of national identity in the works of five postwar novelists. In particular, I illustrate the manner in which Ralph Ellison’s Invisible Man, John Updike’s Couples, Robert Coover’s The Public Burning, Joan Didion’s Democracy and The Last Thing He Wanted, and Bret Easton Ellis’s American Psycho challenge the patterns of daily life through which a single figure is imagined to be the essential agent of American polity: namely, the self-made individualist, characterized by manly virtues

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26

Personn, Tim. "Fictions of proximity: the Wallace Nexus in contemporary literature." Thesis, 2018. https://dspace.library.uvic.ca//handle/1828/9886.

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This dissertation studies a group of contemporary Anglo-American novelists who contribute to the development of a new humanism after the postmodern critique of Euro-American culture. As such, these writers respond to positions in twentieth-century philosophy that converge in a call for silence which has an ontological as well as ethical valence: as a way of rigorously thinking the ‘outside’ to language, it avoids charges of metaphysical inauthenticity; as an ethical stance in the wake of the Shoah, it eschews a complicity with the reifications of modern culture. How to reconcile this post-meta

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