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Relevant bibliographies by topics / American Satire And Humor

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Academic literature on the topic 'American Satire And Humor'

Author: Grafiati

Published: 4 June 2021

Last updated: 24 January 2023

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Journal articles on the topic "American Satire And Humor"

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Schwartz, Benjamin. "Speculative Satire and Postracial Capitalism in Nana Kwame Adjei-Brenyah’s Friday Black." Studies in American Humor 8, no. 2 (September 1, 2022): 297–316. http://dx.doi.org/10.5325/studamerhumor.8.2.0297.

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ABSTRACT This article explores the satire in Nana Kwame Adjei-Brenyah’s Friday Black (2018), specifically focusing on the use of speculative devices to question assumptions about racial progress in the twenty-first century United States. Adjei-Brenyah’s humor unsettles the logic of postracial time and demonstrates how contemporary African American satire disrupts race-neutral discourses that reproduce what Maria Bose calls “postracial capitalism.” Drawing on recent scholarship by Bose, Danielle Fuentes Morgan, Lisa Guerrero, and others, I read Adjei-Brenyah’s dark and hilarious short stories as satires that name and challenge the emerging technologies of racist domination that condemn Black bodies to premature death in contemporary America.

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Skalicky, Stephen. "Lexical priming in humorous satirical newspaper headlines." HUMOR 31, no. 4 (September 25, 2018): 583–602. http://dx.doi.org/10.1515/humor-2017-0061.

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Abstract Satire is a type of discourse commonly employed to mock or criticize a satirical target, typically resulting in humor. Current understandings of satire place strong emphasis on the role that background and pragmatic knowledge play during satire recognition. However, there may also be specific linguistic cues that signal a satirical intent. Researchers using corpus linguistic methods, specifically Lexical Priming, have demonstrated that other types of creative language use, such as irony, puns, and verbal jokes, purposefully deviate from expected language patterns (e.g. collocations). The purpose of this study is to investigate whether humorous satirical headlines also subvert typical linguistic patterns using the theory of Lexical Priming. In order to do so, a corpus of newspaper headlines taken from the satirical American newspaper The Onion are analyzed and compared to a generalized corpus of American English. Results of this analysis suggest satirical headlines exploit linguistic expectations through the use of low-frequency collocations and semantic preferences, but also contain higher discourse and genre level deviations that cannot be captured in the surface level linguistic features of the headlines.

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Bryant, John. "Poe's Ape of UnReason: Humor, Ritual, and Culture." Nineteenth-Century Literature 51, no. 1 (June 1, 1996): 16–52. http://dx.doi.org/10.2307/2933839.

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For early Americans, humor was an effective means of integrating a diverse and factionalized society, whereas satire was not only divisive but a sign of despotism. Melville's achievement was to adapt amiable humor to the drama of political and psychological doubt inherent in a democracy. Poe, however, was relentlessly satiric. Still, we find a "humorizing" of Poe in three Ape Tales: "The Murders in the Rue Morgue," "The System of Doctor Tarr and Professor Fether," and "Hop Frog." Clifford Geertz's notions of ritual as an interplay of self and culture and of symbol as an individual's peculiar enactment of larger cultural patterns show how humor and satire operate in the culture as both ritual and antiritual. Humor is ritualized accommodation: satire is ritualized attack. As ritual, humor fuses transcendental ideality ("worldview") and personal disbelief ("ethos"), allowing us to replay the drama of confidence and doubt. As antiritual, humor fulfills the same social functions but thorough unreliable narrative. Similarly, satire as ritual attack affirms the functionality of reader and culture but by reinforcing factions; and as antiritual it performs its affirmation thourhg such forms of unreliability as hoax. Poe relies heavily on the antiritual of satire, using the hoax as a means of enacting the private ethos of his repressed sexuality in the context of his worldview of transcendental beauty. While such antirituals betray a comic dysfunctionality in Poe, his ritualized replay of the ape reveals a development toward more integrative rituals of humor. "Rue Morgue" is a hoax against readers that effectively covers up Poe's problematic identification of himself with the tale's sexually charged ape of unreason. In "Tarr and Fether" the reader witnesses Maillard's hoax against the narrator and gains deeper insight into Poe's hidden sexuality. This neglected comic tour de force is more satiric ritual than antiritual. With "Hop-Frog" Poe replays the ape imagery in fairy-tale form and in fact becomes the ape of unreason. In acknowledging this identity he moves more fully toward a ritual of humor. Overall, the humorization of Poe's satiric intent suggests a certain cultural inevitability in the growth of humor over satire as an effective response to the divisiveness and metaphysical doubt inherent in the democratic experience.

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Winter, Aaron McLean. "The Laughing Doves of 1812 and the Satiric Endowment of Antiwar Rhetoric in the United States." PMLA/Publications of the Modern Language Association of America 124, no. 5 (October 2009): 1562–81. http://dx.doi.org/10.1632/pmla.2009.124.5.1562.

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Antiwar activists in the United States have often made recourse to satire in order to rebut claims that their dissent is sententious and effeminate. Federalist opponents of the War of 1812 used the genre to posit, moreover, that they alone could manage the military and economic crisis that resulted from a disastrous second war against Great Britain. But satire, in an era of incipient nationalism, was problematically associated with British snobbery. I argue that wartime periodicals show Federalist satire pulling in diverging directions. Projects like Alexander Hanson's Federal Republican are regressive, reviving the Augustan archetype of the satirist as intellectual martyr, even as they unwittingly lay the groundwork for a liberal model of civil disobedience. Projects like George and Henry Helmbold's Tickler are progressive, phrasing Federalist principles in the post-Federalist vocabulary of liberal competition through their experiments with populist dialect, which also anticipate the postwar transformation of British American “satire” into all-American “humor.”

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Caron, James E. "Gendered Comic Traditions: How Fanny Fern's Satire Subverts Nineteenth-Century Colonial Continuity and Enables Twenty-First Century Neocolonial Hybridity." Studies in American Humor 7, no. 2 (October 1, 2021): 277–303. http://dx.doi.org/10.5325/studamerhumor.7.2.277.

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Abstract This article offers examples from the antebellum period that bear out Judith Lee's matters of empire framework; it exposes the ways in which American humor both continues and breaks away from its English antecedents, showing in particular how Sara Willis Parton as Fanny Fern does and does not fit into aesthetic and philosophical parameters about satire and satirists that can be traced back to English periodicals. After outlining a colonial continuity through a discussion of Parton and two contemporaries, Lewis Gaylord Clark and William Makepeace Thackeray, I go on to suggest that Parton's Fanny Fern persona also functions as a symbolic origin for a genealogy of women satirists who evoke Hélène Cixous's image of a laughing Medusa, a genealogy I describe as a neocolonial hybrid because it details American women writing satire to mock and resist the domestic imperium of US patriarchy.

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Fuchs Abrams, Sabrina. "The Power of Laughter: Jessie Redmon Fauset and the Racial and Gender Politics of Humor." Studies in American Humor 8, no. 2 (September 1, 2022): 360–80. http://dx.doi.org/10.5325/studamerhumor.8.2.0360.

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ABSTRACT Humor by African American women writers has been largely overlooked and undervalued owing in part to the misguided expectation of feminine, subordinate behavior that precludes the expression of aggression and irreverence associated with humor. This article reappraises Jessie Redmon Fauset’s reputation as a sentimental, bourgeois female writer, looking at how she uses irony and satire to challenge racial and gender stereotypes and become a pioneering female humorist of the Harlem Renaissance. In her essay “The Gift of Laughter” and her best-known novel, Plum Bun (1928), Fauset uses humor as an indirect form of social protest to subvert racial and gender stereotypes of the New Woman and the New Negro Woman and to unsettle bourgeois, sentimental conventions of the marriage plot and the passing plot. Through a reframing of Fauset’s novel in light of recent theories of Black feminist humor, this article helps to restore Fauset’s rightful place among the leading and lasting voices of the Harlem Renaissance.

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Mendiburo-Seguel, Andrés, and Sonja Heintz. "Comic styles and their relation to the sense of humor, humor appreciation, acceptability of prejudice, humorous self-image and happiness." HUMOR 33, no. 3 (August 27, 2020): 381–403. http://dx.doi.org/10.1515/humor-2018-0151.

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AbstractThe present study investigates the relationships of eight comic styles (fun, benevolent humor, nonsense, wit, irony, satire, sarcasm, and cynicism) with acceptability of prejudice (laughing at different groups and topics), humorous self-image (funniness and frequency of laughter), humor appreciation (funniness and aversiveness of cartoons with different structures and contents), and happiness. A representative Chilean adult sample (N=857, 60.8% women; age M=40.50, SD=17.28) was recruited in face-to-face interviews and online surveys. They completed self-reports of all variables as well as a humor appreciation test. Most of the comic styles related to finding the cartoons funnier. Furthermore, the darker styles were more strongly related to laughing at a variety of topics and groups. Also, happiness was positively related to fun and benevolent humor and negatively to cynicism. This study provides evidence of the criterion validity of the Comic Style Markers in Latin-American cultures and highlights differences between lighter and darker styles.

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Balce, Nerissa S. "Laughter Against the state: On Humor, Postcolonial Satire, and Asian American Short Fiction." Journal of Asian American Studies 19, no. 1 (2016): 47–73. http://dx.doi.org/10.1353/jaas.2016.0012.

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Baggett, J. Mark. "Mark Twain's Legal Burlesques and the Democratization of American Legalese." Mark Twain Annual 19, no. 1 (November 1, 2021): 95–117. http://dx.doi.org/10.5325/marktwaij.19.1.0095.

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Abstract Mark Twain's engagement with the “infernal phraseology of the law” spanned his career: from his sketches in Virginia City to the courtroom trials of his novels. Working in the context of legal reform movements, and using his own knowledge and mastery of law and procedure, Twain's legal burlesques develop into fully dramatized narratives of humor and satire in which legal rhetoric and the vernacular act as “infernal or subversive agents” of the authority inherent in the law. Thus, at a time when Samuel Clemens began to fashion the voice of Mark Twain, he worked within the context of reform movements that would democratize and demythologize legal language.

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Binder, Nicole. "The Portrayal of White Anxiety in South Park’s “With Apologies to Jesse Jackson”." aspeers: emerging voices in american studies 7 (2014): 41–65. http://dx.doi.org/10.54465/aspeers.07-04.

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Humor lends itself as a convenient tool to address sensitive issues such as race. Since 1997, the TV series South Park with its brash satire and rampant irony has been a prime example of how such issues are negotiated in American popular culture. However, the utilization of highly rhetorical devices such as satire or irony has divided scholars on whether the series promotes or stifles social discourse on race and ethnicity. In this article, I examine the episode “With Apologies to Jesse Jackson” (2007), focusing on how white feelings of anxiety are portrayed in this episode that is permeated by racial tension. The particular representation wavers between a social critique of the state of race relations in the United States and a portrayal of white anxiety as hindering open discourse on the topic. Ultimately, the article demonstrates that the scenes containing elements of white anxiety are portrayed in such a way as to critique the current dysfunctional state of race relations in the United States, urging viewers to critically consider issues of race rather than to inhibit such discourse.

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Dissertations / Theses on the topic "American Satire And Humor"

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Boswell, Brian T. "From scat to satire toward a taxonomy of humor in twentieth century American media /." Muncie, Ind. : Ball State University, 2009. http://cardinalscholar.bsu.edu/637.

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Prussing-Hollowell, Andrea Shannon. "Standup comedy as artistic expression Lenny Bruce, the 1950s, and American humor/." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04192007-125027/.

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Thesis (M.A.)--Georgia State University, 2007.
Title from file title page. Michelle Brattain, committee chair; Larry Youngs, committee member. Electronic text (111 p.) : digital, PDF file. Description based on contents viewed Nov. 7, 2007. Includes bibliographical references (p. 109-111).

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Meier, Matthew R. "Laughing at American Democracy: Citizenship and the Rhetoric of Stand-Up Satire." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1404219407.

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Sobiech, Michael James. "A Mock Rhetoric: The Use of Satire in First-Year Composition." TopSCHOLAR®, 2008. http://digitalcommons.wku.edu/theses/45.

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Knoepfelmacher, Juliana Rosenthal. "A questão da mulher e a ordem social: o humor em Dorothy Parker." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-16092009-170337/.

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Essa dissertação tem como objetivo analisar os contos da escritora Dorothy Parker em diálogo com seus poemas, tendo em vista a modernidade com a qual construiu suas histórias e o papel do humor em sua criação. Ao analisar as obras dessa autora de grande destaque nos Estados Unidos da América do Norte, nos anos 1930, veremos como o humor se transforma numa importante ferramenta que se relaciona com a construção do feminino e com a questão social da mulher, a fim de desestabilizar e transformar o status quo. O estudo, com o apoio teórico de Vladimir Propp e de Henri Bergson, intenciona demonstrar que, embora Dorothy Parker possa ser considerada uma escritora datada, seu senso satírico continua atual e reflete claramente o contexto no qual as mulheres estavam inseridas.
The aim of this study is to analyse Dorothy Parker´s short stories in dialogue with her poems in order to show the modernity of her writings and the function played by humour. Analysing the works of the great american writer in the thirties, we see how humour is used as a tool in the construction of the feminine and the social role of women, with the purpose of destabilizing and making a change in the status quo. The theoretical framework based on Vladimir Propp and Henri Bergson helps to demonstrate that in spite of Dorothy Parker´s work being considered dated by some, the satiric sense that emerges from her writings is still present in our times and reveals the context in which those women were inserted.

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Hodgkiss, Megan Turley. "Excellence in Incompetence: The Daily Show Creates a Moment of Zen." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-12012006-125553/.

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Thesis (M.A.)--Georgia State University, 2006.
Michael Bruner, committee chair; Ted Friedman, Greg Smith, committee members. Electronic text (105 p.) : digital, PDF file. Description based on contents viewed July 17, 2007. Includes bibliographical references (p. 96-105).

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Adascalita, Lucia, and Viorica Cazac. "Communication with typographic products through satire and humor." Thesis, Київський національний університет технологій та дизайну, 2021. https://er.knutd.edu.ua/handle/123456789/17897.

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Humor and satire are formidable tools in capturing interest in various printing products and promoting them: advertising products, book editions, leaflets, labels, packaging, etc. in correlation with their predestination. The humorous approach to the graphic solution of typographic products can be diversified using various style figures and techniques: allegory, metaphor, zoomorphy, exaggeration of human physical features, anachronism, etc. In order to identify their effectiveness, a case study was conducted.

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Bond, Nathaniel Peter. "Lessons in Immorality: Mishima's Masterpiece of Humor and Social Satire." PDXScholar, 2013. https://pdxscholar.library.pdx.edu/open_access_etds/988.

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From 1958 to 1959, Mishima Yukio published a series of satirical essays titled Lessons in Immorality, in the magazine Weekly Morningstar. Lessons in Immorality was made into a television series, a stage play, and a film. Famous in the West for writing serious novels, Mishima's work as a humor writer is largely unknown. In these essays Mishima writes in a very comic style, making liberal use of hyperbole, burlesque, and travesty, in order to parody and satirize contemporary Japanese morality. Mishima uses humor to create a world in which Mishima Yukio, iconoclastic author and pop-culture figure, is an arbiter of his own honest and just morality that runs counter to the norms that Japanese at that time considered to be honest and just. Additionally, Mishima used Lessons in Immorality as a forum to discuss some of the serious concerns that are central to his famous novels. Because Mishima was writing for young men and women, he wrote about his complex philosophical and aesthetic ideals in a very humorous and accessible style. Thus, in addition to displaying Mishima's talent as a humor writer, these essays also give the reader fresh perspectives on Mishima's serious literature. In this paper, I will present the writing styles, rhetorical tools, and philosophical discussions from Lessons in Immorality that I believe make the series essential reading for anyone interested in Mishima or postwar Japanese literature.

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Simon, Alaina R. "Satire and Sympathy in American Psycho." University of Toledo Honors Theses / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1355508133.

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Crawford, Alison. "Postmodern satire in American prime-time animation." Thesis, Ulster University, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.516291.

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Books on the topic "American Satire And Humor"

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Brindisi, Alfio J. Political humor and satire. [U.S.A.]: A.J. Brindisi, 2003.

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J, Renehan W., ed. God, guns, grits, and gravy: A satire. Wickford, RI: New Street Communications, Llc, 2014.

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Ford, Gerald R. Humor and the Presidency. New York: Arbor House, 1987.

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Wong, Jane Lee. State of the Union: A satire. [Virginia?]: J.L. Wong, 1996.

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Hedges, David. Petty frogs on the Potomac: Satire. West Linn, Or: Sweetbriar Co., 1997.

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Totally Mad: 60 years of humor, satire, stupidity and stupidity. New York, NY: Time Home Entertainment, 2012.

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Bob, Hope. Bob Hope's Dear prez, I wanna tell ya!: A presidential jokebook. Los Angeles: General Pub., 1996.

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Bob, Hope. Bob Hope's Dear prez, I wanna tell ya!: A presidential jokebook. Burbank, CA: Hope Interprises, Inc., 1996.

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Políticas del humor en América Latina: Estética y discurso satírico en el siglo XIX. San Juan, Puerto Rico: Ediciones Huracán, 2011.

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What if I were ...?: Book one: Obama and Putin. [Place of publication not identified]: [publisher not identified], 2016.

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Book chapters on the topic "American Satire And Humor"

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Anderson, Christian K., and Katherine E. Chaddock. "Humor in Academic Fiction: From Subtle Satire to LMAO." In Anti-Intellectual Representations of American Colleges and Universities, 15–32. New York: Palgrave Macmillan US, 2017. http://dx.doi.org/10.1057/978-1-137-57004-8_2.

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Robinson, MJ. "“No, really, it was a joke!” The Humor Excuse and the Challenge of Political Satire in Contemporary America." In Playing with Reality, 173–80. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003256601-24.

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Popp, Wolfgang. "Humor, Ironie, Satire." In Männerliebe, 373–414. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03403-8_13.

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Barra, Luca. "Mediating satire." In Topics in Humor Research, 71–80. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/thr.2.06bar.

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Schart, Aaron. "Jona als Satire." In Religion und Humor, 79–94. Göttingen: Vandenhoeck & Ruprecht, 2017. http://dx.doi.org/10.13109/9783788732714.79.

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Popa, Diana E. "Televised political satire." In Topics in Humor Research, 367–92. Amsterdam: John Benjamins Publishing Company, 2013. http://dx.doi.org/10.1075/thr.1.17pop.

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Kuipers, Giselinde. "Satire and dignity." In Topics in Humor Research, 19–32. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/thr.2.02kui.

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Bandtel, Matthias, and Benedikt Porzelt. "Satire- und Comedytalks." In Wahlkampf mit Humor und Komik, 109–48. Wiesbaden: Springer Fachmedien Wiesbaden, 2017. http://dx.doi.org/10.1007/978-3-658-17985-4_7.

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Zeidler, Kurt Walter. "Scherz, Satire, Ironie und tiefere Bedeutung." In Religion und Humor, 29–36. Göttingen: Vandenhoeck & Ruprecht, 2017. http://dx.doi.org/10.13109/9783788732714.29.

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Basu, Laura. "TV Satire and its Targets." In Topics in Humor Research, 207–16. Amsterdam: John Benjamins Publishing Company, 2015. http://dx.doi.org/10.1075/thr.2.15bas.

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Conference papers on the topic "American Satire And Humor"

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Weber, Alan. "COUNTERACTING ABUSE IN MEDICAL EDUCATION AND PRACTICE: LESSONS FROM LITERARY THEORIES OF HUMOR AND SATIRE." In 11th International Conference on Education and New Learning Technologies. IATED, 2019. http://dx.doi.org/10.21125/edulearn.2019.1585.

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Huang, Yan. "Exploration on the Black Humor in American Literature." In 3rd International Conference on Management Science, Education Technology, Arts, Social Science and Economics. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/msetasse-15.2015.135.

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Chen, Peng-Yu, and Von-Wun Soo. "Humor Recognition Using Deep Learning." In Proceedings of the 2018 Conference of the North American Chapter of the Association for Computational Linguistics: Human Language Technologies, Volume 2 (Short Papers). Stroudsburg, PA, USA: Association for Computational Linguistics, 2018. http://dx.doi.org/10.18653/v1/n18-2018.

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Adascalița-Crigan, Lucia. "Nicolae Macarenco - representative artist of satirical graphics." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.01.

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A prominent figure in the field of satirical graphics in the Republic of Moldova, Nicolae Macarenco, throughout his artistic career, conceived with great skill and dedication book illustrations for literary works signed by Aureliu Busuioc, Evgeniy Kopylov, Iosif Gherasimov, Alla Grekul, posters and aesthetically expressive and semantically valuable caricatures. Prodigious, talented, persevering and devoted to his profession, the protagonist is one of the established artists who, through his vocation and talent, marked an entire era in the satirical art of the Republic. Working successfully, especially in the genres of satirical-humorous graphics, the graphic designer gave birth to works that were frequently published in important periodicals such as the satire and humor magazine Chipăruş, the magazine Femeia Moldovei, the newspaper Tinerimea Moldovei and others. The study highlights both the thematic aspects of the artist’s creation and the determined, systematized, mirrored artistic options of the protagonist. Having examined the artist’s works, the author pays increased attention to problems of compositional image, the particularities of plastic representation through shape, line, tone of human characters, psychological states of anthropomorphic and zoomorphic characters. At the same time, the analytical approach is supported by highlighting the role of color in the process of amplifying expressions and messages generated by satirical works created by the graphic artist.

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"Dubbing Verbally Expressed Humor: An Analysis of American Animations in Persian Context." In Multi-Disciplinary Manila (Philippines) Conferences Jan. 26-27, 2017 Cebu (Philippines). Universal Researchers (UAE), 2017. http://dx.doi.org/10.17758/uruae.uh0117412.

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Ao, Xiao, Danae Sanchez Villegas, Daniel Preotiuc-Pietro, and Nikolaos Aletras. "Combining Humor and Sarcasm for Improving Political Parody Detection." In Proceedings of the 2022 Conference of the North American Chapter of the Association for Computational Linguistics: Human Language Technologies. Stroudsburg, PA, USA: Association for Computational Linguistics, 2022. http://dx.doi.org/10.18653/v1/2022.naacl-main.131.

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Bertero, Dario, and Pascale Fung. "A Long Short-Term Memory Framework for Predicting Humor in Dialogues." In Proceedings of the 2016 Conference of the North American Chapter of the Association for Computational Linguistics: Human Language Technologies. Stroudsburg, PA, USA: Association for Computational Linguistics, 2016. http://dx.doi.org/10.18653/v1/n16-1016.

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Hajizadeh, Fatima. "OPTIONS FOR STUDYING AMERICAN ENGLISH BY STUDENTS USING MODERN TEACHING METHODS." In PROCEEDINGS OF INTERNATIONALTURKISH WORLD TOURISM, ECONOMICS AND CULTURAL HERITAGE SYMPOSIUM. Türkiye Milli Komisyonu, 2022. http://dx.doi.org/10.36962/itwtechs24062022-361.

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The article deals with the problem of the options of studying American English by students using modern teaching methods. Particular attention is given to that English is the most popular language, namely the American version of English is the predominant language in the world. The analysis of the research highlighted the importance of distinctive features of grammar, context, pronunciation and the specifics of regional variants of American English. Versions of the subtleties of studying American English were put forward, which included humor, online resources and entertainment. In conclusion, the emphasis is placed on the fact that the use of modern teaching methods gives students the opportunity to be better acquainted with the culture and history of the United States. Furthermore, such methods also helps students to meet American reality and pronunciation. Keywords: American English, language, options fo r learning a foreign language.

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Franco, Jorge. "Um humor descolonizado de criação de um espaço digital tridimensional baseado na integração do conhecimento transdisciplinar." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.66.g55.

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Esta arte experimental tentou produzir um clima descolonizado de pesquisa e criação de um espaço digital tridimensional (3D) de Realidade Virtual (RV), baseado na integração de conhecimento transdisciplinar. Aplicou o conceito de Transformação Digital (DX) (O’Brien e Reinitz, 2021), dentro de processos de prática computacional educativa (Tissenbaum et al. 2019) para capacitar pessoas (Freire, 2016), por meio da concepção e execução de um espaço 3DRV, utilizando técnicas de programação de computação gráfica 3D para o desenvolvimento de comunicação visual (Cunningham, 2007) com suporte do emprego de tecnologias baseadas em Web3D (Web3D Consortium, 2021) como Recursos Educacionais Abertos (REA) (UNESCO, 2019). As tecnologias Web3D acessíveis e de baixo custo permitiram praticar, analisar e estender uma investigação de longo prazo nos níveis de educação K-12, referente ao compartilhamento de conhecimento, com o objetivo de inspirar o envolvimento dos indivíduos em práticas de computação que abrangem habilidades de codificação e alfabetização visual (Franco e Lopes, 2012; Franco, 2020), incluindo a arte e suas oportunidades de aprendizagem e expressão na era digital (Wand, 2007). Com o apoio de tecnologias Web3D e experiências de aprendizagem e ensino ao longo da vida, por meio da participação no curso “Projeto Espetáculo em Realidade Aumentada”, na Fábrica de Cultura Diadema, o desenvolvimento contínuo desta obra ampliou nosso processo de pesquisa através da produção de um material descolonizado, ao interconectar o conhecimento conceitual relacionado à arte visual da mistura de culturas afro-brasileiras, ameríndias e europeias de Rubem Valentim (Mendes Wood DM, 2021) e a representação simbólica da cultura afro-americana de Jacob Lawrence (Smithsonian American Art Museum, 2021). Ambos os artistas têm uma trajetória de aprendizagem ao longo da vida e usam geometria e formas coloridas em sua composição artística. Suas obras expressaram conhecimentos relacionados às culturas afro-brasileira e afro-americana, contribuindo para diminuir uma lacuna de invisibilidade na educação oficial (Fernandes, 2016), no ensino das contribuições da cultura negra para o mundo das artes, das ciências e da tecnologia. A interação com a trajetória e trabalho destes artistas tem levado a pesquisar, aplicar e compartilhar conhecimentos relacionados à África antiga, tendo como referência o uso da matemática, da geometria pela civilização egípcia, em certa medida (geometria sagrada, Calter, 1998) conhecimentos de formas e cores para construção e decoração de pirâmides e outros monumentos. Tal confluência de conhecimento transdisciplinar fez parte da pesquisa e formação de bibliotecas e técnicas de computação gráfica, permitindo, por meio de práticas educativas de programação de computadores 3D, integrar nesta realidade virtual 3D (RV) - (3DRV) recursos de arte de escultura digital, instalação e net art (Wands , 2007), de forma autônoma e/ou por meio de uma interface baseada em blog. Assim, esta confluência de conhecimentos tem gerado, conforme investigado e materializado por meio da computação gráfica 3D em (T’ÒSÚN, 2014), a construção e visualização de representações simbólicas de adornos e instrumentos sagrados de Seres Encantados Afro-Brasileiros, Europeus e Ameríndios, incluindo o aprimoramento das habilidades cognitivas e técnicas das pessoas.

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TUĞLUK, Mehmet Emin. "A COMPETITION TO FIND AN EQUAL TO THE TWELVE FOREIGN WORDS ORGANIZED BY THE ŞEHBÂL MAGAZINE (1909-1914)." In 3. International Congress of Language and Literature. Rimar Academy, 2021. http://dx.doi.org/10.47832/lan.con3-4.

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One of the important magazines of the Second Constitutional period was the magazine Şehbâl, which was published between 14 March 1909 and 14 July 1914. Political events and comments in Şehbâl magazine; culture, literature, music; painting, sculpture, architecture; health,sport; inventions and inventions, discoveries, accounting, humor, fashion, make-up, embroidery, housework; articles on many subjects such as information about new publications and selections from English, French, German and American magazines have been published. Another important feature of Şehbâl magazine is that it organizes competitions on various subjects. One of these competitions organized by the Magazine is The Competition to Find an Equal to The Twelve Foreign Words In this competition, it was requested to find the equivalents of the words bibliographie, boycottage, caprice, caricature, clup, conference, concert, decor, monologue, paradoxe, surprise, taximetre. Various words were suggested to this competition by 517 people. However, none of the suggested words are used in standard Turkey Turkish instead of the desired word. However, this competition is important in terms of showing the influence of foreign languages on Turkish and the awareness and resistance shown against this influence. Key words: Şehbâl Magazine, Competition, Second Constitutional, Foreign Languages, Turkish Equivalent.

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Reports on the topic "American Satire And Humor"

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Bond, Nathaniel. Lessons in Immorality: Mishima's Masterpiece of Humor and Social Satire. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.988.

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Prysyazhnyi, Mykhaylo. UNIQUE, BUT UNCOMPLETED PROJECTS (FROM HISTORY OF THE UKRAINIAN EMIGRANT PRESS). Ivan Franko National University of Lviv, March 2021. http://dx.doi.org/10.30970/vjo.2021.50.11093.

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In the article investigational three magazines which went out after Second World war in Germany and Austria in the environment of the Ukrainian emigrants, is «Theater» (edition of association of artists of the Ukrainian stage), «Student flag» (a magazine of the Ukrainian academic young people is in Austria), «Young friends» (a plastoviy magazine is for senior children and youth). The thematic structure of magazines, which is inferior the association of different on age, is considered, by vital experience and professional orientation of people in the conditions of the forced emigration, paid regard to graphic registration of magazines, which, without regard to absence of the proper publisher-polydiene bases, marked structuralness and expressiveness. A repertoire of periodicals of Ukrainian migration is in the American, English and French areas of occupation of Germany and Austria after Second world war, which consists of 200 names, strikes the tipologichnoy vseokhopnistyu and testifies to the high intellectual level of the moved persons, desire of yaknaynovishe, to realize the considerable potential in new terms with hope on transference of the purchased experience to Ukraine. On ruins of Europe for two-three years the network of the press, which could be proud of the European state is separately taken, is created. Different was a period of their appearance: from odnogo-dvokh there are to a few hundred numbers, that it is related to intensive migration of Ukrainians to the USA, Canada, countries of South America, Australia. But indisputable is a fact of forming of conceptions of newspapers and magazines, which it follows to study, doslidzhuvati and adjust them to present Ukrainian realities. Here not superfluous will be an example of a few editions on the thematic range of which the names – «Plastun» specify, «Skob», «Mali druzi», «Sonechko», «Yunackiy shliah», «Iyzhak», «Lys Mykyta» (satire, humour), «Literaturna gazeta», «Ukraina і svit», «Ridne slovo», «Hrystyianskyi shliah», «Golos derzhavnyka», «Ukrainskyi samostiynyk», «Gart», «Zmag» (sport), «Litopys politviaznia», «Ukrains’ka shkola», «Torgivlia i promysel», «Gospodars’ko-kooperatyvne zhyttia», «Ukrainskyi gospodar», «Ukrainskyi esperantist», «Radiotehnik», «Politviazen’», «Ukrainskyi selianyn» Considering three riznovektorni magazines «Teatr» (edition of Association Mistciv the Ukrainian Stage), «Studentskyi prapor» (a magazine of the Ukrainian academic young people is in Austria), «Yuni druzi» (a plastoviy magazine is for senior children and youth) assert that maintenance all three magazines directed on creation of different on age and by the professional orientation of national associations for achievement of the unique purpose – cherishing and maintainance of environments of ukrainstva, identity, in the conditions of strange land. Without regard to unfavorable publisher-polydiene possibilities, absence of financial support and proper encouragement, release, followed the intensive necessity of concentration of efforts for achievement of primary purpose – receipt and re-erecting of the Ukrainian State.

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