Academic literature on the topic 'Americn wit and humor, Pictorial'

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Dissertations / Theses on the topic "Americn wit and humor, Pictorial"

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McGuire, Kathleen Diane. "The transatlantic Paddy the making of a transnational Irish identity in nineteenth-century America /." Diss., [Riverside, Calif.] : University of California, Riverside, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3359906.

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Thesis (Ph. D.)--University of California, Riverside, 2009.<br>Includes abstract. Title from first page of PDF file (viewed February 9, 2010). Includes bibliographical references (p. 339-346). Issued in print and online. Available via ProQuest Digital Dissertations.
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Webb, Joel C. "Drawing Defeat: Caricaturing War, Race, and Gender in Fin de Siglo Spain." Amherst, Mass. : University of Massachusetts Amherst, 2009. http://scholarworks.umass.edu/theses/283/.

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Pereira, Priscila 1983. "Entre a épica e a paródia = a (des) mistificação do gaucho nos quadrinhos de Inodoro Pereyra, el renegau." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278675.

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Orientador: José Alves de Freitas Neto<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas<br>Made available in DSpace on 2018-08-17T20:23:51Z (GMT). No. of bitstreams: 1 Pereira_Priscila_M.pdf: 27248639 bytes, checksum: 801076349c108b5c8a789f5258de65f3 (MD5) Previous issue date: 2011<br>Resumo: Esta pesquisa analisa as representações do gaucho nos quadrinhos de Inodoro Pereyra, personagem criada pelo humorista argentino Roberto Fontanarrosa na década de 70 do século XX. Nascido como uma paródia da literatura gauchesca, do radioteatro e do
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Herek, Ann Marie. "The effects of perceived sexism on funniness ratings of cartoons." Virtual Press, 1986. http://liblink.bsu.edu/uhtbin/catkey/451607.

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Humor-evoking events frequently contain aggressive elements. Sex differences have been found for the effects of aggressive content on perceived funniness, (Wilson & Molleston, 1981; Terry & Ertle, 1974; Groch, 1974; Felker & Hunter, 1970) but the findings are not consistent. Sexism is sometimes perceived as a more subtle form of aggression. Sex differences have also been found for the way sexism affects funniness ratings, (Chapman & Gadfield, 1976; Priest & Wilhelm, 1974) but again the findings are inconsistent. The primary purpose of the present study was to determine the relationship between
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Verster, F. P. (Francois Philippus). "'n Kultuurhistoriese ontleding van pikturale humor, met besondere verwysing na die werk van T.O. Honiball." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53521.

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Thesis (PhD)--Stellenbosch University, 2003.<br>ENGLISH ABSTRACT: There are vanous definitions of the concept humour, each depending on the perception thereof. Such perceptions are influenced by shared experiences, culture, milieu and individual creativity. Pictorial humour is divided into various sub genres such as the caricature, cartoon and comic strip. Each one of these sub genres portrays an individual process of development, both locally and globally. The work of TO Honiball forms part of this tradition. His artistic personality and sense of humour is unmistakably portrayed in his
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Odumosu, Temi-Tope. "Roaming beggars, errant servants and sable mistresses : some African characters from English satirical prints (1769-1819)." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610347.

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Pereira, Renan Rivaben [UNESP]. "Semana Ilustrada, o Moleque e o Dr. Semana: imprensa, cidade e humor no Rio de Janeiro do 2º Reinado." Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/127692.

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Made available in DSpace on 2015-09-17T15:25:00Z (GMT). No. of bitstreams: 0 Previous issue date: 2015-01-28. Added 1 bitstream(s) on 2015-09-17T15:46:51Z : No. of bitstreams: 1 000847388.pdf: 11210049 bytes, checksum: 853346e779ec5f9a7cc4ffd4e2d909a6 (MD5)<br>A partir de 1860, dois personagens tornaram-se familiares aos leitores da imprensa fluminense: o Moleque e o Dr. Semana, figuras que se transformaram em sinônimo da publicação que lhes deu vida, a Semana Ilustrada. Nas edições semanais, o cenário urbano da corte ganhava traços caricaturais e o jovem escravo alfabetizado e seu senhor
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Pereira, Renan Rivaben. "Semana Ilustrada, o Moleque e o Dr. Semana : imprensa, cidade e humor no Rio de Janeiro do 2º Reinado /." Assis, 2015. http://hdl.handle.net/11449/127692.

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Orientador: Tania Regina de Luca<br>Banca: Silvia Maria Azevedo<br>Banca: Laura Moutinho Nery<br>Resumo: A partir de 1860, dois personagens tornaram-se familiares aos leitores da imprensa fluminense: o Moleque e o Dr. Semana, figuras que se transformaram em sinônimo da publicação que lhes deu vida, a Semana Ilustrada. Nas edições semanais, o cenário urbano da corte ganhava traços caricaturais e o jovem escravo alfabetizado e seu senhor branco circulavam livremente pelas ruas, abordavam os rumos da política imperial, as apresentações artísticas dos teatros e denunciavam as condições precárias d
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Foster, John E. "A critical, social and stylistic study of Australian children's comics /." Title page, contents and introduction only, 1989. http://web4.library.adelaide.edu.au/theses/09PH/09phf755.pdf.

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Pinto, Henriques Luís Nuno. "Ilustração. Imagem da Modernidade em Portugal = Ilustración. Imagen de la modernidad en Portugal." Doctoral thesis, Universitat de Barcelona, 2015. http://hdl.handle.net/10803/299802.

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Este trabalho investiga a relação entre a imagem ilustrada e a experiência da modernidade. Nas margens da arte da gravura e de uma nova matriz industrial, a imagem ilustrada torna visível um espectro social abrangente e participa na formação de novos sujeitos da política e da esfera pública. É também uma forma atravessada por impulsos contraditórios — pelo humor e pelo pendor científico; pela visão atomizada e pela produção de séries que procuram recodificar a sociedade. A investigação de imagens recreativas e instrutivas, retratos fisiológicos e carica­turas, publicadas sobretudo na imprensa
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Books on the topic "Americn wit and humor, Pictorial"

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Rockwell, Norman. The wit & humor of Norman Rockwell. Andrews and McMeel, 1993.

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Samra, Cal. Holy humor: Inspirational wit and cartoons. Guideposts, 1997.

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Gerson, Alan. Habeas circus: Illegal humor. NewSouth Books, 2001.

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Spencer, Donald D. Computer humor. Camelot Pub. Co., 1994.

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Hickerson, Buddy. The Quigmans. Harmony Books, 1990.

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Jaffee, Al. A pretentious compendium of Mad's very best snappy answers to stupid questions. E.C. Publications, 1986.

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Hickerson, Buddy. The Quigmans: Tunnel of just friends. Four Walls Eight Windows, 1996.

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John, Callahan. Do not disturb any further. Quill, Morrow, 1990.

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John, Callahan. The night, they say, was made for love: Plus, my sexual scrapbook. Quill, 1993.

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Lambin, Helen Reichert. In the beginning: A humorous survey of the Bible. ACTA Publications, 1991.

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Book chapters on the topic "Americn wit and humor, Pictorial"

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Lent, John A., and John A. Lent. "China." In Asian Political Cartoons. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496842527.003.0002.

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This chapter is an exploration of Chinese political cartoons. Visual humor through caricature, satire and parody, and wit and playfulness has a long, rich history in dynastic China. Modern cartooning—usually meaning coming from the West—entered China at the juncture of the nineteenth and twentieth centuries through cartoon/humor magazines, pictorial magazines, newspapers, and lianhuanhua (palm-size narrative picture books). Major catalysts for this transformation were the growing dissatisfaction with the Qing Dynasty and increased contact with the outside world. In addition to the history of p
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