Dissertations / Theses: 'Amlie'

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Buckreus, Simone. "Die Körper einer Regentin Amelia Elisabeth von Hessen-Kassel (1602 - 1651)." Köln SH-Verl, 2006. http://d-nb.info/991289595/04.

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Buckreus, Simone. "Die Körper einer Regentin : Amelia Elisabeth von Hessen-Kassel (1602 - 1651) /." Köln : SH-Verlag, 2008. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9783894981945.

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Macedo, Pedro Ivo Rocha de. "Defenestração : deslocamento e identidade na obra de Amélie Nothomb." reponame:Repositório Institucional da UnB, 2016. http://repositorio.unb.br/handle/10482/20428.

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Dissertação (mestrado)—Universidade de Brasília, Instituto de Letras, Programa de Pós-Graduação em Literatura, 2016.
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O deslocamento e a relação com o diferente são as tônicas da obra da escritora nipo-belga Amélie Nothomb, que dedica parte considerável de sua produção à ficcionalização autobiográfica. Este trabalho coloca em tela os romances A metafísica dos tubos, Medo e submissão, Ni d´Ève, ni d´Adam e La nostalgie heureuse - em que a autora se remete à sua terra natal, o Japão, seu exílio e retorno. Propõe-se uma reflexão sobre a utilização da literatura como ferramenta de construção identitária e integração na autorrepresentação como personagem, ancorada nos conceitos de autobiografia, identidade narrativa e individuação. Ao explorar as categorias autorreferenciais, a presença midiática da autora e o confronto entre a pátria imaginada e a realidade da cultura nacional japonesa, investiga-se a importância do espaço e da ficção nas configurações identitárias urdidas, perdidas e reconfiguradas dentro e fora do texto. _______________________________________________________________________________________________ ABSTRACT
The keynotes of Japanese-Belgian writer Amélie Nothomb´s oeuvre are the displacement and the relations stablished with the difference. She devotes a considerable part of her production to the autobiographical fictionalization. This work frames the novels Métaphysique des tubes, Stupeur et tremblements, Ni d'Ève, ni d'Adam andLa nostalgie heureuse - in which the author refers to Japan, where she was born, her exile and return. We propose a reflection on the use of literature as a tool for identity construction tool and integration in the author´s self-representation as a character, rooted in the concepts of autobiography, narrative identity and individuation. By exploring the self-referential categories, the author´s media presence and the confrontation between her imaginary homeland and the reality of the Japanese national culture, we investigate the importance of space and fiction in the identity configurations woven, lost and re-configured within and outside the text. ______________________________________________________________________________________________ RÉSUMÉ
Le déplacementet la relation avecle différentsont lesmaîtres mots del'œuvrede l´écrivain nipo-belge AmélieNothomb, qui consacre une partieconsidérable de sa productionà la fictionnalisation autobiographique. Cette mémoire met en évidence les romans Métaphysique des tubes, Stupeur et tremblements, Ni d'Ève, ni d'Adamet La nostalgie heureuse-dans lesquels l'auteur fait allusion à son Japon natal, son exil et retour.Une réflexion surl'utilisationde la littérature commeoutil deconstruction de l'identitéet de l'intégrationdans l'auto-représentationde l'auteurcomme un personnage est proposée, en notant lesconceptsd'autobiographie, de l'identiténarrativeet d'individuation. En explorant lescatégoriesauto-référentielles, la présencemédiatiquede Nothombetla confrontationentre lapatrie imaginaireet la réalité dela culture nationalejaponaise, nous étudions l'importance de l'espace et de la fictiondans des configurationsd'identitétissées,perdueset re-configurées à l'intérieur eten dehors du texte.

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Rösl, Amelie [Verfasser]. "Arbeitserpressung : Zum Vermögenswert abgenötigter Leistungen / Amelie Rösl." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2018. http://d-nb.info/1173661468/34.

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NATALLI, E. L. "Um framework para criação de Ambientes Colaborativos." Universidade Federal do Espírito Santo, 2011. http://repositorio.ufes.br/handle/10/4236.

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A web oferece uma oportunidade inédita de promover a integração de pessoas para a realização de atividades de qualquer natureza, seja para o trabalho, para o lazer ou para o estudo. Com isto vê-se crescer a demanda por novas aplicações colaborativas. Neste contexto vimos surgir uma classe de aplicações denominada de Ambientes colaborativos. Embora muito se tenha avançado com o surgimento de ambientes de propósito geral, onde os AVAs e CMSs se destacam, tem-se observado que estes nem sempre se ajustam às necessidade e preferências de grupos específicos. É portanto desejável a oferta de facilitadores para criação de propostas inovadoras. Nesse trabalho, é apresentado um framework para o desenvolvimento de ambientes pertencentes a esta classe de aplicações. O objetivo da proposta é facilitar o processo de construção deste gênero de ambientes, promovendo artefatos facilitadores para uso, segundo a abordagem do Modelo 3C de colaboração. A proposta foi construída a partir da metodologia Hot-Spot Driven Design acoplados com boas práticas da Engenharia de Software, além de utilizar os conceitos de Unidade de Produção Intelectual (UPI) e Veículos de comunicação (Vcom) para modelagem dos espaços de colaboração, propostos no projeto MOrFEu. Por fim, o trabalho também apresenta um protótipo do framework proposto, como forma de materializar os conceitos descritos e realçar a viabilidade da proposta, criando-se um conjunto de ambientes colaborativos.

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Tanneberger, Amelie [Verfasser]. "Objektivierung von Ödembefunden mittels ultraschallgestützter Hautdickenmessung / Amelie Tanneberger." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2012. http://d-nb.info/1029848157/34.

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Lönnlöv, Sebastian. "Rätten att benämna : Maktutövning i Amalie Skrams psykiatriromaner." Thesis, Stockholms universitet, Avdelningen för litteraturvetenskap, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-110519.

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Amalie Skram (1846-1905) was born in Norway but lived in Denmark. She published several books about gender relations and built up a reputation as a naturalistic writer. In 1894, a nervous breakdown made her seek help from the famous psychiatrist Knud Pontoppidan. He sent her to an asylum, but she returned home after spending two months in psychiatric care. In 1895, Skram published two novels about the painter Else Kant, based on her own experiences but not written as autobiographies. The books, Professor Hieronimus and På Sct. Jørgen, came to be part of an ongoing debate about the rights of psychiatric patients. My purpose is to analyze the exercise of power in Skram's portrayal of psychiatry, especially the way it is gendered. The power relations are examined with concepts established by Foucault in his power analysis and with relevant medical history as a context. I treat the books as fictive narratives, that should not be seen as describing Skram's own experiences. My result actualizes several of Foucault's main concepts. Psychiatry works through the power to define – the right to give a name. Psychiatry define what madness is, and thus what normality is. The patient is, when defined as mad, also defined as unable to tell the truth about herself and the world. The treatment is a project of normalization and moral upbringing, where the patient is required to learn the norms she is thought to lack, and also to control her feelings instead of expressing them. Hysteria is the diagnosis for expressing strong feelings and can be read as an opposition to the male society, as well as the medical system. Gazes play a big part in these two books. Else is looked at by the medical, defining, gaze. She is herself observing the psychiatry and uses her gaze to look at the other patients in a way that raises questions about both abnormality and normality. In my reading, the gaze exercises power and the so called "male gaze" can also be used by women. The text is ambivalent concerning Else's possible madness. She is described as troubled and almost psychotic in the beginning, but later as sane. My conclusion is that Else gains her own form of sanity, not because of the treatment, but as a way of opposing it. Else is never made an object by the objectifying medical gaze. Instead, she creates herself as an agent and a subject. She is defined as mad, but is determined to in turn define and describe the psychiatry as a form of counter-power.

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Probst, Anke. "Helene Amalie Krupp eine Essener Unternehmerin um 1800 /." Wiesbaden ; Stuttgart : Franz Steiner, 1985. http://books.google.com/books?id=3S80AAAAMAAJ.

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Szafranski, Patricia. "L'archéologie d'un journal intime : Amélie Weiler (1822-1895)." Dijon, 2006. http://www.theses.fr/2006DIJOL004.

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Cette monographie est consacrée à une diariste strasbourgeoise, Amélie Weiler. Six de ses cahiers, retrouvés en 1987, ont été publiés sous le titre - Journal d'une jeune fille mal dans son siècle 1840-1859. Ils enrichissent le patrimoine des journaux de jeunes filles du XIXe étudié par Philippe Lejeune dans Le Moi des demoiselles. Le processus éditorial – du manuscrit (1864 pages) à la version publiée et abrégée (442 pages) - révèle deux conceptions du " livre ", celui de l'éditeur et celui de la diariste qui se confronte aux stéréotypes. Puis on explore " le monde d'Amélie ", sa bibliothèque virtuelle, son musée et sa géographie imaginaires. Bilingue, elle s'enthousiasme pour des œuvres mineures. L'intertextualité est à l'origine de " jeux littéraires ", copie, collection et traduction, qui montrent l'invention de soi au jour le jour et la formation d'une identité féminine. Le journal est un creuset de formes d'écriture. La troisième partie met au jour les tentatives de la romancière naissante dans le portrait, la nouvelle et le récit de rêve. Ses productions sont l'œuvre de la " mémoire créatrice ". Ces inédits plaident pour une nouvelle édition associant l'approche historique et littéraire
This monograph is dedicated to Amélie Weiler, a diarist from Strasbourg. Six of her diaries, found in 1987, were published under the title : Journal d'une jeune fille mal dans son siècle:1840-1859. They enrich the cultural heritage of young women's diaries in the XIXth , which have been studied by Philippe Lejeune in Le Moi des demoiselles. The editorial process –from the manuscript (1864 pages) to the abridged version published (442 pages) – shows two ways of seeing the “book”, the editor's and the diarist's, the latter confronting stereotypes. Then the reader explores Amélie's world, her virtual library, her imaginary museum and geography. Being bilingual, she has the knack of waxing enthusiastic about minor works. The intertextuality brings about literary games, copying, collecting and translating activities, which indicate a day to day self-invention and the forming of a woman's identity. The diary mixes different forms of writing. The third part reveals the nascent novelist trying her hand at portraits, short stories and dream tales. Her writings are the work of a “creative memory”. These unpublished works speak for a new editing form, associating both historical and literary approaches

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Schroth, der Zweite Amelie [Verfasser]. "Der Vertraulichkeitsschutz von Mediationsinhalten. / Amelie Schroth der Zweite." Berlin : Duncker & Humblot, 2020. http://d-nb.info/1238491065/34.

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Amanieux, Laureline. "Personnage et identité dans l’œuvre d’Amélie Nothomb." Paris 10, 2007. http://www.theses.fr/2007PA100122.

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Dans ses fictions ou romans autobiographiques, Amélie Nothomb construit des personnages singuliers alternant les renversement de rôles et confusions de personnes. La question du sujet est notre axe d’étude. En suivant la théorie de Paul Ricoeur, nous postulons la création d’un personnage « siamois » qui possède deux versions simultanées et contradictoires de son identité, l’une réaliste mais dévaluée, l’autre inventée et valorisée. Les formes narratives font également coexister deux versions d’une même histoire : l’une objective, et l’autre fantastique ou fantaisiste. Les récits maintiennent ainsi une forte discordance au sein de la concordance. De même, un temps manipulé volontairement par le personnage principal s’oppose au temps chronologique pour former deux versions possibles du calendrier. Nous proposons ensuite une typologie des personnages répartis en « camps » contraires, et analysons leurs dédoublements intimes. L’identité corporelle des personnages révèlent un écartèlement entre beauté et laideur extrêmes, une difficulté à posséder un corps et une sexualité après l’enfance. Enfin, le « soi » du personnage Amélie Nothomb se construit avec une version réaliste et une version « alternative », afin de riposter à une attaque portée contre sa propre identité à la fin de l’enfance, et surtout contre son corps. Ce monde romanesque refuse ainsi la loi de non-contradiction et forme sa propre logique aporétique : deux « vérités » seraient possibles, et le mensonge est paradoxalement légitime pour se rendre justice. Le texte réclame donc une double lecture pour que le lecteur refigure cette double identité des textes et des personnages, y compris celle de la romancière
In her autobiographical novels, Amelie Nothomb develops unique characters by alternating between role reversals and disorders of identity. This question of the self is the focus of our study. Applying the theory of Paul Ricoeur, we postulate the creation of a split personality that possesses two simultaneous and contradictory identities, one realistic but undervalued, the other imagined and valued. We call it “the Siamese character”. The narrative structures also create two versions of the same story, one objective, and the other fantastic or fanciful. The stories thereby maintain a strong discordance within a larger sense of unity. By the same token, the time frame is manipulated at will by the protagonist, so that conflicts with chronologic time result in two possible versions of the course of events. We propose a typology of characters separated into opposite camps, and analyze their dual personalities. The physical identity of the characters reveals a gulf between extreme beauty and ugliness, the awkwardness of inhabiting a body and adolescent sexual awakening. Ultimately, the ”self” of Amelie Nothomb’s character is part real and part imagined to deflect criticism of her adolescent identity, and especially her body. This romanticized world rejects laws of non-contradiction to create its own logic: two ”truths” may be possible and the lie is, paradoxically, legitimate. The text demands a double reading so that the reader can reconstruct this double identity of texts and characters, as well as that of the novelist

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Ferreira, Debora Pazetto. "Análise categorial da arte em Amie Thomasson." reponame:Repositório Institucional da UFSC, 2012. http://repositorio.ufsc.br/xmlui/handle/123456789/93920.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas, Programa de Pós-Graduação em Filosofia, Florianópolis, 2010
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Esta dissertação pretende investigar o que é uma obra de arte, assumindo como principal subsídio metodológico a análise crítica de alguns textos de Amie Thomasson. A ontologia de Roman Ingarden também é exposta, pois constitui uma influência central para o pensamento de Thomasson. Diversas noções utilizadas pela autora, como a aceitação do pluralismo ontológico, a busca da estrutura específica de cada tipo de arte e a admissão de que a arte comporta características espaço-temporais e abstratas, remontam aos escritos do pensador polonês. Esses temas estão embutidos no principal aspecto abordado na dissertação, a saber, o modo como Thomasson investiga a obra de arte através da busca de seu estatuto ontológico, dentro do contexto de um quadro categorial mais amplo. A autora afirma que a questão central da ontologia da arte é: que tipo de entidade é uma obra de arte? Essa questão não é respondida através de uma definição rígida da arte ou de uma lista finita de características que permita classificar qualquer objeto no mundo como arte ou não-arte. Thomasson compromete-se apenas com a pretensão modesta de buscar um espaço categorial bem sucedido para a alocação das obras de arte. Ela problematiza o fato de que a estética e a metafísica tradicionais não proporcionam categorias adequadas para alocar a arte, a ficção e os objetos culturais, pois costumam adotar sistemas dualistas como sujeito-objeto, real-ideal, concreto-abstrato, entre outros, impróprios para pensar as obras de arte, que comportam características híbridas. Como alternativa, Thomasson sugere uma metodologia ontológica formal para a criação de sistemas categoriais e, nesse contexto, de categorias que respeitem a configuração específica das obras de arte. Sua proposta é analisada nessa dissertação como uma solução eficaz para capturar a estrutura ontológica das obras de arte através de uma base analítica formal.
This thesis aims to investigate what is a work of art, assuming the critical analysis of some texts of Amie Thomasson as its main methodological subsidy. The ontology of Roman Ingarden is also exposed because it is a central influence to the thought of Thomasson. Several concepts used by the author, as the acceptance of ontological pluralism, the search for the specific structure of each type of art and the admission that art involves spatiotemporal and abstract characteristics, go back to the writings of the Polish thinker. These themes are inserted in the main aspect addressed by this thesis, namely, how Thomasson investigates the work of art through the pursuit of its ontological status within the broader context of a categorical framework. The author argues that the central question of the ontology of art is: what kind of entity is a work of art? This question is not answered by a rigid definition of art or a finite list of characteristics that allow classifying any object in the world as art or not art. Thomasson undertakes only the modest pretense of seeking for a successful categorial space for the allocation of works of art. She discusses the fact that traditional aesthetics and metaphysics do not provide adequate categories to allocate art, fiction and cultural objects, because they tend to adopt dualistic systems, like subject-object, real-ideal, concrete-abstract, among others, that are inadequate to think about works of art, which include hybrid features. Alternatively, Thomasson suggests a formal ontological methodology for creating categorial systems and, in this context, categories that meet the specific configuration of artworks. Her proposal is analyzed in this dissertation as an effective solution to capture the ontological structure of works of art through a formal analytical base.

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Eisele, Amelie Ida [Verfasser]. "Lebensmittel als Reservoir ESBL–produzierender Enterobakterien / Amelie Ida Eisele." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2019. http://d-nb.info/1180388046/34.

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Krause, Isa Amelie [Verfasser]. "MRSA-Sanierung bei Früh- und Neugeborenen / Isa Amelie Krause." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2016. http://d-nb.info/1120410428/34.

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Finger, Birgit. "Königin Amalie Auguste von Sachsen (1801−1877): Ein Kurzporträt." Sandstein Verlag, 2008. https://slub.qucosa.de/id/qucosa%3A36764.

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Die bayerische Prinzessin heiratete 1822 Prinz Johann von Sachsen. Sie bekam neun Kinder, sechs Töchter und drei Söhne − darunter Albert und Georg, spätere Könige. Verwandtschaftliche Beziehungen im europäischen Hochadel verbanden sie mit zahlreichen Herrscherhäusern. Als Gemahlin eines Prinzen und Königs spiegelt ihr Leben die politischen Verhältnisse des Landes wider. Lebte das Paar zunächst zurückgezogen, fast bürgerlich in Weesenstein, Pillnitz und Dresden, waren die Hofhaltung und die Aufgaben nach Thronbesteigung Johanns umfangreicher.

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Eisele, Amelie [Verfasser]. "Lebensmittel als Reservoir ESBL–produzierender Enterobakterien / Amelie Ida Eisele." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2019. http://d-nb.info/1180388046/34.

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MENDONCA, M. C. S. "Aspectos da conservação sobre as comunidades de peixes de riachos na Reserva Biológica de Sooretama." Universidade Federal do Espírito Santo, 2017. http://repositorio.ufes.br/handle/10/8295.

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As atividades antrópicas vêm exercendo consideráveis impactos aos ambientes de água doce, tanto de pequenos córregos como nos maiores rios, sendo as comunidades de peixes uma das mais suscetíveis. A Reserva Biológica de Sooretama com uma área de 27.858,68 hectares está situada no centro-leste do estado do Espírito Santo - Brasil, sendo o mais importante remanescente florestal do bioma Mata Atlântica. Uma grande variedade de pequenos peixes de riacho habita os córregos protegidos pela reserva. E faz-se necessário hoje que estes corpos dágua tenham uma atenção especial principalmente em suas porções externas a reserva. O objetivo desse estudo é caracterizar a ictiofauna dos ambientes protegidos e desprotegidos de córregos pertencentes à reserva biológica de Sooretama, assim como a integridade dos hábitats nos córregos Cupido, Rodrigues, Paraisópolis e rio Barra Seca. Os dados primários foram obtidos por coletas intensivas entre os meses de maio de 2015 a abril de 2016. O estudo foi realizado com base em seis pontos de coleta totais, destes, dois eram pontos internos protegidos pela reserva, dois pontos externos desprotegidos e mais dois pontos extras um no rio Barra Seca e outro no córrego Cupido. A qualidade ambiental foi interpretada através do Índice de Integridade do Hábitat (IIH) e complementada pela medição de fatores abióticos, e análise de sedimento. Foram capturados 3.364 indivíduos, divididos em 6 ordens, 13 famílias e 26 espécies. Aproximadamente 58,88% dos exemplares capturados pertencem à ordem Cyprinodontiformes, 20,06% à ordem Labriformes (675 exemplares), 17,50% à ordem Characiformes (589 exemplares), 3,47% à ordem Siluriformes (117 exemplares), 0,02% às ordens Gymnotiformes e Synbranchiformes (1 exemplar). As análises quali-quantitativas sobre as comunidades de peixes sugerem ambientes degradados externos a UC, que de alguma forma podem estar afetando estes mesmos remanescentes em suas porções internas a reserva. Algumas medidas de proteção podem ser estudadas para poder conter o avanço da degradação nestes corpos hídricos.

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Bigelow, Benjamin A. "Tensions Between Word and Image in Amalie Skram's Professor Hieronimus." BYU ScholarsArchive, 2010. https://scholarsarchive.byu.edu/etd/2136.

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In her 1895 novel, Professor Hieronimus, Amalie Skram describes the struggle of Else Kant, a young mother and artist, against a tyrannical and apparently unfeeling doctor who keeps her at a Copenhagen asylum for more than a month against her will. Else feels terrorized by the constant surveillance to which she is subjected. This voyeuristic tendency in psychiatry is not only a reflection of Amalie Skram's own experience at a Copenhagen asylum, but is also indicative of a new psychiatric epistemology that understood visual observation as the key to ascertaining objective truth. Skram's novel is thus read against the backdrop of Jean-Martin Charcot's intensely visual treatment practices at the Salpêtrière hospital in Paris, with a specific focus on the photographs of hysterical women Charcot commissioned and published. This voyeuristic/exhibitionistic dynamic between doctor and patient is also cast in semiotic terms, showing how arguments made as early as Lessing's Laokoon provide a useful way of understanding the essential differences between verbal and visual art, and for understanding the tensions between doctor and the patient. W.J.T. Mitchell's notion of "ekphrastic fear" proves a useful concept for demonstrating how anxieties about the breaking down of the strict boundaries between visual and verbal art correspond neatly to similar anxieties that the doctor had about the transgressive potential of a patient who takes up language and describes her condition. These tensions between word and image also highlight the particular historical context in which Skram's novel appeared. Professor Hieronimus was published the same year as Freud and Breuer's Studies on Hysteria, which many consider the founding document of Freudian psychoanalysis. Although writing for completely different audiences, both Freud and Skram argue for the value of the patient's verbal utterances at a time when the patient was seen as little more than a visual specimen whose disorders could only be accurately ascertained by the acute vision of a doctor. In his promotion of the "talking cure," Freud diverged sharply with his mentor, Charcot, and this turning point in psychiatric history from a visual to a verbal epistemological model highlights the timeliness and importance of Skram's novel.

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Ghesquière, Amélie Maignant Catherine. "La construction de la politique étrangère de l'Irlande analyse française d'une spécificité irlandaise ? (1921-1949) /." Lille : A.N.R.T, 2004. http://www.univ-lille3.fr/theses/ghesquiere-amelie/html/these.html.

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Costa, Marco António Bernardino Raimundo. "Calibration, selection and mosaicing of SMART-1 AMIE images." Master's thesis, Faculdade de Ciências e Tecnologia, 2013. http://hdl.handle.net/10362/10802.

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Dissertação para obtenção do Grau de Mestre em Engenharia Electrotécnica e de Computadores
Small Missions for Advanced Research in Technology (SMART-1), represented European Space Agency (ESA) first mission to the moon. It fulfilled the goal of improving the scientific knowledge of earth’s natural satellite, while testing new technologies that had never been used in space exploration. Among the on board instruments of SMART-1 was the Advanced Moon micro-Imager Experiment (AMIE). It was an imaging equipment whose mission was to map the lunar surface providing state-of-the-art resolution. Containing six filters inside its visual scope AMIE allowed the study of the surface composition by multispectral imaging. This thesis aims at building a set of maps covering approximately all the Moon surface as it was mapped by the SMART-1 spacecraft, using the 31945 images captured by the AMIE instrument. During the Earth escape phase the instrument’s CCD was damaged by radiation, causing the accumulation of dark current and invalidating the laboratorial image calibration algorithm. The acquired dataset also suffered from scattered light that got beneath the CCD filters and reduced their contrast. In order to overcome this problem, a new calibration procedure was developed using the in-flight collected data and theoretical models, as well as a method to compensate for the reduced contrast in the filters. For building the lunar maps, the images were individually analysed and classified accordingly to their visual quality and grouped by their illumination conditions, allowing the creation of visually balanced maps. Image mosaicing and projection techniques were used to compensate the geometrical distortions and compose the calibrated images into a set of 88 maps of the Moon. Increasing the flexibility of the process, a comprehensive tool that allows the edition of the images in the mosaiced maps, as well as brightness and contrast correction and adjustment is also presented.

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Revial, Gaëlle. "Masque de l’écriture, écriture du masque. Amélie Nothomb et le courant « posthumain »." Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040011.

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Ce travail se propose d’étudier la représentation du masque et l’influence de ce concept dans l’œuvre d’Amélie Nothomb, notamment pour lever le voile sur la monstruosité supposée de son écriture. Après avoir décrit le champ littéraire belge francophone et les différents courants littéraires dans lesquels semble évoluer la romancière, il s’intéresse tout d’abord aux masques utilisés par ses personnages pour tromper leur entourage et se tromper eux-mêmes, ainsi qu’à la vision du monde conjointement proposée au lecteur. Dans un second temps, il présente le masque comme une constance de la voix nothombienne, qu’elle se manifeste au travers de l’écriture thématique et stylistique de la romancière ou des émissaires constitués par ses personnages littéraires ou son personnage public. Enfin, il examine l’esthétique proprement caricaturale et grotesque des masques nothombiens, apte à faire basculer l’intrigue dans un cycle de type carnavalesque
This thesis proposes to examine the representation of the mask and the influence of this concept in Amélie Nothomb’s work, in particular to throw light on the unproven monstrousness of her writing. Before the description of the Belgian French languaged literature and the different literary currents in which the novelist seems to belong to, it takes an interest in masks used by her characters to deceive their surroundings or deceive themselves, and in the world vision that is proposed to the reader. Secondly it describes mask as a permanent feature of the Amélie Nothomb’s voice, in the novelist’s thematic and stylistic writing or in her public or literary characters. Then, it examines the caricatural and grotesque aesthetic of the Amélie Nothomb’s masks, which can make the story beginning a carnival cycle

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22

Koch, Amelie Helena Ruth [Verfasser]. "Interactions of gold nanoparticles with polymeric membranes / Amelie Helena Ruth Koch." Mainz : Universitätsbibliothek Mainz, 2015. http://d-nb.info/1066386420/34.

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Wiechers, Susann Amélie [Verfasser]. "Copolymerisation saurer und basischer Monomere in inverser Miniemulsionen / Susann Amélie Wiechers." Clausthal-Zellerfeld : Universitätsbibliothek Clausthal, 2010. http://d-nb.info/100354729X/34.

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Schnez, Amelie [Verfasser], and Hendrik [Akademischer Betreuer] Schulze-Koops. "Standardisierte Gelenkuntersuchung bei rheumatoider Arthritis / Amelie Schnez. Betreuer: Hendrik Schulze-Koops." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2012. http://d-nb.info/1022318802/34.

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Wiedemann, Amelie U. [Verfasser]. "Health behaviour change : Differential effects of planning processes / Amelie Ulrike Wiedemann." Berlin : Freie Universität Berlin, 2009. http://d-nb.info/1023498960/34.

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Woeste, Marina Amelie [Verfasser]. "The role of GBA2 in controlling locomotor activity / Marina Amelie Woeste." Bonn : Universitäts- und Landesbibliothek Bonn, 2018. http://d-nb.info/120172810X/34.

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Graf, Amelie [Verfasser]. "Pflegetätigkeit durch ältere Erwerbstätige und Wunsch nach vorzeitigem Erwerbsausstieg / Amelie Graf." Ulm : Universität Ulm, 2021. http://d-nb.info/1228985073/34.

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Worst, Amelie [Verfasser], and Gabriele M. [Akademischer Betreuer] Rune. "GnRH-induzierte Synapsenbildung im Hippocampus / Amelie Worst. Betreuer: Gabriele M. Rune." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2015. http://d-nb.info/1075317533/34.

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Paradis, Catherine. "Les romans dialogués d'Amélie Nothomb : enjeux romanesques, narratifs et génériques." Thesis, Université Laval, 2006. http://www.theses.ulaval.ca/2006/23808/23808.pdf.

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Bédoucha, Geneviève. ""L'eau, amie du puissant " une communauté oasienne du Sud tunisien /." Paris ; Montreux : Archives contemporaines, 1987. http://catalogue.bnf.fr/ark:/12148/cb369541977.

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31

Neumann, Amelie [Verfasser]. "Vermeidung von flüssigen, aggressiven, natriumhaltigen Kondensaten in Elektrofiltern hinter Glasschmelzwannen / Amelie Neumann." Aachen : Hochschulbibliothek der Rheinisch-Westfälischen Technischen Hochschule Aachen, 2013. http://d-nb.info/1041805594/34.

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Godeau, Amélie [Verfasser], and Albrecht [Akademischer Betreuer] Ott. "Cyclic contractions contribute to 3D cell motility / Amélie Godeau ; Betreuer: Albrecht Ott." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2017. http://d-nb.info/1138978833/34.

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Klooker, Amelie Paulien [Verfasser]. "Zielgerichtete Fünftlinientherapie bei Patienten und Patientinnen mit metastasiertem Nierenzellkarzinom / Amelie Paulien Klooker." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2018. http://d-nb.info/1170876455/34.

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Wuppermann, Amelie [Verfasser], and Joachim [Akademischer Betreuer] Winter. "Empirical Essays in Health and Education Economics / Amelie Catherine Wuppermann. Betreuer: Joachim Winter." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2011. http://d-nb.info/1015064930/34.

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35

Meßlinger, Helena Amelie [Verfasser]. "Aktivierung und Effektorfunktionen humaner NK-Zellen nach Interaktion mit Leishmania / Helena Amelie Meßlinger." Gießen : Universitätsbibliothek, 2018. http://d-nb.info/1151817201/34.

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Stolle, Amelie [Verfasser], and Oliver [Akademischer Betreuer] Korup. "Catastrophic Sediment Pulses in the Pokhara Valley, Nepal / Amelie Stolle ; Betreuer: Oliver Korup." Potsdam : Universität Potsdam, 2018. http://d-nb.info/1218403772/34.

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Barth, Amelie [Verfasser]. "Das invertierte Papillom des Harntraktes : Eine klinische Untersuchung mit immunhistochemischer Diagnostik / Amelie Barth." Lübeck : Zentrale Hochschulbibliothek Lübeck, 2014. http://d-nb.info/1063384834/34.

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Lima, Cláudia Barros [UNESP]. "Uma breve história do cômico através dos tempos: o caso de Amélie Nothomb." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/91504.

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Made available in DSpace on 2014-06-11T19:25:22Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-04-30Bitstream added on 2014-06-13T19:12:03Z : No. of bitstreams: 1 lima_cb_me_arafcl.pdf: 1150920 bytes, checksum: 12a0f05688d41c2549da083b64788cc4 (MD5)
Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Cette étude vise à analyser l'évolution historique du concept du comique et de ses composants et la façon dont l'écrivain belge Amélie Nothomb utilise et emploie ses formes. Pour cette enquête, nous avons l'intention de l'examiner dans un contexte «postmoderne», ironique et parodique. Pour atteindre l'objectif proposé, sont recherchés depuis l'antiquité, les sources du comique et la manière dont il a été perçu à travers les siècles, d'abord dans l’opposition tragédie/comédie, puis de la diabolisation du rire au Moyen Age, puis l'émergence de l'humour jusqu'à la profusion de théories de la modernité et la contemporanéité. En supposant l'existence de deux tendances du roman belge – une de évocation parodique, humoristique et ironique, qui veut critiquer la réalité, et une autre qui cherche à resserrer les liens avec le rêve, l'imaginaire, avec l'analyse L'hygiène de l'assassin (1992) -, nous analysons la première (la parodique et la critique) du travail de Nothomb qui, selon l'auteur, est son manifeste littéraire. Avec l'étude de Stupeur et Tremblemenst (1999), lauréat du prix de méilleur roman de l'Académie française, nous évaluons la manière dont ce roman, qui contient traces autobiographiques, s’approche aux caractéristiques surréalistes tout en alliant les traits propres à la critique ironique et humotistique de la société contemporaine
Este estudo tem por objetivo analisar historicamente a evolução do conceito do cômico e de suas vertentes e o modo como a escritora belga Amélie Nothomb o utiliza, bem como emprega as suas formas. Para esta investigação, pretende-se considerá-la em um contexto “pós-moderno” paródico e irônico. A fim de alcançar o objetivo proposto, buscam-se, desde a Antiguidade, as fontes do cômico e a maneira como ele foi percebido através dos séculos: inicialmente, na oposição tragédia/comédia; depois, na diabolização do riso na Idade Média; em seguida, o surgimento do humor até a profusão de teorias da modernidade e da contemporaneidade. Partindo do princípio da existência de duas tendências do romance belga − uma de evocação paródica, humorística e irônica, que pretende criticar a realidade, e outra que busca a aproximação com o sonho, com o imaginário, com a análise da obra Hygiène de l’assassin (1992) −, procuramos analisar a primeira delas (paródica e crítica) na obra de Nothomb a qual, segundo a própria autora, é seu manifesto literário. Com o estudo de “Stupeur et tremblemenst (1999), romance vencedor de melhor prêmio da academia francesa, avaliamos de que forma esse romance, que contém traços autobiográficos, aproxima-se de características surrealistas sem deixar de aliar tais traços peculiares à crítica irônica e humorística da sociedade contemporânea

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Lima, Cláudia Barros. "Uma breve história do cômico através dos tempos : o caso de Amélie Nothomb /." Araraquara : [s.n.], 2010. http://hdl.handle.net/11449/91504.

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Orientador: Silvana Vieira da Silva
Banca: Karen Volobuef
Banca: Norma Domingos
Resumo: Este estudo tem por objetivo analisar historicamente a evolução do conceito do cômico e de suas vertentes e o modo como a escritora belga Amélie Nothomb o utiliza, bem como emprega as suas formas. Para esta investigação, pretende-se considerá-la em um contexto "pós-moderno" paródico e irônico. A fim de alcançar o objetivo proposto, buscam-se, desde a Antiguidade, as fontes do cômico e a maneira como ele foi percebido através dos séculos: inicialmente, na oposição tragédia/comédia; depois, na diabolização do riso na Idade Média; em seguida, o surgimento do humor até a profusão de teorias da modernidade e da contemporaneidade. Partindo do princípio da existência de duas tendências do romance belga − uma de evocação paródica, humorística e irônica, que pretende criticar a realidade, e outra que busca a aproximação com o sonho, com o imaginário, com a análise da obra Hygiène de l'assassin (1992) −, procuramos analisar a primeira delas (paródica e crítica) na obra de Nothomb a qual, segundo a própria autora, é seu manifesto literário. Com o estudo de "Stupeur et tremblemenst (1999), romance vencedor de melhor prêmio da academia francesa, avaliamos de que forma esse romance, que contém traços autobiográficos, aproxima-se de características surrealistas sem deixar de aliar tais traços peculiares à crítica irônica e humorística da sociedade contemporânea
Résumé: Cette étude vise à analyser l'évolution historique du concept du comique et de ses composants et la façon dont l'écrivain belge Amélie Nothomb utilise et emploie ses formes. Pour cette enquête, nous avons l'intention de l'examiner dans un contexte «postmoderne», ironique et parodique. Pour atteindre l'objectif proposé, sont recherchés depuis l'antiquité, les sources du comique et la manière dont il a été perçu à travers les siècles, d'abord dans l'opposition tragédie/comédie, puis de la diabolisation du rire au Moyen Age, puis l'émergence de l'humour jusqu'à la profusion de théories de la modernité et la contemporanéité. En supposant l'existence de deux tendances du roman belge - une de évocation parodique, humoristique et ironique, qui veut critiquer la réalité, et une autre qui cherche à resserrer les liens avec le rêve, l'imaginaire, avec l'analyse L'hygiène de l'assassin (1992) -, nous analysons la première (la parodique et la critique) du travail de Nothomb qui, selon l'auteur, est son manifeste littéraire. Avec l'étude de "Stupeur et Tremblemenst (1999), lauréat du prix de méilleur roman de l'Académie française, nous évaluons la manière dont ce roman, qui contient traces autobiographiques, s'approche aux caractéristiques surréalistes tout en alliant les traits propres à la critique ironique et humotistique de la société contemporaine
Mestre

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40

Meßlinger, Helena [Verfasser]. "Aktivierung und Effektorfunktionen humaner NK-Zellen nach Interaktion mit Leishmania / Helena Amelie Meßlinger." Gießen : Universitätsbibliothek, 2018. http://d-nb.info/1151817201/34.

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41

Schneider, Amelie [Verfasser]. "Phänotypisierung unbeschriebener Mutationen im UL54-Gen eines multiresistenten klinischen HCMV-Isolats / Amelie Schneider." Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2021. http://d-nb.info/1241539596/34.

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42

Dumbrava, Alexandra Catalina. "Proposta di traduzione e analisi del primo capitolo del romanzo Pétronille di Amélie Nothomb." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2017.

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43

Birk, Amelie Elisabeth [Verfasser], and Udo [Akademischer Betreuer] Jeschke. "Einfluss immunmodulatorischer Faktoren im frühen und späten Endometriumkarzinom / Amelie Elisabeth Birk ; Betreuer: Udo Jeschke." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2019. http://d-nb.info/1188564196/34.

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44

Schreier, Amelie Charlotte [Verfasser], and Alexander [Akademischer Betreuer] Rapp. "Neuronale Korrelate der Fauxpas-Erkennung : Einfluss von Persönlichkeitsmerkmalen / Amelie Charlotte Schreier ; Betreuer: Alexander Rapp." Tübingen : Universitätsbibliothek Tübingen, 2017. http://d-nb.info/1199615072/34.

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45

Vallone, Vega. "Meisterung interpersoneller Beziehungsthemen im Verlauf einer Langzeitpsychoanalyse - eine qualitative Analyse des Falls Amalie X." [S.l. : s.n.], 2008. http://nbn-resolving.de/urn:nbn:de:bsz:289-vts-65045.

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46

Babault-Bordier, Virginie. "Etude de la tradition manuscrite et littéraire de la légende médiévale d'Ami et Amile." Chambéry, 2010. http://www.theses.fr/2010CHAML004.

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@Entre son apparition au XIème siècle et son déclin progressif à partir du XVIème siècle, la popularité de l'histoire d'Ami et Amile n'a cessé de se confirmer. De nos jours, cette légende est non seulement quasi inconnue du grand-public, mais elle est également, ce qui est plus paradoxal, à la fois très connue et très mal connue des spécialistes. Cela est notamment dù au fait que la branche française n'est accessible qu'à travers ses deux représentants les plus connus - à savoir la chanson de geste et le poème anglo-normand - et que la branche latine n'est guère mieux représentée puisque les éditions dont nous disposons ne concernent que deux textes, et qu'elles sont déjà fort anciennes. Notre travail tentera de répondre à une double problématique, à la fois éditorial et littéraire. Dans un premier temps, nous prposons de compléter le corpus des éditions des traditions latine et française, à la fois en reprenant des éditions existantes mais peu diffusées et en présentant des textes inédits. La seconde partie sera consacrée à une analyse littéraire qui, une fois dressé un état des lieux de la foisonnante tradition littéraire, se focalisera sur l'étude de certains motifs inhérents à l'ensemble du corpus, avant de proposer une nouvelle lecture de la chanson de geste, dans sa double dimension hagiographique et anagogique
@Since its apperance in the XIth century to its progressive decline starting in the WVIth century, the popularity of the Amicus and Amelius legend never waned. Nowadays, this legend is not only nearly unknown to the general public, but also, moreparadoxically, both very well-known and not known well to specialists. This is particularly due to the lack of accessibility of the Frenche branch, essantially represented by its most two famous representatives - i. E. The chanson de geste and the Anglo-Norman poem - and the same lack of accessibility of the Latin Branch, since the editions at our disposal also concern only two texts, and are already quite old. This work will attempt to deals with both the editorial and literary sides of this issue. First, we will complete the corpus of editions of the French and Latin traditions, both returning to existing but little known editions and presenting unpublished texts. The second part will be devoted to a literary analysis which, after having summariezd the extensive literary tradition, will focus on several patterns inherent to the entire corpus, and will then set out a new way to read the chanson de geste, in its dual dimension, hagiographic and anagogic

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Schreier, Amelie [Verfasser], and Alexander [Akademischer Betreuer] Rapp. "Neuronale Korrelate der Fauxpas-Erkennung : Einfluss von Persönlichkeitsmerkmalen / Amelie Charlotte Schreier ; Betreuer: Alexander Rapp." Tübingen : Universitätsbibliothek Tübingen, 2017. http://d-nb.info/1199615072/34.

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Soares, Corina da Rocha. "Création littéraire sous contexte médiatisé: l'œuvre de Michel Houellebecq, Amélie Nothomb et Jacques Chessex." Doctoral thesis, Universidade de Aveiro, 2012. http://hdl.handle.net/10773/9216.

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Doutoramento em Literatura
Partindo da análise dos processos de legitimação e de consagração que regem, a partir da segunda metade do século XX, a mediatização do campo literário, propomo-nos estudar os peri-fenómenos consequentes, tal como a correlação possível entre essa circunstância e a própria criação. O objeto deste estudo focaliza-se na produção de três escritores paradigmáticos das letras de expressão francesa europeias contemporâneas, cuja mediatização acompanha a popularidade: o francês Michel Houellebecq, a belga Amélie Nothomb e o suíço romando Jacques Chessex. Interrogamo-nos sobre as relações possíveis entre os instrumentos dessa mediatização e os seus efeitos nas opções de escrita destes três escritores. Atenta à projeção transfronteiriça de autores e de obras, resultado de uma convergência de alguns fatores de mediatização, mas também às particularidades da memória cultural e literária onde se inscrevem as literaturas respectivas (num percurso de legitimação progressiva das literaturas de periferia face à centralidade franco-francesa), a nossa reflexão visa também contribuir para uma recontextualização do cânone da literatura francesa no contexto globalizado da sociedade mediática contemporânea na qual os autores visados estão comprometidos.
Starting with the analysis of the legitimation and consecration’s process that rules, from the XX century’s second half, literary camp’s mediatization, we propose to study consequent peri-phenomenon, as well as the possible co-relation between this circumstance and the creation itself. Our study is focused on the production of three paradigmatic French expression contemporaneous writers from Europe, whose mediatization follows the popularity: the French Michel Houellebecq, the Belgium Amélie Nothomb and the Romand Swizz Jacques Chessex. We question the possible relations between this mediatization instruments and the effects on these three authors writing options. Attentive to the tranfrontier projection of writers and writings, a convergence’s result of certain mediatization factors, but also to the particularities of the cultural and literary memory where the respective literatures inscribe themselves (in a progressive legitimation process from the peripheral literatures face to the Franco-French centrality), our reflection also tends to contribute to a recontextualisation of the French literary canon in the contemporaneous mediatic society’s context with which the writers in question are engaged.
En partant de l’analyse des processus de légitimation et de consécration qui régissent, à partir de la seconde moitié du XXème siècle, la médiatisation du champ littéraire, nous nous proposons d’étudier les périphénomènes qui en découlent, tout comme la corrélation possible entre cette circonstance et la création elle-même. L’objet de cette étude se focalise sur la production de trois écrivains paradigmatiques des lettres d’expression française européennes contemporaines, dont la médiatisation accompagne la popularité: le Français Michel Houellebecq, la Belge Amélie Nothomb et le Suisse romand Jacques Chessex. Nous nous interrogeons sur les relations possibles entre les instruments de cette médiatisation et leurs effets sur les options d’écriture de ces trois écrivains. Attentive à la projection transfrontalière d’auteurs et d’oeuvres, résultat de la convergence de certains facteurs de médiatisation, mais aussi aux particularités de la mémoire culturelle et littéraire où s’inscrivent les littératures respectives (dans un parcours de légitimation progressive des littératures de périphérie face à la centralité franco-française), notre réflexion vise aussi à contribuer à une recontextualisation du canon de la littérature française dans le contexte globalisé de la société médiatique contemporaine dans laquelle les auteurs visés se sont engagés.

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Schiprowski, Amelie [Verfasser], Marco [Akademischer Betreuer] Caliendo, and Peter [Akademischer Betreuer] Haan. "Four empirical essays on the economics of job search / Amelie Schiprowski ; Marco Caliendo, Peter Haan." Potsdam : Universität Potsdam, 2017. http://d-nb.info/1218403829/34.

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Mehnert, Amelie [Verfasser], and Andrea [Akademischer Betreuer] Wichelhaus. "Wärmebehandlung von superelastischen Nickel-Titan-Drähten die zur Formveränderung führt / Amelie Mehnert ; Betreuer: Andrea Wichelhaus." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2018. http://d-nb.info/1173616144/34.

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Dissertations / Theses on the topic 'Amlie'

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