Relevant bibliographies by topics / Amphiteaters

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  1. Journal articles

Academic literature on the topic 'Amphiteaters'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Amphiteaters"

1

Romeo, Emanuele, Emanuele Morezzi, and Riccardo Rudiero. "Conservation, transformation, and enhancement of Roman theatres and amphitheatres." RIVISTA ITALIANA DI ACUSTICA, no. 1 (November 2023): 13–20. http://dx.doi.org/10.3280/ria1-2023oa14864.

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The architectural heritage of the Classical age, present both in Italy and in the other Mediterranean countries, has been subject over the centuries to different phenomena that have caused either its abandonment or the continuation of its use, its transformation or the loss of its integrity. These processes have ensured the survival of these buildings through a continuous integration in urban and cultural activities. The paper presents the results of research aimed at the preservation of this heritage, suggesting strategies for its enhancement that proposes a project for tourist fruition accor
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2

Julya ; Anastasia Maurina, Sharon. "STRUCTURAL AND ARCHITECTURAL FUNCTION IN BAMBOO CONSTRUCTION OF TAMAN BUAH MEKARSARI AMPHITEATHER BUILDING." Riset Arsitektur (RISA) 4, no. 1 (2020): 81–98. http://dx.doi.org/10.26593/risa.v4i1.3689.81-98.

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Abstract- Building structures are one of the most essential and basic components to make designs and construction realizations in architecture. Choosing the material for building learning since influences have been building the system and its ability to support and act as a load-bearing structure. One material that Indonesia possesses, which is also able to compete in strength and become a structural element of the building, is bamboo. An example seen in Mekarsari Fruit Garden Amphitheater building in Bogor displays a roof that is not only for the building's enclosure but also a structural fun
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3

Aprimianto, Ghanda Pradana, Broto Wahyono Sulistyo, and Ika Ratniarsih. "Behaviorisme sebagai Pendekatan Tema dalam Rancangan Pusat Kreasi dan Eksplorasi Musik Indie di Surabaya." Tekstur (Jurnal Arsitektur) 1, no. 2 (2020): 139–50. http://dx.doi.org/10.31284/j.tekstur.2020.v1i2.1181.

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Perkembangan musik dewasa ini sangat beragam dan semakin kreatif, salah satu dampak dari perkembangan musik tersebut adalah munculnya jalur dan pergerakan musik indie. Tidak terkecuali di Indonesia dan khususnya di kota Surabaya, yang sudah mulai mengenal jalur bermusik ini sejak tahun 1990an. Dan sudah banyak pula musisi-musisi indie yang berprestasi bahkan go international membawa nama baik Indonesia di kancah musik dunia. Hal tersebut berbanding terbalik dengan kondisi yang ada, dikarenakan jalur musik indie yang bebas dan mandiri serta memiliki idealisme yang kuat dalam berkarya, maka jalu
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4

Wahyuni, Nur, and Faiza Aidina. "PUSAT SENI BUDAYA SIMEULUE DI KOTA SINABANG." Rumoh: Journal of Architecture 10, no. 19 (2021): 1–7. http://dx.doi.org/10.37598/rumoh.v10i19.94.

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Simeulue memiliki berbagai macam seni budaya yang khas, yaitu seni nandong dan debus yang sejak lama sudah ada dan selalu diajarkan dari generasi ke generasi dan seiring berjalannya waktu seni budaya semakin dikembangkan yaitu seperti tari silongor dan mangasila, yang mana dulu hanya merupakan sebuah lagu daerah Simeulue. Di Simeulue saat ini belum mempunyai sebuah wadah atau tempat yang memiliki fasilitas yang layak untuk menampung masyarakat, serta sanggar-sanggar seni untuk mempertunjukan maupun mengembangkan kemampuan seni budaya yang dimiliki. Selain itu adanya Pusat Seni Budaya juga akan
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5

Nur Wahyuni and Faiza Aidina. "PUSAT SENI BUDAYA SIMEULUE DI KOTA SINABANG." Rumoh Journal of Architecture 10, no. 19 (2024): 4–10. http://dx.doi.org/10.37598/8cjhq984.

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Simeulue memiliki berbagai macam seni budaya yang khas, yaitu seni nandong dan debus yang sejak lama sudah ada dan selalu diajarkan dari generasi ke generasi dan seiring berjalannya waktu seni budaya semakin dikembangkan yaitu seperti tari silongor dan mangasila, yang mana dulu hanya merupakan sebuah lagu daerah Simeulue. Di Simeulue saat ini belum mempunyai sebuah wadah atau tempat yang memiliki fasilitas yang layak untuk menampung masyarakat, serta sanggar-sanggar seni untuk mempertunjukan maupun mengembangkan kemampuan seni budaya yang dimiliki. Selain itu adanya Pusat Seni Budaya juga akan
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6

Angela, Angela, and Timmy Setiawan. "KOPERASI PEKERJA FILM INDONESIA SEBAGAI WADAH KERJA SAMA DALAM MENGHADAPI TANTANGAN DAN PELUANG INDUSTRI PERFILMAN INDONESIA DI ERA MILENIAL." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 1, no. 2 (2020): 1073. http://dx.doi.org/10.24912/stupa.v1i2.4428.

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These past four years marks an era of escalation for the Indonesian film industry because of milenials’ consumptive behaviour toward entertainment. Even though this industry has steady growth and a lot of potential to evolve, Indonesian film industry still faces challenges and of course, opportunities at the same time. The challenges and opportunities faced by this industry need to then be facilitated with cooperatives that compatible with the characteristics of Indonesian milenials; confident, creative, and connected. Indonesian Film Workers Cooperative enable activities that support the educ
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7

Nicholas, Nicholas, and Maria Veronica Gandha. "MUSEUM ARSITEKTUR JAKARTA DI KAWASAN MEDAN MERDEKA TIMUR." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 1, no. 2 (2020): 1303. http://dx.doi.org/10.24912/stupa.v1i2.4405.

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As time went on, the Museum in the city of Jakarta was still limited. The works exhibited remain the same and tend not to be interactive. Most museums in Jakarta try to show the historical side of Dutch colonialism and their heritage. but there is no museum that discusses how architecture in the city of Jakarta has developed rapidly until now and left its story or history. In the historical exposures of its growth, where the city government alternates and the conditions of its society are very diverse. But in its journey to a more modern era, there needs to be a change to the concept of the mu
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8

Mendonça, Gabriel Coelho, and Daniela Gatti. "Sonho de voo e medo da queda, o conflito primitivo na exploração virtuosística das técnicas aéreas circenses." Repertório 1, no. 35 (2021). http://dx.doi.org/10.9771/r.v1i35.35731.

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O circo moderno surge em 1770 com a união dos artistas das feiras medievais e os cavaleiros militares no Astley’s Royal Amphiteatre of Arts, em Londres. Neste espaço se fundou o espetáculo de variedades circenses, baseado na valorização da potencialidade física de seus artistas, as conhecidas proezas físicas ou virtuoses acrobáticas. Nos anos de 1980, com o surgimento e a disseminação de escolas de ensino das técnicas circenses surge um movimento que se auto-intitula novo circo, ou circo contemporâneo. Em busca de postular seus cânones, os novo circenses contrapõem-se às bases do espetáculo de
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