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Books on the topic 'An animated film in Russia'

Author: Grafiati

Published: 24 April 2022

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1

Český animovaný film: Czech animated film. Národní Filmový Archiv, 2012.

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2

1951-, Giżycki Marcin, and Zmudziński Bogusław, eds. Polski film animowany. Polskie Wydawn. Audiowizualne, 2008.

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3

Giulietta, Fara, and Cosulich Oscar, eds. Future Film Festival, 2005. Pendragon, 2005.

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4

Animasophy: Theoretical writings on the animated film. Estonian Academy of Arts, 2010.

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5

Before Mickey: The animated film, 1898-1928. University of Chicago Press, 1993.

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6

Noake, Roger. Animation: A guide to animated film techniques. Macdonald Orbis, 1988.

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7

Future, Film Festival (9th 2007 Bologna Italy). Future Film Festival, 2007: Www.futurefilmfestival.org. Pendragon, 2007.

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8

Giulietta, Fara, and Cosulich Oscar, eds. Future Film Festival, 2006: Www.futurefilmfestival.org. Pendragon, 2006.

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9

Giovanni, Ricci, and Vanelli Marco, eds. Animazione in cento film. Le mani, 2013.

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10

Disney's Aladdin: The making of the animated film. Hyperion, 1992.

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11

World Animated Film Festival (5th 1987 Varna, Bulgaria). Varna '87: Peti Svetoven festival na animat͡s︡ionnii͡a︡ film, 3-7 oktomvri = Varna '87 : Fifth World Animated Film Festival, October 3-7. Prest͡s︡entŭrŭt na Petii͡a︡ svetoven festival na animat͡s︡ionnii͡a︡ film, 1987.

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12

Film cartoons: A guide to 20th century American animated features and shorts. McFarland & Co., 1998.

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13

Company, Walt Disney, ed. Disney's Mulan: Based on Disney's full-length animated film. Scholastic, 1998.

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14

Scott, Elaine. Look alive: Behind the scenes of an animated film. Morrow Junior Books, 1992.

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15

Dong hua duan pian chuang zuo: Animated short film. Shen shi shu wei ke ji gu fen you xian gong si, 2017.

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16

Sitkiewicz, Paweł. Miki i myszy: Walt Disney i film rysunkowy w przedwojennej Polsce. Słowo/obraz terytoria, 2012.

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17

Lawton, Anna. Imaging Russia 2000: Film and facts. New Academia, 2005.

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18

Imaging Russia 2000: Film and facts. New Academia, 2004.

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19

Dong hua chuang yi chan ye. Dong fang chu ban zhong xin, 2009.

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20

Prassel, Igor. Filmografija slovenskega animiranega filma 1952-2012: Filmography of Slovenian animated film 1952-2012. Slovenska kinoteka, 2012.

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21

Lasseter, John. Toy story: The art and making of the animated film. Disney Editions, 2009.

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22

1962-, Daly Steve, ed. Toy story: The art and making of the animated film. Hyperion, 1995.

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23

Singer, A. L. The rescuers downunder: Based on Disney's full-length animated film. Scholastic Publications, 1991.

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24

Stoffman, Daniel. The Nelvana Story: Thirty Animated Years. Nelvana Publishing, 2001.

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25

Créateurs & créatures: 50 ans de festival international du film d'animation d'Annecy = Creators & creatures : 50 years of the Annecy International Animation Film Festival. Glénat, 2010.

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26

Giulietta, Fara, and Cosulich Oscar, eds. Future Film Festival: Le nuove tecnologie del cinema d'animazione = new technologies in animation cinema. Pendragon, 2003.

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27

Webb, Graham. The animated film encyclopedia: A complete guide to American shorts, features, and sequences, 1900-1979. McFarland & Co., 2000.

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28

International Animated Film Festival (6th 1989 Varna, Bulgaria). Varna '89: Shesti mezhdunaroden festival na animat͡s︡ionnii͡a︡ film, 7-11 oktomvri : katalog : khumanizŭm, dvizhenie, krasota. Generalna direkt͡s︡ii͡a︡ "Kinofestivali", 1989.

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29

Spalińska-Mazur, Joanna. Inwencje i kontynuacje: Polski autorski film animowany w latach 1980-1990. Wydawn. Uniwersytetu Opolskiego, 2009.

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30

The silent film poster: Russia 1900-1930. Art-Rodnik, 2001.

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31

Hutchings, Stephen, ed. Russia and its Other(s) on Film. Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230582781.

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32

editor, Popović Milena, and Dom kulture "Studentski grad.", eds. Balkanima '10: 7. evropski festival animiranog filma, Beograd. Dom kulturi Studentski grad, 2010.

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33

Balkanima, Evropski festival animiranog filma. Balkanima '11: 8. evropski festival animiranog filma, Beograd 4-08.2011 : katalog festivala. Dom kulture Studentski grad, 2011.

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34

Delcroix, Olivier. Corto Maltese: Corte sconta detta arcana : il libro del film. Lizard edizioni, 2002.

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35

The animated film encyclopedia: A complete guide to American shorts, features, and sequences, 1900-1979. McFarland & Co., 2006.

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36

Webb, Graham. The animated film encyclopedia: A complete guide to American shorts, features and sequences 1900-1979. McFarland, 2000.

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37

Guido, Michelone. Bibidi bobidi bu: La musica nei cartoni animati da Betty Boop a Peter Gabriel. Castelvecchi, 1998.

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38

Kim, I︠U︡liĭ, I︠U︡lii︠a︡ Rutberg та Garri Bardin. Gadkiĭ utënok: Polnometrazhnyĭ mulʹtfilʹm. Kinostudii︠a︡ "Staĭer", 2010.

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39

Maksimov, Ilʹ︠i︡a. Karlik Nos. s.n., 2003.

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40

Bosustow, Nick, and Sam Weiss. The reluctant dragon: And, The furious flycycle. Golden Book Video, 1990.

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41

Nosov, Nikolaĭ Nikolaevich. Neznaĭka na Lune. So︠i︡uz Video, 2003.

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42

Yellow Crocodiles And Blue Oranges: Russian Animated Film Since World War two. McGill-Queen's University Press, 2005.

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43

Making an Animated Film. Crowood Press, Limited, The, 2005.

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44

Clarke, James. Animated Films (Virgin Film). Virgin Books, 2004.

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45

Holliday, Christopher. The Computer-Animated Film. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427883.001.0001.

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Abstract:

The Computer-Animated Film: Industry, Style and Genre is the first academic work to examine the genre identity of the computer-animated film, a global phenomenon of popular cinema that first emerged in the mid-1990s at the intersection of feature-length animated cinema and Computer-Generated Imagery (CGI). Widely credited for the revival of feature-length animated filmmaking within contemporary Hollywood, computer-animated films are today produced within a variety of national contexts and traditions. Covering thirty years of computer-animated film history, and analysing over 200 different examples, The Computer-Animated Film: Industry, Style and Genre argues that this international body of work constitutes a unique genre of mainstream cinema. It applies, for the very first time, genre theory to the landscape of contemporary digital animation, and identifies how computer-animated films can be distinguished in generic terms. This book therefore asks fundamental questions about the evolution of film genre theory within both animation and new media contexts. Informed by wider technological discourses and the status of animation as an industrial art form, The Computer-Animated Film: Industry, Style and Genre not only theorises computer-animated films through their formal properties, but connects elements of film style to animation practice and the computer-animated film’s unique production contexts.

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46

Smith, Susan. The Animated Film Musical. Oxford University Press, 2011. http://dx.doi.org/10.1093/oxfordhb/9780195385946.013.0013.

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47

Holliday, Christopher. The Computer-Animated Film. Edinburgh University Press, 2018. http://dx.doi.org/10.1515/9781474427906.

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48

Marianna, Forrayová, Vraštiak Štefan, Urc Rudolf, Slovenský filmový ústav, and Národné kinematografické centrum (Slovakia), eds. Slovenský animovaný film =: The Slovak animated film. Slovenský filmový ústav-Národné kinematografické centrum, 1996.

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49

1958-, Wedge Chris, ed. Bunny: Adapted from the animated film. ipicturebooks, 2002.

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50

1958-, Wedge Chris, ed. Bunny: Adapted from the animated film. ipicturebooks, 2002.

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