Relevant bibliographies by topics / An iconostasis

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'An iconostasis'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "An iconostasis"

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Olianina, Svitlana. "The Iconostasis as an Image of the Garden of Eden." Culturology Ideas, no. 16 (2'2019) (2019): 36–45. http://dx.doi.org/10.37627/2311-9489-16-2019-2.36-45.

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This paper aims to substantiate the hypothesis that the design of the architectural and decorative organization of iconostases of the second half of the seventeenth — first half of the eighteenth centuries is based on the symbolic concept of the iconostasis as an image of a paradise garden. Methodology. The author uses semiotico-hermeneutical and iconological approaches as a methodological basis of this study. The iconological methodology allows to study the architectural and decorative organization of the iconostasis from new meaningful positions. The semiotico-hermeneutical approach was appl
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Chen, Lesya, and Yaroslav Rakochyi. "ARTISTIC FEATURES OF THE ICONOSTASIS IN THE BLESSED VIRGIN MOTHER CHURCH OF THE CATHEDRAL IN REMENIV." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 2025, no. 1 (2025): 113–20. https://doi.org/10.23939/sa2025.01.113.

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Ukrainian iconostases of the early 20th century of the Galician region, preserved in their authentic form to this day, are of interest to art historians and scientists. The process of forming the architectonics and iconography of iconostases in the late 19th – early 20th centuries took place in difficult historical conditions on the principles of the national Renaissance. Research on Ukrainian iconostases of the early 20th century. Galicia, with its unique artistic solution, is becoming increasingly relevant in our time. The research aims to study the iconography and structure of the iconostas
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Odrekhivskyj, Roman. "Iconostases of Galicia: History and Features of Design." Artistic Culture. Topical Issues, no. 17(1) (June 8, 2021): 49–58. http://dx.doi.org/10.31500/1992-5514.17(1).2021.235127.

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The meaning of sacral art in the spiritual culture of Ukrainian people is scarcely explored. Analytic review of iconostases in Galicia during 19th and the first half of the 20th cnturies as a phenomenon of Ukrainian artistic culture may be used during the restoration of ancient religious buildings, as well as in construction of new ones. The aim of the research is a historical comparison as well as artistic and culturological analysis. A series of iconostases have been introduced into scientific circulation. The meaning of carved décor in Galician Ukrainians’ sacral culture has been outlined.
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Yureva, Tatyana V. "Iconostases of the Russian abroad: monk Grigory Krug." Yaroslavl Pedagogical Bulletin 3, no. 120 (2021): 168–74. http://dx.doi.org/10.20323/1813-145x-2021-3-120-168-174.

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The article for the first time made an analytical review of the iconostasis work of the icon painter of the Russian Diaspora of the mid-twentieth century, Grigory Ivanovich (Fr. Grigory) Krug. The author notes the wide fame of the master with insufficient study of his heritage and proposes to connect the studied cultural phenomenon (the complex of iconostases of Fr. Grigory Krug) with the historical dynamics of culture, where the icon receives a new understanding and a new stage of development in the context of emigration culture. Correlating the work of the icon painter with the context of th
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Olianina Svitlana. "IMAGES-METAPHORS IN THE ORNAMENTATION OF UKRAINIAN ICONOSTASIS OF THE BAROQUE PERIOD." World Science 2, no. 12(40) (2018): 49–55. http://dx.doi.org/10.31435/rsglobal_ws/30122018/6276.

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 In this paper, I adduce new evidence that the decorative program of Ukrainian iconostasis contained the images-metaphors and one of them was a coat of arms of the donor. The iconoraphic programme of the Ukrainian iconostasis, during the 17th — 18th centuries is regularly complemented by coats of arms of Hetmans, Cossack leaders and high- ranking Orthodox clergy. These images are placed in the antependium of iconostases, usually there are several coats of arms and they belong to different family members. Accommodation of the groups of coats of arms in the iconostasis, not j
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Кадочников, И. В. "Иконостасы-реликварии Н. В. Султанова 1880-х годов". Scientific Papers of St Petersburg Academy of Fine Arts, № 71 (30 грудня 2024): 160–80. https://doi.org/10.62625/2782-1889.2024.71.71.011.

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В статье прослежена история появления в интерьерах русских храмов второй половины XIX в. иконостасных композиций, включающих в себя уникальные исторические артефакты – конструктивные и художественные элементы резных Царских врат утраченных иконостасов эпохи Средневековья. Предметом искусствоведческого анализа стали иконостасы церкви Рождества Богородицы на Куликовом поле и храма Св. царицы-мученицы Александры Римской во дворце великого князя Павла Александровича в Петербурге. Появление нового типа иконостаса – иконостаса-реликвария – связано с деятельностью архитектора Н. В. Султанова. The art
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Olianina, Svitlana. "The Counter-Reformation Art Serving the Orthodoxy: The Changes in the Artistic Concept of Ukrainian Iconostasis during the Second Quarter of the 17th Century." ARTISTIC CULTURE. TOPICAL ISSUES, no. 19(2) (November 29, 2023): 29–40. http://dx.doi.org/10.31500/1992-5514.19(2).2023.294620.

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The paper analyzes the reasons causing the structural and plastic changes of Ukrainian iconostases during the second quarter of the 17th century and eventually resulting in the Ukrainian iconostasis of the Baroque period. During the period, the iconostasis achieved monumentality and plasticity in the interpretation of the façade side as a result of introduction of the broken entablature, deep niches for icons, and passages to the altar, as well as to exceptionally rich carved decor, which, in general, added spaciousness to its architectural composition. The specified structural and plastic ico
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Ženarju-Rajović, Ivana. "Icons of zograf Hajji Kostadin Krstev in Dobrotin and Kosovska Kamenica." Zbornik radova Filozofskog fakulteta u Pristini 54, no. 2 (2024): 263–84. http://dx.doi.org/10.5937/zrffp54-47747.

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In the churches of St. Dimitrije in Dobrotin near Lipljan and St. Nicholas in Kosovska Kamenica, there are iconostases whose icons were painted by the painter Hajji Kostadin Krstev from Veles in 1862. He worked on the territory of the Diocese of Raška and Prizren in the first half of the seventh decade of the 19th century, when he painted the church of the Devič monastery, created the iconostasis in the church of the Holy Archangel Gabriel in Veliko Ropotovo near Gnjilane, the iconostasis and wall painting in Dobrotin, as well as all icons, apart from those of the Great feasts, for the iconost
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Loyevskaya, Margarita M. "Iconostasis in the Liturgical and Church-Historical Contexts." Observatory of Culture 16, no. 5 (2019): 488–93. http://dx.doi.org/10.25281/2072-3156-2019-16-5-488-493.

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The article deals with study and attribution of rare portable iconostases (“movable church”). Their features include the Sovereign tier (with the Royal Doors) absence, the small size, and the four remaining tiers (Deisis, Great Feasts, Prophets, and Patriarchs) painted on one board. Portable iconostases were used during long pilgrimages, missionary trips, or military campaigns, as well as in Bezpopovtsy (priestless) houses of worship.In liturgical practice, both in ancient times and now, portable iconostases were used under certain circumstances for long journeys. They are easy to set up in an
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Misijuk, Tatiana. "Iconostasis." Elpis : czasopismo teologiczne Katedry Teologii Prawosławnej Uniwersytetu w Białymstoku, no. 23-24 (2011): 193–201. http://dx.doi.org/10.15290/elpis.2011.23-24.09.

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Dissertations / Theses on the topic "An iconostasis"

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Katz, Felipe Beltran. "O iconostasis paulistano (Igrejas Orientais em São Paulo: mediação da multiplicidade - 1950-2011)." Pontifícia Universidade Católica de São Paulo, 2012. https://tede2.pucsp.br/handle/handle/12756.

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Made available in DSpace on 2016-04-27T19:30:38Z (GMT). No. of bitstreams: 1 Felipe Beltran Katz.pdf: 3043130 bytes, checksum: 20132492cb571c38c6960989ada1326e (MD5) Previous issue date: 2012-10-15<br>This work tries to point out the diversity of the oriental Christianity in Sao Paulo, through the oriental churches. These institutions are connected to the immigrant communities that came to Sao Paulo since the 19th century until the mid 20th century. Amongst the oriental Christians that have come to the city are Arabs, Armenians, Greeks, Russians and Ukrainians. These communities are divide
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Kellaris, Georgios. "The iconography of sanctuary doors from Patmos and its place in the iconographic program of the Byzantine iconostasis." Thesis, McGill University, 1991. http://books.google.com/books?id=4OjVAAAAMAAJ.

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Thesis (M.A.)--McGill University, 1991.<br>Contains an English abstract and a French résumé. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 83-87).
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Baradel, Valentina. "Zanino di Pietro nel contesto della cultura figurativa veneziana tra Tre e Quattrocento." Doctoral thesis, Università degli studi di Padova, 2018. http://hdl.handle.net/11577/3422317.

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The study is devoted to the painter Zanino di Pietro, who was mainly active in Venice between the 14th and 15th centuries. Indeed, this artist was an eminent personality of the Late Gothic period and took part to the transition of the artistic scene from the neo-Giottesque style to the International style introduced in the Lagoon by Gentile da Fabriano. The goal of the research was to rebuild Zanino di Pietro’s catalogue, analyzing every artwork attributed to the painter and trying to resolve some critical issues or various attributions so far unresolved. The research was carried out deepeni
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Cosma, Ioana. "Angels In-between. The Poetics of Excess and the Crisis of Representation." Thesis, 2009. http://hdl.handle.net/1807/26454.

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This dissertation examines the reconfiguration of the limits of representation in reference to the intermediary function of angels. The Modernist engagement with the figure of the angel entailed, primarily, a reconsideration of the problem of representation as well as an attempt to trace the contours of a poetics that plays itself outside the mimetic understanding of representation. My contention is that this transformation of literary referentiality was not simply a disengagement of art from reality but, rather, from the truthfalsity, reality-fiction, subject-object dichotomies. The angel, de
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Books on the topic "An iconostasis"

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Florenskiĭ, P. A. Iconostasis. St. Vladimir's Seminary Press, 2000.

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owner, Mims Amy former, ed. Ritsos of the iconostasis: A companion for the "Iconostasis of anonymous saints". [s.n.], 2003.

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Alekseĭ, Lidov, ed. Ikonostas: Proiskhozhdenie, razvitie, simvolika = Iconostasis : origins, evolution, symbolism. Progress-Traditsiya, 2000.

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Vuksan, Bodin. Barokne teme srpskog ikonostasa XVIII veka: Baroque themes of the Serbian iconostasis of the eighteenth century. Platoneum, 2016.

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Gerasimova, I͡U J. The iconostasis of Peter the Great in the Peter and Paul Cathedral in St Petersburg (1722-1729). Alexandros Press, 2004.

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Ivanovich, Vzdornov Gerolʹd, ed. Ikonostas Uspenskogo Sobora Kirillo-Belozerskogo monastyri︠a︡: The iconostasis from the Dormition Cathedral of the Kirillo-Belozerski Monastery. Muzei Moskovskogo Kremli︠a︡, 2012.

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Kellaris, Georgios. The iconography of sanctuary doors from Patmos and its place in the iconographic program of the Byzantine Iconostasis. McGill University, 1991.

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Weber, Charles. Iconostases =: Eikonostasia. C. Weber, 1986.

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Aleksiev, Emil. Makedonski ikonostasi: Macedonian iconostases. NIP Ǵurǵa, 2000.

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Prakaptsoŭ, U. I., and Alena Karpenka. Belaruski ikanastas: Tvory ikanapisu i draŭli︠a︡naĭ plastyki kantsa XVII--pachatku XIX st. = Belarusian iconostasis : Icons and wooden sculpture of the late 17th--the early 19th c. Natsyi︠a︡nalʹny mastatski muzeĭ Rėspubliki Belarusʹ, 2015.

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Book chapters on the topic "An iconostasis"

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Vozniak, E. R., Е. N. Baulina, and А. О. Fatkullina. "Development of forms of Russian iconostases in the XVII-XVIII centuries." In Reconstruction and Restoration of Architectural Heritage 2021. CRC Press, 2021. http://dx.doi.org/10.1201/9781003136804-28.

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"iconostasis." In Sir Banister Fletcher Glossary. © the Royal Institute of British Architects (RIBA) and the University of London, 2018. http://dx.doi.org/10.5040/9781350122741.1001158.

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"VII Iconostasis." In Upon Entropy. De Gruyter, 2023. http://dx.doi.org/10.1515/9783035627695-009.

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"iconostasis, n." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/9382520928.

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Hadjikyriakos, Iosif. "VENETIAN ELEMENTS IN THE ICONOSTASIS OF CYPRUS." In Cyprus: An island culture. Oxbow Books, 2012. http://dx.doi.org/10.2307/j.ctvh1djv0.23.

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Kakalis, Christos Antonios. "Assembling a Limen: the Biography of an Iconostasis." In Sacred Mobilities in Byzantium and Beyond. BRILL, 2024. http://dx.doi.org/10.1163/9789004704503_012.

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D’Ottavi, Annamaria, Paolo Roma, and Martina Serafin. "Esperienze di protezione del retro dei dipinti nella città di Venezia." In Cronache della Soprintendenza di Venezia. Attività e ricerche 1–2024. Fondazione Università Ca’ Foscari, 2024. https://doi.org/10.30687/978-88-6969-896-5/013.

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The backing of the paintings consists in the application of a suitable membrane (flexible or rigid) on the back of the artworks with the aim of reducing the interaction of the verso with the environment and the thermo-hygrometric variations, reducing degradation causes. Two treatments and instrumental checks are described: the first was the maintenance of the paintings on canvas on the Venetian church of Santi Apostoli after the 2019 flood (sponsored by Save Venice Inc.); the other was the conservation treatment of the panels by Zanino di Pietro of the Basilica of Torcello iconostasis, in 2022
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Đurđevic, Svetlana. "CRKVA SVETIH ARHISTRATIGA MIHAILA I GAVRILA U ALEKSINCU – SPOMEN-CRKVA PROTE STEVANA M. DIMITRIJEVIĆA." In Aleksinac : 190 godina u slobodi od oslobođenja 1833. do naših dana : tematski zbornik radova. Centar za kulturu i umetnost, Aleksinac, 2025. https://doi.org/10.46793/aleksinac190.119dj.

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The topic of this paper is the memorial church of Prota Stevan Dimitrijevic, located in the old Aleksinac cemetery. This church can rightfully be called a small artistic museum of Russian visual artists. During the construction of the memorial church, Stevan Dimitrijevic, who was educated in Russia, brought prominent artists to create frescoes and ornamentation. The iconostasis, walls, and windows of this temple feature works of our old artists, copied from originals preserved in our ancient endowments such as Zica, Studenica, Gracanica, and other monasteries, as well as from Russian classical
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"Abstract Form: Sequential Dynamism and Iconostasis in Abstract Comics and Steve Ditko’s Amazing Spider- Man ANDREI MOLOTIU." In Critical Approaches to Comics. Routledge, 2012. http://dx.doi.org/10.4324/9780203839454-15.

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"iconostas, n." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/5695429909.

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Conference papers on the topic "An iconostasis"

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Polyakova, O. V. "THE IMAGE OF THE NATIVITY ON THE LECTERN AND IN THE FESTIVAL TIER OF AN ICONOSTASIS." In VI Международная научно-практическая конференция "Искусствознание и педагогика. Диалектика взаимосвязи и взаимодействия". Общество с ограниченной ответственностью «Книжный дом», 2018. http://dx.doi.org/10.25807/pbh.978-5-94777-431-3.197.202.

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Маринкович (Шпаковская), С. Е. "The Experience of Reconstruction of Lost Icons of the 18th Century from the Apostolic Iconostasis of the Smolensk Cathedral of the Novodevichy Convent in Moscow." In Сохранение культурного наследия. Изобразительные искусства. Исследования и реставрация. Материалы V Международной научно-практической конференции. Crossref, 2024. https://doi.org/10.62625/3873.2024.71.29.007.

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В статье автор описывает ход работы над научной реконструкцией утраченных икон цокольного ряда Апостольского иконостаса Смоленского собора Новодевичьего монастыря. Автор использует искусствоведческий, иконографический и стилистический методы реконструкции. Акцентируется внимание на малоизученности стиля и техники иконописи XVIII в., приводятся аргументы, объясняющие художественное решение выполненных реконструкций икон. Данная статья будет полезна искусствоведам, иконописцам и реставраторам. In the article, the author describes the progress of work on the scientific reconstruction of the lost
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Сорочяну, Евдокия. "Semiotics of the interior space of the gagauz housing." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.28.

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The article reveals the semantics and symbols of Gagauz dwelling and of its important parts. Th e analysis of the interior space semiotics is carried out on two planes — a horizontal and vertical one. Th e most signifi cant oppositions are the following: exterior-interior, centre-periphery, top-bottom, open-closed. Th e semiotics of Gagauz dwelling’s parts and their role unfold the system of the popular view of the world and of man’s daily life in such environment. A traditional Gagauz dwelling is represented by two parts: living rooms and a non-residential room (a symbolic centre of the house
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Djuric, Isidora, Vesna Stojakovic, Snezana Misic, et al. "Church Heritage Multimedia Presentation - Case study of the iconostasis as the characteristic art and architectural element of the Christian Orthodox churches." In eCAADe 2019: Architecture in the Age of the 4th Industrial Revolution. eCAADe, 2019. http://dx.doi.org/10.52842/conf.ecaade.2019.1.551.

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Djuric, Isidora, Vesna Stojakovic, Snezana Misic, et al. "Church Heritage Multimedia Presentation Case study of the iconostasis as the characteristic art and architectural element of the Christian Orthodox churches." In 37 Education and Research in Computer Aided Architectural Design in Europe and XXIII Iberoamerican Society of Digital Graphics, Joint Conference (N. 1). Editora Blucher, 2019. http://dx.doi.org/10.5151/proceedings-ecaadesigradi2019_421.

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Терехина, Д. К., А. В. Макаричева, and А. Б. Прозова. "PRESERVATION OF THE HERITAGE OF THE RUSSIAN PROVINCE ON THE EXAMPLE OF THE CONSERVATION OF ICONS OF THE RESURRECTION CHURCH OF THE NERONOVO ESTATE IN THE KOSTROMA REGION." In РЕСТАВРАЦИЯ. НАШ ВЗГЛЯД — 2024. Crossref, 2024. http://dx.doi.org/10.54874/9785605196549.2024.7.09.

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Данная статья посвящена проблемам сохранения культурного наследия русской провинции на примере консервации икон Воскресенского храма усадьбы Нероново. Воскресенский храм — выдающийся памятник архитектуры и, к сожалению, один из множества погибающих. Храм отличается оригинальной отделкой интерьера, не подвергавшейся поновлению и поздним вмешательствам; уникальный барочный иконостас храма был когда‑ то наполнен иконами, однако из‑ за многолетнего нарушения климатических условий внутри храма значительная их часть была утрачена, остальные пришли в крайне аварийное состояние, близкое к полной утрат
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