Relevant bibliographies by topics / Ana María Matute

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Ana María Matute'

Author: Grafiati
Published: 4 June 2021
Last updated: 5 May 2022

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Journal articles on the topic "Ana María Matute"

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Manso, Christian. "Ana María Matute, Luciérnagas." Bulletin hispanique, no. 117-1 (June 1, 2015): 389–90. http://dx.doi.org/10.4000/bulletinhispanique.3943.

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Pérez Bernardo, María Luisa. "Infancias desgraciadas en Primera memoria de Ana María Matute." Verba Hispanica 18, no. 1 (December 31, 2010): 47–57. http://dx.doi.org/10.4312/vh.18.1.47-57.

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Farrington, Pat. "Documenta: Interviews with Ana María Matute and Carme Riera." Journal of Iberian and Latin American Studies 6, no. 1 (June 2000): 75–89. http://dx.doi.org/10.1080/13507490050020978.

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Linuesa Torrijos, Estefanía. "Ana María Matute. Censura y autocensura: la (no) recuperación de su producción literaria." Diablotexto Digital 10 (December 24, 2021): 193. http://dx.doi.org/10.7203/diablotexto.10.21544.

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Este artículo pone el foco en la censura franquista y sus efectos en la obra de Ana María Matute. La literatura española de posguerra se vio condicionada por la censura editorial que implantó el régimen franquista, mas también por la autocensura de los editores y las escritoras, quienes la aplicaron por precaución, convirtiéndose, de esta manera, en sus propias censoras. En este sentido, Ana María Matute fue una de las escritoras que sufrió los efectos de la (auto)censura. En este artículo se analizarán tres obras de la escritora para comprobar si la incidencia y perpetuación de la (auto)censura se sigue reproduciendo en las últimas ediciones publicadas.
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SATO, Sachi. "El paisaje simbólico en Olvidado rey Gudú de Ana María Matute." HISPANICA / HISPÁNICA 2001, no. 45 (2001): 82–93. http://dx.doi.org/10.4994/hispanica1965.2001.82.

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Sotelo Vázquez, Marisa. "Espacio urbano y guerra civil en Luciérnagas de Ana María Matute." Anales de Literatura Española, no. 24 (December 15, 2012): 319. http://dx.doi.org/10.14198/aleua.2012.24.18.

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El artículo, tras la clasificación de Luciérnagas como novela de aprendizaje, pretende demostrar la función relevante que el espacio urbano ligado a un tiempo concreto, verdadero cronotopos, desempeña en la novela. El análisis demuestra que el espacio es tan potente que en algunos momentos desplaza la atención del personaje, convirtiéndose en verdadero protagonista del relato. La visión caótica y apocalíptica de la ciudad de Barcelona es el escenario de Luciérnagas pero es también metáfora, metonimia y símbolo de los personajes.
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Gutiérrez Sebastián, Raquel. "Tras las huellas de una poética del cuento en Ana María Matute." Anales de Literatura Española, no. 31 (September 1, 2019): 215. http://dx.doi.org/10.14198/aleua.2019.31.13.

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En el artículo se realiza una revisión de los cuentos de Ana María Matute y se repasan en primer lugar los discursos en los que la autora explicó su concepción del género, para posteriormente analizar algunos de los relatos más significativos en la producción de la autora y exponer algunos de los caracteres más relevantes de la producción cuentística de la escritora barcelonesa.
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Frame, Scott Macdonald. "A Note on Biblical Referencing in Los mercaderes by Ana María Matute." Bulletin of Hispanic Studies 80, no. 2 (June 2003): 209–17. http://dx.doi.org/10.3828/bhs.80.2.5.

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Frame, Scott Macdonald. "A Private Portrait of Trauma in Two Novels by Ana María Matute." Romance Studies 21, no. 2 (July 2003): 127–38. http://dx.doi.org/10.1179/ros.2003.21.2.127.

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Dos Santos Ribeiro, LilianAdriane. "LUCIÉRNAGAS EN CAMINOS DE PIEDRAS: LAS VOCES FEMENINAS COMO ALTERNATIVA DE TRANSGRESIÓN." RAUDEM. Revista de Estudios de las Mujeres 2 (May 22, 2017): 290. http://dx.doi.org/10.25115/raudem.v2i0.603.

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Este artículo pretende mostrar las voces femeninas y la escritura autobiográfica en las obras Caminho de Pedras (1937), de la escritora brasileña Rachel de Queiroz, y de Luciérnagas (1949), de la escritora española Ana María Matute, a través de las protagonistas que actúan en ambas ficciones. Pretende también situarlas en el escenario político, social y cultural de la dictadura de Getúlio Vargas y de la dictadura de Franco. Con esta intención, y mediante la bibliografía pertinente, se analizaron el discurso y los contenidos de dichas obras.Palabras Clave: autobiografía, género, ficción, discurso, femenino, dictadura. Fireflies in Stone Paths: the Female Voices of Infringement as an Alternative Abstract: This article aims to show the feminist voices and autobiographical writing exposed in the books Caminho de Pedras (1937), by the Brazilian writer Rachel de Queiroz, and Luciérnagas (1949), by the Spanish writer Ana María Matute, through their main characters in both novels. It intends as well to provide political, social and cultural context ofGetúlio Vargas and Franco dictatorships respectively. With this in mind and considering the relevant literature, we analysed (its) discourse and content of both works.Keywords: autobiography, genre, fiction, discourse, feminine, dictatorship.
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Dissertations / Theses on the topic "Ana María Matute"

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Bussy, Solange. "L'affrontement fratricide dans l'oeuvre narrative d'Ana María Matute." Bordeaux 3, 2004. http://www.theses.fr/2004BOR30033.

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L' analyse de Los Abel et Fiesta al Noroeste, parus au cours de la première phase de la dictature franquiste, met au jour les modalités de la transposition littéraire du mythe de Cai͏̈n et d'Abel dans ces deux romans d'Ana María Matute. Entre atemporalité mythique et temps historique, le traitement de l'affrontement fratricide, opérant une métaphorisation de la guerre civile espagnole, élabore diverses formes, subversives, de l' " abélité " et de la " cai͏̈nité ". Créant ses propres mythes, cultivant l'irrévérence, l'écriture matutienne exprime sa dissidence au travers d'un " dire oblique " qui introduit le burlesque dans l'ordre mythico-religieux du franquisme. Elle marque son indépendance en insérant dans l'objectivisme du réalisme social, tendance littéraire en vigueur, la subjectivité énonciative, le lyrisme métaphorique, construisant un réalisme symbolique
The analysis of Los Abel and Fiesta al Noroeste, published during the first part of Franco's dictature, reveals the modalities of the litterary transposition of the myth of Cain and Abel in Ana Maria Matute's both novels. The vision of the fratricide fight as a metaphore of the Spanish civil war between mythic and actual historical times elaborates several forms of the biblical brotherly confrontation. By creating its own myths and developing an increasing sense of irreverence Matute's writing shows its dissidence through a non conformist way of telling which introduces the burlesque dimension in the mythic and religious order of francoism. As an independent woman writer, Matute introduces her narrative subjectivity and her metaphorical lyrism in the strict objectivity of social realism, thus creating her own symbolical transposition of reality
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Venzon, Ruben. "Proposta di traduzione con analisi e commento del racconto El saltamontes verde di Ana María Matute." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amslaurea.unibo.it/7141/.

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In questo elaborato viene presentata una proposta di traduzione del racconto "El saltamontes verde" della scrittrice spagnola Ana María Matute. Nella prima parte, vengono esposte brevemente la biografia e le opere dell'autrice, evidenziandone i temi ricorrenti e le influenze letterarie. L'attenzione si focalizza, in seguito, sul testo in lingua originale, che viene analizzato dal punto di vista narratologicoo (trama, tempo, spazio, personaggi e temi) e linguistico (lingua e stile). Le strategie utilizzate durante la traduzione e le scelte traduttive più rilevanti vengono descritte e motivate in un commento finale che si basa sul confronto tra la versione spagnola e quella italiana.
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Oaknin, M. "Ana María Matute, Rosa Montero, and Lucía Etxebarria : the reception and dissemination of 'women's writing' in Spain." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1427919/.

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This thesis explores the Spanish authors, Ana María Matute (1926-), Rosa Montero (1952-), and Lucía Etxebarri a (1966-) in the context of the socio-political background of the Franco Regime, the transition to democracy and the contemporary period in Spain. Its primary focus is on their perception of the label ‘women’s writer’ and their ‘public personaʼ: that is, the public perception of these three writers that is produced by the reception of their work, their status and interaction with the wider public in interviews, and, increasingly, via the internet. The question of as the existence, or not, of ‘women's writing’ has been a subject of academic debate for decades, and it could be argued that my focus on women only in this thesis is retrogressive. Two of the three writers I have chosen to focus on have also already inspired a number of academic studies. However, as the small number of women writers included the Royal Academy demonstrates, I would argue that as all publish their work in a cultural environment that is still dominated by men, the question of ‘women’s writing’ remains a important topic of debate. My own contribution to this debate is indebted to Henseler's (2003) study of Spanish women writers and the publishing industry. In her ground-breaking work, Henseler claims that Spanish Generation X writers have the potential to subvert the literary system by embracing the increasing commercialism of the literary market to promote their works. This is the claim that I take this as my point of departure for a more in-depth analysis of the hitherto understudied relationship between the gender of these three writers and the rapidly changing publishing industry in which they work. However, my own reading of Matute, Montero, and especially Etxebarria’s public appearances, via Joe Moran’s (2000) study of the growing importance of the ‘star- author’, suggests that, far from offering a vehicle for subversion, the fact that contemporary authors have to negotiate public appearances and the photo shoot is just another symptom of an increasingly commercialised and ‘virtual’, or web-based literary market-place. Finally, my research also carries out a close analysis of their representation of the changing Spanish society over the thirty years in which each of these highly successful women writers has published their major work. Since these are women who are particularly representative of three different generations, I have chosen to examine the way the ‘motherʼ - as the metaphorical representative and as a ‘ghostly reminder’ of the previous generation - is represented in their work.
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McBride, Nathaniel James. "Palabras, caridad y creación: "Un camino a través de un tiempo" en tres novelas de Ana María Matute." University of Toledo / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=toledo158885008612683.

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Rothenburg, Anja. "Literatur in der Diktatur - Diktatur in der Literatur. Einfluss und Auswirkungen franquistischer Zensur auf das Werk von Ana María Matute." Doctoral thesis, Humboldt-Universität zu Berlin, 2021. http://dx.doi.org/10.18452/22347.

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Die vorliegende Arbeit liefert einen Beitrag zur Erforschung der institutionalisierten Zensur von literarischen Texten im Franquismus anhand der Untersuchung von Werken Ana María Matutes. Als repressives Instrument diente die Zensur der Kontrolle, dem Schutz vor ‚kritischen‘ Inhalten sowie der Propagierung, Durchsetzung und Konsolidierung des franquistischen Dogmas. Zensiert wurden ‚bedrohliche‘ Werke aufgrund ihres kommunikativen Gehalts, aber auch wegen der sie charakterisierenden materiellen Fixierung, konnte die ‚gefürchtete‘ Aussage ihre Wirkung doch an vielen Orten noch lange nach dem Moment ihrer Entstehung entfalten. Die originale unzensierte Textfassung vieler Werke ist deswegen für den Leser bis heute oft unzugänglich. Das gilt auch für das Œuvre Matutes, einer der bedeutendsten spanischen Autorinnen der zweiten Hälfte des 20. Jahrhunderts. Anhand der erhaltenen Zensurakten zu vier Romanen – „Los Abel“, „Luciérnagas“/„En esta tierra“, „Los hijos muertos“ und „La trampa“ – wird zunächst deren unterschiedliches ‚Schicksal‘ zwischen staatlicher Zensur und forcierter Selbstzensur rekonstruiert. Die daraus gewonnenen Erkenntnisse dienen als Ausgangsbasis für die literaturwissenschaftliche Analyse der individuellen Auswirkungen dieser Eingriffe auf inhaltlicher, struktureller, figürlicher und formal-stilistischer Ebene sowie zur Feststellung des Grads an ‚Co-Autorenschaft‘ der Zensoren, die die Texte im Hinblick auf ihre Konformität mit den etablierten moralischen, politischen und religiösen Normen rezipierten. Darüber hinaus werden Funktionsweise, Irrtümer und Grenzen der literarischen Kontrollinstanz anhand von vier weiteren Werken dargestellt, zu denen „Fiesta al Noroeste“, „Pequeño teatro“, „Los niños tontos“ und „Los soldados lloran de noche“ zählen. Auf diese Art und Weise kann ein umfassender Einblick in die Arbeits- und Funktionsweise der franquistischen Zensurbehörde innerhalb des machtstrukturellen Kontextes des Franco-Regimes gegeben werden.
This research paper contributes to the study of institutionalized censorship of literary texts under Francoism by examining the works of Ana María Matute. As a repressive instrument, censorship served to control, protect against 'critical' content and propagate, enforce and consolidate Francoist dogma. 'Threatening' works were censored because of their communicative content, but also because of the material fixation that characterized them, since the 'feared' statement could continue to have its effect long after the moment of its creation and in many places. The original uncensored text version of many works is therefore often inaccessible to readers even today. This also applies to the oeuvre of Matute, one of the most important Spanish authors of the second half of the 20th century. Using the surviving censorship files for four novels – “Los Abel”, “Luciérnagas”/“En esta tierra”, “Los hijos muertos” and “La trampa” - we first reconstruct their different 'fates' between state censorship and forced self-censorship. The insights gained from this serve as a starting point for the literary analysis of the individual effects of these interventions on the level of content, structure, characters and formal style, as well as for determining the degree of 'co-authorship' of the censors, who only received the texts with regard to their conformity with established moral, political and religious norms. In addition, the functioning, errors and limits of the literary control authority are presented on the basis of four other works, which include “Fiesta al Noroeste”, “Pequeño teatro”, “Los niños tontos” and “Los soldados lloran de noche”. In this way, a comprehensive insight can be given into the working and functioning of the censorship authority within the power structure context of the Franco regime.
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Rothenburg, Anja [Verfasser]. "Literatur in der Diktatur - Diktatur in der Literatur. Einfluss und Auswirkungen franquistischer Zensur auf das Werk von Ana María Matute / Anja Rothenburg." Berlin : Humboldt-Universität zu Berlin, 2021. http://d-nb.info/1227300735/34.

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Odartey-Wellington, Dorothy. "La reelaboración de los cuentos de hadas en la novela española contemporánea : las novelas de Carmen Laforet, Carmen Martín Gaite, Ana María Matute y Esther Tusquets." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ37009.pdf.

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Salinas, Helen. "Una comparación entre dos novelas del género fantástico - una novela juvenil y una novela para adultos." Thesis, Mälardalens högskola, Akademin för utbildning, kultur och kommunikation, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-24536.

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En este estudio comparamos dos novelas españolas del género fantástico – Aranmanoth de Ana María Matute y La Emperatriz de los etéreos de Laura Gallego García. Ambas obras tienen tramas parecidas pero están dirigidas a dos grupos diferentes de lectores – jóvenes y adultos. Aplicamos el método comparativo, es decir, identificamos y analizamos las similitudes y las diferencias en cuanto a los elementos fantásticos presentes en ambas novelas con el propósito de analizar las consecuencias en la literatura para estos dos grupos de lectores. Asimismo nos interesan las razones de las similitudes y las diferencias, las cuales buscamos sobre todo, en los antecedentes de las autoras, los diferentes grupos de lectores y la gran influencia de los cuentos de hadas en este género fantástico.   Los elementos fantásticos que analizamos se encuentran en las categorías del motivo, el entorno y los personajes. Algunos de los ejemplos más conocidos de estas categorías son el viaje de aventura, la presencia de la magia y el mundo de imaginación pero asimismo se presentan elementos menos esperados como la importancia de los cuentos y las apariencias de los personajes. Dado que el lenguaje es un elemento diferenciador muy evidente cuando se compara la literatura juvenil con la de adultos, lo excluimos de la investigación.   Concluimos que existe una concordancia clara entre muchos elementos fantásticos en las dos novelas. A pesar de esto, las historias no dan la impresión de ser iguales. En la novela para adultos, por ejemplo, el elemento mágico es más complejo debido en parte a la gran cantidad de símbolos utilizados lo cual hace más difícil su comprensión. Además las autoras tienen objetivos diferentes con respecto a lo fantástico y este hecho afecta en gran medida la narración de las historias. Por consiguiente, los jóvenes posiblemente no entiendan toda la magnitud del elemento mágico intrincado en el libro para adultos y los adultos por su parte encuentren los elementos mágicos un poco simples en el libro juvenil. Sin embargo, es probable que los dos grupos distintos de lectores, puedan disfrutar la lectura de ambas novelas siempre y cuando tengan interés por el género.
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Riddel, María del Carmen. "La escritura femenina en la postguerra española : analisis de novelas escogidas de Carmen Martin Gaite, Ana Maria Matute y Elena Quiroga /." Connect to resource, 1988. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1217012443.

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Riddel, Maria del Carmen. "La Escritura Femenina en la Postguerra Espanola: Analisis de Novelas Escogidas de Carmen Martin Gaite, Ana Maria Matute y Elena Quiroga." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1217012443.

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Books on the topic "Ana María Matute"

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Goicoechea, Alicia Redondo. Ana María Matute (1926-). Madrid: Ediciones del Orto, 2000.

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Goicoechea, Alicia Redondo. Ana María Matute, (1926-). [Madrid]: Del Orto, 2000.

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Porpetta, Marta. XXII Premio Ana María Matute de Narrativa de Mujeres. Madrid: Torremozas, 2010.

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XXV Premio Ana María Matute de narrativa de mujeres. Madrid]: Ediciones Torremozas, 2013.

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Matute, Ana María. Ana María Matute: La voz del silencio. Madrid: Espasa, 1997.

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Matute, Ana María. The heliotrope wall and other stories. New York, N.Y: Columbia University Press, 1989.

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Oaknín, Mazal. Feminism, Writing and the Media in Spain: Ana María Matute, Rosa Montero and Lucía Etxebarria. Bern: Peter Lang International Academic Publishers, 2019.

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Andrea, Canova, and Ruozzi Gino, eds. Boiardo a Scandiano: Dieci anni di studi : atti del Convegno, Scandiano 21 maggio 2011. Novara: Interlinea, 2012.

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Dessì, Giuseppe, and Raffaello Delogu. Lettere 1936-1963. Edited by Monica Graceffa. Florence: Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-162-1.

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Author of Architettura del medioevo in Sardegna which won him the Premio Nazionale Olivetti in 1956, Raffaello Delogu was an art historian and Commissioner for Antiquities and Monuments in Sardinia, Abruzzo and Sicily. His correspondence with one of the most eminent Italian writers of the second half of the twentieth century, as transcribed and lavishly annotated here by Monica Graceffa, reveals him not only as a committed intellectual devoted to the study of ancient and modern art, but also as a caustic and playful friend. His dialogue with Giuseppe Dessí commenced in their youth, when Dessí was an amateur painter on the way to maturity, who instead rapidly developed into a mature writer and attentive connoisseur of all forms of art. In addition to their studies and mutual friends (including Claudio Varese and Maria Lai), they also shared an interest in painting and in what Dessí was experiencing (his moves, his political passion) and what he was writing (fiction, drama, essays); important in this regard are the letters touching on the collaboration of both on the Sardinian issue of Pietro Calamandrei's «Il Ponte».
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Kisacky, Julia. Magic in Boiardo and Ariosto. New York: Peter Lang, 2000.

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Book chapters on the topic "Ana María Matute"

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Rojo, Aurelio Fuentes. "Ana María Matute." In Kindler Kompakt: Spanische Literatur, 20. Jahrhundert, 143–44. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05523-1_26.

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Hopfe, Karin. "Matute, Ana María." In Metzler Autorinnen Lexikon, 344–45. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_240.

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Wild, Gerhard. "Matute, Ana María." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13104-1.

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Fuentes Rojo, Aurelio, and KLL. "Matute, Ana María: Los mercaderes." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13107-1.

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Fuentes Rojo, Aurelio. "Matute, Ana María: Fiesta al noroeste." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13105-1.

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Scheerer, Thomas M. "Matute, Ana María: Historias de la Artámila." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_13106-1.

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"Los microrrelatos de Ana María Matute." In Las fronteras del microrrelato, 153–64. Vervuert Verlagsgesellschaft, 2012. http://dx.doi.org/10.31819/9783954870103-011.

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"EL AMOR EN OLVIDADO REY GUDÚ, DE ANA MARÍA MATUTE." In El amor, esa palabra…, 55–66. Vervuert Verlagsgesellschaft, 2005. http://dx.doi.org/10.31819/9783964565419-005.

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"Inscripciones de las «dos Españas» en Primera memoria de Ana María Matute: la unidad de nunca jamás." In Una de las dos Españas, 103–12. Vervuert Verlagsgesellschaft, 2007. http://dx.doi.org/10.31819/9783964565921-009.

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Rothenburg, Anja. "16. El polizón del Ulises, de Ana María Matute. Trayectoria de un cuento infantil en el franquismo." In La agencia femenina en la literatura ibérica y latinoamericana, 281–300. Iberoamericana Vervuert, 2020. http://dx.doi.org/10.31819/9783968690988-016.

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Conference papers on the topic "Ana María Matute"

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Titei, Victor, Adrian Vasile Blaj, Andreea Cristina Andreoiu, and Teodor Marusca. "Evaluarea calităţii biomasei de Lolium perenne L. Ca furaj și substrat pentru obținerea biometanului." In VIIth International Scientific Conference “Genetics, Physiology and Plant Breeding”. Institute of Genetics, Physiology and Plant Protection, Republic of Moldova, 2021. http://dx.doi.org/10.53040/gppb7.2021.93.

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We studied the biochemical composition, nutritive value of the green mass and prepared hay from Ro-manian cultivars of perennial ryegrass, Lolium perenne L. „Mara” and „Măgura” grown in monoculture on the experimental plot of the National Botanical Garden (Institute) “Alexandru Ciubotaru”, Chisinau, R. Mol-dova. Results revealed that dry matter of harvested green mass contained 98-116 g/kg CP, 299-326 g/kg CF, 71-77 g/kg ash, 329-353 g/kg ADF, 546-593 g/kg NDF, 38-40 g/kg ADL, 291-313 g/kg Cel, 217-240 g/kg HC, with nutritive and energy value 60.9-65.3 % DMD, 60.1-64.8 % ODM, RFV=96-108, 12.12-12.45 MJ/kg DE, 9.95- 10.23 MJ/kg ME and 5.97-6.25 MJ/kg NEl. The biochemical composition, nutritive and energy va-lue of prepared hay: 94-110 g/kg CP, 351-385 g/kg CF, 79-82 g/kg ash, 390-423 g/kg ADF, 631-689 g/kg NDF, 46-50 g/kg ADL, 344-373g/kg Cel, 241-266 g/kg HC, RFV=76-86, 11.13-11.61 MJ/kg DE, 9.14- 9.53 MJ/kg ME and 5.17-5.55 MJ/kg NEl. The biochemical methane potential of green mass substrates reached 338-344 L/kg organic matter. The studied cultivars of Lolium perennec could be used in the Republic of Mol-dova for the restoration of degraded permanent grasslands, as a component of the mix of grasses and legumes for the creation of temporary grasslands, the harvested biomass can be used as feed for farm animals or as substrate in biogas generator for renewable energy production.
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2

Taddei, Domenico, Caterina Calvani, Roberto Pistolesi, Antonio Taddei, and Andrea Martini. "Recupero architettonico e strutturale del “mastio” e del suo cortile della fortezza nuova di Volterra." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11361.

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Architectural and structural recovery of “mastio” and its courtyard of the new fortress of VolterraThe recovery of the “mastio” and the surrounding courtyard of the new fortress of Volterra (1472-1474) has as its objective the opening to the public of this fortified work, after 542 years from its construction, with the possibility of being enjoyed without interposing with the prison function of the complex, it also represents the possibility of knowledge and study of a constructive typology in the context of the Renaissance fortified architecture of the Italian school called “transition” with the use of the first artillery. The fortress was born as a military garrison and at the time of Lorenzo the magnificent only a part was used as a prison, it will be definitively transformed into a House of Imprisonment during the Grand Duchy of Lorraine in the middle of the eighteenth century. It is the first work by Francesco di Giovanni di Matteo called the Francione (1428-1495), it has an almost square shape with large cylindrical towers at the corners (rondelle) and at the center of the inner courtyard, a large cylindrical tower like of “mastio” (donjon) and inserted the artillery in the walls. The “mastio” consists of a basement and five floors above ground with a domed roof and connected by a narrow spiral staircase. After the cognitive essays carried out on the internal domes of the “mastio”, placed in the first three floors including the cistern, the presence of “hemispherical domes” emerged, made by workers of the Opera del Duomo in Florence, built entirely in bricks without the carpentry of “centina” (self-supporting), with the system called “alla fiorentina”, as well as the dome of Santa Maria del Fiore in Florence by Filippo Brunelleschi. This construction system is also applied in the fortified structures of Pietrasanta, Poggibonsi, Sarzanello, Castrocaro, Pisa and Terra del Sole.
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3

Elias, Ramon, and Mason Medizade. "Orcutt Field Thermal Diatomite Case Study: Matrix Flow Cyclic Steam Injection in the Careaga Lease, Santa Barbara County, California." In SPE Western Regional Meeting. SPE, 2022. http://dx.doi.org/10.2118/209274-ms.

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Abstract This study updates a case history presented in 2013 (SPE 165321-MS) involving cyclic steam stimulation (CSS) in Santa Maria Energy's (SME) opal A diatomite project in the Orcutt field, Santa Barbara County, California. Recent steam injection data from a newer deviated CSS producer drilled in 2019 on 1.2 acre spacing situated immediately north of the original 20-vertical well project is analyzed and discussed. Oil is produced from the project using matrix flow steam injection. Discussed is the continued success seen with steam injection tracking and monitoring using modified Hall plots and their derivatives. Matrix flow is validated and enables simple analytical calculations to be used for determining a host of parameters including steam zone flow capacity, kh, steam injection rates that avoid formation parting, and the zone of endangering influence (ZEI) needed for UIC approvals. Evidence of pore dilation and unavoidable skin effects are also discussed. Modified Hall plots provide an alternative method for determining the formation parting flow rate (FPR) instead of the formation parting pressure (FPP) since step-rate tests for pressure are not reliable (SPE 169513-MS). An actual CSS well case history is used. This study shows there to be a wide range of diatomite steam zone injection conditions that do not cause parting or fracturing of the diatomite by steam. The real -time Hall plots used to continuously track and monitor safe CSS steam injection also provide valuable insights as to how injection zone properties change as the project matures. The project monitoring protocols originally described in our 2013 paper continue to be used with safe and reliable outcomes confirmed by thousands of successful project CSS injection operations. This project has not produced any out of zone break outs since the start of steam injection in 2009.
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