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1

Goicoechea, Alicia Redondo. Ana María Matute (1926-). Madrid: Ediciones del Orto, 2000.

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2

Goicoechea, Alicia Redondo. Ana María Matute, (1926-). [Madrid]: Del Orto, 2000.

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3

Porpetta, Marta. XXII Premio Ana María Matute de Narrativa de Mujeres. Madrid: Torremozas, 2010.

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4

XXV Premio Ana María Matute de narrativa de mujeres. Madrid]: Ediciones Torremozas, 2013.

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5

Matute, Ana María. Ana María Matute: La voz del silencio. Madrid: Espasa, 1997.

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6

Matute, Ana María. The heliotrope wall and other stories. New York, N.Y: Columbia University Press, 1989.

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7

Oaknín, Mazal. Feminism, Writing and the Media in Spain: Ana María Matute, Rosa Montero and Lucía Etxebarria. Bern: Peter Lang International Academic Publishers, 2019.

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8

Andrea, Canova, and Ruozzi Gino, eds. Boiardo a Scandiano: Dieci anni di studi : atti del Convegno, Scandiano 21 maggio 2011. Novara: Interlinea, 2012.

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9

Dessì, Giuseppe, and Raffaello Delogu. Lettere 1936-1963. Edited by Monica Graceffa. Florence: Firenze University Press, 2012. http://dx.doi.org/10.36253/978-88-6655-162-1.

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Author of Architettura del medioevo in Sardegna which won him the Premio Nazionale Olivetti in 1956, Raffaello Delogu was an art historian and Commissioner for Antiquities and Monuments in Sardinia, Abruzzo and Sicily. His correspondence with one of the most eminent Italian writers of the second half of the twentieth century, as transcribed and lavishly annotated here by Monica Graceffa, reveals him not only as a committed intellectual devoted to the study of ancient and modern art, but also as a caustic and playful friend. His dialogue with Giuseppe Dessí commenced in their youth, when Dessí was an amateur painter on the way to maturity, who instead rapidly developed into a mature writer and attentive connoisseur of all forms of art. In addition to their studies and mutual friends (including Claudio Varese and Maria Lai), they also shared an interest in painting and in what Dessí was experiencing (his moves, his political passion) and what he was writing (fiction, drama, essays); important in this regard are the letters touching on the collaboration of both on the Sardinian issue of Pietro Calamandrei's «Il Ponte».
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10

Kisacky, Julia. Magic in Boiardo and Ariosto. New York: Peter Lang, 2000.

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11

Translating women in early modern England: Gender in the Elizabethan versions of Boiardo, Ariosto and Tasso. Farnham, England: Ashgate, 2010.

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12

Isabel, Prieto Palomo, ed. VI Premio Ana María Matute. Madrid: Torremozas, 1994.

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13

Caravaggio, Jean, and Marie-Lise Gazarian-Gautier. Ana María Matute: La voz del silencio. Espasa-Calpe, 1997.

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14

1970-, Santos Care, ed. X Premio "Ana María Matute" de Narrativa de Mujeres. Madrid: Ediciones Torremozas, 1998.

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15

Laura, León Vázquez, and Sancho Mar (1972 ), eds. XVIII Premio Ana María Matute de Narrativa de Mujeres. Madrid: Torremozas Ediciones, 2006.

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16

Silvia, Larrañaga, ed. XVI Premio Ana María Matute de Narrativa de Mujeres. Madrid: Torremozas, 2004.

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17

Torremozas, Ediciones, ed. VII premio Ana María Matute de narrativa de mujeres. Madrid: Torremozas, 1995.

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18

José, Carrasco Tébar María, ed. XIII Premio "Ana María Matute" de narrativa de mujeres. Madrid: Torremozas, 2002.

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19

La palabra mágica de Ana María Matute: Premio Cervantes 2010. Madrid: Gobierno de España, Ministerio de Cultura, 2011.

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20

Torremozas, Ediciones, ed. III y IV premios Ana María Matute de narrativa de mujeres. Madrid: Torremozas, 1992.

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21

XIV Premio Ana María Matute de narrativa de mujeres: Dama con armiño. Madrid: Torremozas Ediciones, 2003.

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22

V Premio Ana María Matute de Narrativa de Mujeres ; [Pura Azoriń ... et. al]. Madrid: Ediciones Torremozas, 1993.

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23

1951-, Izaguirre Marian, ed. La Gala de Marian Izaguirre: Y relatos finalistas del II premio "Ana María Matute". Madrid: Torremozas, 1990.

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24

Matute, Ana María. Ana Maria Matute. Houghton Mifflin Company, 2000.

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25

Torremozas, Ediciones, ed. VIII premio Ana María Mature de narrativa de mujeres. Madrid: Torremozas, 1996.

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26

Belda, Inmaculada. XV Premio Ana Maria Matute de Narrativa de Mujeres (Ellas Tambien Cuentan). Ediciones Torremozas, 2004.

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27

Schünemann, Wolf J., and Marianne Kneuer, eds. E-Government und Netzpolitik im europäischen Vergleich. Nomos Verlagsgesellschaft mbH & Co. KG, 2019. http://dx.doi.org/10.5771/9783845291918.

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How are e-government and Internet policy organised and developed in different countries? This comprehensively revised volume answers this question and addresses the latest developments within the amended framework of digitalisation, such as cybersecurity, data protection, open government and e-democracy, among others. With contributions by Ana Azurmendi, Christoph Bieber, Jérôme Brugger, Emiliana De Blasio, Robert Dewar, Myriam Dunn Cavelty, Marianne Fraefel, Annette Knaut, Marianne Kneuer, Stine Marg, Véronique Millim, Manuel Misgeld, Matt Poelmans, Alessia, C. Neuroni, Simon P. Rinas, Patrick Ruestchmann, Ulrich Sarcinelli, Wolf J. Schünemann, Welf Schröter, Michele Sorice, Stefan Steiger, Sebastian Stier, Sophie Valdenaire-Ratto and Maria A. Wimmer.
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28

Jahrbuch des Föderalismus 2020. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748910817.

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Auch die bereits 21. Ausgabe des Jahrbuchs ist als breit angelegtes Kompendium konzipiert, das den Leserinnen und Lesern einen aktuellen Überblick über verschiedene Aspekte föderaler und regionale Struktur und Politik bietet. Die insgesamt 28 Beiträge verteilen sich auf folgende Hauptabschnitte: Zehn Beiträge zum Schwerpunktthema, 70 Jahre Föderalismus in der BRD (u.a. vom Präsident des BVerfG a.D. Hans-Jürgen Papier). Drei Beiträge zu aktuellen Themen der Föderalismusforschung (u.a. zur Dynamik der Parteiensysteme in den dt. Bundesländern). Vier Beiträge zum deutschen Föderalismus (u.a. zur föderalen Bearbeitung der Corona-Krise). Sechs europäische Länderberichte (u.a. Italien, Türkei und VK). Ein außereuropäischer Länderbericht (Argentinien). Zwei Beiträge zur regionalen und kommunalen Kooperation in Europa (u.a. zum Aachener Vertrag). Zwei Beiträge zur Europäischen Union/Europäischen Integration (u.a. zum EU-Strukturfonds). <b>Mit Beiträgen von</b> Elisabeth Alber, Hans Alexy, Peter Becker, Anna-Lena Beilschmidt-Pilz, Florian Bergamin, Peter Bußjäger, Sedef Cankoçak, Mathias Eller, Annegret Eppler, Alexander Gorskiy, Martin Große Hüttmann, Gregor Halmes, Antonio María Hernández, Everhard Holtmann, Andreas Kiefer, John Kincaid, Mario Kölling, Simon Meisch, Jürgen Mittag, Ursula Münch, Martin Nettesheim, Matteo Nicolini, Hans-Jürgen Papier, Patricia Popelier, Werner Reutter, Sabine Schäufler, Henrik Scheller, Nicolas Schmitt, Christoph Schramek, Stefan Seidendorf, Roland Sturm, Funda Tekin, Hendrik Träger, Erik Vollmann, Georg Weinmann, Carolin Zwilling
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29

Oliveira, José Claudio Alves de, Ana Helena da Silva Delfino Duarte, Fabiano Lopes de Paula, Genivalda Cândido da Silva, and Gilson Magno dos Santos. Ex-votos do Brasil: Arte e folkcomunicação. Brazil Publishing, 2020. http://dx.doi.org/10.31012/978-65-5861-221-6.

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The present work, published in 2016, comes from the Ex-Voto do Brasil Project, developed from 2005 to 2011, and sponsored by CNPq. It aimed at researching and analyzing ex-votos at the main Brazilian chapels of miracles, churches and museums in order to study the typology, iconography, iconology, grammar, discourse, social memory and multiple forms that, as testimonies or media, ex-votos carry messages and information from individual and collective issues. In this second revised edition, there are six narratives authored by researchers from Bahia, Goiás and Minas Gerais. They analyze ex-votos from the point of view of art, communication, history and linguistics. All authors are researchers at GREC - Study Group on Cybermuseums. The book is brilliantly presented by Dr. Caroline Perrée and Dr. Clarisse Prêtre (French researchers), and from Brazil, by Dr. Ednaldo Soares (researcher and writer), Dr. Karina Janz Woitowicz (researcher and journalist), and Dr. Maria Helena Ochi Matue Flexor (historian). Finally, it is also presented by Dr. Elin Luque Agraz (Mexican historian), who honorably shared with us her research and ideas about the innate wealth of ex votos, but passed away in 2018.
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30

Oberlechner, Manfred, Franz Gmainer-Pranzl, and Anne Koch, eds. Religion bildet. Nomos Verlagsgesellschaft mbH & Co. KG, 2019. http://dx.doi.org/10.5771/9783845288444.

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Religion is a contested discursive field in which resources, belonging or exclusion and supremacy in relation to values are negotiated. Diversification processes and religious pluralisation during the alleged return of religion have re-raised the questions of how religion should be interpreted and how accessible it is. As a contribution to intersectionality research, this publication analyses how and in what interest new interfaces are being formed between religion, gender, origin, class and the nation. Its focus lies on educational processes as forms of socialisation, places of learning and reflexive change in religion. It aims to provide a forum for analysing and finding solutions to problems in ‘post-secular’ societies in Western Europe, which are being challenged by discussions on secularism, integration, how they deal with their history and liberal constitutional states. With contributions by Julika Bayer, Bettina Brandstetter, Lea Braun, Matteo Carmignola, Maria Fürstaller, Franz Gmainer-Pranzl, Magdalena Habringer, Assia M. Harawazinski, Evelyn Reuter, Sarah Jahn, Ramona Jelinek-Menke, Anne Koch, Thomas Krobath, Martin Jäggle, Karsten Lehmann, Doris Lindner, Torsten Mergen, Manfred Oberlechner, Karin Peter, Mizrap Polat, Martin Rötting, Sarah Tran-Huu.
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31

Knight, Linda. Inefficient Mapping: A Protocol for Attuning to Phenomena. punctum books, 2021. http://dx.doi.org/10.53288/0336.1.00.

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Working from a speculative, more-than-human ontological position, Inefficient Mapping: A Protocol for Attuning to Phenomena presents a new, experimental cartographic practice and non-representational methodological protocol that attunes to the subaltern genealogies of sites and places, proposing a wayfaring practice for traversing the land founded on an ethics of care. As a methodological protocol, inefficient mapping inscribes the histories and politics of a place by gesturally marking affective and relational imprints of colonisation, industrialisation, appropriation, histories, futures, exclusions, privileges, neglect, survival, and persistence. Inefficient Mapping details a research experiment and is designed to be taken out on mapping expeditions to be referred to, consulted with, and experimented with by those who are familiar or new to mapping. The inefficient mapping protocol described in this book is informed by feminist speculative and immanent theories, including posthuman theories, critical-cultural theories, Indigenous and critical place inquiry, as well as the works of Karen Barad, Erin Manning, Jane Bennett, Maria Puig de la Bellacassa, Elizabeth Povinelli, and Eve Tuck and Marcia McKenzie, which frame how inefficient mapping attunes to the matter, tenses, and ontologies of phenomena and how the interweaving agglomerations of theory, critique, and practice can remain embedded in experimental methodologies.
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32

Staliano, Pamela, and Marcos Mondardo. Violência, gênero, saúde e fronteira(s): Diálogos interdisciplinares. Brazil Publishing, 2020. http://dx.doi.org/10.31012/978-65-5861-269-8.

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The volume “Violence against women: interdisciplinary dialogues” brings together academic texts, by scholars who are interested in the theme, and professionals to publicize the work they develop at Casa da Mulher Brasileira, located in the capital of the state of Mato Grosso do Sul. violence against women is a social phenomenon that covers all cultures and social classes, considered a matter of human rights and public health. In Brazil, the struggle for women's rights began with the struggles of feminist movements, which resulted in the creation of the first Specialized Police Station for Assistance to Women. Years later Law No. 11,340 (Maria da Penha Law) was created, assuring all Brazilian women to enjoy their fundamental rights to the human person and attributing to the public authorities the guarantee of these rights. Violence in the border region needs to be seen as a complex phenomenon crossed by legislation, historical, geographical, political and cultural aspects. Dealing specifically with violence against women, Latin American women who live in a Brazilian border region, in addition to structural machismo, experience the socioeconomic vulnerability marked by drug trafficking, facilitated acquisition of firearms and the late legislative recognition of the crime of femicide, which contribute to the perpetuation of the practice of intentional lethal crimes against these women.
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33

von der Decken, Kerstin, and Angelika Günzel, eds. Staat – Religion – Recht. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748909873.

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Gerhard Robbers is one of the most distinguished scholars in the field of constitutional law on religion in Europe. At the same time, he dedicates himself to several other legal topics. On the occasion of his 70th birthday and in order to honour him as teacher, scholar and practitioner, the “Festschrift” brings together contributions covering his fields of work: State and religion, fundamental questions of state government, constitutional law, European Union law, fundamental and human rights as well as legal policy. The 61 contributions are written in German and English, and address both basic as well as highly topical legal problems. The “Festschrift” has a clear focus on State and religion from a national, comparative and European perspective. This way, it constitutes one of the most comprehensive works in this broad field of law. With contributions by Arnd Arnold, Sima Avramović, Johannes Barrot, Frauke Bronsema, Peter Bülow, Engin Ciftci, Sabine Dahm, Kerstin von der Decken, Franz Dorn, Horst Ehmann, Achilles C. Emilianides, Arndt Faatz, Silvio Ferrari, Lars Friedner, Angelika Günzel, Christian Heitsch, Reinhard Hendler, Ansgar Hense, Mark Hill, Ekkehard Hofmann, Alexander Hollerbach, Friedhelm Hufen, Iván C. Ibán, Christina Ioannou, Blaž Ivanc, Siegfried Jutzi, Urs Kindhäuser, Merilin Kiviorg, Matti Kotiranta, Volker Krey, Javier Martínez-Torrón, María Concepción Medina González, Francis Messner, Andreas Mühling, Hans-Friedrich Müller, Eckhard Nagel, Lina Papadopoulou, Christian Pernhorst, Richard Potz, Alexander Proelß, Matthias Pulte, Thomas Raab, Michael Rahe, Thierry Rambaud, Miguel Rodríguez Blanco, Martell Rotermundt, Matthias Ruffert, Thomas Rüfner, Michał Rynkowski, Balázs Schanda, Meinhard Schröder, Harald Schroeter-Wittke, Gábor Spuller, Henning Tappe, Emanuel Tavala, Rik Torfs, Antje von Ungern-Sternberg, Heinrich de Wall, Karin von Welck, Joachim Wieland, Michael Wiener, Wolfgang Wieshaider and Arne Ziekow.
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34

Pomerance, Murray. Cinema, If You Please. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474428682.001.0001.

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Cinema is a prime example of contemporary experience. However, film viewers seem infrequently to express their engagement with this experience in terms of rapt pleasure or plain delight. This book seeks to move beyond the purely rational language of meaning and “interest,” to regard some examples of cinematic work with the sort of pleasured rapture in which people partook in certain eighteenth century experiences of the aesthetic. In-depth analysis of sequences from Vertigo, A Matter of Life and Death, Clouds of Sils Maria, Personal Shopper, Blow-up, and many other films, urges readers to think and move beyond narrative storytelling; beyond contemporary cultural relevance; beyond moral and political stricture; and into a serious consideration of what it is to be “swept away” by a film. A guiding principle of this text is that new light can be thrown on beloved films by consideration of certain culturally established ways of achieving aesthetic delight that took form in or around the eighteenth century, including but not limited to: viewing Dutch oil paintings; listening to the music of Mozart; strolling through the English Pleasure Garden and public promenade, and reading of the voyages of Captain James Cook. Such socially organized pleasures are cast as historical foundations from which we might draw a better understanding of the pleasure and delight filmic moments can offer.
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35

Hall, Dewey W., and Jillmarie Murphy, eds. Gendered Ecologies. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979046.001.0001.

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Gendered Ecologies: New Materialist Interpretations of Women Writers in the Long Nineteenth Century is comprised of a diverse collection of essays featuring analyses of literary women writers, ecofeminism, feminist ecocriticism, and the value of the interrelationships that exist among human, nonhuman, and nonliving entities as part of the environs. The book presents a case for the often-disregarded literary women writers of the long nineteenth century, who were active contributors to the discourse of natural history—the diachronic study of participants as part of a vibrant community interconnected by matter. While they were not natural philosophers as in the cases of Sir Isaac Newton, Robert Boyle, and Michael Faraday among others, these women writers did engage in acute observations of materiality in space (e.g., subjects, objects, and abjects), reasoned about their findings, and encoded their discoveries of nature in their literary and artistic productions. The collection includes discussions of the works of influential literary women from the long nineteenth century—Mary Wollstonecraft, Mary Shelley, Caroline Norton, Charlotte Brontë, George Eliot, Mary Elizabeth Braddon, Jane Johnston Schoolcraft, Margaret Fuller, Susan Fenimore Cooper, Celia Thaxter, Laura Ingalls Wilder, Francis Wright, and Lydia Maria Child—whose multi-directional observations of animate and inanimate objects in the natural domain are based on self-made discoveries while interacting with the environs.
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36

Germelmann, Claas Friedrich, ed. Innovative Teaching in European Legal Education. Nomos Verlagsgesellschaft mbH & Co. KG, 2021. http://dx.doi.org/10.5771/9783748923336.

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Modern teaching methods are omnipresent in academic discussions. Science is moving forward, therefore teaching has to follow, for the students' benefit. An International Conference in Hannover (December 2019), under the aegis of the well-renowned ELPIS network, discussed the matter through the diversity of legal education within the EU member states, aiming at finding common grounds on the modern teaching of law. The present book achieves a healthy balance of relevant insights by scholars and students. It consists of contributions by scientists of different fields of law. The Authors Bernd Oppermann (Professor of Civil Law, University of Hannover), Claas Friedrich Germelmann (Professor of European Law, University of Hannover), Vasco Pereira da Silva (Professor of Public Law, University of Lisbon), Francisco Balaguer Callejón (Professor of Public Law, University of Granada), Andreas Schwartze (Professor of Civil Law, University of Innsbruck), Arndt Künnecke (Professor of Public Law, Federal University of Applied Sciences, Brühl), Maria Meng-Papantoni (Professor of European Law, Panteion University of Athens), Patrick R. Hugg (Professor of European Law, University of New Orleans), Rui Guerra da Fonseca (Ass. Professor of Public Law, University of Lisbon), Balász Rigó (Lecturer in Legal History, Eötvös Loránd University of Budapest), Dimitrios Parashu (Ass. Professor of European Law, University of Hannover), Kersi Kurti (University of Hannover) and Kire Jovanov (University of Hannover).
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37

Cardoso, Flávia Pieretti, Maria Leda Pinto, and Léia Teixeira Lacerda. Memória discursiva sobre a violência de gênero na voz de mulheres com deficiência. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-323-7.

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The work Discursive memory on gender violence in the voice of women with disabilities originated from the Master of Arts in Literature research developed by Flávia Pieretti Cardoso, under the guidance of professors Maria Leda Pinto and Léia Teixeira Lacerda, at the State University of Mato Grosso do Sul. In her role as an interpreter of Brazilian Sign Language at the Casa da Mulher Brasileira and her experience with women from the Association of Women with Disabilities of Mato Grosso do Sul, Flávia was concerned about the invisibility and lack of accessible data and information in the area of gender and disability. The concern resulted in this book, which analyses the speeches of women with disabilities living in Campo Grande / MS, from the theme of gender violence in order to seek possibilities to implement actions to face this type of violence. The theoretical path is based on qualitative research and the corpus analysis grounded on French Discourse Analysis (FDA) studies, as well as on scholars from the Bakhtin Circle, on the analysis of texts of oral communication and the gender and violence area. The analyses presented will enable the reader to conclude that girls and women with disabilities are subject to double exclusion and vulnerability – for having a disability and for being women – by the sexist and capacitist speeches of “power” and “truth”. Therefore, it is a matter of urgency that the Brazilian authorities of power implement effective public programs and policies aimed at the specificities of those subjects.
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38

Scarsi, Selene. Translating Women in Early Modern England: Gender in the Elizabethan Versions of Boiardo, Ariosto and Tasso. Taylor & Francis Group, 2016.

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39

Hegland, Frode, ed. The Future of Text. Future Text Publishing, 2020. http://dx.doi.org/10.48197/fot2020a.

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This book is the first anthology of perspectives on the future of text, one of our most important mediums for thinking and communicating, with a Foreword by the co-inventor of the Internet, Vint. Cerf and a Postscript by the founder of the modern Library of Alexandria, Ismail Serageldin. In a time with astounding developments in computer special effects in movies and the emergence of powerful AI, text has developed little beyond spellcheck and blue links. In this work we look at myriads of perspectives to inspire a rich future of text through contributions from academia, the arts, business and technology. We hope you will be as inspired as we are as to the potential power of text truly unleashed. Contributions by Adam Cheyer • Adam Kampff • Alan Kay • Alessio Antonini • Alex Holcombe • Amaranth Borsuk • Amira Hanafi • Amos Paul Kennedy Jr. • Anastasia Salter • Andy Matuschak & Michael Nielsen • Ann Bessemans & María Pérez Mena • Andries Van Dam • Anne-Laure Le Cunff • Anthon Botha • Azlen Ezla • Barbara Beeton • Belinda Barnet • Ben Shneiderman • Bernard Vatant • Bob Frankston • Bob Horn • Bob Stein • Catherine C. Marshall • Charles Bernstein • Chris Gebhardt • Chris Messina • Christian Bök • Christopher Gutteridge • Claus Atzenbeck • Daniel Russel • Danila Medvedev • Danny Snelson • Daveed Benjamin • Dave King • Dave Winer • David De Roure • David Jablonowski • David Johnson • David Lebow • David M. Durant • David Millard • David Owen Norris • David Price • David Weinberger • Dene Grigar • Denise Schmandt-Besserat • Derek Beaulieu • Doc Searls • Don Norman • Douglas Crockford • Duke Crawford • Ed Leahy • Elaine Treharne • Élika Ortega • Esther Dyson • Esther Wojcicki • Ewan Clayton • Fiona Ross • Fred Benenson & Tyler Shoemaker • Galfromdownunder, aka Lynette Chiang • Garrett Stewart • Gyuri Lajos • Harold Thimbleby • Howard Oakley • Howard Rheingold • Ian Cooke • Iian Neil • Jack Park • Jakob Voß • James Baker • James O’Sullivan • Jamie Blustein • Jane Yellowlees Douglas • Jay David Bolter • Jeremy Helm • Jesse Grosjean • Jessica Rubart • Joe Corneli • Joel Swanson • Johanna Drucker • Johannah Rodgers • John Armstrong • John Cayle • John-Paul Davidson • Joris J. van Zundert • Judy Malloy • Kari Kraus & Matthew Kirschenbaum • Katie Baynes • Keith Houston • Keith Martin • Kenny Hemphill • Ken Perlin • Leigh Nash • Leslie Carr • Lesia Tkacz • Leslie Lamport • Livia Polanyi • Lori Emerson • Luc Beaudoin & Daniel Jomphe • Lynette Chiang • Manuela González • Marc-Antoine Parent • Marc Canter • Mark Anderson • Mark Baker • Mark Bernstein • Martin Kemp • Martin Tiefenthaler • Maryanne Wolf • Matt Mullenweg • Michael Joyce • Mike Zender • Naomi S. Baron • Nasser Hussain • Neil Jefferies • Niels Ole Finnemann • Nick Montfort • Panda Mery • Patrick Lichty • Paul Smart • Peter Cho • Peter Flynn • Peter Jenson & Melissa Morocco • Peter J. Wasilko • Phil Gooch • Pip Willcox • Rafael Nepô • Raine Revere • Richard A. Carter • Richard Price • Richard Saul Wurman • Rollo Carpenter • Sage Jenson & Kit Kuksenok • Shane Gibson • Simon J. Buckingham Shum • Sam Brooker • Sarah Walton • Scott Rettberg • Sofie Beier • Sonja Knecht • Stephan Kreutzer • Stephanie Strickland • Stephen Lekson • Stevan Harnad • Steve Newcomb • Stuart Moulthrop • Ted Nelson • Teodora Petkova • Tiago Forte • Timothy Donaldson • Tim Ingold • Timur Schukin & Irina Antonova • Todd A. Carpenter • Tom Butler-Bowdon • Tom Standage • Tor Nørretranders • Valentina Moressa • Ward Cunningham • Dame Wendy Hall • Zuzana Husárová. Student Competition Winner Niko A. Grupen, and competition runner ups Catherine Brislane, Corrie Kim, Mesut Yilmaz, Elizabeth Train-Brown, Thomas John Moore, Zakaria Aden, Yahye Aden, Ibrahim Yahie, Arushi Jain, Shuby Deshpande, Aishwarya Mudaliar, Finbarr Condon-English, Charlotte Gray, Aditeya Das, Wesley Finck, Jordan Morrison, Duncan Reid, Emma Brodey, Gage Nott, Aditeya Das and Kamil Przespolewski. Edited by Frode Hegland.
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