Relevant bibliographies by topics / Anacreon

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Anacreon'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Anacreon"

1

Hullinger, David. "Chasing a Dark Horse." Mnemosyne 69, no. 5 (September 16, 2016): 729–41. http://dx.doi.org/10.1163/1568525x-12342029.

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This paper argues that the addressee of Anacreon 417 pmg, or the ‘Thracian filly’ fragment, is a virgin girl instead of a hetaira. This identification is substantiated by contextualizing the fragment within Anacreon’s corpus, by engaging in a close reading of the fragment, and by linking the fragment to the Odes of Horace. The analysis of these sources reveals an erotic chase pattern in which an experienced man pursues a youthful object of desire and suggests that this chase pattern was employed by Anacreon to compose amatory poems outside the context of the symposium.
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MacLachlan, Bonnie. "ANACREON AND ANACREONTEA." Classical Review 54, no. 2 (October 2004): 297–99. http://dx.doi.org/10.1093/cr/54.2.297.

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Pelliccia, Hayden. "Anacreon 13 (358 PMG)." Classical Philology 86, no. 1 (January 1991): 30–36. http://dx.doi.org/10.1086/367228.

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Abritta, Alejandro. "Observations about Anacreon, PMG 395." Circe, de clásicos y moderno 22, no. 2 (December 1, 2018): 27–35. http://dx.doi.org/10.19137/circe-2018-220202.

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BRUCE, WILLIAM. "A NOTE ON ANACREON 388." Classical Quarterly 61, no. 1 (May 2011): 306–9. http://dx.doi.org/10.1017/s0009838810000546.

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Geißler, Claudia. "Jungfrau oder Hetäre? Das ‘Thrakische Füllen’ und seine allegorische Deutung (Anacr. PMG 417 ap. Heraclit. All. 5.10-1 und [Theoc.] Id. 20.11-8)*)." Mnemosyne 64, no. 4 (2011): 541–55. http://dx.doi.org/10.1163/156852511x547712.

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AbstractIn Ps.-Theocritus 20.13 the hetaira Eunica is portrayed as µµασι λοξ βλποισα. Although it is well known that the passage imitates Anacreon’s poem on the ‘Thracian filly’ (PMG 417.1), it has until now gone unnoticed that the pseudo-Theocritean Idyll displays compelling parallels with Heraclitus’ interpretation of Anacreon’s ‘Thracian filly’ as ‘hetaira’. While this is perhaps not sufficient to hypothesize an intertextual relationship between the two authors, it nonetheless seems certain that Ps.-Theocritus and Heraclitus drew on a common source documenting this exegesis of πλος. In addition the depictions of the βο&ugr;κλος as a singer and of Eunica as a ‘hetaira’, coupled with the verbal echoes of Anacreon’s and Sappho’s poems, seem to point to a source—yet to be identified—which made use of the literary-biographical tradition concerning Sappho.
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Ustinovskaya, Alena. "ПЕРЕВОД КАК ДИАЛОГ ТРАДИЦИЙ И КУЛЬТУР («АНАКРЕОНТИЧЕСКАЯ ПЕСЕНКА» Н. С. ГУМИЛЕВА)." Проблемы исторической поэтики 18, no. 4 (November 2020): 288–305. http://dx.doi.org/10.15393/j9.art.2020.8722.

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The article is devoted to the analysis of the Anacreontic Song by Théophile Gautier, translated by N. S. Gumilev, which is examined against the background of the Russian and global Anacreontic tradition. Imitation of Anacreon is rooted in antiquity: his figure became a symbol of light lyric poetry that glorified sensual pleasures. Anacreon’s own legacy is not as extensive as pseudo-Anacreontic poetry: this tradition is present in English, French, German, Italian and Russian literature. In the process of translating Odelette anacréontique by Théophile Gautier, Gumilev enters into intercultural and inter-traditional communication: his translation is a dialogue with both the French poet and the Anacreontic and pseudo-Anacreontic genre tradition. Despite the statements N. S. Gumilev proposed in his theoretical works on translation issues, which stated that it is necessary to rely on the original text during translation, and that deviations and loose retellings are unacceptable, in some cases he still departs from the original text, deliberately building the subtext of the poem that is absent in the original. Gumilev’s translation makes Gautier’s poem “more Anacreontic” than the original: Gumilev intensifies the motives of love, pleasure, sensual pleasure that are significant for pseudo-Anacreontics, introduces the image of wine as a symbol of love that was absent in the original. Gumilev’s translation solutions considered in the article represent a kind of editing of Gautier’s text that approximated it to the complex of motives traditionally associated with the work of Anacreon.
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Аlpatova, Т. А. "The way to understanding oneself… (image of the poet and concept of poetry in Russian lyrics of the XVIIIth century)." Literature at School, no. 1, 2020 (2020): 23–31. http://dx.doi.org/10.31862/0130-3414-2020-1-23-31.

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The purpose of the article is to analyze the early stage of forming the image of the poet and the artistic representation of poetry in Russian lyrics of the mid-18th century. On the example of the work by M.V. Lomonosov’s, the poem “Conversation with Anacreon”, the specificity of poetological declarations in the literary theory of Russian classicism is characterized. “Conversation with Anacreon” by Lomonosov is analyzed as a holistic text; the motives, that unite it, represent the concept of poet and poetry, which laid the foundation for the subsequent development of the Russian poetological lyrics.
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Kantzios, Ippokratis. "Marginal Voice and Erotic Discourse in Anacreon." Mnemosyne 63, no. 4 (January 1, 2010): 577–89. http://dx.doi.org/10.1163/156852511x504999.

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Mason, Tom. "Abraham Cowley and the Wisdom of Anacreon." Cambridge Quarterly XIX, no. 2 (1990): 103–37. http://dx.doi.org/10.1093/camqtly/xix.2.103.

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Dissertations / Theses on the topic "Anacreon"

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Williams, Jonathan Huw. "Jean-Philippe Rameau's Anacreon (1754) : a critical study and edition." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.389613.

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O'Brien, J. P. "'Anacreon' Redivivus : French Anacreontic translation in neo-Latin and the vernacular 1554-1556." Thesis, University of Oxford, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.371718.

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Tsomis, Georgios. "Zusammenschau der frühgriechischen monodischen Melik (Alkaios, Sappho, Anakreon) /." Stuttgart : F. Steiner, 2001. http://catalogue.bnf.fr/ark:/12148/cb37659021j.

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Ramírez, Bustamante Patricia. "Sistema de simulación para la percepción de síntomas de artritis. Para la corporación Anacroj." Tesis, Universidad de Chile, 2015. http://repositorio.uchile.cl/handle/2250/140030.

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Books on the topic "Anacreon"

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Bastianini, Guido, Michael Haslam, Herwig Maehler, Franco Montanari, and Cornelia Römer, eds. Alexis - Anacreon. Berlin, Boston: De Gruyter, 2016. http://dx.doi.org/10.1515/9783110365726.

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Baumbach, Manuel, and Nicola Dümmler, eds. Imitate Anacreon! Berlin, Boston: DE GRUYTER, 2014. http://dx.doi.org/10.1515/9783110334142.

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Anacreon. Five odes of Anacreon. Market Drayton: Tern Press, 1985.

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4

Hillbom, Gunnar. Källorna till Fredmans sånger och "Den svenske Anacreon". Stockholm: Kungl. Vitterhets, historie och antikvitets akademien, 1996.

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The poetics of imitation: Anacreon and the Anacreontic tradition. Cambridge: New York, 1992.

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6

Imitate Anacreon!: Mimesis, poiesis, and the poetic inspiration in the Carmina Anacreontea. Berlin: De Gruyter, 2014.

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7

Anacreon redivivus: A study of Anacreontic translation in mid-sixteenth-century France. Ann Arbor: University of Michigan Press, 1995.

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8

John, O'Brien. Anacreon redivivus: A study of Anacreontic translation in mid-sixteenth-century France. Ann Arbor: University of Michigan Press, 1995.

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9

Greek lyric poetry: A commentary on selected larger pieces : Alcman, Stesichorus, Sappho, Alcaeus, Ibycus, Anacreon, Simonides, Bacchylides, Pindar, Sophocles, Euripides. Oxford: Oxford University Press, 2001.

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10

Lambin, Gérard. Anacréon: Fragments et imitations. Rennes: Presses universitaires de Rennes, 2002.

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Book chapters on the topic "Anacreon"

1

Sadler, Graham. "A cluster of allusions to Vivaldi's Le quattro stagioni in Rameau's ‘Anacréon’ (1757)." In The Operas of Rameau, 129–40. London: Routledge, 2021. http://dx.doi.org/10.4324/9781315554990-12.

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"Anacreon." In Greek Lyric, 188–205. Cambridge University Press, 2018. http://dx.doi.org/10.1017/9781139049085.010.

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"Anacreon." In A Companion to the Greek Lyric Poets, 198–212. BRILL, 1997. http://dx.doi.org/10.1163/9789004217614_017.

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"ANACREON." In Games of Venus, 101–6. Routledge, 2013. http://dx.doi.org/10.4324/9780203451472-6.

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"ANACREON IMITATED." In The Citizen Poets of Boston, 39. University Press of New England, 2016. http://dx.doi.org/10.2307/j.ctv1xx9jsn.12.

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"Poem by Anacreon." In Revival: Sappho - Poems and Fragments (1926), 241. Routledge, 2018. http://dx.doi.org/10.4324/9781351239103-98.

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Budelmann, Felix. "Anacreon and the Anacreontea." In The Cambridge Companion to Greek Lyric, 227–39. Cambridge University Press, 2009. http://dx.doi.org/10.1017/ccol9780521849449.013.

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8

Lewis, Matthew. "Love And Age." In The Monk. Oxford University Press, 2016. http://dx.doi.org/10.1093/owc/9780198704454.003.0011.

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The night was dark; The wind blew cold; Anacreon,* grown morose and old, Sat by his fire, and fed the chearful flame: Sudden the Cottage-door expands, And lo! before him Cupid stands, Casts round a friendly glance, and greets him by his name. ‘What...
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"Εἰς τὸ Δεῖν Πίνειν: Paraphras'd from Anacreon." In The Poetry of Charles Cotton, Vol. 1. Oxford University Press, 2017. http://dx.doi.org/10.1093/oseo/instance.00247189.

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Vail, Jeffery. "Anacreon Moore and the Prince of Pleasure." In Thomas Moore and Romantic Inspiration, 169–84. Routledge, 2017. http://dx.doi.org/10.4324/9781315271132-10.

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