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Relevant bibliographies by topics / Anais Nin

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Academic literature on the topic 'Anais Nin'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 January 2023

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Journal articles on the topic "Anais Nin"

1

Broe, Mary Lynn, and Noel Riley Fitch. "Anais: The Erotic Life of Anais Nin." Tulsa Studies in Women's Literature 13, no. 2 (1994): 406. http://dx.doi.org/10.2307/464127.

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Spencer, Sharon. "The feminine self: Anais nin." American Journal of Psychoanalysis 50, no. 1 (March 1990): 57–62. http://dx.doi.org/10.1007/bf01253456.

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Richard-Allerdyce, Diane, and Philip K. Jason. "The Critical Response to Anais Nin." South Atlantic Review 62, no. 2 (1997): 167. http://dx.doi.org/10.2307/3200864.

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Franklin, Benjamin. "Advertisements for Herself: The Anais Nin Press." Papers of the Bibliographical Society of America 91, no. 2 (June 1997): 159–90. http://dx.doi.org/10.1086/pbsa.91.2.24304539.

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Vives R., Juan. "Anais Nin o la búsqueda del padre perdido." Anuario de Letras Modernas 3 (September 30, 1990): 143–54. http://dx.doi.org/10.22201/ffyl.01860526p.1987.3.1000.

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Kadane, Joseph Born, and Jonathan Kadane Crane. "Seeing Things: The Internet, the Talmud and Anais Nin." Review of Rabbinic Judaism 11, no. 2 (2008): 342–45. http://dx.doi.org/10.1163/157007008786777730.

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Stewart, Jim. "Anais Nin, Fictionality and Femininity: Playing a Thousand Roles." Modernism/modernity 12, no. 2 (2005): 359–60. http://dx.doi.org/10.1353/mod.2005.0069.

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Morin-Bompart, Michelle. "Anais Nin: An Incest Between a Father and a Daughter." American Journal of Psychiatry and Neuroscience 7, no. 3 (2019): 69. http://dx.doi.org/10.11648/j.ajpn.20190703.13.

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Cliche, Elène. "Simone de Beauvoir et Anais Nin: Deux Trajectoires parallèles et divergentes." Simone de Beauvoir Studies 4, no. 1 (November 30, 1987): 133–49. http://dx.doi.org/10.1163/25897616-00401009.

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Clemmer, Richard O. "Modernist Dissent: The Auto-Ethnography of Anais Nin and Henry Miller." International Journal of the Humanities: Annual Review 4, no. 7 (2007): 77–88. http://dx.doi.org/10.18848/1447-9508/cgp/v04i07/41979.

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Dissertations / Theses on the topic "Anais Nin"

1

Tookey, Helen Jane. "Playing a thousand roles : Anais Nin, fictionality and femininity." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342945.

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Michael, Christine. "Embodied borders : auto erotica in the writings of Anais Nin." Thesis, Cardiff University, 2006. http://orca.cf.ac.uk/54308/.

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This thesis brings together the two genres for which Nin has become so (in)famous: her autobiography and her erotica in what I have termed 'auto/erotica'. By reading her autobiography and her erotica in and against each other I attempt to explore her development of a feminine aesthetic, or 'womb writing' as a strategy of resistance with which to challenge dominant discourses of 'woman' and the 'feminine', and her exclusion from cultural production. Drawing on the work of Jacques Derrida, Helene Cixous, Luce Irigaray and Julia Kristeva, this thesis explores the role of the border in the cultural production of bodies and sexual difference within Western discourses of sexuality, with particular reference to the discourses of psychoanalysis, modernism and pornography/erotica. My focus is on the trope of the borderline within Nin's texts, which, I argue is less a marker of radical difference than a site of instability offering the possibility of 'other' or 'between' spaces of resistance. This study engages with the politics of gender and genre by drawing on various feminist rewritings of autobiographical theory and Jacques Derrida's 'The Law of Genre' and the Ear of the Other in order to explore the tension between the 'auto' (the selfsame) and the 'graphy' in the formation of the 'bio' and gender identity. I explore how the threat of the other within the selfsame, the tracing of the differance of desire, affects the generic self-identity of 'autobiography' and 'erotica' as representations of (sexual) identity. Nin utilises the radical instability of the autobiographical genre to put into question the 'genre' of gender identity, the gendering of genre and the undecidable border between the 'body' and the 'text', the 'life' and the 'work'. Drawing on various psychoanalytical feminist film theories of the female spectator and the masquerade I explore how Nin performs the 'feminine' or 'woman' of (male) Surrealist and mainstream heterosexual pornography/erotica in order to emphasise the gaps, to hold at a distance, the female from the feminine. The concern of this thesis is the 'ob/scene' margins of 'erotica' and the trace of 'otherness' that threatens the single and self-identical body/text. The 'outworks' or prefaces of Nin's work not only disrupt fixed generic boundaries but also echo the desiring subject's fantasy of gender identity, wholeness and unity. By drawing attention to the role of vision in the constitution of gendered subjectivity and the (re)production of the phallus as the primary signifier of desire, I explore how Nin's erotica undermines a position of phallic certainty by drawing attention to the out-of-sight spaces, of 'ob/scene' pleasures that disturb and disrupt the illusion of 'masculine' phallic mastery. I argue that it is in the 'inter view', this dialogue or movement between (at least) two genres - autobiography and erotica - that other possible representations might be glimpsed.

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Watson, Bruce Wallace. "Androgyny and Dominance: Gender Construction in Anaïs Nin's Erotica Series." Thesis, Virginia Tech, 1999. http://hdl.handle.net/10919/42182.

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Anaïs Nin's Diary and her fiction have been lauded by critics for their imagery, Freudian allusions, and creativity. What has not been considered, and is equally important, is her Erotica series, Delta of Venus and Little Birds. These books, her most popular, not only address the issues that she covers in her other works, but also ask questions about how humans are gendered, and consider the degree to which individuals construct their own gender identities. In exploring these questions, she presages not only the theorists who effectively deconstruct her message, but also the gender-bending society which inspired them. Queer theory is particularly effective for considering the sexual messages with which Nin populates her writings. Much as Judith Butler de-emphasizes totalizing gender roles, Nin allows her characters to occupy multiple gender roles. Thus, Nin's female protagonists often take on the sexual positions generally granted to men in American society. Conversely, her male characters are often relegated to less-empowered roles. Although these shifts might not seem particularly impressive in our more liberated society, they were undoubtedly surprising in Nin's day. Moreover, it is impressive that these role-reversing characters were created over forty years before the advent of queer theory, and long before the popular rise of the Feminist movement.<br>Master of Arts

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Fox, Stacey Jade. "The idea of madness in Dorothy Richardson, Leonora Carrington and Anais Nin." University of Western Australia. English and Cultural Studies Discipline Group, 2008. http://theses.library.uwa.edu.au/adt-WU2008.0194.

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Anderson, Emma Kate School of English UNSW. "Representations of female sexuality in chick-lit texts and reading Anais Nin on the train." Awarded by:University of New South Wales. School of English, 2006. http://handle.unsw.edu.au/1959.4/27319.

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My critical essay uses Foucault???s theory of discursive formation to chart the emergence of the figure of the single modern woman as she is created by the various discourses surrounding her. It argues that representations of the single modern woman continue a tradition of perceiving the female body as a source of social anxiety. The project explores ???chick-lit??? as a site within the discursive formation from which the single modern woman emerges as a paradoxical figure; the paradoxes fundamentally linked to her sexuality. This essay, then, essentially seeks to investigate representations of female sexuality within chick-lit, exposing for scrutiny the paradoxes inherent in and around the figure of the single modern woman. My fictional piece is a work of erotica. It is divided into four sections: The Reader, The Writer, The Muse and The Critic. Essentially it explores the relationships between female sexuality and literature; between female sexuality and feminist, post-feminist and patriarchal values and between literature and issues of truth, perspective and representation. The two works complement each other to illuminate the paradox of female sexuality: one from a theoretical perspective and the other from a fictional perspective. The critical work focuses on female sexuality and its relationship to, and development within, the current social context. Chick-lit, as a new and immensely popular genre of fiction which holistically explores the lives of single modern women was useful for examining the relationship between the sexual persona of the single modern woman and society. The fiction is concerned with a narrower focus: specifically the sexual life of the single modern woman. Through the creative process, it became apparent that working within the genre of ???erotica??? would be not only more useful than working within chick-lit, but more powerful in exploring the themes I was interested in. The creative work draws on numerous points of interest raised in the critical work from, for example, the grander notions of the relationship between object and discourse ??? in this case female sexuality and literature ??? and the female body as a source of social fascination and anxiety to finer observations such as what it means to have sex ???like a man.??? In essence, the creative work seeks to examine the many faces of the single modern woman as a sexual being and to illuminate, on an intimate level, the many conflicts between and surrounding those faces and to suggest that while paradox remains in female sexual ideology, the single modern woman will remain suspended in a kind of sexual paralysis.

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Dunbar, Erin. "The Sacred and the Profane: Nin, Barnes, and the Aesthetics of Amorality." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11047/.

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Barnes's Vagaries Malicieux, and Nin's Delta of Venus, are examples the developing vision of female sex, and both authors use their literary techniques to accomplish their aesthetic vision of amorality. Nin's visions are based on her and her friends' extreme experiences. Her primary concern was expressing her erotic and amorally aesthetic gaze, and the results of her efforts are found in her aesthetic vision of Paris and the amoral lifestyle. Barnes uses metaphor and linguistics to fashion her aesthetic vision. Her technique in "Run, Girls, Run!" both subverts any sense of morality, and offers an interesting and challenging read for its audience. In "Vagaries Malicieux" Barnes's Paris is dark while bright, and creates a sense of nothingness, indicated only by Barnes's aesthetic appreciation.

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Taylor, Clare L. "Female cross-gendered behaviour in the fiction of Radclyffe Hall, Anais Nin, H.D. and Djuna Barnes." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302589.

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Mansbridge, Pamela. "Metaphor, male/female theorists, and the "birth rites" of women, the reclamation projects of Sylvia Plath, Anais Nin and Maya Deren." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ59915.pdf.

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Zucchi, Vanessa. "A tessitura do desejo : corpo, sexualidade e erotismo nos contos de Ana?s Nin." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2014. http://tede2.pucrs.br/tede2/handle/tede/2161.

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Made available in DSpace on 2015-04-14T13:39:13Z (GMT). No. of bitstreams: 1 460149.pdf: 698283 bytes, checksum: 09b1b88964bea0ea869efaf7aa5cb9e7 (MD5) Previous issue date: 2014-02-28<br>The eroticism always has been present in written culture once it is an essential element of the human condition and appears even when it is absent. However, this universe is composed from elements that cause discomfort, not just pragmatic, but theoretical. This dissertation aims to enter this obscure and marginal field. So, considering the eroticism as part of the text s structure and also a representation of a social and individual phenomenon, it was analyzed the Erotica of Ana?s Nin. For this, the approach was based on the philosophical conception of Bataille, with an intersection of the concepts of body (Le Breton) and sexuality (Foucault). After, it was made a brief introduction of the eroticism in literature, in order to legitimize and consolidate the erotic literary tradition, in which is inserted the writer Ana?s Nin. Finally, the literary corpus is compound by tales of the collections Delta of Venus and Little birds, and it was analyzed from the theoretical framework developed with the thinkers above cited.<br>O erotismo sempre esteve presente na cultura escrita, uma vez que, sendo um elemento essencial da condi??o humana, manifesta-se mesmo na sua aus?ncia. Contudo, esse universo ? constru?do a partir de elementos que geram um desconforto, n?o apenas pragm?tico, mas te?rico. Nessa perspectiva, esta disserta??o tenciona adentrar esse campo ainda t?o obscuro e marginal. Considerando o erotismo tanto como parte da tessitura textual de uma obra liter?ria, quanto como representa??o de um fen?meno social e pessoal, objetivou-se analisar a constru??o do erotismo na literatura er?tica de Ana?s Nin. Para isso, o erotismo foi abordado atrav?s da concep??o filos?fica de Georges Bataille, em uma intersec??o com os conceitos de corpo (David Le Breton) e sexualidade (Michel Foucault). No segundo momento, realizou-se uma breve introdu??o da presen?a do erotismo na literatura, com objetivo de legitimar e consolidar a exist?ncia de uma tradi??o liter?ria er?tica, na qual se insere a escritora Ana?s Nin. Por fim, o corpus liter?rio, composto por contos selecionados das colet?neas Delta de V?nus e Passarinhos, foi analisado a partir do quadro te?rico desenvolvido com os pensadores supracitados.

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Swanson, Ginger. "The other woman| Explored through 100 years of film, the psychic landscape of dreams, and the lived experiences of Anais Nin and Sabina Spielrein." Thesis, Pacifica Graduate Institute, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3687860.

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<p> The purpose of this organic inquiry and alchemical hermeneutic study was to explore the nature, essence, and archetype of <i>the other woman </i> with the goal of understanding how and why women become involved in triadic relationships. The study seeks to comprehend the lived experience of the other woman, including her history, character, behavior, ideologies, and desires. This study explored how and why other women are <i>othered </i> (i.e., cast out or rejected) in society, and the resultant effects upon them. A further goal of the work was to understand the dynamics of the triadic relationship from the other woman's point of view and to find ways to ease the pain experienced by all parties involved in and affected by these often complex and problematic relationships, which can lead to severe suffering, alienation, heartbreak, and in extreme cases, even murder or suicide. </p><p> Although she has been with us for eons, the other woman's true identity has been all but erased from existence. She has been buried in the shadows of society's taboos, relegated to the role of the scapegoat, and burdened with carrying negative projections of an ill-begotten stereotype. Using Carl Jung's theories of the archetypes and complexes and James Hillman and Pat Berry's archetypal psychology, the researcher explored and contrasted the lived experiences of the other woman stereotype and the other woman archetype portrayed in film over the last hundred years, as well as women in history, including pioneering feminist, Anaïs Nin, and the mother of depth psychology, Sabina Spielrein. The other woman archetype proved to be elusive because her identity has been mostly usurped by negative stereotypes. Further, the problems resulting from othering the other woman do not rest in the dyad or in the triadic relationship, but originate with the problem of the imbalance of masculine and feminine energy on the planet. </p><p> The researcher concludes with the hope that the other woman can be re-visioned as just "another woman," on an individuation journey towards the Whole Woman archetype. Keywords: Affairs, Betrayal, Feminism, Film, Individuation, Infidelity, Othering, <i>Whole Woman</i> Archetype </p>

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Books on the topic "Anais Nin"

1

Elżbieta, Delis-Modzelewska, ed. Anais: Życie erotyczna Anais Nin. Warszawa: Sic!, 2006.

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Merchant, Hoshang. In-discretions, Anais Nin. Calcutta: Writers Workshop, 1990.

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1939-, Franklin Benjamin, ed. The portable Anais Nin. San Antonio, TX: Sky Blue Press, 2011.

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Bair, Deirdre. Anais Nin: A biography. London: Bloomsbury, 1996.

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1941-, Jason Philip K., ed. The critical response to Anais Nin. Westport, Conn: Greenwood Press, 1996.

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1939-, Franklin Benjamin, ed. Recollections of Anaïs Nin. Athens: Ohio University Press, 1996.

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Nin, Anaïs. Conversations with Anaïs Nin. Jackson: University Press of Mississippi, 1994.

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J, Hinz Evelyn, ed. A woman speaks: The lectures, seminars and interviews of Anaïs Nin. London: Penguin, 1992.

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Bair, Deirdre. Anaïs Nin: A biography. New York: Putnam, 1995.

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Bair, Deirdre. Anaïs Nin: A biography. London: Bloomsbury, 1995.

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Book chapters on the topic "Anais Nin"

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Krugmann, Susanne. "Nin, Anaïs." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12218-1.

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Oropeza, Clara. "Anaïs Nin." In Anaïs Nin, 1–16. Abingdon, Oxon ; New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315164885-1.

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Balakian, Anna. "Anaïs Nin, the Poet." In Anaïs Nin Literary Perspectives, 63–78. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25505-4_5.

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Seybert, Gislinde. "Anaïs Nin (1903–1977)." In Frauenliebe Männerliebe, 316–21. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03666-7_70.

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Krugmann, Susanne. "Nin, Anaïs: Das Prosawerk." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_12219-1.

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Oropeza, Clara. "(Un)veiling incest." In Anaïs Nin, 53–80. Abingdon, Oxon ; New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315164885-4.

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Oropeza, Clara. "The literary credo of a diarist and novelist as traced in Incest: From A Journal of Love and Winter of Artifice." In Anaïs Nin, 81–89. Abingdon, Oxon ; New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315164885-5.

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Oropeza, Clara. "Myth, monsters and art." In Anaïs Nin, 90–102. Abingdon, Oxon ; New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315164885-6.

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Oropeza, Clara. "Epilogue." In Anaïs Nin, 103–11. Abingdon, Oxon ; New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315164885-7.

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Oropeza, Clara. "Anaïs Nin’s expurgated diaries Volume One (1931–1934) and Two (1934–1939)." In Anaïs Nin, 17–35. Abingdon, Oxon ; New York : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315164885-2.

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Conference papers on the topic "Anais Nin"

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Araujo, Guilherme B., Maycon L. M. Peixoto, and Leobino N. Sampaio. "NDN4IVC: Um Arcabouço para Simulação e Experimentação de Aplicações em Redes Veiculares de Dados Nomeados." In Anais Estendidos do Simpósio Brasileiro de Redes de Computadores e Sistemas Distribuídos. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/sbrc_estendido.2021.17152.

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Este trabalho apresenta um arcabouço (NDN4IVC) personalizado para simular e testar sistemas de transporte inteligentes e aplicações em redes veiculares de dados nomeados (V-NDN). O projeto utiliza dois simuladores bem conhecidos na literatura para simulação de VANET, um simulador de rede baseado em eventos discretos (Ns-3), com módulo ndnSIM instalado, e o Sumo, um simulador de tráfego rodoviário e mobilidade. O NDN4IVC permite a comunicação bidirecional entre o Sumo e o Ns-3 e integra toda pilha NDN e NFD (NDN Forwarding Daemon). O projeto também agrega um conjunto abrangente de códigos, modelos, funcionalidades e tecnologias para facilitar o desenvolvimento de propostas e protocolos em V-NDN.

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Kumar, Naresh, Anwar Shahzad Siddiqui, and Rajveer Singh. "ANFIS Controller-Based Grid Tied Nine Level Multilevel Inverter with Hybrid Power Generation for Power Quality Improvement." In 2022 International Conference on Breakthrough in Heuristics And Reciprocation of Advanced Technologies (BHARAT). IEEE, 2022. http://dx.doi.org/10.1109/bharat53139.2022.00045.

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Teichrieb, Veronica, Francisco Simões, Lucas Figueiredo, João Paulo Lima, João Marcelo Teixeira, Rafael Roberto, Alana Da Gama, Thiago Chaves, Arlindo Gomes, and Maria Euzébio. "Voxar Labs." In Anais Estendidos do Simpósio de Realidade Virtual e Aumentada. Sociedade Brasileira de Computação, 2020. http://dx.doi.org/10.5753/svr_estendido.2020.12974.

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Voxar Labs is a research group focused in augmenting experiences through research, innovation and collaboration with academia and industry. It develops cutting-edge multi-disciplinary research in the large area of Spatial Computing, tackling the inner areas of Extended Reality, Computer Vision and Natural Interaction. The laboratory aims to create impact through R&D&I, technology transfer, scientific publications, patents and human-resources formation. It is one of the most productive Augmented Reality research groups in the Latin America, also being recognized with seven best papers and ten first-place competitions’ prizes over the nine years of its existence. Voxar Labs is part of the Informatics Center of the Federal University of Pernambuco, located in Recife – Pernambuco, Brazil.

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Doza, Bianca da Silva, Kelyan Lago dos Anjos, Vanessa da Luz Oliveira, Almir Figueira Filho, and Lucélia Perin. "O ENSINO DE GEOGRAFIA E O ESPAÇO VIVIDO: CONSTRUINDO CONHECIMENTOS A PARTIR DO MINI CENSO DA ESCOLA MUNICIPAL NINA DE ARAÚJO COSTA LINS (MANAUS-AM)." In Anais do I Congresso Amazonense de Educação ao vivo e online. Recife, Brasil: Even3, 2021. http://dx.doi.org/10.29327/134743.1-2.

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