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Books on the topic 'Analysis, appreciaton'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

The jazz experience: A guide to appreciation. Lanham, MD: University Press of America, 1987.

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2

Living with jazz: An appreciation. Fort Worth, TX: Harcourt Brace College Publishers, 1996.

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3

C, Ward Geoffrey, ed. Moving to higher ground: How jazz can change your life. New York: Random House, 2008.

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4

Michael, Steinberg. The symphony: A listener's guide. New York: Oxford University Press, 1995.

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5

Ross, Alex. The Farthest Place: The Music of John Luther Adams. Edited by Bernd Herzogenrath. Boston, MA: Northeastern University Press, 2012.

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6

Ross, Alex. The Farthest Place: The Music of John Luther Adams. Edited by Bernd Herzogenrath. Boston, MA: Northeastern University Press, 2012.

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7

Williams, Graham. Liszt Sonata in B minor. Leeds: Mayflower Enterprises, 1991.

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8

White, John David. Comprehensive musical analysis. Landham, Md: Scarecrow Press, 2003.

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9

Comprehensive musical analysis. Metuchen, N.J: Scarecrow Press, 1994.

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10

Hoffer, Charles R. The understanding of music. 6th ed. Belmont, Calif: Wadsworth Pub. Co., 1989.

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11

author, Antokoletz Elliott, ed. Music and twentieth-century tonality: Harmonic progression based on modality and the interval cycles. New York: Routledge, 2012.

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12

The understanding of music. 5th ed. Belmont, Calif: Wadsworth Pub. Co., 1985.

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13

Eduardo, Plaza A., ed. El lenguaje de la música: Lecciones populares sobre música. 2nd ed. Caracas: Universidad Central de Venezuela, Dirección de Cultura, 1985.

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14

A guide to organ music. Portland, OR: Amadeus Press, 1986.

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15

Lukas, Viktor. A guide to organ music. Portland, Or: Amadeus Press, 1989.

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16

Caballero, Ricardo J. Persistent appreciations and overshooting: A normative analysis. Cambridge, Mass: National Bureau of Economic Research, 2007.

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17

Caballero, Ricardo J. Persistent appreciations and overshooting: A normative analysis. Cambridge, MA: Massachusetts Institute of Technology, Dept. of Economics, 2007.

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18

Excursions in world music. 6th ed. Upper Saddle River, N.J: Pearson, 2012.

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19

Untersuchungen zu den Streichquartetten von Robert Volkmann (1815-1883): Ein Komponist zwischen Schumann und Brahms. Frankfurt am Main: P. Lang, 1996.

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20

The foundations of rock: From Blue suede shoes to Suite : Judy blue eyes. New York: Oxford University Press, 2009.

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21

Da xue sheng yin yue su yang. Zhengzhou Shi: Zhengzhou da xue chu ban she, 2009.

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22

Petersen, Peter. Hans Werner Henze: Werke der Jahre 1984-1993. Mainz: Schott, 1995.

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23

Hoskins, Robert H. B. Just like us: Aspects of New Zealand music. Wellington, N.Z: Steele Roberts Aotearoa, 2011.

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24

Foil, David. Beethoven, the symphonies: Symphony no. 5 in C minor, opus 67, Symphony no. 6 in F, opus 68 ("Pastoral"). New York: Black Dog & Leventhal Publishers, 1995.

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25

Varga, Ovidiu. Wolfgang Amadeus Mozart. București: Editura Muzicală, 1988.

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26

Schubert's theater of song: A listener's guide. New York: Amadeus Press, 2009.

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27

Young, John Bell. Beethoven's symphonies: A guided tour. New York, NY: Amadeus Press, 2008.

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28

Gary, Tomlinson, and Kerman Vivian, eds. Listen. 5th ed. Boston: Bedford/St. Martin's, 2004.

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29

Gary, Tomlinson, and Kerman Vivian, eds. Listen. 4th ed. Boston: Bedford/St. Martin's, 2000.

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30

Gary, Tomlinson, and Kerman Vivian, eds. Listen. 6th ed. Boston: Bedford/St. Martin's, 2008.

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31

Kerman, Joseph. Listen. New York: Worth Publishers, 1987.

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32

Vivian, Kerman, ed. Listen. 2nd ed. New York, N.Y: Worth Publishers, 1991.

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33

Kerman, Joseph. Listen. 3rd ed. New York, N.Y: Worth Publishers, 1986.

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34

Vivian, Kerman, ed. Listen. 3rd ed. New York, N.Y: Worth Publishers, 1996.

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35

Foil, David. Mozart : the piano concerti: No. 20 in D minor, K. 466 ; No. 21 in C, K. 467. New York: Black Dog & Leventhal Publishers, 1995.

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36

Lee, M. Owen. A season of opera: From Orpheus to Ariadne. Toronto: University of Toronto Press, 1998.

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37

Larson, Steve. Analyzing jazz: A Schenkerian approach. Hillsdale, NY: Pendragon, 2009.

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38

Xin yin yue zuo pin fen xi jiao cheng. Changsha Shi: Hunan wen yi chu ban she, 2004.

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39

Susanni, Paolo. Music and twentieth-century tonality: Harmonic progression based on modality and the interval cycles. New York: Routledge, 2012.

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40

Analyzing jazz: A Schenkerian approach. Hillsdale, NY: Pendragon, 2009.

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41

Interpreting Chopin: Analysis and performance. Burlington, VT: Ashgate, 2014.

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42

The contribution of Grażyna Bacewicz (1909-1969) to Polish music. Lewiston, N.Y: E. Mellen Press, 1992.

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43

Schloen, Silke. Armida: Dramma eroico : 1783 : herausgegeben von Wilhelm Pfannkuch : kritischer Bericht. München: G. Henle Verlag, 2003.

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44

Die Ritornell-Arien der Weimarer Kantaten Johann Sebastian Bachs 1714-1716. Köln: Dohr, 2007.

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45

Albrecht, George Alexander. Die Symphonien von Gustav Mahler: Eine Einführung : "Was uns mit mystischer Gewalt hinanzieht-- ". Hameln: Niemeyer, 1992.

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46

Paul Hindemiths Einakter-Triptychon: "Mörder, Hoffnung der Frauen", "Das Nusch-Nuschi" und "Sancta Susanna". Tutzing: H. Schneider, 1986.

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47

Waugh, Alexander. Opera: A new way of listening. New York: De Agostini Editions, 1996.

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48

Short Story Understanding Analysis and Appreciation. William C Brown Pub, 1991.

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49

Tirro, Frank. Living With Jazz: An Appreciation. Schirmer, 1995.

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50

Goodrich, A. J. Complete Musical Analysis. Kessinger Publishing, LLC, 2004.

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